Dude Seeing These Mega High Quality Images Of The Surface Of Mars That We Now Have Has Me Fucked Up.

“Never give up on a dream just because of the time it will take to accomplish it. The time will pass anyway.”

— Earl Nightingale

it strikes me as somewhat uncomfortable that so many people focus on asian stories only after the events of the past couple of days. people dm me for the first time in months and asian creators get spotlighted (which is lovely), and yet it feels so performative. why? because so many of these ppl dming me and whatnot have never been interested in interacting diverse content or speaking out about the stories of poc—it’s like they’re doing this to solely gain brownie points. in a few months’ time, they won’t be doing all this anymore. they’ll go back to their silence, to not caring about asian creators. that’s what makes it performative. the stories of asian people shouldn’t be heard and spread only when they’ve been murdered and/or when their pain finally makes it onto news headlines.

You know what the second I stopped saying “I wish I had a friend who-“ and started being “the friend who-“ my life has gotten 100% more fulfilling

the default way for things to taste is good. we know this because "tasty" means something tastes good. conversely, from the words "smelly" and "noisy" we can conclude that the default way for things to smell and sound is bad. interestingly there are no corresponding adjectives for the senses of sight and touch. the inescapable conclusion is that the most ordinary object possible is invisible and intangible, produces a hideous cacophony, smells terrible, but tastes delicious. and yet this description matches no object or phenomenon known to science or human experience. so what the fuck

“The closer rebel characters come to a definable ideology, the more likely they are to be written as villains. At the same time, the emotive aspects of rebellion - the heroism of the underdog, the thrill of fighting the power - are rendered safe for public consumption by taking out any explicit political ideology. … The effect of all this is to suggest that violence is somehow more sympathetic the less its perpetrators believe - that heroism decreases the more detailed your policy proposals get. If Luke Skywalker was fighting for galactic communism, or Daenerys intended to create a series of peasants’ councils to govern Westeros, or Harry Potter wanted to smash the Ministry of Magic and overturn wizard supremacy, we would have to confront serious and difficult questions about when political violence is appropriate, for whose benefit, and for what purposes. I don’t believe those are questions pop culture is incapable of asking. They are questions we do not want to ask.”

— Alister MacQuarrie, Outlaw Kings and Rebellion Chic (via secularbakedgoods)

I Held a Swastika.

Part of my hospital chaplaincy duties is to write a reflection on how it’s going. Identities may be altered for privacy. All the writings are here.

—

The nurse told me that the patient, Willard, had taken a bite out of another nurse. He had swung at one of the doctors and thrown urine at a surgeon. Willard had multiple organ failure and he couldn’t walk; he kept demanding to go home. “Get me a wheelchair, I’ll flop in and ride over you people.” The staff kept trying to get him to stay, to get treated, despite his violent non-compliance: because nurses and doctors have the guts to look past that stuff.

They called for a chaplain to ask about Willard’s family members, to see if anyone could pick him up when he was discharged. I was the lucky chaplain who took the order.

When I walked in, I immediately noticed the patient had a tattoo of a heart on his hand, near the inner-fold of his thumb, with a swastika in the middle of the heart. The cognitive dissonance was startling. Not “I love mom” or his wife’s name, I thought, with a bit of snark. But hate in your heart. Very subtle.

“He’s one of those, you know, angry old fogeys,” the nurse had whispered right before I walked in. The nurse was a Middle Eastern man, about my age, and I couldn’t imagine the awful things he had to go through with this patient the last few days.

My eyes locked on the swastika first. The symbol held a terrible place in my memory: when I was a kid, someone had spraypainted a red swastika next to the front door of my dad’s business. Though my dad had tried to paint over it, I could still see it on hot summer days, a scar on the wall and a scar in my head, a mad throbbing declaration of all the world’s ugliness dripping in crimson. I still dream about it sometimes, and in the dream I’ll peer down at my wrists, which are engraved with the same red marks down to the veins.

The patient, Willard, saw me and said, “Thank God, a chaplain, finally someone who can hear me.”

But I don’t want to hear you, I thought. And a sick part of me also thought, You deserve this. I hope you never leave. Then you can’t hurt anyone out there.

He said, “Look, I see your face, I’m not trying to hurt anybody. You get it? I just want to go home. Fetch me a f__ing wheelchair, would you?.”

Willard got louder. He clenched his fists and waved them around. It was rather sad to see someone so animated and aggressive while pinned down to a bed, like the blanket had eaten his lower half and he was trying to crawl out. “Come on, I told you people that I wouldn’t hurt nobody. I got a dozen things wrong with me, I’m not a danger to you, I want to go home and to die in peace. You hear me? I’m ready to go home and die.”

He went on like this for over a minute. That’s a long time to stand there and let someone monologue with escalating hysteria. He dropped more f-bombs and jabbed a finger at me and tried to point at the whole hospital. His voice got so loud that I was worried about the patients nearby, and that maybe the nurse would call security, or that Willard himself would keel over. At several points it looked like he wanted to hop out of the bed and punch my ankles. The strange swastika-heart tattoo flashed before me like a flag on fire.

I had half a mind to leave. I didn’t have to stay. I didn’t want to stay. I kept looking at that swastika. I kept thinking he deserved to be here, to be sick and sorry and helpless.

When Willard stopped talking for a moment, I said the only thing I could think of.

“I’m sorry, Mr. Willard. It sounds like you have a lot going on and it’s been really hard for you.”

He said, “Yes, yes it’s been hard. I swear, I’m not a bad person.” And he burst into tears.

Just like that, his face flipped from anger to grief, and his entire body melted into the bed. Just a broken down old man, crying.

Then he motioned so I could hold his hand. He needed me to hold that hand.

For a second, I stood there, confused and bewildered and infuriated. This is not okay, I thought. You’re everything I hate about the world. Why would you think this is okay?

I pictured two of me, one turning about face and never looking back and absolutely unable to endorse what this guy stood for, and the other me stepping forward in an ostensible betrayal of my deepest values, of my father, of that little child who had to ask why someone would paint such a dirty symbol of hatred over us. I remembered going with my dad to buy new paint, his face set and smiling and determined to be better than this, to make it in a harsh, lonely country that never fully welcomed him, but that he welcomed anyway, because he dared to believe in bigger dreams than the ones that had been painted for him. And I wondered if we were ever going to make it like this, that if we walked away from each other that we would ever heal, and if maybe the very same hands that could carve such scars could also build a life through those wounds, too.

Dad, you showed me something better. You dreamed bigger. You built the dream in me.

So I stepped forward anyway.

I held that man’s hand. I held his swastika, that ugly little tattoo with the heart tattooed around it. 

Willard sobbed, loudly. I asked if he believed in prayer, and he did. I prayed. When I finished, I tried to pull my hand back, but he wasn’t having it. The nurse walked in, a little alarmed, giving me that look: This guy is a real human being who cries, huh?

The nurse prepared a syringe and gave Willard a few shots. My hand was nearly crushed. Willard kept sobbing; I must’ve held his hand for fifteen minutes while he wept and wept. I was silent. No words would work here. And at some point, our hands together, I didn’t want to leave anymore. This all made sense somehow, some kind of crazy giddy exuberant kind of sense, like God or the universe or fate had aligned and unlocked and we were exactly as we were meant to be. I still wasn’t entirely comfortable, and I wasn’t okay with all this man represented: but I pictured a river breaking through, breaking up our old walls and taking down the guard-posts and making the roads new. I wish I could describe the lightness in my being right then, a kind of diffused outwardness from my elbow to my fingertips, like my arm was stretching with a pulse. We were painting something different, maybe for our first time. I didn’t think this made the “bigger person,” because I had every instinct to leave, and there were plenty of times I had failed at this before. I only knew that I had to choose against myself, and choices like this matter, maybe more than the ones we want right now.

When we parted, Willard looked up at me with eyes brimming red.

He didn’t say anything. He only nodded. And inexplicably, we both laughed, just once. I don’t know why we laughed, but it was good.

Later, I told my fellow chaplain, “I have to tell you the craziest story.”

And my friend, at the end, laughed at the obvious symbolism.

“I guess you were the heart around that guy’s swastika.”

I could only nod. I was my father, painting over old scars.

— J.S.

like there’s this whole thing in this book about how your brain grows stronger and healthier by practicing responding to stress in healthy ways,

because if a stressor is predictable and you feel a sense of control over it, you habituate and stop reacting to it,

but if it’s random and unpredictable you have the opposite response and become sensitized, so your reaction actually gets more and more extreme.

(if you hear a loud noise at predictable intervals you’ll soon stop noticing or reacting, but if you hear it at random intervals you’ll become sensitive to it and anxious.)

so one way to help people who have adverse reactions to reminders of trauma is to give them control over how they’re reminded of the trauma,

because it helps the brain practice responding to stress in a safe way so you can habituate to the stress response.

which is why if someone tags something for a trigger and you still choose to look,

it’s actually an act of healthy resistance against your reaction to that trigger (because it teaches your brain to habituate),

but encountering something triggering in a random and unpredictable way actually increases your stress response and makes you more sensitive to the trigger.

so people who are against trigger warnings because “you have to learn to cope” are actually taking away your tools for learning to cope,

because encountering stressors in a way that further strips you of control over your trauma is never, ever helpful.

it’s a lot of stuff i kind of knew but integrated and explained with more context and science