MerMay!! Ineffable husbands with The Little Mermaid vibe.đ§
đłď¸ââ§ď¸Happy Trans Day of Visibility 2025đłď¸ââ§ď¸
I love you all, my trans beans đЎ
You are seen. You are loved. You will always be safe with me đЎ
Be proud of yourself. Be proud of your scars. Theyâre beautifulđЎđŠľđ¤
Crowley found out that Aziraphale had put an extra bookshelf in the backroom of the bookshop on a measly Monday morning. When Muriel took him to the back and showed him the hidden cd collection behind a collection of books about dowdy fabric patterns they asked him whether he knew what the bookshelf was for. His breath hitched for a moment. Behind his glasses he blinked a couple of times. And he growled how the fuck should I know Muriel. He stalked off - looking his worst* murdery murderous look - slamming the bookshop door behind him, and hating the cheerful jingling with all his heart. Around the corner he relieved some of his feelings by shouting at some quivering nettles**.
It turned out that Aziraphale had co-opted Maggie's help in finding 'bebop' music. While Aziraphale did not really listen to that sort of music, he did have an extraordinary good memory. He had memorised many of the cd's Crowley had listened to. And collected them for some inexplicable reason. Crowley didn't get it. He didn't know why Aziraphale hadn't told him about this. He didn't get it. But he knew why of course.
Later that day he returned to the bookshop and slipped quietly into the backroom. He closed the door softly and took a deep breath. Smelling the dusty musty books always made him feel close to... He slowly ran a finger over the albums. Thinking back to those moments in the bentley listening together. Listening alone. Wondering. How long it would take for his angel to come back to him.
*so that means best depending how you look at it.
**The nettle, very confused and not having experienced demonic energies before, promptly grew a bright blue flower in between its pink ones. When Crowley saw that he stopped shouting and caressed the flower softly.
My latest Guardian Books cartoon. Inspired by this news story.
Okay, letâs be realâdialogue can make or break a scene. You want your characters to sound natural, like actual humans talking, not robots reading a script. So, how do you write dialogue that feels real without it turning into a mess of awkward pauses and âumsâ? Hereâs a little cheat sheet of what real people actually do when they talk (and you can totally steal these for your next story):
1. People Interrupt Each Other All the Time In real conversations, nobody waits for the perfect moment to speak. We interrupt, cut each other off, and finish each other's sentences. Throw in some overlaps or interruptions in your dialogue to make it feel more dynamic and less like a rehearsed play.
2. They Donât Always Say What They Mean Real people are masters of dodging. Theyâll say one thing but mean something totally different (hello, passive-aggressive banter). Or theyâll just avoid the question entirely. Let your characters be vague, sarcastic, or just plain evasive sometimesâit makes their conversations feel more layered.
3. People Trail Off... We donât always finish our sentences. Sometimes we just... stop talking because we assume the other person gets what weâre trying to say. Use that in your dialogue! Let a sentence trail off into nothing. It adds realism and shows the comfort (or awkwardness) between characters.
4. Repeating Words Is Normal In real life, people repeat words when theyâre excited, nervous, or trying to make a point. Itâs not a sign of bad writingâitâs how we talk. Let your characters get a little repetitive now and then. It adds a rhythm to their speech that feels more genuine.
5. Fillers Are Your Friends People say "um," "uh," "like," "you know," all the time. Not every character needs to sound polished or poetic. Sprinkle in some filler words where it makes sense, especially if the character is nervous or thinking on their feet.
6. Not Everyone Speaks in Complete Sentences Sometimes, people just throw out fragments instead of complete sentences, especially when emotions are high. Short, choppy dialogue can convey tension or excitement. Instead of saying âI really think we need to talk about this,â try âWe need to talk. Now.â
7. Body Language Is Part of the Conversation Real people donât just communicate with words; they use facial expressions, gestures, and body language. When your characters are talking, think about what theyâre doingâare they fidgeting? Smiling? Crossing their arms? Those little actions can add a lot of subtext to the dialogue without needing extra words.
8. Awkward Silences Are Golden People donât talk non-stop. Sometimes, they stop mid-conversation to think, or because things just got weird. Donât be afraid to add a beat of awkward silence, a long pause, or a meaningful look between characters. It can say more than words.
9. People Talk Over Themselves When They're Nervous When weâre anxious, we tend to talk too fast, go back to rephrase what we just said, or add unnecessary details. If your characterâs nervous, let them ramble a bit or correct themselves. Itâs a great way to show their internal state through dialogue.
10. Inside Jokes and Shared History Real people have history. Sometimes they reference something that happened off-page, or they share an inside joke only they get. This makes your dialogue feel lived-in and shows that your characters have a life beyond the scene. Throw in a callback to something earlier, or a joke only two characters understand.
11. No One Explains Everything People leave stuff out. We assume the person weâre talking to knows what weâre talking about, so we skip over background details. Instead of having your character explain everything for the readerâs benefit, let some things go unsaid. Itâll feel more naturalâand trust your reader to keep up!
12. Characters Have Different Voices Real people donât all talk the same way. Your characters shouldnât either! Pay attention to their unique quirksâdoes one character use slang? Does another speak more formally? Maybe someoneâs always cutting people off while another is super polite. Give them different voices and patterns of speech so their dialogue feels authentic to them.
13. People Change the Subject In real life, conversations donât always stay on track. People get sidetracked, jump to random topics, or avoid certain subjects altogether. If your characters are uncomfortable or trying to dodge a question, let them awkwardly change the subject or ramble to fill the space.
14. Reactions Arenât Always Immediate People donât always respond right away. They pause, they think, they hesitate. Sometimes they donât know what to say, and that delay can speak volumes. Give your characters a moment to process before they respondâitâll make the conversation feel more natural.
"You idiot. We could have been... US."
this is a part of a collab we did with like 7 other peeps to illustrate quotes from the second season of good omens
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(PLEASE DONâT COPY/EDIT/USE/REPOST, REBLOG INSTEAD)
Alphabetical order
Good omens ineffable husbands
South downs
Writing Tips
Punctuating Dialogue
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⸠âThis is a sentence.â
⸠âThis is a sentence with a dialogue tag at the end,â she said.
⸠âThis,â he said, âis a sentence split by a dialogue tag.â
⸠âThis is a sentence,â she said. âThis is a new sentence. New sentences are capitalized.â
⸠âThis is a sentence followed by an action.â He stood. âThey are separate sentences because he did not speak by standing.â
⸠She said, âUse a comma to introduce dialogue. The quote is capitalized when the dialogue tag is at the beginning.â
⸠âUse a comma when a dialogue tag follows a quote,â he said.
âUnless there is a question mark?â she asked.
âOr an exclamation point!â he answered. âThe dialogue tag still remains uncapitalized because itâs not truly the end of the sentence.â
⸠âPeriods and commas should be inside closing quotations.â
⸠âHey!â she shouted, âSometimes exclamation points are inside quotations.â
However, if itâs not dialogue exclamation points can ask be âoutsideâ!
⸠âDoes this apply to question marks too?â he asked.
If itâs not dialogue, can question marks be âoutsideâ? (Yes, they can.)
⸠âThis applies to dashes too. Inside quotations dashes typically expressââ
âInterruptionâ â but there are situations dashes may be outside.
⸠âYouâll notice that exclamation marks, question marks, and dashes do not have a comma after them. Ellipses donât have a comma after them eitherâŚâ she said.
⸠âMy teacher said, âUse single quotation marks when quoting within dialogue.ââ
⸠âUse paragraph breaks to indicate a new speaker,â he said.
âThe readers will know itâs someone else speaking.â
đˇđżSpring angel đżđˇ
Okay ngh Iâm really nervous to post this but hERE WE GO :|
,, Iâm not very good at anatomy but I am stubborn and wanted to draw this anyway
,, Iâll try to open commissions soon but I keep procrastinating:â)
totally inaccurate but I had such a tough day and I needed (Bildad) I mean, to laugh, very muchâ¨
⢠An angel and a demon in the desert â˘
Bildaddy is not very fond to patience.
Diversity win! The horniest person you know is on the asexual spectrum
She/her, pan, ace, 40s | more silliness in my life please | (day)dreamer | voracious reader | music chaser
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