MerMay!! Ineffable Husbands With The Little Mermaid Vibe.🧜

MerMay!! Ineffable Husbands With The Little Mermaid Vibe.🧜
MerMay!! Ineffable Husbands With The Little Mermaid Vibe.🧜

MerMay!! Ineffable husbands with The Little Mermaid vibe.🧜

More Posts from Thechangelingsea and Others

1 month ago

🏳️‍⚧️Happy Trans Day of Visibility 2025🏳️‍⚧️

🏳️‍⚧️Happy Trans Day Of Visibility 2025🏳️‍⚧️

I love you all, my trans beans 🩷

You are seen. You are loved. You will always be safe with me 🩷

Be proud of yourself. Be proud of your scars. They’re beautiful🩷🩵🤍


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11 months ago
Crowley Found Out That Aziraphale Had Put An Extra Bookshelf In The Backroom Of The Bookshop On A Measly

Crowley found out that Aziraphale had put an extra bookshelf in the backroom of the bookshop on a measly Monday morning. When Muriel took him to the back and showed him the hidden cd collection behind a collection of books about dowdy fabric patterns they asked him whether he knew what the bookshelf was for. His breath hitched for a moment. Behind his glasses he blinked a couple of times. And he growled how the fuck should I know Muriel. He stalked off - looking his worst* murdery murderous look - slamming the bookshop door behind him, and hating the cheerful jingling with all his heart. Around the corner he relieved some of his feelings by shouting at some quivering nettles**.

It turned out that Aziraphale had co-opted Maggie's help in finding 'bebop' music. While Aziraphale did not really listen to that sort of music, he did have an extraordinary good memory. He had memorised many of the cd's Crowley had listened to. And collected them for some inexplicable reason. Crowley didn't get it. He didn't know why Aziraphale hadn't told him about this. He didn't get it. But he knew why of course.

Later that day he returned to the bookshop and slipped quietly into the backroom. He closed the door softly and took a deep breath. Smelling the dusty musty books always made him feel close to... He slowly ran a finger over the albums. Thinking back to those moments in the bentley listening together. Listening alone. Wondering. How long it would take for his angel to come back to him.

*so that means best depending how you look at it.

**The nettle, very confused and not having experienced demonic energies before, promptly grew a bright blue flower in between its pink ones. When Crowley saw that he stopped shouting and caressed the flower softly.

Title: Attracting new customers to our bookshop with rebranded bookshelves. Image: In a bookshop four customers (a young person, a music fan, a beachgoer and a horse) browse the shelves. The sections are labelled TikTok, HipHop, FlipFlop and ClipClop.

My latest Guardian Books cartoon. Inspired by this news story.


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6 months ago

Things Real People Do in Dialogue (For Your Next Story)

Okay, let’s be real—dialogue can make or break a scene. You want your characters to sound natural, like actual humans talking, not robots reading a script. So, how do you write dialogue that feels real without it turning into a mess of awkward pauses and “ums”? Here’s a little cheat sheet of what real people actually do when they talk (and you can totally steal these for your next story):

1. People Interrupt Each Other All the Time In real conversations, nobody waits for the perfect moment to speak. We interrupt, cut each other off, and finish each other's sentences. Throw in some overlaps or interruptions in your dialogue to make it feel more dynamic and less like a rehearsed play.

2. They Don’t Always Say What They Mean Real people are masters of dodging. They’ll say one thing but mean something totally different (hello, passive-aggressive banter). Or they’ll just avoid the question entirely. Let your characters be vague, sarcastic, or just plain evasive sometimes—it makes their conversations feel more layered.

3. People Trail Off... We don’t always finish our sentences. Sometimes we just... stop talking because we assume the other person gets what we’re trying to say. Use that in your dialogue! Let a sentence trail off into nothing. It adds realism and shows the comfort (or awkwardness) between characters.

4. Repeating Words Is Normal In real life, people repeat words when they’re excited, nervous, or trying to make a point. It’s not a sign of bad writing—it’s how we talk. Let your characters get a little repetitive now and then. It adds a rhythm to their speech that feels more genuine.

5. Fillers Are Your Friends People say "um," "uh," "like," "you know," all the time. Not every character needs to sound polished or poetic. Sprinkle in some filler words where it makes sense, especially if the character is nervous or thinking on their feet.

6. Not Everyone Speaks in Complete Sentences Sometimes, people just throw out fragments instead of complete sentences, especially when emotions are high. Short, choppy dialogue can convey tension or excitement. Instead of saying “I really think we need to talk about this,” try “We need to talk. Now.”

7. Body Language Is Part of the Conversation Real people don’t just communicate with words; they use facial expressions, gestures, and body language. When your characters are talking, think about what they’re doing—are they fidgeting? Smiling? Crossing their arms? Those little actions can add a lot of subtext to the dialogue without needing extra words.

8. Awkward Silences Are Golden People don’t talk non-stop. Sometimes, they stop mid-conversation to think, or because things just got weird. Don’t be afraid to add a beat of awkward silence, a long pause, or a meaningful look between characters. It can say more than words.

9. People Talk Over Themselves When They're Nervous When we’re anxious, we tend to talk too fast, go back to rephrase what we just said, or add unnecessary details. If your character’s nervous, let them ramble a bit or correct themselves. It’s a great way to show their internal state through dialogue.

10. Inside Jokes and Shared History Real people have history. Sometimes they reference something that happened off-page, or they share an inside joke only they get. This makes your dialogue feel lived-in and shows that your characters have a life beyond the scene. Throw in a callback to something earlier, or a joke only two characters understand.

11. No One Explains Everything People leave stuff out. We assume the person we’re talking to knows what we’re talking about, so we skip over background details. Instead of having your character explain everything for the reader’s benefit, let some things go unsaid. It’ll feel more natural—and trust your reader to keep up!

12. Characters Have Different Voices Real people don’t all talk the same way. Your characters shouldn’t either! Pay attention to their unique quirks—does one character use slang? Does another speak more formally? Maybe someone’s always cutting people off while another is super polite. Give them different voices and patterns of speech so their dialogue feels authentic to them.

13. People Change the Subject In real life, conversations don’t always stay on track. People get sidetracked, jump to random topics, or avoid certain subjects altogether. If your characters are uncomfortable or trying to dodge a question, let them awkwardly change the subject or ramble to fill the space.

14. Reactions Aren’t Always Immediate People don’t always respond right away. They pause, they think, they hesitate. Sometimes they don’t know what to say, and that delay can speak volumes. Give your characters a moment to process before they respond—it’ll make the conversation feel more natural.

Important note: Please don’t use all of these tips in one dialogue at once.


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1 month ago
"You Idiot. We Could Have Been... US."

"You idiot. We could have been... US."

this is a part of a collab we did with like 7 other peeps to illustrate quotes from the second season of good omens

-

(PLEASE DON’T COPY/EDIT/USE/REPOST, REBLOG INSTEAD)


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2 weeks ago
Alphabetical Order
Alphabetical Order
Alphabetical Order
Alphabetical Order

Alphabetical order

Good omens ineffable husbands

South downs


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2 months ago

Writing Tips

Punctuating Dialogue

✧

➸ “This is a sentence.”

➸ “This is a sentence with a dialogue tag at the end,” she said.

➸ “This,” he said, “is a sentence split by a dialogue tag.”

➸ “This is a sentence,” she said. “This is a new sentence. New sentences are capitalized.”

➸ “This is a sentence followed by an action.” He stood. “They are separate sentences because he did not speak by standing.”

➸ She said, “Use a comma to introduce dialogue. The quote is capitalized when the dialogue tag is at the beginning.”

➸ “Use a comma when a dialogue tag follows a quote,” he said.

“Unless there is a question mark?” she asked.

“Or an exclamation point!” he answered. “The dialogue tag still remains uncapitalized because it’s not truly the end of the sentence.”

➸ “Periods and commas should be inside closing quotations.”

➸ “Hey!” she shouted, “Sometimes exclamation points are inside quotations.”

However, if it’s not dialogue exclamation points can ask be “outside”!

➸ “Does this apply to question marks too?” he asked.

If it’s not dialogue, can question marks be “outside”? (Yes, they can.)

➸ “This applies to dashes too. Inside quotations dashes typically express—“

“Interruption” — but there are situations dashes may be outside.

➸ “You’ll notice that exclamation marks, question marks, and dashes do not have a comma after them. Ellipses don’t have a comma after them either…” she said.

➸ “My teacher said, ‘Use single quotation marks when quoting within dialogue.’”

➸ “Use paragraph breaks to indicate a new speaker,” he said.

“The readers will know it’s someone else speaking.”


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11 months ago
Title: The Thorougly Engrossing Novel.  Panel one: Our hero (a pinkish egg-shaped blob with stick arms and legs) briskly walks along reading his book but - OH NO! - he is just about to walk of a cliff!  Panel Two: He has gone over the cliff!! As he falls towards heaven-knows-what, his attention is still fully engaged by his book.  Panels Three and Four: he has landed in the ocean and is carried out to sea. He is still reading the book as he vanishes from sight.  Panels Five and Six: Some time later, our hero is washed up in a sandy cove. The tide gently nudges him up the beach as lies on his back reading. A concerned passer-by asks "Are you ok?" and he replies "Yes, just finishing my book".  Panel seven: The book finished, he strides manfully off the beach and up a hill towards a bookshop.  Panel eight: Our hero, having visited the shop, now briskly walks along reading his NEW book but - OH NO! - he is just about to walk of a cliff!

My cartoon for this week’s Guardian Books.


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3 months ago
🌷🌿Spring Angel 🌿🌷

🌷🌿Spring angel 🌿🌷

Okay ngh I’m really nervous to post this but hERE WE GO :|

,, I’m not very good at anatomy but I am stubborn and wanted to draw this anyway

,, I’ll try to open commissions soon but I keep procrastinating:’)


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3 months ago

totally inaccurate but I had such a tough day and I needed (Bildad) I mean, to laugh, very much✨

Totally Inaccurate But I Had Such A Tough Day And I Needed (Bildad) I Mean, To Laugh, Very Much✨

• An angel and a demon in the desert •

Bildaddy is not very fond to patience.

1 year ago

Diversity win! The horniest person you know is on the asexual spectrum

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thechangelingsea - The space where there is nothing
The space where there is nothing

She/her, pan, ace, 40s | more silliness in my life please | (day)dreamer | voracious reader | music chaser

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