Creatober 2020!

Reblog this if you're a writeblr and you wouldnt mind:

Random asks about your wips

Being tagged in tag games by people you don't know yet

Strangers complimenting your work

Fellow writeblrs striking up conversations

Interaction with new writeblrs in general

I see so many folks afraid to jump in to the community, so hopefully this post will lay out like a welcome mat for new folks to come say hi :)

Something I find incredibly cool is that they’ve found neandertal bone tools made from polished rib bones, and they couldn’t figure out what they were for for the life of them. 

Until, of course, they showed it to a traditional leatherworker and she took one look at it and said “Oh yeah sure that’s a leather burnisher, you use it to close the pores of leather and work oil into the hide to make it waterproof. Mine looks just the same.” 

“Wait you’re still using the exact same fucking thing 50,000 years later???”

“Well, yeah. We’ve tried other things. Metal scratches up and damages the hide. Wood splinters and wears out. Bone lasts forever and gives the best polish. There are new, cheaper plastic ones, but they crack and break after a couple years. A bone polisher is nearly indestructible, and only gets better with age. The more you use a bone polisher the better it works.”

It’s just. 

50,000 years. 50,000. And over that huge arc of time, we’ve been quietly using the exact same thing, unchanged, because we simply haven’t found anything better to do the job. 

Drafting

The Draft Notebook 

Be More Productive with Ambient Noise 

How to Steal: Know Your Tropes 

How to Steal: Good Writers Borrow

Write What You Know (Not What You’ve Experienced)

The Best Way to End a Writing Session

How To Finish a Draft

A Few Tips on Chapters

Language, Description, & Dialog 

“To Be” Or Not “To Be”: What Exactly Is Passive Voice?

Tagging Dialog 

Narrative Voice

Writing Better Descriptions

Basic Rules for Metaphors and Similes

Character, Plot, & Setting 

Creating Characters: a 4-Step Process 

Writing Relationships Your Reader Can Get Behind

Informative Character Names

The Strength of a Symmetrical Plot 

How to Foreshadow

Crafting Homes of Paper, Ink, and Neutral PH Glue

Motivation

On Writing Flawed Books

How to Return to Your Manuscript

The Acknowledgements Page

Staring at Blank Pages

What to Do When You Can’t Write

Motivational Writing Posters

Publishing

Writing the Perfect Query Letter

How to Write a Synopsis 

How to Pitch Your Novel in Under a Minute

A Glossary of Publishing Terms: Vol 1

Writing Tools

Why You Should Give Scrivener a Try

Outlining, Brainstorming, and Researching with Scrivener

Drafting with Scrivener

Editing with Scrivener 

CTRL+F

The Forest Productivity App

Editsaurus 

NaNoWriMo

Why Try NaNoWriMo

October Prep 

Why Listen to Writing Podcasts

Pick a New Daily Word Count Goal 

How to Write 2000 Words a Day

How to Plan a Novel without a Story

Pacemaker: Custom Daily Word Count Website

NaNoWriMo Master Post

Other

How to Read an Absurd Number of Books

Writing Workshops: An Introduction

Writing Groups

Different Types of Fantasy Novels

Ambient Soundscapes Based on Famous Writers

Ko-Fi & Other Support

If you enjoy my posts and can afford it, I would greatly appreciate it if you donated to my new ko-fi page! Each of these posts represents multiple hours of unpaid labor. I love writing for this blog, but I’m also an underpaid 20-something trying to stay afloat. I’ve made this master post of every essay I’ve written for this blog as a way to show my appreciation in advance of any support. If you donate, to further show my gratitude and appreciation, I’ll take requests for essay topics in the ‘messages of support.’ 

If you can’t afford to donate via ko-fi, another great way to show your support is simply by reblogging posts that you find useful and helping my blog reach new writers. 

Thanks so much! 

Apparently a lot of people get dialogue punctuation wrong despite having an otherwise solid grasp of grammar, possibly because they’re used to writing essays rather than prose. I don’t wanna be the asshole who complains about writing errors and then doesn’t offer to help, so here are the basics summarized as simply as I could manage on my phone (“dialogue tag” just refers to phrases like “he said,” “she whispered,” “they asked”):

“For most dialogue, use a comma after the sentence and don’t capitalize the next word after the quotation mark,” she said.

“But what if you’re using a question mark rather than a period?” they asked.

“When using a dialogue tag, you never capitalize the word after the quotation mark unless it’s a proper noun!” she snapped.

“When breaking up a single sentence with a dialogue tag,” she said, “use commas.”

“This is a single sentence,” she said. “Now, this is a second stand-alone sentence, so there’s no comma after ‘she said.’”

“There’s no dialogue tag after this sentence, so end it with a period rather than a comma.” She frowned, suddenly concerned that the entire post was as unasked for as it was sanctimonious.

How to write your dragon in an accurate way: a rage fueled essay by an environmental science major

first off @camille-the-space-ghost​ thanks for encouraging me

now, this is going to be two major parts (For now i might change it later on). 1. the environment, and 2. the dragon itself. also a lot of these tips can apply to fictional creatures in general, but they’re focused around dragons.

Part 1: environment

Now one of the main things you need to know about the world is that evolution works in niches. An evolutionary niche(Nee-sh) is what your creature specializes in/what makes it distinct. There aren’t any specific terms i’ve learned for them, but for example a rabbit would be a small burrowing ground-based herbivore that specializes in numbers over long lifespans. That sets it apart from say, squirrels, which are tree-dwelling.

There are two types of niches. Fundamental Niches is all the roles a creature COULD fill. in our case, a dragon could conceivably hunt most creatures in a standard irl forest. However, its Realized Niche would probably be large animals like wolves, deer, moose, etc, because while it COULD hunt smaller creatures, it would be less efficient at hunting them, so predators like foxes and wolves would take that up. The difference is a bit more nuanced than that, but it’s not too important. What is important to know is that two species cannot have stable populations while having the exact same niche. Their niches can overlap, but if they have the same niche, eventually one will overtake and outcompete the other. This is one of the reasons why invasive species suck so bad

So if your dragon is a purely water dragon, depending on it’s size, you may want to remove some species from it’s environment. if it’s whale sized, maybe orcas and toothed whales aren’t in that environment, because the dragon eats it’s food (baleen whales are chill though because they eat another food source). Food isn’t the only component of a niche, the available space can impact it too. for instance, if your dragon eats seeds and lives in tree trunks, it might be competing with trunk-dwelling birds for space, even though it eats seeds and those birds might eat insects. in this case, the birds might be chased out if the dragon population gets too big, but if they both stay stable, they could reasonably live in the same space since their food niche is separate.

1.5: environmental storytelling.

Most animals leave impacts in their environment. some are common, like poop or footprints or bite marks. Some are rarer like woodpecker holes or beaver dams. If you want your dragon to fit in, have it make an impact on the world around it. If your dragon is big, maybe it knocked down a tree or to when it was learning to fly. If your dragon is small, maybe it likes to collect a certain color of flower, so all those flowers are picked from its area. If you’re writing your dragon to be sapient (aka thinking like a human), you can have a lot of creativity with this. I reccomend looking up bowerbirds. they have hordes too, and you can get some ideas from them.

2. the dragon

the other half of this equation is the dragon itself. This will mostly focus on behavior and looks. This is important for artists and writers alike.

Behavior: we’re getting this out of the way now.If your dragons are not sapient, take your cues from nature. large herbivores are constantly wary and are some of the most dangerous beasts, since anything is a threat. Think hippo vs lion. Both are terrifying but at least you’re kinda safe around a full lion. A full hippo still thinks you’re a threat. If it’s a smaller animal, then they might be skittish and flee quickly. Think flight vs fight priorities. If a healthy adult could reasonably take it’s main predator, it’ll fight you too. If a healthy adult could NOT take it’s main predator, it’ll flee. (think about how in monster hunter, one of the most dangerous creatures is a herbivore. aka diablos) Obviously this isn’t a constant rule but it’s good enough for most situations. If your dragon is not sapient, note that animals usually eat until they are full. they have no concept of rationing. The reason that they dont exhaust their food source is that eventually their prey gets hard enough to find, and then their populations drop, and prey populations spike again. it’s a constant back and forth, it’s rarely perfectly stable, but usually species can stay extant in the same area without problems, because it’s also rare that animals kill after they’re full.

Now if your dragon IS sapient, then you get to have fun! take your cues from human behavior (with some twists obviously). Have individuals that have eaten all the food in their area foolishly and are known to try and steal from other dragon’s hunting grounds. Have dragons that have made alliances with humans in exchange for gold. Have dragons that have pets because they think it’s cute, and the pets have learned to tolerate them (this doesn’t have to be like how we bred dogs to be tame. look at snakes, individual-wise their behavior is dictated by how much handling they get at a young age. its about tolerance and a lack of fear, not necessarily love). Have dragons that have favorite fishing spots that they SWEAR just has better tasting fish.

also, just a general thing, learn what features are defensive vs offensive. For instance. poison is generally defensive, while venom is generally offensive. think about the situations where an animal would use these features. This is one of the things that pisses me off about MH. Rathalos is a hunter and doesn’t reasonably need venom spikes, fire and talons and teeth work just fine. Rathian, on the other hand, has a completely practical use for them, which is defending the nest. you don’t want to blast the area around your nest with fire, and venom requires less movement to use (using claws could crush an egg on accident)

part 2.5: looks

this is the fun part.TAKE YOUR CUES FROM NATURE. there are animals in every kind of environment, Take inspiration from them. MH does this pretty well, with animals like cephalos, a desert creature, having large fins to cool off, and a relatively aerodynamic body to move through sand.

So, here are some ideas to make your dragon look like it’s made to live in the environment. These are not set in stone, you can use a couple, or none at all.

Flying-specific: White/blue belly scales to make it hard to spot in the sky. Feathers for warmth,. Tails that can spread out for braking and control. (Toothless did this right). look at hawks

Burrowers: animals that move and hunt through burrowing usually either use their claws to dig, or dig with noses (like hognoses!), look at burrowing snakes and lizards for this. They might also have better smell because they can’t see underground.

Forests: Stripes/spots for camouflage. If it perches on trees, give it bird feet. If it tends to walk on the ground, give it thicker feet for stability. If it uses calls to communicate over long distances, make them simple and LOUD. It’s hard to have detail in sound across distance in forest, the leaves absorb a lot of it. Give it sharp claws if it’s going up trees, as well as a thinner body so the tree can handle it. If it’s a nighttime hunter, give it better smell than sight.

Ocean: Movement is key, you want as aerodynamic a shape as possible. Horns are kinda eh here, fins are better because they can fold flat. Take inspiration from fish, eels, and sharks for movement types. You can also look at species like squids and octopi if you want something new. if you’re looking for camouflage in open ocean, many fish have light bellies and dark tops, so they blend in if looked at from the top or bottom. If you’re camouflaging in a reef, go fucking hog wild. If you want funky colors and shapes, you can look at cuttlefish, and octopi, masters of dynamic camouflage, color changing, and mimicry! If you want to make a species of dragon that swims in schools, give it a very thin stripe down the center! schools of fish actually use those to sense the movement of those around them. Communication in water is deep for long distances but high pitched for close distances. Think dolphins and whales.

                Deep Underwater: many species are blind, and those that have vision can only see specific kinds of light that they use for communication. Bio luminescence is used to communicate. It’s hard to get really big in the depths, there’s massive amounts of pressure, low oxygen, and food is hard to come by. you can do it, but most large deep dwelling creatures are just super long. Now you can have MASSIVE carcasses down there, because that’s where everything falls when it dies! If they live down deep, they’ll probably die when brought to the surface, because everything kinda fails.

Caves: If your dragon just uses caves as a home at night, you might not need many adaptations to the environment. But if your dragon lives deep in dark caves, then you’re gonna have to adapt to a whole new kind of animal. Many cave-dwelling animals are pale and blind, because you don’t get light down there. most eat tiny creatures, and it’s hard to get big down there. similar adaptations to living deep underwater. Limited food and nutrients, no sunlight, etc.

Sandy deserts: cooling down is the biggest focus here. Big fins and ears are what many species use to cool down, circulating blood through them. You also have snakes and lizards that walk weird and “dance” to keep the sand off of most of their body at any time. If your dragon doesn’t have internal heating, they’ll likely burrow at night to conserve heat (sand stays warm for a while). Light colors are common here not just to camouflage, but also to reflect more sunlight. staying under cover is also very important, because of how open it is. Watering holes are peaceful areas, usually, though if your creature dwells in water that’s not gonna be the case (crocodiles)

The Poles: varies depending on if you’re in a tundra or a cold desert (like Antarctica), but some things stay constant. Many species build fat, for insulation. If your species doesn’t have fur, they better be thicc as hell, or I’ll be sad. Most species also have thick fur on their paws to stay warm, as well as claws so they can have traction in icy areas. You want extremities like ears and fins to be small, and shouldn’t exist without a use (Like fins could be used for communication and sensing motion in water, and ears are for hearing). limbs tend to be small and tight to the body to conserve heat. Think about how jackrabbits, a desert species, have long limbs and ears, while arctic bunnies are small and compact. Same with foxes. Tails are also included here, though again if it has a use it can stay (locomotion, and foxes use the tail to cover their face when they sleep). Snouts should also be small. Burrowing is also common here, because snow is a FANTASTIC insulator. if your species has a predator, it’s likely to have light colors because camoflauge is important here.

Alright, that’s all I can think of for now, thanks for reading! feel free to ask me for specifics if you need them, I’m always willing to help

Every single odd number has an “e” in it.

Some words to use when writing things:

winking

clenching

pulsing

fluttering

contracting

twitching

sucking

quivering

pulsating

throbbing

beating

thumping

thudding

pounding

humming

palpitate

vibrate

grinding

crushing

hammering

lashing

knocking

driving

thrusting

pushing

force

injecting

filling

dilate

stretching

lingering

expanding

bouncing

reaming

elongate

enlarge

unfolding

yielding

sternly

firmly

tightly 

harshly

thoroughly

consistently

precision

accuracy

carefully

demanding

strictly

restriction

meticulously

scrupulously

rigorously

rim

edge

lip

circle

band

encircling

enclosing

surrounding

piercing

curl

lock

twist

coil

spiral

whorl

dip

wet

soak

madly

wildly

noisily

rowdily

rambunctiously

decadent

degenerate

immoral

indulgent

accept

take

invite

nook

indentation

niche

depression

indent

depress

delay

tossing

writhing

flailing

squirming

rolling

wriggling

wiggling

thrashing

struggling

grappling

striving

straining

Now you know — view on Instagram https://ift.tt/3AGm34f

five steps for not writing a boring story? i can never ever write something that doesn't end up boring 😂

Hiya! Thanks for your question. Writing an engaging story is complicated, but it can be done.

First off, there are so many aspects to writing a gripping story. Honestly, it can’t be done in five steps (and certainly not in one blog post). To prevent a boring story you need strong characters, an exciting plot, good pacing… the list goes on and on.

So rather than type out a 3000+ word response, I’m going to give you a mini-masterpost of the key aspects of writing a non-boring story with links to other LGF posts. Here you go:

How Not to Write a Boring Story:

Descriptions:

How to Write Better Descriptions

Showing vs Telling

How to Create Interesting World-Building

Dialogue:

How to Create a Unique Character Voice

Writing Unique Dialogue

How to Prevent Your Story from Being Dialogue-Heavy

Characters:

What Do You Do When Your Main Character Doesn’t Jump Off the Page?

Three Types of Character Traits

Writing Character Arcs

Plot:

How to Make Your Conflict Less Plain

The Element Every Story Needs

How to Avoid Unnecessary Scenes

Pacing:

Why Your Story Feels Too Fast

How to Pace a Scene More Quickly

Pacing Through Details

Beginning:

What to Write in a First Chapter

How to Avoid Info Dumps in the Beginning

10 Ways to Start Your Story

Middle:

How to Build-Up to a Climax

Plotting the Middle

Creating and Maintaining Tension

End:

Traits of a Strong Ending

Examples of Narrative Endings

Dual Duties of Chapter Endings

Misc.:

What Aspects Make a Good Story?

The Four Horsemen of the Bore-Apocalypse

Thanks again for your question! If you need any more writing advice, feel free to send in another ask! Happy writing!

- Mod Kellie

If you need advice on general writing or fanfiction, you should maybe ask us!

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