thelonelyhangman

Latest Posts by thelonelyhangman

Tw: Graphic depiction of suicide and discussion of abuse

This animation is spectacular and I adore every second of it. This is the true mask-off moment the show was too cowardly to give him and it is my canon end to the series at this point.

The song used for the animation is "Now That You're Gone" by The Raconteurs is very obvious about its meaning that the animation has taken full advantage of. It begins with the image of Stolas asking an absent Blitz what he'll do "now that [he's] alone" and the image cuts to a closeup of Blitz struggling through a white landscape littered with those golden feathers from Truth Seekers.

It's clear that Stolas is getting a petty revenge from breaking Blitz's pride. But the framing of the song makes it very clear what direction the narrative is going. Stolas goes back to his normal life (presumably the video was being made before Mastermind) where he takes back the book and gets back with Stella. Clips of him enjoying his high roller life of luxury. The line that best emphasizes what Stolas is actually trying to do is in the line:

"Who is going to love you if it isn't me?"

Which goes back to my point about abuse in relationships and how that very much is the ground floor of control. Where they isolate their victims from others in order to warp their perception of reality. If you rewrite their world where no one else will ever love them, that will be true. If you can alienate someone from what a healthy and loving relationship looks like, just then saying "I love you" is the proof of their love. It allows the opportunity for the victim to justify the abuse for the abuser to make it make sense that their abuser must love them.

And my favorite part is how, on beat, the animation cuts to Blitz being comforted by Moxie and Millie where Moxie flicks away the golden feather on top of their three entwined tails. A short but powerful bit of storytelling that lingers just long enough, unlike the show that tends to rush every single frame. The feather landed on top, just like how Stolas inserts himself in their lives, and Moxie is rejecting it so as to protect his friend.

And then the music cuts as Stolas changes the lyrics from "What will you do now that I'm gone" to "What will I do now that you're gone".

Which recontextualizes the delivery of the song and connect the early tells to a more overt understanding. Stolas stares into the camera and becomes progressively more unhinged as he realizes he did lose.

The entire point of someone saying "You won't find anyone better than me" isn't a farewell for better things. It's expressly to reel a victim back in, and it lines up perfectly to Stolas' unwillingness to talk to Blitz or have any conversation where he acknowledges his own issues, especially in Apology Tour.

I know some will say Stolas shit talking about the Blitz Hate Party is a sign that he knows he is pathetic, but he doesn't talk to Blitz about that in a way that lumps himself in with the rest of it. He talks about "All these people" without ever acknowledging specifically that he is an active and enthusiastic participant in this pity party. Even ending the episode for Stolas with him begging to have literally anyone love HIM, even as he is at this party, partaking from the table, over how much he felt entitled to Blitz.

This animation fits perfectly in with the events and logic of the show and Stolas in the canon.

Honestly the ending of this animation is the only self-actualization I support for Stolas and Blitz in the canon series. This is my finale, anything after this is a zombie fic that refuses to just stay dead.

"The amount of hypocrisy and double standards when it comes to Stella and Stolas is ridiculous. No one is saying that Stella is innocent, but both of them made terrible decisions as parents and they both need to be held accountable for it, and that includes the “precious gay owl boy”. “B-but at least Stolas CARES about Via and is trying! 🥺”, that still doesn’t change the fact that his decisions put Octavia in a situation that she has no choice to be in. I don’t care if she’s 17/almost 18. That doesn’t change the fact that these two did the shitty things that Via now has to pay for as a child. Sorry, but not sorry. Stolas deserves to be cut out of her life for caring more about his own selfish wants, needs and desires than his own daughter. Octavia (nor anyone else actually) owes Stolas SHIT."

Submitted by anonymous

Tw: Graphic depiction of suicide and discussion of abuse

This animation is spectacular and I adore every second of it. This is the true mask-off moment the show was too cowardly to give him and it is my canon end to the series at this point.

The song used for the animation is "Now That You're Gone" by The Raconteurs is very obvious about its meaning that the animation has taken full advantage of. It begins with the image of Stolas asking an absent Blitz what he'll do "now that [he's] alone" and the image cuts to a closeup of Blitz struggling through a white landscape littered with those golden feathers from Truth Seekers.

It's clear that Stolas is getting a petty revenge from breaking Blitz's pride. But the framing of the song makes it very clear what direction the narrative is going. Stolas goes back to his normal life (presumably the video was being made before Mastermind) where he takes back the book and gets back with Stella. Clips of him enjoying his high roller life of luxury. The line that best emphasizes what Stolas is actually trying to do is in the line:

"Who is going to love you if it isn't me?"

Which goes back to my point about abuse in relationships and how that very much is the ground floor of control. Where they isolate their victims from others in order to warp their perception of reality. If you rewrite their world where no one else will ever love them, that will be true. If you can alienate someone from what a healthy and loving relationship looks like, just then saying "I love you" is the proof of their love. It allows the opportunity for the victim to justify the abuse for the abuser to make it make sense that their abuser must love them.

And my favorite part is how, on beat, the animation cuts to Blitz being comforted by Moxie and Millie where Moxie flicks away the golden feather on top of their three entwined tails. A short but powerful bit of storytelling that lingers just long enough, unlike the show that tends to rush every single frame. The feather landed on top, just like how Stolas inserts himself in their lives, and Moxie is rejecting it so as to protect his friend.

And then the music cuts as Stolas changes the lyrics from "What will you do now that I'm gone" to "What will I do now that you're gone".

Which recontextualizes the delivery of the song and connect the early tells to a more overt understanding. Stolas stares into the camera and becomes progressively more unhinged as he realizes he did lose.

The entire point of someone saying "You won't find anyone better than me" isn't a farewell for better things. It's expressly to reel a victim back in, and it lines up perfectly to Stolas' unwillingness to talk to Blitz or have any conversation where he acknowledges his own issues, especially in Apology Tour.

I know some will say Stolas shit talking about the Blitz Hate Party is a sign that he knows he is pathetic, but he doesn't talk to Blitz about that in a way that lumps himself in with the rest of it. He talks about "All these people" without ever acknowledging specifically that he is an active and enthusiastic participant in this pity party. Even ending the episode for Stolas with him begging to have literally anyone love HIM, even as he is at this party, partaking from the table, over how much he felt entitled to Blitz.

This animation fits perfectly in with the events and logic of the show and Stolas in the canon.

Honestly the ending of this animation is the only self-actualization I support for Stolas and Blitz in the canon series. This is my finale, anything after this is a zombie fic that refuses to just stay dead.

I feel like if Frieza introduces Cell to Cooler and Cold, the first thing they would notice is that he's very tall. The size difference between Frieza and Cell is very noticeable. Cold doesn't say nothing out of respect but Cooler being petty tells Frieza that Cell is too big for his fun size body and both end up in a sibling fight that Cold tries to diffuse. Cell just stands there smiling but secretly agreeing Cooler.

If we're talking about tfs hfil Fricell, then yes, Frieza would be a submissive bottom. Cell would be the know it all, and the chill guy. Frieza would very the immature one, the one that has the "princess trope".

However if we're talking about canon fricell, it would be the other way around. Frieza would be the wise one because he learned so much in dbs (Getting his shit rocked by Broly lol). I think Frieza would willing to work with Cell to win against the saiyans. After all Frieza did fight along with Goku against Jiren. Cell would be the one that's being reckless, after being stuck in hell for so long, he lost his cool. Cell didn't want to work with Frieza, but Frieza being Frieza, tells him he will just take Cell back to hell. In the end, it is Frieza who's the chill one, while Cell is always in a bad mood. And Yes, Frieza would be the dominant bottom, and would definitely would have Cell wear a collar and leash.

pulled an all-nighter and then promptly passed out, i drew this sometime and have no recollection but i think i get what i was going for

Some random: Oh boy I can't wait for the new hfil episode to come up-

Me: TFS!!!!!!!!!! MAKE FRICELL CANON!!!!! AND MY LIFE IS YOURS!!!!!!

Ignoring everything else about the comic, I liked how baby Azula is drawn. Like, she looks like a cat!

Also:

Baby cheeks. Azula and Mai are so adorable.

♥

she still sleeps the same way

People who call Caitlyn “abusive” for hitting Vi once then turn around and excuse Catra for torturing Adora every chance she gets are the biggest hypocrites I’ve ever seen.

We saw Silco throwing a Molotov cocktail in one scene of episode 5...

Credits: @piltov

What if he came across Felicia and her husband under attack by enforcers and, in a moment of panic, decided to intervene using the experimental cocktail he had been developing? Believing it would neutralize the enforcers, he threw it with hope but the blast was far stronger than expected. The explosion killed not only the Enforcers but also Felicia and her husband, leaving him horrified by the unintended devastation, until then Vander arrived, enraged about what he witnessed and mindlessly tried to kill Silco. Vander said no violence and because of this, Silco had to suffer the consequences.

Like Powder... He only wanted to help and accidentally killed who he considered close friends / family

Edit: Look at them, the way her eyes are open. It doesn’t seem like they were shot. To me, it looks like she was facing something unexpected, something that shocked her, like an explosion. And see the smoke around them? The entire bridge was burning and smoldering, yes, but there was smoke rising directly from their bodies. I’m almost certain Silco had meant to help them but, instead, ended up killing them.

Just because I love them 💜💚

Lyn wasn’t thinking about power, ambition, their plans. She didn’t care. Keldor was alive.

This has been an Evil Lyn appreciation post.

Because let’s face it, the only He-Man characters who really have much semblance of any kind of plot that doesn’t involve GETTING MORE POWER are the girls.

Also, without that helmet, Evil Lyn is just plain HOT. :o

It's June which means I am legally obliged to be bi on main

You may get asked this a lot, so please excuse my ignorance - but how do you go about constructing character expressions and body language and such? Thanks!

Besides The Basics (construction of heads and skulls and muscles and skeletons and how they move), I’ll go over some things I’ve been trying to work on myself lately:

1. Treat expressions as a single gesture of the face/head, as opposed to a head and then individual features dumped on a plate and arranged into an expression.

First, just get down the big shapes of your expression, just like you would for a pose.  

So say I wanna do a low angle angry pose.  I know the features are gonna be all mashed down at the bottom because of perspective.

 Scribble it down

start to put on features

fix stuff

put on more stuff

fix stuff again

erasing and flipping and stuff a whole bunch until you are happy with it or stop caring

Whole head is a gesture!

2. Just like a facial expression, jot down where the important parts of an entire pose goes first.  You can force the rest of the body to fit the pose.

So here I knew I wanted the shoulders tilted a certain direction, and te hand to be in that particular position in front of her face. 

That’s the simplest explanation I got.  Don’t be afraid to push and pull faces and bodies around! Worry about being “on model” last!

K: "Oh, look, little lord...some rats are watching us..."

F: *Looking at you like someone's about to die*

-------couple information--------

Character: Frieza (Dragon Ball)

Oc: Karik (or Karikan Marilyn)

(I would call them Godalien, or something like that)

This is my second most favorite char/oc beside CxH, so I'm about to yap about them :>>

The one you see on the right is Karik. He is a god, literally a god. If you're wondering why is he in that form of SS4 then you're right, he is a saiyan, actually the first and the most ancient saiyan (He didn't know he created a race though, not until he visited Beerus at the seventh universe). I was convinced that SS4 was the form of ancient saiyans.

He is a close friend to Lord Zeno, like his brother or something. Yes, I did say brother. This one is 9 million-year olds, guys, literally the oldest I could think of (And also because I searched Zeno age and it popped up, hehe). He was there when the multiverse was created, just didn't remember a shit since he's old.

He was feared, and maybe respected (just maybe) by the other gods, not as much as Zeno though since Karik is much easier to read, and he doesn't destroy planets out of fun. His work is to protect and keep the multiverse in control, the balance, yes. If Zeno is powerful in the way he could manipulate the multiverse existence then Karik is physically powerful. See those rings around his neck and arms, they were to keep his power in control and not accidentally destroy any universe.

With that power, it's understandable that people rarely try to get on his nerve. Yet, when he first met Frieza, the little emperor didn't know Karik was a god. That was one of the rare times in his 9 millions-long life did Karik be treated like a lowly being (You know Frieza's snake tongue). He was intrigued.

Karik fell first. Frieza is...well, he is not the kind of...you know. It was one-sided all the time, but look at that fod face. Does he look like he care?

------

So that's the start :>>

I love this cp so much. From the size (1m58 x 1m92) to the chemistry and all the stuffs they have (Their relationship is sensual as fvk, like they fvk all the time, whenever Karik is bored and you know the stamina of the strongest god)

K: "Oh, look, little lord...some rats are watching us..."

F: *Looking at you like someone's about to die*

-------couple information--------

Character: Frieza (Dragon Ball)

Oc: Karik (or Karikan Marilyn)

(I would call them Godalien, or something like that)

This is my second most favorite char/oc beside CxH, so I'm about to yap about them :>>

The one you see on the right is Karik. He is a god, literally a god. If you're wondering why is he in that form of SS4 then you're right, he is a saiyan, actually the first and the most ancient saiyan (He didn't know he created a race though, not until he visited Beerus at the seventh universe). I was convinced that SS4 was the form of ancient saiyans.

He is a close friend to Lord Zeno, like his brother or something. Yes, I did say brother. This one is 9 million-year olds, guys, literally the oldest I could think of (And also because I searched Zeno age and it popped up, hehe). He was there when the multiverse was created, just didn't remember a shit since he's old.

He was feared, and maybe respected (just maybe) by the other gods, not as much as Zeno though since Karik is much easier to read, and he doesn't destroy planets out of fun. His work is to protect and keep the multiverse in control, the balance, yes. If Zeno is powerful in the way he could manipulate the multiverse existence then Karik is physically powerful. See those rings around his neck and arms, they were to keep his power in control and not accidentally destroy any universe.

With that power, it's understandable that people rarely try to get on his nerve. Yet, when he first met Frieza, the little emperor didn't know Karik was a god. That was one of the rare times in his 9 millions-long life did Karik be treated like a lowly being (You know Frieza's snake tongue). He was intrigued.

Karik fell first. Frieza is...well, he is not the kind of...you know. It was one-sided all the time, but look at that fod face. Does he look like he care?

------

So that's the start :>>

I love this cp so much. From the size (1m58 x 1m92) to the chemistry and all the stuffs they have (Their relationship is sensual as fvk, like they fvk all the time, whenever Karik is bored and you know the stamina of the strongest god)

Masters of the Universe

Huevember: Day 29 - Gabu & Mei

One Stormy Night (2005)

No volví a ver a frieza igual después de ese anuncio 😼😭

rock paper scissors XDDD

Nah just kidding XD

Wiii!!!!☁️☁️

From someone like Goku who'll eat anything, Freeza doesn't look to be in a rush to stop him x//p

17.2.2025, commission Mani

Rotten girl

ROUND 1

Hii, so I was thinking, since kaz grew up poor and has had to struggle with money in his youth. 

Are there things/habits Lins wealthy ass does that she doesn’t realize is actually crazy for someone who didn’t grew up with those privileges (kaz)?  Is he bothered by it or just brushes it of?  And does he say something about it?  

I love this question god bless you.

It's funny because I think because of Lin's work experience she is more down to earth than most disgustingly wealthy people *and* Kaz is somewhat desensitized to sticker shock by now since he's spent most of his adult life in very affluent circles. So, moments where it really sticks out aren't as frequent as they should be, HOWEVER

I have a head canon which I've considered putting in fic that basically Kaz gets interested in airplanes and learns to fly as a hobby. Several hobbyists he knows all start talking about going in on a plane together and ofc he's always talking about this with Lin while he's taking lessons etc.

And for his 50th birthday Lin just straight up buys him a (custom built by Sato Industries) airplane and presents it as if it's like a regular present. And ofc Kaz is just-

*looking around to see if he's being pranked*

Other than that there are some things that come up when traveling like "we can take my airship" kinda things. And sometimes very regular looking clothing Lin owns might have an insane price tag attached (she appreciates quality, I think!) and there's at least one upcoming thing in Spirit of Change that will have him spitting out his drink in shock, but otherwise it's not a consistent thing between them.

When things like that do come up he does comment on it, particularly as they get closer and he's more comfortable saying 'this is not normal' lol. It doesn't bother him that she's an heiress- he knew that much going in, the Beifong name precedes her- so I guess in general he brushes it off.

I think it's more shocking in reverse- though Kaz spent a lot of time verbally preparing Lin for visiting his hometown she was still really taken aback by the lack in his village and how entirely normalized it was.

How does Kaz take care of Lin when she is sick? Does he coddle her a lot despite her aversion to it? And assuming she is severely unwell, how would Kaz nurse her back to health?

Oh gosh, not particularly.

He’s really good with helping her out if she’s recovering from an injury but not as good if she’s severely ill. If it’s an injury he will absolutely pick up her slack and carry things/ clean whatever needs cleaning- cook her something etc

But, if Lin has the flu he’s prob tossing her a box of tissues and medicine from a room away bc he doesn’t want to catch it. Literally

What's something that Kaz does that is Lin's weakness?

Rolls up his sleeves.

Wait hang on @makanidotdot did art for this I don’t think we ever posted and it’s funny.