I Want To- *remembers Suicide Jokes Only Worsen My Mental Health* Kill Someone Else

i want to- *remembers suicide jokes only worsen my mental health* kill someone else

More Posts from Theresstillsomethingimustdo and Others

im extremely devout but nobody can figure out what im worshipping


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Your work is amazing, I love the way you interpret Simon’s personality and speech patterns in the prosthetic arm Simon fic.❤️

hello, anon! thank you so much for the kind words. i just wanted to take this opportunity to post this deleted part of prosthetic arm simon.

sfw. angst (?). highschool dropout simon. shame.

the prosthetic is finished.

it fits like a second skin. moves smooth, seamless, with no lag between thought and motion. it’s perfect. better than anything he could’ve gotten himself. better than the overpriced models he looked at years ago, wondering if he could stomach the debt just to feel normal again.

and for a moment, as he flexes his fingers, as he watches the metal articulate like flesh, he feels… proud. proud of you, of your work, of the precision in every detail. he turns his hand over, watching the way the joints move, the faint hum of technology so advanced he still doesn’t fully understand it.

but then— the thought creeps in, unbidden, unwelcome.

his throat tightens.

does this mean he doesn’t have an excuse to see you anymore?

his fingers still, mid-motion.

the past few months have been good. better than he expected. seeing you, talking to you, getting to know you beyond the surface-level interactions he usually keeps with people.

but now?

now there’s no more check-ups. no more adjustments. no more need for him to stop by so you can make small tweaks, run diagnostics, ensure everything’s running smoothly.

simon swallows, something cold curling in his chest. he tells himself he’s being ridiculous. that if he really wanted to see you, he could just— just call, just text, just ask.

but that’s not how he works.

he’s spent so long just coasting with people. staying at arm’s length, keeping interactions simple, necessary, easy to walk away from.

“you did good,” he says, and he means it. he just hopes you can’t hear everything else under it.

you don’t seem to notice his unease, too excited as you bounce on your heels, practically beaming.

“oh- i have news!”

he blinks. tries to steady himself. “yeah?"

“my thesis got picked to be presented at congress!”

it takes him a second. longer than it should. he hears the words, knows what they mean, but they feel far away, like his mind is still caught in the spiral from before.

but then he sees the way you’re looking at him, the pure joy on your face, and something inside him lurches

“shit,” he breathes. “that’s- that’s incredible.”

and it is. you deserve this. you deserve more than this.

so he shows up to the congress.

he doesn’t tell you he’s coming. he doesn’t even decide until the last minute, standing in front of his closet, staring at the one half-decent button-up he owns.

but then he’s there, standing outside the venue, and he brings flowers.

he’s never done that before. never even bought flowers before, really. but he stands outside the venue, fingers tight around the cheap bouquet, feeling ridiculous and out of place.

he feels out of place.

too big, too rough, too obviously not part of the sleek, academic crowd milling around in suits and dresses. he tugs at his sleeves, shifting his weight, half-ready to just leave the flowers somewhere and go before—

then he sees you. scanning the crowd, eyes searching.

and when you spot him— you light up.

like he’s supposed to be here. like he’s not just some guy who stumbled in, unsure if he even belongs in moments like these.

you rush over, practically colliding into him, and he barely has time to react before you’re grabbing the flowers, pressing your face into them, laughing breathlessly.

“you came.”

his throat works. he clears it, rubbing the back of his neck.

“’course i did,” he mutters.

you smile.

he knew this was a bad idea.

he knew from the moment he walked into the restaurant, stiff in his chair, palm sweating against the napkin in his lap.

knew when you slid into the seat across from him, looking bright and effortless and so at ease, still glowing from your big presentation, still beaming about the congress.

knew when he looked down at the menu and realized he didn’t recognize half the words on it.

simon’s spent years in places like this— quiet, dimly lit, the air thick with the smell of good food and low conversation. but he’s always been alone. always sat in a corner with his back to the wall, a meal in front of him and no one expecting him to talk.

but now— now there’s you.

and you’re talking, telling him about the congress, about the people you met, the questions they asked. you sound so fucking excited, like the whole world is opening up in front of you, and simon—

simon just nods.

he doesn’t know what to say. doesn’t know how to keep up.

he’s never been smart like you. never been the type to sit in lecture halls, to write papers, to stand in front of a room full of academics and present something that matters.

he barely finished school. left home at sixteen, signed his life away at eighteen, spent more years holding a gun than a pen.

he doesn’t belong in places like this. doesn’t belong next to you. you who's all bright ideas and ambition, the kind of person who builds things, who makes the world better.

simon’s just good at breaking it.

he shifts in his seat, hyper-aware of how he looks— broad shoulders hunched awkwardly, big hands clumsy against the silverware, a goddamn mutt at a dinner table.

he wonders if you notice. if you see it. if you realize you could do better.

your food arrives. you thank the waiter, pick up your fork—

and before you can even take a bite, it slips out.

“i-”

you pause, fork halfway to your mouth.

simon grips his napkin under the table, flexes his fingers, heart thudding heavy in his ribs.

he shouldn’t ask. should just let this be a nice dinner, let you go home, let you move on.

but—

“would you…” he swallows, throat dry, stomach tight.

he shouldn’t ask.

“would you want to go on a date with me?”

the words hit the table like lead.

silence.

he doesn’t breathe. doesn’t move. because fuck, he actually said it.

and now there’s nothing but the space between you, the quiet hum of conversation, the faint clink of cutlery against plates—

and you. staring at him.

he braces for rejection. tells himself it’s fine, it’s fine, it’s—

“yeah,” you say, voice light with something he can’t name. “i would.”

his stomach drops.

relief. disbelief. something dangerously close to hope.

he exhales, tension bleeding from his shoulders. nods, just once, like he’s acknowledging an order. like his hands aren’t trembling under the table.

“okay,” he mutters.

then, quieter—

“good.”


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touch-starvation needs to be written with emphasis on the starving part. you are hungry to be touched. so hungry that even the very taste of it makes you nauseous. it has been long since anything has ever touched you, ever fed you - that your body has grown more used to that gnawing emptiness more than anything else. it's better for you to be held, to eat but it makes you sick to try. you know


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using a big pot to cook a fuckton of food is awesome until you need to wash the pot and then its the worst thing ever


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Got Flamed For Saying I'd Never Draw Gerry Again So Here U Guys Go I GUESS /lh

got flamed for saying i'd never draw gerry again so here u guys go i GUESS /lh


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Film still from "Arcane."
Silco (left) leans forwards as he stares at the ground ahead of him with a somber expression. He wears a black and red jacket. He has short, straight, black hair.
Another man (right) stands beside Silco facing the opposite direction. His face and clothing are blurry and not visible. 
The caption reads: "Is there anything so undoing as a daughter?"
"'Ari?' My father's voice was soft. 'Ari, Ari, Ari. You're fighting this war is the worst possible way.' / 'I don't know how to fight it, Dad.' / 'You should ask for help,' he said. / 'I don't know how to do that, either.'"
"And all we know about manhood is what we have seen and what we have learned from our fathers, and my father was my hero. And my greatest foe."
"My father was still there, sitting on my rocking chair. / We studied each other for a moment as I lay in bed. / 'You were looking for me,' he said. / I looked at him. / 'In your dream. You were looking for me.' / 'I'm always looking for you,' I whispered."
Still from "Resident Evil Village."
Ethan holds a baby in his right arm, supporting her against his torso. He kneels on the ground as he looks down at the baby. 
Ethan wears a green jacket and blue jeans. He has short, straight, blonde hair. The baby wears a white and pink onesie.
"'He had his mother's face. He had his father's mistakes.'"
Still from "The Walking Dead."
Lee (right) wraps his arm around Clementine (left) as she sleeps against his chest. He looks down at her with a content expression. 
Lee wears a blue button down shirt. He has short, black, curly hair. Clementine wears a yellow t-shirt and black pants. She has a blue and white hat on. She has shoulder length, black, curly hair.
"one night my dad and i sat / side by side, staring up at the stars. / and without hesitation, i whispered, . 'i don't think you're a good person.' // 'and you are?' he asked quietly. // 'no. i'm too much like you for that.'"
"You don't want to hear the story / of my life, and anyway / I don't want to tell it, I want to listen // to the enormous waterfalls of the sun. // And anyway it is the same old story -- / a few people just trying, / one way or another, / to survive. // Mostly, I just want to be kind."
Manga panel from "Jujutsu Kaisen."
Geto is an adult man with long, straight black hair. He wears a black shirt and black pants. He sits on a lawn chair of the roof of a building. He flips through a book in his hands. 
Nanako stands behind him, cutting the ends of his hair. She is a young girl wearing a tan school uniform. She has straight, blonde hair tied into a bun and forehead bangs. 
Mimiko holds a doll against her chest as she leans back against Geto's chair. Mimiko is a young girl with short, straight, black hair cut into a bob with forehead bangs. She wears a black school uniform. 
Nanako says: "Who's Satoru Gojo anyway? / He's super strong, right?"
Geto replies: "Hm..."
"And Abraham said, This is how much I love you, and measured / Isaac from ankle to scalp. Love will gut you"

I WILL DIE YOUR DAUGHTER // ON FATHERHOOD

Arcane (2021-2024) cr. Christian Linke & Alex Yee // Benjamin Alire Sáenz Aristotle and Dante Discover the Secrets of the Universe // Bruce Springsteen My Father's House (Springsteen on Broadway) // Benjamin Alire Sáenz Aristotle and Dante Discover the Secrets of the Universe // Resident Evil Village (2021) cr. Capcom // unknown // The Walking Dead (2012) cr. Telltale Games // unknown // Mary Oliver Dogfish // 呪術廻戦 Jujutsu Kaisen (2018-2024) cr. Gege Akutami // Traci Brimhall Lullaby on Mount Moriah


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Om Advent Calendar Day 1: Lucifer

om advent calendar day 1: lucifer


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Natalie Díaz, From "American Arithmetic", Postcolonial Love Poem

Natalie Díaz, from "American Arithmetic", Postcolonial Love Poem


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My Most Haunted Roll Of Film Yet


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I just realized, natsu getting punched the shit out of him because he gets distracted because lucy gets hit is kind of sad, because not only he gets worried, he probably freaks out.

I Just Realized, Natsu Getting Punched The Shit Out Of Him Because He Gets Distracted Because Lucy Gets
I Just Realized, Natsu Getting Punched The Shit Out Of Him Because He Gets Distracted Because Lucy Gets

He freaks out because since FLucy died, he's always been there protecting her, making sure that never happens again.

I Just Realized, Natsu Getting Punched The Shit Out Of Him Because He Gets Distracted Because Lucy Gets

So when Lucy gets hit, and he can't protect her (him being there), he probably remembers FLucy, and how he couldn't do anything to save her

My poor baby is traumatized

I Just Realized, Natsu Getting Punched The Shit Out Of Him Because He Gets Distracted Because Lucy Gets

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and here i lay

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