Anything, Anything

Anything, Anything

anything, anything

More Posts from Theresstillsomethingimustdo and Others

Ffion Collinsworth
Ffion Collinsworth

Ffion Collinsworth

Low fire terra cotta, colored slip and glaze


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I'm not sure if this is a unpopular opinion or whatever but deadass the best episodes of Fairy Tail are the in between slice of life intermission episodes.

I'm talking the episode where the main cast switched bodies. It gave Levy some attention which made what happened to her in the following arc more impactful.

The episode where Juvia accidentally curses the guild as they all deem each other their rivals (Erza squaring up against a pillar and Gray throwing hands with a flying cat)

The episode where Wendy goes on her first mission and we see Freed be the biggest guy failure of all time.

The episode where Macao and Wakaba go through a midlife crisis and turn into monsters while Erza loses her mind and decides to be a superhero for a day.

Those kind of episodes really make me appreciate the cast and fleshes them out more. Even at point giving certain characters dedicated episodes since they have a moment in the following arc. It's absolutely criminal that I've heard people skip them because they're not canon. You're seriously missing out if you do.


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(in the voice of a guy that will defy fate to save you) i don't care


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This Is What I Post From Btw
This Is What I Post From Btw

this is what i post from btw


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Made this during lecture in like 10 minutes because this baby is everywhere

Made This During Lecture In Like 10 Minutes Because This Baby Is Everywhere
Made This During Lecture In Like 10 Minutes Because This Baby Is Everywhere
Made This During Lecture In Like 10 Minutes Because This Baby Is Everywhere

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"I WANTED TO BE LOVED SO DESPERATELY / THAT MY FINGERS SHOOK WITH IT // I AM NOT BEAUTIFUL / BUT I COULD BE"
Film still from "Eternal Summer."
Cheng-hsing (left) and Shou-heng (right) lay side by side. Shou-heng's eyes are closed as he sleeps. Cheng-hsing is awake and looking at him with a sad expression. 
Shou-heng has short, straight black hair that has been styled upwards. His outfit is not visible. 
Cheng-hsing has longer, straight black hair that lays flat. He wears a white school uniform with red embroidery and a black tie.
“What if you are the last one standing when others have left the concert, the theater, the crime-addled city, the busted love affair? What if you look for a sign and a sign doesn’t come. Or a sign comes but you miss it. What if you have to make a decision on your own and it feels like a body blow, falling back on yourself.”
"I don't want to beg. I know you can feel it, my longing, the / aching, my need for love. I don't want to beg. But oh god. / Oh god, please. Please. Love me. Love me."
"We were inside the train car when I started to cry. You were crying too, / smiling and crying in a way that made me
even more hysterical. You said I could have anything I wanted, but I // just couldn’t say it out loud."
Film still from "Eternal Summer."
Shou-heng (left) leans his head against Cheng-hsing's (right) back as Cheng-hsing drives a motorbike. Shou-heng's eyes are closed and he looks content. Cheng-hsing looks straight ahead and has a focused expression. Shou-heng wears a blue helmet while Cheng-hsing wears a gold one. Their outfits and hair are not visible.
"I wonder if you talked about me, as you went home, or thought of me when the moon rose,"
“Take what you want. I’ll hate you for it. But I’ll love you forever. I can’t help but love you.”
Film still from "Eternal Summer."
Shou-heng (right) lays on top of Cheng-hsing (left) as they sleep. They are both naked. Pieces of clothing lay on the bed beside them. They both have short, straight black hair and look content.
“请把我放在你的心里 / Please keep me in your heart”
Film still from "Eternal Summer."
Cheng-hsing (left) sits beside Shou-heng (right). Cheng-hsing leans slightly forwards and holds his hands in his lap while Shou-heng leans backwards and rests his arm around Cheng-hsing. 
Cheng-hsing has longer, straight, black hair. He wears a green jacket and blue jeans. He is looking downwards at the ground. 
Shou-heng has short, straight, black hair. He wears a gray shirt underneath a black leather jacket and blue jeans. He is looking to the right.
"What was my entire being? An enormous, useless yearning,"
"the worst thing about love is / i remember it. // i walk around all day / thinking: i’m going to die / in the universe / you loved me in. // i get so jealous of euthanized dogs."
"i will always be almost, / I'll always be right there, so close I can smell it, I can taste it; begging to please believe me, please see that I am exceptional, I've worked hard and it's not for nothing, i promise my calloused hands will hold the trophy soon, I'm so close, I am, / but someone will always have arrived before me"
Film still from "Eternal Summer."
Cheng-hsing sits alone in an empty bus. He wears a green jacket over a striped shirt. He has longer, straight, black hair. Tears roll down his cheeks as he stares into space ahead of him.
"When I went away, it was the only option / Couldn't trust myself to proceed with caution / The most that I could give to you was nothing at all / The best that I could offer was to miss your calls"

"YOU'RE NOT JUST A FRIEND TO ME. I REALLY LOVE YOU." // CHENG-HSING AND SHOU-HENG

Emily Palermo What I Could Never Confess Without Some Bravado // 盛夏光年 Eternal Summer (2006) dir. Leste Chen // Amy Hempel Sing to It: New Stories // @/tullipsink desperation sits heavy on my tongue // Richard Siken Litany in Which Certain Things are Crossed Out // 盛夏光年 Eternal Summer (2006) dir. Leste Chen // Virginia Woolf in a letter to Vanessa Bell // R.F. Kuang The Burning God // 盛夏光年 Eternal Summer (2006) dir. Leste Chen // unknown // 盛夏光年 Eternal Summer (2006) dir. Leste Chen // Fernando Pessoa A Little Larger Than the Entire Universe: Selected Poems // June Gehringer I get so jealous of euthanized dogs // unknown // 盛夏光年 Eternal Summer (2006) dir. Leste Chen // Lucy Dacus Hot & Heavy


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you know what!!!! the absence indeed becomes a presence!!!!!!


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Wanna know what I love most about Mickey 17? It's completely unsubtle in its presentation and in a time where media literacy is in the gutter and literal fascism is coming back in, we need more of that. We need obvious class commentary, we need obvious pastiches of authoritarian demogogues, we need people outright saying to said pastiche that they're an idiot, we need said pastiche to get blown up and his entire movement collapse because subtlety no longer works. We need obvious, blatant revolutionary works in order for people to recall what all the subtle stuff was saying.


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and here i lay

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