Free My Girl She Did All That Shit But The Fandom Is Mischaracterizing Her For It

How would you write Lila?

Really depends on things like how many seasons I had to fill, when I had to introduce her, if I had to give her the butterfly, and what I was doing with Chloe since Chloe and Lila are functionally the same character for most of the show. You do not need two petty mean girls to cause interpersonal drama. Either redeem one or don't let them overlap!

If we have to keep the butterfly as the villain to maintain the formula, then I'd make Lila a sentimonster created by Nathalie and introduce Lila at the start of season four. The linked post goes over my pitch for that rework, but while I like the concept, I don't like the butterfly being the designated evil miraculous. It just feels so bleh. Fives seasons of fighting and we're still right where we started: the butterfly in the hands of a villain that the heroes have no clear plan to defeat. You could start the story at season six and miss almost nothing (thus my constant theorizing that season six is a soft reboot.)

So let's take this post in a wildly different direction and talk in depth about evil spy Lila!

Almost any idea I have for Lila is going to involve some bigger plot to explain her lies and manipulation because they're just so over the top! Plus she's 14! How did she become this good at lying? Canon needs to give us some logic to explain all of this. Magic is a good excuse. So is training or even training and magic!

In this AU, Lila is from some sort of evil organization that uses their power for evil purposes (there are lots of routes you can got with this from evil magic to evil company, so let's stay high level and not commit to a path). The organization sees the miraculous being used in Paris and sends Lila to Paris to try to get her hands on the miraculous. Lila is specifically sent because of the Ladyblog. The organization views Alya as an easy in and so they send a teenage member or someone's kid who desperately wants to be part of the group.

This new Lila shows up claiming to be a Ladybug superfan, which instantly bonds her to Alya. Marinette's dislike of Lila now stems from Lila wanting to know all of Ladybug's secrets, which obviously raises red flags for Marinette, but not for Alya because Alya wants the same thing. In fact, Alya is really baffled why Lila's obsession rubs Marinette the wrong way because Marinette has always been fine with Alya having the same obsession. We know that the answer is that Marinette trusts Alya, but Lila is a wild card, but of course Alya doesn't know any of that. This makes the Marinette and Alya clash over Lila a lot more complex because it's no longer about lies. It's about trust and Marinette has no way to explain why trust is a factor without outing herself as Ladybug.

Lila can still tell lies and manipulate, but it's now all around getting close to Ladybug and learning everything she can. You can even have the Adrien conflict maintained with it now being Chat Noir wanting to be nice to fans while Ladybug is hard on the bad vibes train since Lila is so uncomfortably obsessed with her, another conflict that makes way more sense than what canon gave us. Adrien is just immune to weird fans and doesn't know that Ladybug is being bombarded with Lila's obsession every day at school.

This means that Marinette's Lila aversion is less her knowing something and more her being understandably uncomfortable because identity shenanigans, which is another nice complexity as it lets Marinette struggle with not knowing how to approach the situation because she knows she has no hard logical reason for her feelings, but she just can't get passed them. This could lead to some good lessons for kids on healthy relationships with celebrities/internet personalities and how you don't really know that person or have a right to their private life. It is, in fact, totally normal for your favorite celebrity to find your obsession a little creepy and block you when you cross lines. (This could even be a growing moment for Marinette re her crush on Adrien since it's written like a celebrity crush, though my personal preference is to just fix the writing around that to a more normal teenage crush. Even there it could be a growing moment, just a more nuanced one.)

There are a lot of ways to resolve this plot. Whatever you pick should see Lila outed and, in the process, we learn about the evil organization, giving us a new big bad for the heroes to deal with. Something that isn't tied to the miraculous and that is so big that it might justify having a big team of heroes to fight the new evil? Just a thought.

More on Epic!Ares cause "The Lovers" section of God Games will not get out of my head. The thing I don't think fans are recognizing is that Ares's last line "pathetic and weak like his son" is very deliberately meant to provoke Athena, it's meant to test why she's doing this.

Consider how Telemachus went into the fight with Antinous, he didn't have a plan, only a goal, and he stood his ground, no cunning techniques only fists. Which is something Ares would agree with doing, not only that but remember what Antinous and the suitors want to do to Penelope, why Telemachus was fighting in the first place. Ares is a god known to be a defender of women, one of his biggest myths is about him killing a son of Poseidon because he assaulted his daughter. Considering that he likely wouldn't call Telemachus weak unless it was to get to Athena.

Which it did and that show of love and protectiveness over Telemachus is what convinced both Ares and Aphrodite to let Odysseus go. They are not ruled by logic and objectivity, which is what prepared her for Hera and Zeus, with Hera, Odysseus never cheating isn't a logical argument but it's what would work on Hera. With Zeus it was more important, Athena showing emotion and showing that vulnerability gave her the ability to sacrifice her pride. At the end of the song she begs Zeus to let Odysseus go, not longer being the "selfish, prideful and vain" Goddess that she was when her and Odysseus parted ways.

Okay but can you IMAGINE if the earrings had gone to Alya like Marinette wanted them to? 

Instead of having a "designated responsible hero", Scarabella and Chat Noir would just be a pair of gremlins high on life because THEY'RE SUPERHEROES OMGOSH they would spend half their time geeking out and basically exuding chaotic sibling energy the entire time. 

They would reveal their identities to each other right off the bat because neither was paying attention when they were told not to, and Tikki just groans. Alya and Adrien quickly bond over being new kids at school who have superpowers, and everyone else is baffled.

Alya decides to try Clark Kenting and run the Scarablog, and Adrien is like "that's an amazing idea I'll help!" and shenanigans ensue. Marinette (who knows Alya is Scarabella since she snuck the earrings to Alya before any of this started) has befriended Alya as in canon but HASN'T told her that she knows her identity, so she gets dragged into the Scarablog staff and ends up doing most of the fieldwork and vlogging, desperately trying to do anything to cover up Scarabella's and Chat's identities (she knows Scarabella's, but doesn't know Chat's) while trying to avoid getting distracted by Adrien, who she's crushing on big time like in canon. 

For his part, Adrien gets totally enamored with Marinette because Ladybug isn't there to distract him and because Scarabella is already more sibling material than lover material, but he thinks Marinette dislikes him and his brand so instead tries to woo her as Chat Noir and more shenanigans happen. 

Nino, however, is low key crushing on Scarabella, and joins the Scarablog staff to try and learn more about her. Alya finds this amusing and kind of adorable, but doesn't really reciprocate for a while because she and Nino don't get locked in the zoo. She does let him investigate on his own, because she thinks pursuing the truth is a noble endeavor and in the meantime the blog can use his skills. Marinette starts silently screaming because GOSH DARNIT the identities are supposed to stay secret! 

Chloe is a huge fan of Scarabella and Chat Noir. She keeps trying to force herself onto the Scarablog team… But Alya is having none of it and throws her out. Chloe engages in spying shenanigans and tries to force Sabrina onto the team in her stead, but that just results in Sabrina getting character development. 

Lila shows up. Nino, desperately trying to learn more about Scarabella, falls for her lies hook line and sinker (sorry Nino, someone has to) but since Alya and Adrien both know each other's identities they see through her lies and (with Marinette) burst her bubble almost immediately. However, since Marinette actually has free time she can do her job as Class Pres and calm Lila down (a la zoe-oneesama's Scarlet Lady AU), and soon Lila shows up on the Scarablog's door offering to investigate Hawkmoth. Her main goal is fame and fortune, but eh Alya knows a good tool when she sees one. Chloe is fuming, and soon Lila gleefully engages in Spy vs Spy shenanigans with her. 

Fu is like "WHOMST IS SCARABELLA" and tells Adrien that Scarabella isn't supposed to be the Ladybug wielder and Adrien briefly angsts about it but is like "who cares have you met her she's literally a great hero and that's what matters" 

Fu is undeterred and keeps trying to give Marinette more miraculouses and she just keeps them in her room and doesn't use them

A pokémon nerd, hoping to become a master…

A wannabe journalist, looking for a scoop…

An insecure girl, afraid to chase her dreams…

A lonely model, wanting to break free…

All they need is a pokémon journey.

Hi there! I’ve been writing a Pokémon AU Miraculous fic if anyone is interested.

Rating: Gen

Relationships: Marinette/Adrien (eventually), Marinette & Tikki, Marinette & Alya & Nino etc.

No archive warnings apply

Smth I’ve thought about ever since I first saw wreck it ralph is that in universe king candy is basically an irl creepypasta. Like he’s a racer that only exists in this one specific sugar rush cabinet, every other version off the game has princess vanellope. Literally no one knows he exists except for ppl who went to this one small arcade in the United States. And if the code for sugar rush has been dumped there is no trace of king candy bc he only exists in this one cabinet. I bet there’s ppl who traveled cross country just to see if king candy actually exists.

And then after the movie king candy disappears from the roster forever and is replaced by vanellope but she’s different than every other vanellope, different outfit different personality different kart different voice lines etc

It’s literally that one arcade cabinet creepypasta discussions and YouTube videos about it in universe must be crazy.

So a year or two ago I saw this amazing post on tumblr about colour symbolism in Miraculous (I really wish I could source it here but I can’t find it anywhere I am literally kicking myself right now). Anyway, it is an incredible theory and once start seeing the connections you can’t stop. The basic idea is that the some of the colours that characters wear or are associated with symbolise their general motivations. The theory focuses specifically on the colours red, white and black. The meanings kind of evolved as more people reblogged but from what I remember the basic gist is this:

Red= duty / loyalty

White= control

Black= love

I think they actually said that black was romance, but that definition is just a little too limiting in my opinion and broadening in it out allows you to make more connections. I am also broadening out red as well to include loyalty for the same reasons (besides duty and loyalty are also pretty similar, so it’s not that much of a stretch).

Anyway, I bring this up because I saw the post at some point during season 4—definitely before the release of season 5 anyway, but looking back on the latest season just made me realise that oh my god they were so right. So, I’m just going to show you some of things I’ve noticed when it comes to this theory, especially surrounding season 5. (Buckle up guys, this is gonna be a long post).

But before I get into all that, I just want to mention that the placement of the clothing also informs the meaning behind the colour. This was also mentioned in the original post too I believe, but I can’t remember exactly how it worked so I’m just gonna put my own spin on it based on what I noticed.

So when I say the placement of the clothing I’m really just talking about whether the colour is the top or bottom layer of clothing—jacket vs. T-shirt, blazer vs. shirt etc.. The bottom layer is the character’s core motive, with the top layer being more secondary. A lot of the time the secondary motive informs the core one, so it kind of becomes the means with which they achieve their core motive. For example, a character wearing a red coat with a black T-shirt could be interpreted as loyalty or duty coming from a place a love—they do what they believe is right because of the people they love etc.

Ladybug / Marinette

Ok, time to put this theory into action, and what better place to start than the main character? Ladybug’s costume is pretty straightforward: red with black spots. The red obviously represents her duty as a hero, her main motive when in costume. and the spots could either represent her love for Paris or if you’re a Ladynoir shipper, her love for Chat Noir, it could really go either way.

Her civilian outfit is where it starts to get interesting though. Marinette wears a black blazer with a white top underneath. With the white as the core motive and the black as the secondary one, this indicates love from a place of control, and this is backed up by the events of show. Marinette clearly does love Adrien but she can also be very particular about how she approaches her love. She knows every detail about him, such as the schedule she has in “Copycat”, and feels the need to control every detail when she tries to confess to him, such as Operation: Secret Garden in “Gigantitan”. This controlling nature is only solidfied in the episode “Derision” after Kim pranks her on their date. “I should’ve had a plan […] I’ll never tell another boy that I love him before I know everything about him” (11:53-12:04).

Chat Noir / Adrien

Chat Noir is also pretty simple when it comes to colour symbolism in the show. His suit is all black, indicating that his main motive is love. In earlier seasons this most likely symbolised his love for Ladybug but now that he is with Marinette we can assume that it symbolises his generally loving attitude, whether it be towards his friends, family, maybe even Paris itself.

His civilian clothing also points to this same idea, with his T-shirt being black. Adrien also has a white over shirt, but rather than this representing some need for control, I’d argue this more so symbolises Gabriel’s control over him, which of course, does inform a lot of Adrien’s actions. Gabriel’s control pushes the black down another layer—it suppresses it. Instead showing off his colours proudly like he does as Chat Noir he has to leave them cloaked under a white surface, trying to navigate his core motive of love while being unable to fully shake off the white. Think of the many times when Gabriel has kept him away from his friends, like in the episode “Bubbler” where he wasn’t allowed to have a birthday party, or in “Revolution” when Gabriel ships him off to London for the next school year.

Interestingly, this isn’t the only instance where a white top layer indicates control thrusted onto the character wearing the colour. Kagami also follows a similar pattern sporting a white blazer and a controlling mother. She also has both red and black in the bottom layers so make of that what you will.

Another thing to note is that many of Adrien’s modelling outfits are fully white, such as the one in the fragrance ad or the angel outfit in “Simpleman”, representing the complete control Gabriel has over him when he is modelling. Correct me if I’m wrong here, but the only modelling outfit that is not white (apart from the stock photos like the ones in the mansion perhaps) is the one that he wears in “Queen Wasp”. Instead of fully white this suit is fully black, and it is topped off with a black pigeon hat, a hat that Marinette, who is in love with Adrien, made. Additionally, this is the episode where Gabriel almost gives up being Hawkmoth because of how Adrien was attacked by Style Queen in the previous episode. He is less controlling of Adrien and more loving in this episode, even go so far as to hug him in his first public appearance since Emilie’s death, and the black suit reflects that.

However, the idea that Adrien’s all-white clothes represent Gabriel’s control isn’t even just limited to modelling. When Chat Noir is akumatised in “Chat Blanc” his suit also becomes fully white.

In season 5, the Alliance rings are also closely linked to the colour white. The Adrien and Kagami avatars wear all white, indicating the controlling nature of the alliance and the fact that The two of them have no control over how their image is used. Even the virtual space that the avatars exist in is an empty white void, reminiscent of the padded rooms the two are placed in during the season 5 finale, rooms which are used to confine and control the two.

The only time when the Alliance interface is not white is when it changes to red. There’s two times this has happened as far as I’m aware: in “Revelation” when Hoaxer enters the Alliance rings and feeds the people fake news, and in “Confirmation” when Gabriel creates fake footage of Ladybug and Chat Noir kidnapping Adrien and Kagami’s avatars. In both of these scenarios, someone is preying on the public’s loyalty to the alliance rings and their sense of duty to get them to do their bidding.

And look, I know I’ve been straying away a from Adrien a bit, but I also just want to mention that the colour white is often associated with the rich and powerful of Paris in general. This is most clearly seen in “Emotion”, where the VIP party’s dress code is literally all white, reflecting how all the people in that room control Paris.

Gabriel

Speaking of rich and powerful, Gabriel also draws from the colour triad. He does have a few layers that aren’t one of these three colours but his very bottom layer is a white shirt, which isn’t a surprise really, we just went over how he is controlling with both Adrien and the alliance rings. He also has a striped red tie symbolising either his loyalty towards Emilie or the fact that he believes it is his duty to bring her back to life. The white stripes also indicate control, probably to reflect the way that he will do anything in his power to bring Emilie back, like using the miraculous wish, because he is incapable of accepting that sometimes things happen beyond your control and all you can do is move on.

In season 5 he wears all white as his obsession with the wish—his means of complete control, takes over. It could also represent how he’s become even more controlling of Adrien despite pretending to be more loving, (because again, he literally ships his own son off to a different country). Interestingly, in the episode “Destruction” he is inflicted with a cataclysm, a black cataclysm, which could be a visual metaphor for his love for Emilie literally destroying him, which is a really cool in my opinion.

Lila Rossi

Lila is definitely the most interesting character to analyse under this theory, because not only do her clothes draw from the colour triad but even her name does. According to nameberry.com, Lila means night (ie black) and Rossi means red in Italian. She also wears a red cardigan with black underneath—duty or loyalty from a place of love. If we take Lila claims at face value then this makes sense, like in the episode “Chameleon”, when she catches a napkin with her sprained wrist to protect Max, all the while saying things like “I didn’t have a choice” (i.e duty) and “Why wouldn’t I Max […] you’re my friend” (i.e love) (5:40-42 and 5:47-50). But of course, Lila is a liar which means that everything from her name to even the clothes she wears is a carefully constructed illusion.

In the episode “Confrontation” it is revealed that Lila has actually been juggling two fake identities: Lila Rossi and Cerise Bianca. Now this is where it gets really interesting because Lila’s second identity also draws from the colour triad too. Cerise is a shade of red similar to that of cherries or rubies and guess what Bianca means in Italian? That’s right—white.

This can mean a few different things. Perhaps her Cerise persona is more noticeably controlling. Lila’s name directly reflected her clothing, with her first name indicating the the bottom layer (the core motive) and her second name the top layer (the means) so if we apply the same logic to Cerise then maybe her name indicates that this persona’s motives are control from a place a duty, in other words being bossy and controlling because she feels like it’s her job to lead and help everyone.

Another interpretation could be that these are Lila’s true motivations, especially with her being named after the colour white, and if you really want to stretch it, then you could also argue that the red indicates loyalty to herself; she controls everyone because it exclusively benefits her.

it could also be interpreted as somewhere in between. Instead of it being solely Cerise’s fake motivations or Lila’s true motivations it is rather a step closer to the truth. The loyalty to herself theory is, like I said, a stretch. If anything, her true motivation is probably just control for control’s sake, and in this Cerise persona her true colours are shining through a little.

I couldn’t really find a natural place to put this but I also just want to point out here that when she was akumatised into Hoaxer she still had the red and black colour scheme that she does as Lila because she’s still using the same tactics that she does as a civilian, pretending that all she does is out of love and duty. She does also however have splashes of white on her belt, tail and ends of her hair, so maybe that also symbolises her true colours showing through too.

I’m honestly curious to see if Cerise’s clothes will change in season 6 to reflect her name, especially with a lot of the other characters getting new outfits too. Either way I think it’s really interesting how both her fake identities are based off of these three colours.

The great thing about this theory is that it’s not just confined to these four characters. Plenty of more characters also wear these colours, such as Kagami, who I briefly touched on, Emilie (and Amelie by extension), Tomoe Tsurugi, even Nathalie. The only reason why I didn’t delve into these characters is because this post is getting pretty long and I think I’ve made my point, but really, I’ve barely scratched the surface here. There is so much significance with these three colours, they are literally everywhere.

Guys. Guys please. We have to remember that protagonist is not a stand in word for hero and antagonist is not a stand in word for villain. Please. We learned this in middle school. The protagonist is the character the audience follows. The antagonist is the character who is working against the protagonist.

I'm about to go to bed, so this might not make sense, but I think MLB is a good example of the dangers of an episodic show presented in a serialized manner. I think many things that rub people the wrong way would be less so if the show didn't pretend that it was serialized and that most of the episodes actually progress the plot. Because, when you view it as an episodic show that has a status quo to maintain, a lot of things fall into place

Cat Noir flirting but getting no where? That's the point. He's meant to flirt with Ladybug and Marinette's meant to (try to) flirt with Adrien, and its not meant to be creepy because the show not structured to showcase longform character growth. Each time might as well be the first time, as far as the writing team is concerned. That "Marinette knows Adrien's Schedule 3 Years In Advance" joke isn't creepy (well, more creepy) because its the first time she's done it!

Of course, you can point to actual character growth, but I don't think that proves me wrong - rather, I think it showcases that the writing team seems to think they're able to write both an episodic and serialized show and they're not. Repeated behavior in an episodic show is meant to reinforce character traits (Chat Noir has unrequited feelings for Ladybug) and the status quo while repeated behavior in a serialized show reinforces character flaws (Chat Noir doesn't care about Ladybug's comfort and can't take "no" for an answer)(or traits, but we're talking about flaws rn). And an overarching story? That means we're serialized and repeated behaviors now play a different function - and the writers seem completely oblivious to this fact.

Anyhow, hopefully that made sense. I just wanted to write that down before I forgot about it

How to Write Strong Dialogue

(from a writer of ten years)

So you’re back in the writing trenches. You’re staring at your computer, or your phone, or your tablet, or your journal, and trying not to lose your mind. Because what comes after the first quotation mark? Nothing feels good.

Don’t worry, friend. I’m your friendly tumblr writing guide and I’m here to help you climb out of the pit of writing despair.

I’ve created a character specifically for this exercise. His name is Amos Alejandro III, but for now we’ll just call him Amos. He’s a thirty-something construction worker with a cat who hates him, and he’s just found out he has to go on a quest across the world to save his mother’s diner.

1.) Consider the Attitude and Characteristics of Your Character

One of the biggest struggles writers face when writing dialogue is keeping characters’ dialogue “in-character”.

You’re probably thinking, “but Sparrow, I’m the creator! None of the dialogue I write can be out of character because they’re my original characters!”

WRONG. (I’m hitting the very loud ‘incorrect’ buzzer in your head right now).

Yes, you created your characters. But you created them with specific characteristics and attitudes. For example, Amos lives alone, doesn’t enjoy talking too much, and isn’t a very scholarly person. So he’s probably not going to say something like “I suggest that we pursue the path of least resistance for this upcoming quest.” He’d most likely say, “I mean, I think the easiest route is pretty self-explanatory.”

Another example is a six-year-old girl saying, “Hi, Mr. Ice Cream Man, do you have chocolate sundaes?” instead of “Hewwo, Ice Cweam Man— Chocowate Sundaes?”

Please don’t put ‘w’s in the middle of your dialogue unless you have a very good and very specific reason. I will cry.

Yes, the girl is young, but she’s not going to talk like that. Most children know how to ask questions correctly, and the ‘w’ sound, while sometimes found in a young child’s speech, does not need to be written out. Children are human.

So, consider the attitude, characteristics, and age of your character when writing dialogue!

2.) Break Up Dialogue Length

If I’m reading a novel and I see an entire page of dialogue without any breaks, I’m sobbing. You’re not a 17th century author with endless punctuation. You’re in the 21st century and people don’t read in the same way they used to.

Break up your dialogue. Use long sentences. Use one word. Use commas, use paragraph breaks. Show a character throwing a chair out a window in between sentences.

For example:

“So, you’re telling me the only way to save my Ma’s diner is to travel across five different continents, find the only remaining secret receipt card, and bring it back before she goes out of business? She didn’t have any other copies? Do I have to leave my cat behind?”

vs.

Amos ran a hand over his face. “So, you’re telling me the only way to save my Ma’s diner is to travel across five different continents, find the only remaining secret recipe card, and bring it back before she goes out of business?”

He couldn’t believe his luck. That was sarcastic, of course. This was ironically horrible.

“She didn’t have any other copies?” He leaned forward over the table and frowned. “Do I have to leave my cat behind?”

The second version is easier to digest, and I got to add some fun description of thought and action into the scene! Readers get a taste of Amos’ character in the second scene, whereas in the first scene they only got what felt like a million words of dialogue.

3.) Don’t Overuse Dialogue Tags.

DON’T OVERUSE DIALOGUE TAGS. DON’T. DON’T DON’T DON’T.

If you don’t know what a dialogue tag is, it’s a word after a sentence of dialogue that attributes that dialogue to a specific character.

For example:

“Orange juice and chicken ramen are good,” he said.

‘Said’ functions as the dialogue tag in this sentence.

Dialogue tags are good. You don’t want to completely avoid them. (I used to pride myself on how I could write stories without any dialogue tags. Don’t do that.) Readers need to know who’s speaking. But overusing them, or overusing weird or unique tags, should be avoided.

Examples:

“I’m gonna have to close my diner,” Amos’ mother said.

“Why?” Amos growled. “It’s been in the family forever.”

“I’ve lost the secret recipe card, and I can’t keep the diner open without it!” she cried.

“The Bacon Burger Extreme recipe card?” Amos questioned.

“Yes!” Amos’ mother screamed.

“Well, that’s not good,” Amos complained.

vs.

“I’m gonna have to close my diner,” Amos’ mother said, taking her son’s hand and leading him over to one of the old, grease-stained tabletops with the ripped-fabric booths.

Amos simply stared at her as they moved. “Why? It’s been in the family forever.”

“I’ve—” she looked away for a moment, then took in a breath. “I’ve lost the secret recipe card. And I can’t keep the diner open without it.”

“The Bacon Burger Extreme recipe card?”

“Yes!” She still wouldn’t meet his eyes, and her shoulders were shaking. “Yes.”

Amos sat down heavily in the booth. “Well, that’s not good.”

The first scene only gives character names and dialogue tags. There are no actions and no descriptions. The second scene, however, gives these things. It gives the reader descriptions of the diner, the characters’ actions, and attitudes. Overusing dialogue tags gets boring fast, so add interest into your writing!

So! When you’re writing, consider the attitude of your character, vary dialogue length, and don’t overuse dialogue tags.

Now climb out of the pit of writing despair. Pick up your pen or computer. And write some good dialogue!

Best,

Sparrow

A general cane guide for writers and artists (from a cane user, writer, and artist!)

Disclaimer: Though I have been using a cane for 6 years, I am not a doctor, nor am I by any means an expert. This guide is true to my experience, but there are as many ways to use a cane as there are cane users!

This guide will not include: White canes for blindness, crutches, walkers, or wheelchairs as I have no personal experience with these.

This is meant to be a general guide to get you started and avoid some common mishaps/misconceptions in your writing, but you absolutely should continue to do your own research outside of this guide!

This is NOT a medical resource!!! And never tell a real person you think they're using a cane wrong!

The biggest recurring problem I've seen is using the cane on the wrong side. The cane goes on the opposite side of the pain! If your character has even-sided pain or needs it for balance/weakness, then use the cane in the non-dominant hand to keep the dominant hand free. Some cane users also switch sides to give their arm a rest!

A cane takes about 20% of your weight off the opposite leg. It should fit within your natural gait and become something of an extension of your body. If you need more weight off than 20%, then crutches, a walker, or a wheelchair is needed.

Putting more pressure on the cane, using it on the wrong side, or having it at the wrong height can make it less effective, and can cause long term damage to your body from improper pressure and posture. (Hugh Laurie genuinely hurt his body from years of using a cane wrong on House!)

(some people elect to use a cane wrong for their personal situation despite this, everyone is different!)

(an animated GIF of a cane matching the natural walking gait. It turns red when pressure is placed on it.)

When going up and down stairs, there is an ideal standard: You want to use the handrail and the cane at the same time, or prioritize the handrail if it's only on one side. When going up stairs you lead with your good leg and follow with the cane and hurt leg together. When going down stairs you lead with the cane and the bad leg and follow with the good leg!

Realistically though, many people don't move out of the way for cane users to access the railing, many stairs don't have railings, and many are wet, rusty, or generally not ideal to grip.

In these cases, if you have a friend nearby, holding on to them is a good idea. Or, take it one step at a time carefully if you're alone.

Now we come to a very common mistake I see... Using fashion canes for medical use!

(These are 4 broad shapes, but there is INCREDIBLE variation in cane handles. Research heavily what will be best for your character's specific needs!)

The handle is the contact point for all the weight you're putting on your cane, and that pressure is being put onto your hand, wrist, and shoulder. So the shape is very important for long term use!

Knob handles (and very decorative handles) are not used for medical use for this reason. It adds extra stress to the body and can damage your hand to put constant pressure onto these painful shapes.

The weight of a cane is also incredibly important, as a heavier cane will cause wear on your body much faster. When you're using it all day, it gets heavy fast! If your character struggles with weakness, then they won't want a heavy cane if they can help it!

This is also part of why sword canes aren't usually very viable for medical use (along with them usually being knob handles) is that swords are extra weight!

However, a small knife or perhaps a retractable blade hidden within the base might be viable even for weak characters.

Bases have a lot of variability as well, and the modern standard is generally adjustable bases. Adjustable canes are very handy if your character regularly changes shoe height, for instance (gotta keep the height at your hip!)

Canes help on most terrain with their standard base and structure. But for some terrain, you might want a different base, or to forego the cane entirely! This article covers it pretty well.

Many cane users decorate their canes! Stickers are incredibly common, and painting canes is relatively common as well! You'll also see people replacing the standard wrist strap with a personalized one, or even adding a small charm to the ring the strap connects to. (nothing too large, or it gets annoying as the cane is swinging around everywhere)

(my canes, for reference)

If your character uses a cane full time, then they might also have multiple canes that look different aesthetically to match their outfits!

When it comes to practical things outside of the cane, you reasonably only have one hand available while it's being used. Many people will hook their cane onto their arm or let it dangle on the strap (if they have one) while using their cane arm, but it's often significantly less convenient than 2 hands. But, if you need 2 hands, then it's either setting the cane down or letting it hang!

For this reason, optimizing one handed use is ideal! Keeping bags/items on the side of your free hand helps keep your items accessible.

When sitting, the cane either leans against a wall or table, goes under the chair, or hooks onto the back of the chair. (It often falls when hanging off of a chair, in my experience)

When getting up, the user will either use their cane to help them balance/support as they stand, or get up and then grab their cane. This depends on what it's being used for (balance vs pain when walking, for instance!)

That's everything I can think of for now. Thank you for reading my long-but-absolutely-not-comprehensive list of things to keep in mind when writing or drawing a cane user!

Happy disability pride month! Go forth and make more characters use canes!!!