FOR REDWALL!!!!!!
Been wanting to draw something related to Redwall for agesss. I haven't actually read the books, but I've seen the Nelvana TV series and heard some of the audiobook. Also aware Netflix was making a new show (Please please please don't cancel it Netflix please I'm begging you)
Redwall means a lot to many people, and it's really influenced my art, so I'll consider this piece a sort of love letter to it! Hope you like this painting! Enjoy enjoy!!
So I’m rewatching the Martin the Warrior tv adaptation and, while I love it dearly, it would’ve been over so much faster if Badrang had ever just went ahead and killed someone.
Hello please reblog this if you’re okay with people sending you random asks to get to know you better
Rose: I’m not being too intense. Martin: When you’re talking about Christmas caroling, you shouldn’t have to use the term “flanking maneuver”.
Redwall Characters as Brooklyn 99 GIFs
Saxtus, trying to look cool in front of Dandin:
Tsarmina to Gingivere:
Chickenhound, being himself:
Gonff, if he finds out about Martin whole backstory:
Dotti, after causing all sort of mischief and trouble:
Jess, at all times:
Constance, at all times:
Bucko Bigbones, joining the Brocktree squad:
Bella of Brockhall afte her father was killed:
BONUS:
Me remembering that Brian Jacques passed away 11 years ago:
Got a apple pen as an early bday gift and playing around with the pressure features
A seasonally appropriate one ☔️
This is another piece from Flora and Fauna VI, my upcoming show at Gallery Nucleus LA opening on May 27th!
I’ll be sharing all my pieces over the next couple of days~
I feel like Redwall Abbey would be full of queer platonic partners. They’re clearly the type of folk who understand that there are many, many different forms of love just as valuable as romantic. The concept of this is just so beautiful to me idk
So it's been a hot second since I took a break from my full series reread, but I found myself once again thinking about Outcast of Redwall and the raw deal that Veil Sixclaw got.
What kills me is that before the poisoning, the one thing Veil got in trouble for--the only thing, in fact--was stealing. This kid didn't even get into fights, he just stole food from the kitchens, which as Bryony points out is normal Abbey kid behavior. Another character shoots back that stealing is something most kids outgrow implying that the fact that Veil hasn't is suspicious, which is frankly a wild thing to say to the great grand-daughter of Gonff the Mousethief.
(In a kinder version of events, the adults in Veil's life might have shaken their heads with long-suffering fondness and remarked that he was following in his adopted ancestor's footsteps.)
The whole point of Redwall is that it's the woodland utopia where no one goes hungry and everyone has what they need, which is why kids stealing pies off the windowsill is no big deal... except when Veil does it, apparently. Veil's the one that gets physical punishment when he's suspected of stealing--not even proven! I can't recall off the top of my head any incidents in the rest of the series of corporal punishment in Redwall beyond idle threats that the kids know not to take seriously. But Veil gets scrutinized from the moment Redfarl and Skipperjo pick him up out of the mud and they and Bella look at this literal infant and say "oh yeah, he's gonna be evil for sure."
And then a thought occurred to me: it's generational trauma.
Most of the characters in Outcast are two generations removed from the characters in Mossflower. Bella of Brockhall is in both books. Verdauga and Tsarmina are still within living memory. Until the end of Outcast, as far as she knows, Bella lost her entire family to vermin warlords. Mossflower opens on a scene in which a ferret kicks in the door of a family of subsistence farmers, threatens their children with slavery, and takes all their food as taxes leaving them with none for the winter--and the Stickles were the last holdouts. The other farmers in the area had already run off to join the resistance at that point, so this kind of treatment was normal.
And we're left with a close-knit society of people who've grown up with this shared history, with a venerated authority figure who still carries the scars and memories of what they lost--and suddenly another warlord comes within a hairsbreadth of discovering the peaceful society they built in the aftermath, and leaves behind a starving neglected baby whose first impression is eating frogspawn in the mud and biting his rescuers while being the spitting image of the warlord they just narrowly avoided.
All of that gets thrown into this caustic mixture of fear and paranoia that gets projected onto a literal baby and results in their completely out of pocket response to a child taking food from the kitchens in the We Share Everything Abbey.
It also might explain why Bryony, who's young enough to be three generations removed and may have been born after most of the survivors of Kotir had already passed, is the only one who isn't scared and suspicious of Veil on sight.
Captain Clawlion, iceroot, and Scully doodles for @lavenderstarre! Listened to K pop while drawing Clawlion, best combo. (sorry I’m taking so long to draw these :’))
Purely self indulgent character design for Marlfoxes (from Brian Jacques' Redwall novels)..... They're described as 'mottled' and I've never seen anyone show that!
(based off our grey foxes, because they have really fun designs)
Get it? Because I’m queer? And Quean was spelled with an a? You get it.20 // any pronouns // ♉️pfp by spanakorizzo
169 posts