Raph Is Concerned By His Brother’s Coping Mechanisms

Raph Is Concerned By His Brother’s Coping Mechanisms
Raph Is Concerned By His Brother’s Coping Mechanisms
Raph Is Concerned By His Brother’s Coping Mechanisms
Raph Is Concerned By His Brother’s Coping Mechanisms

raph is concerned by his brother’s coping mechanisms

More Posts from Thetinytimeturtle and Others

8 months ago
Team Gracefield!

Team Gracefield!

The Promised Neverland, but make it PMD


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2 years ago
I Noticed Some Parallels, And Decided To Spend Hours And Way More Effort Than Necessary Turning Them
I Noticed Some Parallels, And Decided To Spend Hours And Way More Effort Than Necessary Turning Them
I Noticed Some Parallels, And Decided To Spend Hours And Way More Effort Than Necessary Turning Them

I noticed some parallels, and decided to spend hours and way more effort than necessary turning them into a drawing! Because of course I did


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8 months ago
The Best "the Boy In The Iceberg" Official Art

The best "the boy in the iceberg" official art

I LOVE this art


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7 months ago
Care For A Drink?
Care For A Drink?
Care For A Drink?
Care For A Drink?
Care For A Drink?
Care For A Drink?
Care For A Drink?
Care For A Drink?
Care For A Drink?
Care For A Drink?

Care for a drink?


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11 months ago

I love Isabella so much for this.

I Love Isabella So Much For This.

She knew she couldn’t save every child in the farms until her rascals came back to free them. But she made sure to save as much as possible. Not only dropped the number of shipments (from around 36 in two years to god knows what), but the children also got to live longer, since their scores got up, too. It’s such a big brain energy to undermine the higherups guidelines and helping her children in her own way, while acting inconspicuous and gaining a better status as Grandma.

Conclusion: Isabella really is an Iron Lady. After all, she’s hardcore.


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7 months ago

It bother me so much that people misunderstand sayaka miki's descent into madness in madoka magica. She doesnt become a witch "just because of a boy." Sayaka is a character who ties all her self worth into being in service of others. We can see this right from the start with her idolization of mami and everything that she was. She saw mami as this "perfect hero" even though mami i would say is mentally the weakest of the holy quintet. In the timelines where mami finds out about the incubator's true goals she always immediately breaks and goes crazy, trying to kill the other girls in her own twisted way of trying to "save them". Instead of seeing the fragile person that mami was, sayaka instead sort of treats her as a martyr, a goal to achieve. We continue on to sayaka's magical girl wish. Instead of wishing for something for herself, she instead sells her soul for the sake of kyousuke. Then when he starts dating hitomi she spirals not because she's sad about the rejection but because she feels replaced in his life, that he doesn't need or want her around anymore. Then she throws herself into her magical girl work not seeing that she's harming herself because she justifies it with "well im saving people that means what im doing is a good thing." She doesn't see that she's becoming more sloppy, more ruthless until its too late. It's only in the end when she turns into a witch that her story gets resolved.

Sayaka Miki is an incredibly sad character to me. While her actions have the illusion of being selfless and "for the greater good" she is actually incredibly selfishly motivated. Everything she does is in service of wanting praise and admiration from the people she cares about. If she helps kyousuke he'll appreciate her and love her, if she becomes a hero she'll receive praise and admiration for being a good person. This is why it is important that of all people it was kyoko that fought sayaka in the end. To homura, sayaka is someone to be saved. To mami, sayaka is her sweet apprentice/younger sister figure. To madoka, sayaka is her energetic and happy go lucky friend. Kyoko is the only one who from the start called sayaka out on her bullshit, seeing straight through her. And at the end, kyoko is the one who truly accepts sayaka. Sayaka as the witch Oktavia von Seckendorff is stated multiple times in official material to be "looking for love." In the end it it kyoko who gives her that love. Even when sayaka has lost her humanity it is kyoko who accepts her for the entirety of who sayaka is with all of her selfishness and desires. She is the one who sees what sayaka has become and stays together with her till both of their ends. Kyoko choosing to die with sayaka is her saying "I'm here for you, i know all of you, and I will love you regardless."


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1 year ago

Breaking news, you have to be bad at something before you can be good at it. I personally am horrified.

3 years ago

Horses are really fragile animals. Is it still a death sentence for a centaur if one of their equine limbs gets hurt? Or can they help it somehow?

Oh god, now I'm thinking of amputees and how those would work

Horses are SUPER fragile, or maybe more like delicately balanced.. but particularly their crazy spindle-legs which centaurs get to deal with! But a big part of why hurt legs are a death sentence for horses has less to do with "It kills them" and more to do with quality of life, which a centaur can get around! A horse with a broken leg doesn't understand it can't put ANY weight on that leg for an extended period and will attempt to go about their daily life and act normally, which basically guarantees re-injuring the bad leg and a high chance of injuring the other 3 legs as they try to cope with the change in balance and weight distribution. It all leads to a really poor quality of life with almost no chance of truly healing properly. The story of all they did trying to save Barbaro the racehorse is a long sad story that illustrates a lot of the issues even with modern veterinary medicine with trying to deal with a broken leg in horses.

Thankfully with centaurs, They understand the need for healing, are able to manage their own quality of life and have the gear to support themselves in the time it takes for the injury to heal!

Horses Are Really Fragile Animals. Is It Still A Death Sentence For A Centaur If One Of Their Equine

Also perfectly good for long term use in the case of aging, amputation, or general disability! Which is common with the front legs and lower backs of centaurs given the unusual stresses caused by their body-plans. They were created with thicker and more robust front legs to cope with the permanent added weight of the torso instead of a horse head, but injury and disability in that area is still very common!

Horses Are Really Fragile Animals. Is It Still A Death Sentence For A Centaur If One Of Their Equine

Injuries to the hind are less common and usually less severe, and given the hind legs bear less direct weight than the front they can usually get away with wraps and limping until it gets back to weight-bearing. Something like a rear amputation or ruptured tendon would probably require a custom harness/brace attached to a wheel like these and/or basically a peg leg!

2 years ago
The cover page for a digital comic. A trailhead information board stands in a lush green forest, with a trail map, and two signs pinned to the wood. The text on the signs read: "BY BECKETT JONES" and "THE TRAVELER'S WARNING."
Three comic panels on an off-white background. Objects depicted in the negative space of the page include a work boot, a leather-bound journal, a compass, and a colorful rock bracelet. 

The first panel is a Forest Service gate on a dirt road, slightly ajar. The road goes out of sight into leafy green shadows. There is one wooden sign nailed to a tree, and two white and green signs secured to the gate. The text on these signs reads:
"TRAVELER, STOP! 
IF YOU TAKE THIS ROAD YOU WILL BE 
FUNDAMENTALLY CHANGED
FOR BETTER OR WORSE."

The second panel is a crumbling concrete barrier on gray, driving rain. There are evergreen trees in the background. There is a hand symbol pointing to the right engraved into the barrier, and text that reads:
"YOU WILL RETURN FROM 
THIS JOURNEY 
IRRECOVERABLY ALTERED 
IN WAYS" 

 The third panel is a waterfall with conifer trees, behind a glossy red sign with "no swimming"white symbols. White text on the sign reads:
"YOU CANNOT COMPREHEND 
BEFORE YOU UNDERGO 
THIS TRANSFORMATION."
Two comic panels on an off-white background. An espresso machine portafilter is pictured in the negative space in the page. 

The first panel is of a red rock slot canyon, with a rushing green river at the base. A rusted yellow sign stands in the water, with a flash flood symbol and text that reads:
"NO ONE ON EARTH 
WILL UNDERSTAND THE 
METAMORPHOSIS"

The second panel is a wooden sign hanging from the eaves of a roof, in front of a snow mountain scene. Stars twinkle in the night sky. Warm red text on the sign reads:
"EXCEPT THOSE WHO EXPERIENCED IT 
WITH YOU. THE PEOPLE WHO LOVE YOU." There is an arrow symbol and two foamy mugs also depicted on the sign.
Two comic panels on an off-white background. Objects depicted in the negative space of the page include a key ring, a pocketknife, a stuffed toy bluebird, and a bandana. 

The first panel is a road with a center stripe in a sagebrush plain, with big orange clouds in the sky. A coyote slinks across the road. A big green highway sign with white arrows reads:
"MAY CEASE TO TRULY KNOW YOU. 
WALKING BACKWARDS 
WILL NOT HELP YOU"

The second panel is of a high alpine wildflower meadow, with a glaciated Mount Tahoma in the background. A wooden stake reads:
"WALKING FORWARDS" 
Three comic panels on an off-white background. Objects depicted in the negative space of the page include a headlamp, a trowel, and a plant sprig in a ziplock bag. 

The first panel is a wildfire sunset above a barbed wire fence surrounded by blooming fireweed and evergreens. An orange wildfire hazard sign reads: 
"IS INEVITABLE 
YOU CANNOT STAND STILL" 
A gray jay sits on the top of the sign, eyeing the viewer. 

The second panel shows a dilapidated wooden shack, covered in moss and white and orange mushrooms. Evergreens and leafy undergrowth surround the structure, and a Pacific gray tree frog sits on a leaf in the foreground. Text carved into the wood reads: 
"YOU MAY NO LONGER RECOGNIZE 
YOUR HOME" 

The third panel is a chinook salmon run in a green forest. Underwater reeds flow on the river. A white sign nailed to a tree trunk, with water symbols and text that reads:
"IT CANNOT STAND STILL
EITHER."
Three comic panels on an off-white background. Objects depicted in the negative space of the page including an ammonite fossil on a leather cord, a green nalgene, a peach, and a pulaski. 

The first panel shows a gray ocean storm, with waves crashing against big, dark rocks. A tsunami hazard zone sign reads:
"IF YOU SURVIVE THIS" 

The second panel shows a round orange bouy floating in a sea illuminated by bioluminescent plankton. Stars glitter overhead. Text on the bout reads: 
"YOU WILL BECOME PART  OF A WORLD"

The third panel shows a pair of dolphins in the water, adjacent to a white boat. A red sticker on the gunwhale reads:
"THAT DOES NOT YET EXIST"
Three comic panels on an off-white background. Objects depicted in the negative space of the page include a pair of sunglasses and a machete. 

The first panel shows a dessicated greater frigatebird cradled in the branches of a tree on a sandy shoreline. Pink flagging has been tied to a branch, and black handwriting reads:
"IF YOU DIE HERE"

The second panel shows a blacktip reef shark swimming on a coral reef. And underwater sign affixed to steel chain shows a skull and crossbones, and text that reads:
"YOU WILL COME BACK"

The third panel is a GPS unit held up to the sky, showing a GPS track and text that reads "WRONG." Seabirds fly overhead. 
Three comic panels on an off-white background. Objects shown the negative space of the page are a snickerdoodle cookie and hale koa flowers threaded on a string. 

The first panel shows a pair of hands holding a sooty tern with a radio tag. Another pair of hands write in a notebook, and handwritten text on the page reads:
"TRAVELER
YOU HAVE BEEN WARNED" 

The second panel shows the leg of the sooty tern, which has been fitted with a birdband. 

The third panel is a pair of fingers holding the birdband so that engraved text faces the viewer. The text reads "AND NOW YOU MUST GO." 

A short comic I made about my experiences as a seasonal worker, and the way places change you.


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thetinytimeturtle - Cassiopeia the time turtle
Cassiopeia the time turtle

Hi! I'm Cassiopeia, she/her • I have no idea what I'm doing so please leave any and all expectations at the door • If anyone is wondering yes, it is a Momo or The Men in Gray reference

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