Mischievous Nomads

God, as somebody that grew up in a largely jewish community, holocaust denial is like... so fucking weird.

Because I don’t remember a time in my life when I wasn’t terrified of swastika’s, including when I was so young that I didn’t even know what a swastika was.

Because it’s such a strangely specific feeling to be born in the wake of a tragedy so massive that you can still feel it’s reverberations and were born with a weird sense of survivors guilt that will shadow you forever

Because when we were younger and our parents refused to tell us exactly what the holocaust was, we would trade our grandparents horrific experiences like they were scary stories across the camp fire, repeating them over and over to ourselves and eachother so we could figure out what it all meant.

Because I’d see those books with grey photos of Auschtwitz prisoners on the cover and feel like they were looking straight fucking at me.

Because every single Yom HaShoah you’d hear grade school children get up and say “my grandmother was the only one left of her family” or “they barely got out before it started” or “they managed to hide in an attic for months on end” or “my great grandmother managed to jump off one of the trains with her daughter in her arms” or “my grandfather has numbers on his arms but he won’t talk about it” or “my great aunt was shot just before the liberation so she couldn’t get out,” like it was normal.

Because we were always taught to run if we were in a group of non-jews that started making nazi jokes, to laugh along and then take the fuck off to stay safe.

Because the question always lingered over our heads, “what if it happens again? what if it happens to us?”

.... and them some stupid fucking college age white trash dickhead stands up and says “it didn’t happen” or “it wasn’t that bad” and I just can’t... fathom that? Like how the fuck wasn’t this part of your life? How is this not etched into your bones?

And its because it’s not. Like people didn’t grow up with this shit, some people can afford to deny the holocaust and deny antisemitism because it won’t hurt them.

It’s just... fucking wild.

(please reblog)

On my recent cabbage merchant art, someone commented on this man’s sheer resilience and how he was the Sisyphus of ATLA, and that inspired me.

[ID in Alt Text]

i love this panel so much and i wish i had the like thinking and art analysis skills to explain why other than "he looks like a sopping wet cat and i think thats wonderful"

Promises & teddy bears!!!

One More Match

-YouTube Link

[DC] rough …veryyyy rough sketches for a whole ass Anime opening I have in my head and started in December 😭🙏 I still have a minute left to complete but I wanted to show the beginning…I hope I have time to clean it up

BASED ON THE YJ98 COMIC NOT THE 2011 SHOW OF THE SAME NAME

Random stills below

Best and worst things to discover at a dig?

Worst is a body that shouldn’t be there.

_Areid

Some teetle practice

Assorted bits/trivia/propaganda: • Favorite volume cover poll can be found here, and favorite inner volume cover poll can be found here. • Chapter 47's art is Kaiu Shirai's favorite color chapter cover art per the "Tracks to the Neverland" exhibition book interview (from December 2020): "Amazingly drawn upper arms (and legs!) Everyone is drawn differently for their different ages! I adore the happy smiles of a mother and her daughters. It's a color page published on One Piece's 20th anniversary, so let me applaud the use of the straw hats and One Piece theme. I love it. Only Emma's hat is fringed and that's the best!" • Chapter 75's art is Demizu's fifth favorite color chapter cover art per the exhibition interview: "The theme was graduation, and I had a lot of trouble deciding the color of the clothes, which left a lasting impression on me. The color scheme is a bit mismatched thanks to the combination of bright colors like foreign uniforms and cherry blossoms, but I think I turned out beautifully." • Chapter 119 was the inspiration for the "The Guiding Star" short story originally published in Shounen Jump GIGA 2019 Summer Volumes 1–3 and eventually reprinted in the fourth light novel, "Films of Memories." (First part can be found here, translated by @presumenothing.) • I included the original spread of chapter 153 in WSJ because the "he is always alone" line kills me. This is also Shirai's fifth favorite color chapter cover art per the exhibition interview: "God. Representing Norman’s mental landscape like this..? I want to take a peek inside Demizu-sensei’s brain! The expression on Norman’s face, a burnt land's grief, frailty; Emma and Ray appearing there. It hit me so hard that I used the metaphor for the main story as well. I love it!" • Chapter 181 propaganda by @tutubola and some tag ramblings:

"i really like this actually. ray carrying one of the younger kids? norman w rolled up pants? the vulnerability???? all of them w rolled up pants/skirts actually. gilda looks so cute. and look at sherry she's so obsessed w norman it's so cute. i would make this more elaborate but i cant think rn be back in 46-79 business days (#it's the more-than-earned casualness of it all combined with it being one of those pictures you can hear the sound of #the soft ebb and flow of the waves and cry of the seagulls #with the warmth emanating from this scene of this family that against all odds was able to overturn destiny #and come out together just as close as not more so than where we started with them in the very first chapter #enhanced by the gentle hues of the setting sun to parallel the end of their long and hard-fought journey #and the warm air that's carried by an equally gentle sea breeze~ #shoutout specifically to seeing Anna‚ Don‚ Norman‚ and Ray naturally falling into their elder sibling roles #showcasing one of the fundamental cores of this series #healingly wholesome)

It's tough being a leader but it gets easier when you have someone to fall back to

Here's my Rayemma day comic!