I Have Not Even Brought Up The “villains.” I Say Villains Because They Are Not So Much Evil As They

It’s not doxxing if they’re public figures. This information is readily available to the public. You’re doing a public service, and arguably helping these CEOs by informing the public of their names and faces.

Encourage people to seek them out, so we can show our appreciation towards these brave leaders of innovation. They’re bettering the free market, and we should remind them of our thanks.

legal disclaimer that I'm not saying we should execute CEOs in the street, but what if we doxxed them. what if we plastered their names and faces all over social media. what if we made them nervous to go out in public for fear of actually experiencing a single consequence for their actions. what if we built a culture where CEOs get regularly bitch-slapped in the street is what I'm saying

“Come back here,” he whimpered threateningly.

Use "said" for dialogue unless you are writing a man talking, in which case use "whimpered"

Boy Clothes by Nxdia does what most people think white guys wearing eyeliner does for gender revolution

Wyoming is not a real place

sporcle.com

US States

Can you name the US states?

this isn't my usual content, but something really struck me as i was visiting a part of the city unfamiliar to me today. and here is my takeaway:

I should not have to be afraid all the time. I should not have to look over my shoulder every ten minutes and be suspicious of every man in the vicinity. I should not have to scan a fucking public space, during broad daylight, for another woman to feel reassured. I should not have to maneuver the way I walk on a sidewalk, because something that has happened to others before can happen again. I should not have to avoid eye contact all the time just to feel semi-safe.

so why have we reached a point where this is normalized? I'm the one taking preventive measures and the people the law should be after don't even get apprehended properly more often than not. do we talk about the kolkata case anymore? we don't. mainstream media lost interest, at the end of the day. is it because actual justice was served? no.

and it's not as if this is far from me either. I don't think it's far from anyone.

there were a couple men that regularly roamed near my college who, according to firsthand reports, touched students inappropriately in the crowd. they were found. they were reported. we made a group chat to keep each other safe and updated. I was actually terrified of going that month. and the worst part? I don't know what happened to them. they disappeared, whether because they knew they were found or because they were apprehended, I don't know. or maybe they're still there, but all the students are too resigned to say anything anymore.

why?

because they were reported. and the enforcement said that one man in particular did it to 'go to jail for free food'. they would arrest him, keep him for a few months, then free him. so he did it again. and again. until the police were just used to it. I'm not saying the police don't do anything, because that would be inaccurate, but this incident still remains a part of my daily life. that is an institution I go to everyday. if I can't feel safe in my own locality after it's dark, if I can't feel safe at my college, if someone isn't safe in their own workplace, if I am constantly afraid whenever I go out alone... would you call that a safe country? a free one?

this isn't about any specific institution or political party or anything like that. this is about a rot that's been festering since the very beginning. something that should have been stamped out, but continues anyway.

we were promised a right to life with dignity.

this is not dignity.

So you’ve met my ex

A character concept that I'm actually surprised I haven't seen more, now that I think about it:

A character with a tragic past who's beautiful in an unthreatening, pitiful sort of way, who goes "wait hold on, people think I'm cute?" and immediately goes drunk with power. Having a whole villain arc getting corrupted by the power of being just so tragic and pathetic that people can't be mad at them. Someone who's been accustomed to always being the one who's blamed and punished no matter whose fault the problem was suddenly discovering that actually they could get away with murder by being so big-eyed and sad.

And once they figure out that they can just Poor Little Meow Meow their way out of anything, they do. Going from being genuinely skittish and timid into pretending to do so merely as an act, manipulating the shit out of everyone and avoiding all suspicion because Look How Sad And Wet And Pathetic I Am, of course they couldn't do any harm to anyone ever.

And if one person finally does see right through that act and puts puzzle pieces together of how there's been just too many suspicious coincidences and accidents that only one person would actually benefit from, they confront the Tragic Little Act directly, one-to-one, to say "I'm fucking onto you and your shit"

And suddenly they completely snap out of their timid, pathetic presentation to give a big, wide, sickening smile like "no-one's ever going to believe you."

I’m trying. Do you know how hard it is to find a good rival these days?

enemies-to-psychosexually obsessed with each other. more of that

Ready, Set, Go…

What’s your favorite Hozier song? Why? No, you can’t say all of them. And don’t choose something stupid like cherry wine (there’s nothing wrong with cherry wine. Obviously. But gods man, have an actual opinion).

You are, however, perfectly welcome to list a handful in no particular order. Here, I’ll start,

Wildflower and Barley ft. Allison Russell

“(I feel as) useful as dirt, put my body to work.”

If this song does not fill you with the incredible longing to fall in love with life, and love, and dirt, you are listening to music wrong. I am sorry, you are beyond redemption.

To Noise Making (Sing)

“Your head tilt back, your funny mouth to the clouds. I couldn’t hope to know that song and all it’s words wouldn’t claim to feel the same it felt the first time it was heard.”

“Was it that or just the act of making noise that brought you joy?”

Enjoy the moment because it will not last, but rejoice in the knowledge that more are coming, as similarly meaningful and unique and impossible to duplicate to the one you are currently living!

Make music. Make bad music. Make music for the sake of exaltation. Make art because if you don’t then what is the point in living! Make art because one of the first things a child learns is to take marker to a wall, or pudding to a carpet. Make art because it is an expression of self. Make art because it is proof of life. Live.

Too Sweet

“Don’t you just want to wake up, dark as a lake? Smelling like a bonfire, lost in a haze?”

Get drunk with your friends and skinny dip off a pier. Ignore the rules, what are they for anyway? Find meaning in how you see it. Confront the wild beast in the woods and let it merry meet the one in you.

Those church bells in the background- Are they ringing in a wedding, or a funeral? A simple Sunday Service, or acknowledging the hour? Life goes on, always. It’s the one continuity. It never stops. So what are you doing with it?

Moment’s Silence (Common Tongue)

“A cure I know that soothes the soul, does so impossibly. A moment’s silence when my baby puts the mouth on me.”

“When the meaning’s gone, there is clarity, and the reason comes on the common tongue of your loving me. And it’s easy done, our little remedy…”

Hot.

What, I can’t like music with an…oral focus? Too low brow? The beat and flow of the music takes you on a sensual journey as much as the lyrics.

Angel of Small Death and the Codeine Scene by Hozier, Fiachra Kinder, and Rory Doyle

“Jarring of judgement and reasons defeat, the sweet heat of her breath in my mouth, I’m alive.”

“With her sweetened breath, and her tongue so mean…”

“With her straw blonde hair, her arms hard and lean, she’s the angle of death and the codeine scene.”

I’m gay. Extraordinarily queer. Do I need to elaborate? This sound sounds like a death march. It sounds like the echo in your ears as you dance yourself to death. Years passing away in the span of a single dance and you don’t care, as long as she is your partner. You can’t manage to rip your eyes off her to save your life. You won’t.

Almost (Sweet Music)

“I’m almost me again…she’s almost you.”

It was Almost Sweet Music. We were Almost something. I’m Almost able to be normal about this song. Seperated by a pair of parenthesis, kept apart and yet part of the whole.

Foreigner’s God

“Her eyes look sharp and steady into the empty parts of me. But still my heart is heavy with the hate of some other man’s beliefs.”

“I’ve no language left to say it, but all I do is quake to her. Break it if I try to convey it, the broken love I make to her.”

If you, somehow, have missed the message that Hozier’s music is incredibly political- If you have ignored Nobody’s Soldier, Eat Your Young, and oh, I don’t know, just about 70% of his discography… What do you think this song is about?

It’s also just a really fucking good song.

I've been thinking a lot about the iconic Murray Gold theme This is Gallifrey, Our Childhood, Our Home. It's often referred to as "The Gallifrey Theme" or "The Time Lord Theme".

I don't think it is either of those things. In most scenes the theme is used in, it signifies either one or both of two things:

The Doctor's longing for home.

The Doctor and the Master's childhood friendship and their mutual longing for it.

The first time we hear This is Gallifrey, it is in Utopia when the Doctor is praising Professor Yana's scientific prowess. Of course, neither the Doctor, the audience, or Yana himself know that this is really the Master, but this theme underscoring the scene between the two men shows the immediate bond between them, and I think sets the tone of the Doctor/Master relationship for the rest of Murray's (first) era, the understanding that they are supposed to be friends, and if these two ancient beings had a clean slate from centuries of fighting and resentment and Time Wars, they would bond straight away.

The next major use is an episode later, in The Sound of Drums, when the Doctor is reminiscing about Gallifrey. However, I don't think the music is being used as a theme for Gallifrey itself, but rather the Doctor's memories of his childhood home. And the music continues playing when we see the flashback of the Master staring into the Untempered Schism. I think the use of This is Gallifrey is less about the place itself, but the Doctor missing home, and the Doctor remembering his childhood friend, and the moment his friend was cursed with the insanity that would ruin their friendship.

The theme is used once again, when the Master chooses to die to spite the Doctor. The Doctor breaks down sobbing while a heartbreaking rendition of This is Gallifrey plays. Once again, it is very much used as the Doctor and the Master's friendship theme, a sad variation as the Doctor loses his oldest friend once again.

The next time we hear This is Gallifrey, it is being used when the Doctor refuses to accept Jenny as his daughter or a Time Lord. We know that he is rejecting her because of his grief and regret over the family he lost on Gallifrey, and the theme is used again later in the episode when the Doctor admits this to Donna. This is Gallifrey is used to signify the Doctor's family, and all the painful memories of them that he feels when he looks at Jenny.

And then we're on to the End of Time. Simm's Master is far less open and vulnerable than either Missy or Dhawan's Master, but we get a rare moment when he and the Doctor are together in the landfill site. The Master remembering how he and the Doctor used to run through the fields as children. And sure enough, a very soft variation of This is Gallifrey can be heard, showing that the Master still misses their friendship.

A more militaristic variation of This is Gallifrey can be heard at the beginning of Part Two of The End of Time. I'd say this is one of the few times it can realistically be called a Gallifrey theme. However, I'd argue that it's less about the Time Lords themselves, and more about the Doctor's childhood home having become a warzone.

The theme is absent for most of Matt Smith's era, not returning until The Name of the Doctor. Once again, there's a credible argument that it's being used for Gallifrey/The Time Lords. However, it's important to note that the theme is being used for the flashback of an echo of Clara influencing the First Doctor to choose his TARDIS, and then showing Clara echoes helping the Doctor throughout his incarnations. I think this might come back to the theme of family, that while the Doctor mourns his family, there has been someone who has been with him from the very beginning on Gallifrey, even if he hasn't really met her yet.

One of the reasons I don't think This is Gallifrey is a Time Lord theme is that it is absent from The Day of the Doctor, despite Gallifrey and the Time Lords featuring heavily in that episode. Because Day doesn't really touch on the Doctor's grief or his longing for home. While those things undoubtedly factor in, the main drama in the episode is the Doctor's guilt for being forced to kill billions of innocent people, particularly the children, and how that came to define his future incarnations. This is Gallifrey was never really about that. That's what the excellent The Doctor's Theme represents.

This is Gallifrey is used when the Time Lords send the dying Doctor a new cycle of regenerations. It's quite an interesting use, when you consider Clara's dialogue immediately before:

CLARA: if you love him, and you should, help him.

In my opinion this is very much a "coming home" moment, a resolution to 7 seasons of storytelling. Yes, the Doctor doesn't physically reach Gallifrey, but the Time Lords have accepted him and saved him. He hasn't gotten home "the long way round" yet, but he's no longer the "Last of the Time Lords". He has somewhere to belong, at last.

Obviously, this doesn't last, and when the Doctor returns to Gallifrey in Hell Bent, it's not on pleasant terms. For this reason, This is Gallifrey never appears in the episode, because the episode isn't about the Doctor returning to his childhood home or reuniting with his loved ones. It's an episode about a man being driven to extremes by the loss of his love.

Series 10 heavily explores the Doctor/Master relationship, and This is Gallifrey underscores many of the Doctor and Missy's scenes together during the latter half of Series 10, most notably during the "Your version of good is not absolute" and "Every star in the universe" scenes. It's also used throughout the scene on the rooftop, when both Missy and Simm!Master are tormenting the Doctor, only for him to gain the upper hand. I think in this scene it is meant to show the cyclical relationship between them, how the Master's schemes inevitably fall apart at the Doctor's hands, and how normalised this game between them has become, to the extent that the Doctor takes apart the Master and Missy's scheme within the first ten minutes of the episode.

And then we get to what is in my view the defining use of This is Gallifrey: Missy killing her past self. To me, this is the moment the show had been building towards since that conversation between Ten and Yana in Utopia. The moment Missy chooses to reject her violent past in favour of rebuilding her friendship with the Doctor. And the music perfectly carries that story.

Or so we thought...

The next time we see the Master, Murray Gold has left the show and Segun Akinola is composing. Now, I'm not one of the people who thinks Akinola should've reused Gold's themes. Gold got to build his soundscape from the ground up, so it's only right Akinola got to do the same rather than riding Murray's coattails. While I don't think this is intentional, I think the absence of This is Gallifrey reinforces what is being made clear on screen, that the Doctor and the Master's friendship is over. There is now too much hurt on both sides. SpyDoc is a very different kind of relationship to either TenSimm or Twissy, with the Master's bitterness over the Timeless Child, and the Doctor's bitterness over Missy's seeming betrayal, leaving nothing but resentment between the two of them. Akinola speaks about the complexities of his theme for Dhawan!Master here , and how it reinforces the tragic nature of his character, and the thwarted potential for change in him.

Personally, I hope the Master gets a good long rest, but since RTD seems to be continuing the Timeless Child storyline, if Dhawan does return, and the possibility of reconciliation and healing after the revelation is considered, then I hope Murray does bring back This is Gallifrey as their friendship theme, possibly playing it against Akinola's Spy Master theme.

Every Jason dies

life is so good when i pretend that jason never died