God that is insane
can you please explain what happened on tim’s sixteenth birthday if it’s not too much trouble?
Anonymous said: what did Bruce do on Tim's birthday???
@gothamsiren4: i’m afraid to ask what happened but what happened
I would have just included screenshots of the other ask + reply but I need the image space for panels . tumblr and this stupid image limit is going to kill me
So, Tim just had a whole adventure from #112-#115 where he was out of town undercover (it was a WILD time. there was a giant monster, this random guy Stephen that could let Tim walk with him through the woods really fast, Tim accidentally wore a mullet wig nearly the whole time- chaos, truly) and when he gets back to Gotham he is fucking exhausted and his sense of time is all sorts of screwed up- something Dana notices as soon as he gets home, when he doesn't recognize an important date coming up that week.
(Robin #116)
So Dana calls up Steph & Ives to come help celebrate, and they all give Tim a particularly surprising surprise party- because he forgot his own birthday! Things are going great until the end of opening presents- where Cole (the guy who works the elevator in their building) has joined the party and it's revealed a mysterious box was left for Tim earlier and they have no idea who it's from.
This makes Tim's Robin anxiety kick into high gear, leaving him paranoid basically the rest of the night
(Robin #116)
Later after the festivities, Tim brings the box to Bruce to start examining it, and Bruce ya know forgot Tim's birthday (Alfred didn't though <3)
(Robin #116)
They do some analysis, follow some leads, and narrow down the guy that delivered it at least. But ultimately they don't get very far before the box… activates, while Tim is alone away from Bruce. It shows a hologram message apparently from a dystopian future Alfred (from the year... 2012... for reference, this issue was written in 2003) who says that in his time period someone in the Bat Family is going to go bad and cause the bad future- and that Tim needs to stop them in present day before it’s too late. But the message is disrupted by Future!Alfred getting shot and killed with some laser thing before he can say who it was, right in front of Tim.
(Robin #117)
Which... well all of this is a lot on Tim's mind. He's torn between 'is it fake or real' and ultimately doesn't tell Bruce about what happened, instead deciding to try to handle this on his own. He at first thinks okay- it's gotta be fake, but who is trying to manipulate me with this and what are they trying to get me to do. He thinks someone is tailing him, and his prime suspect is Jaeger: a guy he'd gone up against a few times previously when dealing with monsters (Man-Bats and Charaxes). He runs into Dick (bc he wanted to wish Tim a happy belated birthday) who helps out- they stage a very convincing (they are ridiculous) fake fight to try to fool anyone potentially trailing Tim, this way Dick could then follow at a distance to observe and see if someone really was following him.
Ultimately though, nobody was tailing him, but Tim keeps investigating the Jaegar idea until eventually finding out he's actually in jail, so clearly not involved in this. When Tim gets home he's got an urgent message from Bruce, about some crazy new high-tech interrogation methods he used on the guy they tracked down, Yak, that had delivered the box to Tim's house and apparently unknowingly made it under a kind of hypnotic state.
(Robin #118)
And the voice from these recordings Bruce was able to get from Yak's mind, that gave him commands for building the box and delivering it? That's a voice Tim recognizes alright- it's the voice of the future Alfred! So now Tim is distressed because the hologram of future Alfred being real and him needing to stop a teammate going bad to prevent a bad future... is suddenly the most plausible scenario, and the only lead he's got.
Tim tries to go hook Yak back up to Bruce's new machine himself, to see if maybe the name that future Alfred got cut off from saying was somewhere hidden in his mind, but Yak had escaped his holding cell and in the ensuing fight he breaks the machine, so Tim can't use it. Instead he's stuck, forced to be paranoid about his friends- investigating them to see who could be the person that goes bad.
(However we do get a slight detour from the main plot to check in on some stuff with Steph- who'd been lying to Tim for the last few issues. Since finding out her dad died, rather than going home and facing her mom like she promised she would in Robin #111, she'd been renting a room on her own. Tim helps do some mediation with Steph and Crystal, so that she can feel comfortable going home again. Then that night he resumes investigation)
He trails Cass first (remember, this is 2003. She’s still like the newest Batfam member and the two of them aren't that close yet), but comes to no conclusions. He theorizes possible scenarios for how it could be Dick, then Babs, and we find out he spends about 10 days straight trailing basically all his Gotham allies trying to figure out who it could be.
He forms a plan to try to test his allies, by writing up a whole planned manifesto of the sort of ideals that led to the bad future according to that future Alfred, with the idea of showing/explaining it to each one and gauging their reaction (thinking that someone who didn't react extremely negatively could be the person who goes bad). However before trying this method out on anyone, he gets paranoid that maybe him doing this is the thing that plants the seed in someone's mind- and freaks out a bit... before-- WHAT?!
Future Alfred comes back- not just a hologram this time! A real physical person! He explains that more things happened in the future- yes Tim saw him die its okay they were able to fix it- but ultimately Tim starts noticing holes in his story, for example his robot arm suddenly being on a different hand than last time.
(Robin #120)
Tim rips off this guy's mask and it's- PRESENT DAY ALFRED?
(Robin #120)
The "Have a drink, sir. I don't care what your birthdate says-- after tonight, you are of age." as Alfred pulls out a flask fucking killed me the first time I read this, it's such a funny line in the middle of this tense mess.
But yeah, it's revealed this was all Bruce's doing. Tim calls it a trick, Bruce calls it training. The entire situation was basically a test of Tim's abilities, to take him to the "next level" and Bruce is overall pleased with how he did... despite then going on to point out some of the flaws in how Tim handled the situation.
(Robin #120)
"I mean really, time travel?" is infuriating. Bruce. You know damn well time travel has happened in this universe.
Timmy is, understandably, fucking pissed.
(Robin #120)
This is one of the not-too-common instances of Tim swearing (like, in a way that needs to be censored. That's what's rare for him, he uses 'damn' and 'hell' regularly like most teen characters). He kinda quits- and very seriously contemplates doing so for real because this whole thing seriously fucked with his head... but after venting to Steph about it, he ultimately decides to go back to Bruce.
But it uh... doesn't get... resolved. Bruce does not apologize. Tim doesn't ask him to. The story just... ends. The ending feels extremely rushed imo. This was the last issue of Lewis' run though (Willingham's run starts the next issue) so idk maybe he thought he'd have more time to spend on the aftermath and that just didn't happen, I don't really know how that transition between writers went since ya know it was 18 years ago.
But yes, anyways, while a lot of these events happen after the actual day, this all started with Bruce having the box delivered to Tim on his 16th birthday.
A slight side tangent to this already very long post- but I do wanna bring back up how Meghan Fitzmartin talked about picking Bernard for Sum of Our Parts because of Tim's mental/emotional state (feeling unsure about himself and his place in things) around the time he met Bernard... because this story is definitely something we could consider part of that. This birthday arc ends in Robin #120, and Tim first meets Bernard the following issue in Robin #121! Very shortly after that, Tim nearly decides to quit again- because he thinks he killed Johnny Warlock (in #123-124). When he gets out of that funk and decides to go full swing into Robin again- that's right when his dad finds out and makes him quit in #125 (Issues #126-128 are Steph's time as Robin... then we begin War Games. Tim goes back to Robin at the start of Act 2 of the event, in Detective Comics #798, so between Robin #129 and #130). As evidenced by this constant back and forth, this is absolutely a period where Tim is going through a lot of uncertainty and identity issues.
This is so accurate oml
Pride & Prejudice (2005), dir. Joe Wright
Love when Tumblr recommends me a post based on my likes and the post is just a picture of a cardboard box filled with water
Multiverse, Reverse Robins au, 2,514 words
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Jason (Red Hood)
The imposters are good, Jason will give them that.
They need to work on their looks, unfortunately, because each one of them is a little off. Their Nightwing is too bulky, and his costume isn't made with Dick's flexibility in mind. Besides that, he's got an undercut that doesn't match the shaggy way Dick has his hair now, and his blue is too dark. And the swords. Those are different.
Their little Robin looks more like Dick, actually, Dick as he was before Jason's time, with his happy grin and his bright yellow cape. He doesn't match Damian's style at all, and Jason wonders if their intel was out of date. He tucks away his anger (the way he's used to doing, now) at these bastards roping some little kid into whatever con they're trying to pull. They can help the kid after they subdue him, and he stops trying to flip-kick people in the face.
The Red Robin outfit isn't bad, but the guy playing him is way too tall to be Tim. He doesn't use a bo staff, either, clearly preferring the armory of sharp little implements he keeps tucked away in his utility belt, including a wicked looking combat knife.
Which brings Jason to the current pain in his ass, the idiot trying to pass himself off as the Red Hood.
Yeah, they'd split off into pairs to fight. First off, for practicality's sake. Less risk of friendly fire if the only guy you're trying to punch is the one who isn't you. And secondly, it's just what you do, isn't it? Somebody gives you a set up like this, you go along with the poetic justice. No bat is immune to drama.
Jason is regretting that a bit, now. Fake Hood had taken him for a ride, leading him, he now realizes, far away from the warehouse where Nightwing and Robin had initially called in the disturbance. This other guy isn't the powerhouse that Jason is, but that doesn’t matter if Jason can't ever get in a hit. His movements are precise, deadly, and familiar in a way that makes Jason suspect League training. Jason is keeping up, but barely, and that's with the advantage of his guns. The other guy hasn't touched his, still gleaming red in his holsters, and Jason has a sneaking suspicion that they aren't filled with rubber bullets.
They're at a bit of a stalemate, standing on opposite sides of a dark rooftop, and Jason's trying to catch his breath but he can't relax, not when his gaze is locked onto his opponent, waiting for the minute twitch of muscle that will indicate his next move. He's wondering if he could get a shot off, wondering where to aim, when his comm crackles to life.
“Stand down!” Tim snaps in his ear. “Hood, Wing, the alternates aren't currently a threat. Deescalate however you can, and get back to the warehouse. We can explain this whole mess there.”
“Really?” Nightwing asks. He goes on to say something else, something about his doppleganger being incredibly threatening, thank you very much, but Jason stops listening, because there's something going on across the roof.
A mechanically distorted voice says, “What? No, I'd be able to tell. This guy isn't-” The imposter(?) cuts off suddenly, presumably listening to a response.
And then he… giggles.
“That isn't funny, Red,” he says, in contrast to the little peals of laughter making him subtly shake. “You- you get how fucked up that would be, don't you?”
Jason can't figure out what to do. Tim's intel is almost always good, but he can't get himself to stand down, not when, for some reason, that laughter is setting his teeth on fucking edge.
(He knows the reason. He'd know that cadence anywhere, he hears it in his fucking nightmares, but it isnt possible. He's in Arkham, right now, because Batman won't kill him and Jason isn't allowed to kill him and that uncomfortable truce is what got him his family back. Jason would know if he'd broken out, they wouldn't have kept that from him. They wouldn't.)
“Oh shit,” Tim says, and it makes Jason wonder how he knows, “Hood, is your alternate having some kind of fit right now?”
The sound escalates, from breathy little giggles to screeching laughter, and even with the hood's distortion, it's unmistakable.
It's the Joker's laugh.
It's the Joker.
And isn't this exactly some shit that Joker would pull, making a mockery of Jason's family, a twisted parody that fucks with his head? Tim's lying, he's trying to get Jason out of this situation, and Jason gets why, he does, but obviously the rest of them can't (won't) protect him from this, so if he has to take fate into his own hands, he will.
The green is creeping up, but Jason doesn't let it haze over his vision because he has to be in his right mind while he does this, not for them, for himself. As he stalks across the roof, he empties the clip from one of his guns and pulls out the live rounds, loads them into place.
He thinks Tim is calling for him, maybe the others, too, but the chatter over the comm is getting further away the closer he gets to his target. He should be smart, should take the shot, but maybe he's got more pit in his head than he wants to admit, because Joker, still laughing, pulls a knife, and Jason steps into his range to disarm him.
The strike is fast, but compared to the careful movements of before, he's practically telegraphing his actions. Jason sidesteps, and if the blade knicks him when he twists Joker's arm, he doesn't feel it. He's got the clown in a hold, now, and forces him to his knees with the gun against his temple.
If the hood is anything like his own, the bullet won't do it, not even at point blank range. Jason would like to get it off him, would like to see the life leave his eyes, but he doesn't have to. Jason moves the barrel beneath his chin, right where the armor ends. The pit rages inside of him, says this is too easy, says to make him suffer. Jason pushes it down. This is the compromise he'll make, this is what he'll do to try to maintain both his humanity and his peace of mind. The bullet will ricochet off the hood from the inside, will tear through Joker's brain at least twice, and he'll never come back from that, and Jason will finally be free.
It'll be easy.
This is too easy.
“Nothing to fucking say?” Jason growls, jostling the clown in his grip, because there's always some joke, some shitty twist.
The Joker just laughs.
“Unhand him this instant!” someone snaps, and Jason's finger twitches but somehow the trigger stays still. And now what's he supposed to do, because of course fucking Nightwing- but wait, that isn't- but it is, he's right there- it's both of them, two Nightwings. Fucking fantastic. Twice the guilt trip.
“Come on, Jay,” the Nightwing who's actually Dick pleads, and hey, what the fuck, codenames? In front of the fucking Joker, Dick? “Let him go, we can explain everything.”
“I'm not doing this again!” rips itself from Jason's throat, and he'll think later about just how wrecked he sounds. “I'm not just standing here and letting him go, Wing, not when one bullet can put a stop to all this, not when I can end him.”
“Jason,” Dick says, slow with forced calm, “that's not the Joker.”
“Don't you fucking lie to me!” Jason seethes.
His hand is wrenched to the side, the barrel facing open air, and before he can make a move the unfortunately familiar feeling of a high voltage shock courses through him.
By the time he's stopped seizing, Dick is at his back, supporting him with his own body and with arms under his pits and around his chest in a weird reverse hug. Technically, Jason's hands are free, but they're empty, the gun skidded to somewhere else across the roof.
Dick is murmuring into his ear, “Sorry, Little Wing, I'm so sorry,” and, “You're okay, you're okay, you're okay,” mantras meant to soothe his brother as much as himself. Jason wants to be angry, wants to snap at him to let go and fucking cut it out, but he's feeling strangely disoriented. He only has enough brainspace to pay attention to one thing, and that's the scene playing out in front of him.
Dick had clearly hauled them back a few steps, but Jason is still uncomfortably close to the bastard version of Nightwing (who, Jason realizes in hindsight, had tazed him while he'd been distracted by his brother, not cool) and the laughing maniac he should've killed. Nightwing is holding onto Joker's shoulders, his hands bouncing as the gasping, shrieking laughter continues.
“I'm going to remove your helmet now,” Nightwing says. He has a slight accent that Jason knows he's heard before, and his tone is professional, almost clipped. And yet, somehow, Jason can tell that this is a gentled version of the man's voice, the sharpest edges sanded away. His hands move from Joker's shoulders to the back of his head, carefully inputting whatever sequence allows for safe removal of the hood. Jason hears a hydraulic hiss when some sort of catch releases, and as Nightwing starts pulling the red metal up and away Jason can't help holding his breath.
At first, he sees what he expected to see. It's the Joker's expression, after all, his laughing face pulled into a rictus grin.
But the grin isn't right, somehow. The man is pale, but his face is unpainted, and the smile stretches wide, too wide, wider than even the Joker ever managed, and after a moment Jason recognizes the red, raised scar tissue on either side of his mouth for what it is.
Then, Jason takes in the actual features of the person in front of him. Dark hair, pale blue eyes, the cheeks, the jaw, the nose.
It doesn't make any fucking sense.
The Red Hood, collapsed on his knees in front of him, scarred face bare with no hood or domino to protect him as he struggles under the weight of his own laughter, is Tim Drake.
He's crying.
Jason is suddenly glad that Dick's holding him, because he's certain that he'd be on the ground, otherwise. Then, he realizes that he can't breathe.
Jason knows, logically, that his hood has sensors and filters that keep him safer than he could ever be without it. It is only every once in a while, when something stupid happens, that he regrets that he, a man with claustrophobia, decided to stick his head into a metal bucket.
Dick can probably tell that he's hyperventilating, and doesn't fight him as Jason gets his hands on the back of his neck and pulls off his hood.
Jason gasps in polluted Gotham air, and Tim's eyes snap onto him. Nightwing says, “I'm administering the emergency dose of your medication,” and then stalls, like he's waiting for a response, but all Tim does is laugh and stare. Jason stares back. He can't look away.
Nightwing retrieves a small tubular device, almost like an epipen, and presses it against Tim's leg. That shouldn't work. Tim's wearing body armor, same as the rest of them, and there's no way a needle could pierce it, but Jason looks as Nightwing draws the device away and there's a small raised circle of hard plastic on Tim's thigh that the head of the device fits into perfectly, like it was designed for that purpose. An injection spot, built into Tim's clothing, specifically for whatever drugs fake Nightwing just pumped into him.
Immediately, there's a difference. He doesn't stop laughing, or smiling that horrible fucking smile, but the manic tension is gone. He doesn't look like he'll shatter at a touch anymore, too brittle to be handled. The curve of his spine gentles, muscles no longer pulling it to the point of snapping. Jason watches as slowly, oh so slowly, Tim gets quieter, leans more into Nightwing's hold on him, starts gasping more than laughing.
Dick is talking behind him, into his comm, it sounds like. If it's important, someone will get his attention.
Finally, Tim breaks eye contact. “T- tell him,” he says to Nightwing, struggling between gasps and giggles, “tell him what you, gave me. Jay doesn't, he doesn't like, needles.”
The strange Nightwing turns his head, and Jason gets the impression of a sharp, searching gaze behind his domino. He's nothing like Dick, not at all, but something niggles the back of Jason's mind, some sense of familiarity regardless. He tosses something, and Jason automatically reaches up to catch it.
It's the empty tube of medication, which does seem a lot like an epipen, up close. “It's a combination,” the man says. “The antidote for Joker venom, an antipsychotic, and a mild sedative.”
“What the fuck?” Jason hears from his own mouth as he looks down at the innocuous little tube.
“It's only used in emergencies,” Nightwing adds, and does not clarify any further.
Jason doesn't know what to say to that. He shakes himself out of Dick's hold and grabs an evidence bag out of his jacket. He watches Nightwing, to see if he'll object, but he doesn't. Jason slips the medicine tube inside the bag and tucks it away.
“There you are!” Dick says in a bright tone, one meant to cover his anxiety and relief.
Jason turns, and finds that their roof has gotten a little crowded. All four Robins have arrived, his brothers mingled in with their copies, copies who don't quite match in ways that are now sticking in his brain. Tim, Jason's Tim, is standing right there, pressing his mask against his face like he'd broken the seal on the adhesive, and it isn't sticking quite right. Other than that, he's normal. He's fine.
The Robin, the one in the classic colors who Jason had thought looked a bit like Dick (oh God, could that be-?) gives a little whistle. “Trust Red Hood to cause drama!” he says in a bright tone that is too too familiar (fuck, fuck he is). “Must be a universal constant.” He grins, cheeky, looking past Jason.
Jason isn't processing fast enough to be offended for his own sake, but he turns and checks on Tim, other Tim, the Tim who apparently also has a claim to the Red Hood name. Tim is propped up on Nightwing's shoulder, looking drowsy and relaxed. He's looking back at Robin, and his lips are pressed tightly closed, but he's smiling, and it reaches his eyes.
Alright, then. This is probably fine.
Jason snorts, to get the kid's attention, and rolls his eyes. “Comes with the job description,” he snarks.
The kid lights up. Jason feels distinctly weird, having that smile directed at him, but it's not… bad.
Yeah. This is fine.
-
I'm planning to add a reblog with more information on this au/fic idea, so if you're interested, watch this space.
Oh my gosh, I hope everything turns out ok
So yesterday I had a fainting episode so bad that the paramedics got called, which isn't funny, but what IS funny is that I kept passing put while I was on the floor and according to my long suffering friends everutime I woke back up I'd announce "I'm back!"
Then usually promptly pass out again
A group of rough looking boys walked past me today and all I heard of their conversation was “he’s got that anxiety disorder bro so I went with him so he’d be more comfortable” and it made me realise the world isn’t all that bad
other superbat things we don’t talk about enough: the exact mechanisms that allow Bruce Wayne and Clark Kent to swap suits/personas/etc because they look so alike. is it all just posture and convincing acting? it can’t be. so they look similar at the base level — black hair, blue eyes, pale skin, prominent cheekbones and jaw. they’re both 6ft 2 (+/- 1), broad shoulders, with some small differences in build. does Bruce always sweep his hair back when he’s out of the cowl and that’s why it’s easy to tell them apart? is Clark’s chest just a bit more pronounced? who can tell them apart when they’re really selling it?
(I like to think Bruce accidentally wears his hair down and a little curly one day after patrol (killer humidity in Gotham) and the kids see a little burgeoning Superman curl and are like absolutely not. meanwhile, Clark tries on a black turtleneck for work one morning and is immediately hit by that uncanny valley feeling. Lois finds it in the garbage ten minutes later)
Just learnt that Damian would’ve had a doctorate in geology at 7 years old if he hadn’t killed his tutor.
Am absolutely loving the fact that out of his entire family of super geniuses the literal 14 year old has come the closest to getting any sort of degree.
All healed up Jason who just decides to move back into Wayne manor, and he suddenly takes up his role similar to a 1950’s Housewife with a weapons arsenal. ~~~~~~~~~~~~~~~~~~~~~
Jason in the morning dropping his brothers off to school: I made Lunch you better fucking eat it
~~~~~~~~~~~~~~~~~~~~~ jason in a floral apron making cookies?? Bruce just thinks he’s hallucinating for the first week because that cannot be his murder son
~~~~~~~~~~~~~~~~~~~~~~
he doesn’t even tell anyone he’s back. He just snuck in and took up residence in the kitchen at 1am, making pancakes until the morning
Tim, who only knew Jason through stories and rumours and snuck down the stairs for midnight coffee: who the fuck is that??
if this gets 100,000 notes then i, the worlds greatest space agency will personally shoot donald trump into the sun