WELCOME TO THE WANTING. IT IS HEAVY HERE. (cc: @jonismitchell)
caption: The Wanting, @jonismitchell // Água Viva, Clarice Inspector // Sense and Sensibility, Jane Austen // x // Imitation of Life (1959) // South London Forever, Florence and the Machine // Plainwater: Essays and Poetry, Anne Carson // All Too Well, Taylor Swift // New York Movie, Edward Hopper // Reading too much into a Tongue bite by Me // I want you to Love Me, Fiona Apple // IWYTLM genius annotation // Ada Limón on Preparing the Body for a Reopened World // The Unabridged journals of Sylvia Plath // He Held Radical Light: the Art of Faith, the Faith of Art, Christian Wiman // x // Hunger, Florence and the Machine // Eye Level: Poems, Jenny Xie // Big God, Florence and the Machine // Ada Limón // Emily Dickinson correspondences with Sue // Sharks in the River, Ada Limón // x // Nobody, Mitski // I will name this tragedy after you by Me // Litany in which certain things are crossed out, Richard Siken //
caption: The Wanting, @jonismitchell // Água Viva, Clarice Inspector // Sense and Sensibility, Jane Austen // x // Imitation of Life (1959) // South London Forever, Florence and the Machine // Plainwater: Essays and Poetry, Anne Carson // All Too Well, Taylor Swift // New York Movie, Edward Hopper // Reading too much into a Tongue bite by Me // I want you to Love Me, Fiona Apple // IWYTLM genius annotation // Ada Limón on Preparing the Body for a Reopened World // The Unabridged journals of Sylvia Plath // He Held Radical Light: the Art of Faith, the Faith of Art, Christian Wiman // x // Hunger, Florence and the Machine // Eye Level: Poems, Jenny Xie // Big God, Florence and the Machine // Ada Limón // Emily Dickinson correspondences with Sue // Sharks in the River, Ada Limón // x // Nobody, Mitski // I will name this tragedy after you by Me // Litany in which certain things are crossed out, Richard Siken //
it’s so true that the greatest weapon against nihilism and existential despair is to find joy in the mundane and never stop chasing after love
‘magdalene in the cave’ - hugues merle (1868)
by Gustav Klimt
Alejandro Cartagena captured Mexican workers on their way to job sites in Car Poolers. This is such an amazing and simple photo series.
Junji Ito // Hayao Miyazaki
Frederic Edwin Church (1826-1900)
Twilight in the Wilderness, 1860 Moonrise, 1889 Cotopaxi (Ecuador), 1862
unknown / Deathless by Catherynne M. Valente / Dream house I by Shanice Bloodbloom / unknown / First love/Late spring - Mitski / Liana Finck / Vacation - Florist / Corinne Hartley / You Don’t Have to Like Me by Alida Nugent / unknown
let me see you and stay
naudline pierre, through the clouds // @flintcoded, 08 – 15 – 21 // Anne Carson, Euripides // @rebeccabinch, x // Taylor Jenkins Reid, The Seven Husbands of Evelyn Hugo //@softhe4rted, Mitski, I Will // Vance Joy, Mess is Mine // Molley May // x