spotify wrapped has arrived. send me a number from 1-100 for a starter based on that song, or a lyric from it, or send a 🎁 for me to shuffle.
give this post a ♡ for a small starter, specify muse
O' SACRED STAR, LIGHT OUR WAY! An independent, selective, & private roleplay blog for a canon-adjacent protagonist original character from MONSTER HUNTER STORIES 2: WINGS OF RUIN. Penned lovingly by Neon. Est. July 2021. | CARRD. | PINNED POST.
🎁 | @melpcmene
#𝟕 𝐅𝐎𝐑𝐕𝐄𝐑 - 𝐍𝐎𝐀𝐇 𝐊𝐀𝐇𝐀𝐍
〝 Used to wish I meant anything to anywhere, to ANYONE. 〞
bro came over, we smoked, then went nonverbal for four hours watching ninjago - now i wanna add cole back
"Hold your hands to your chest. And tell me what you find. Out of you, a sparrow comes. And sees without its eyes. Don't forget who you are even though you are hurt. You are caught in a wire and soon it will burst. You can cry."
𝐓𝐇𝐄 𝐒𝐄𝐍𝐒𝐄 𝐎𝐅 𝐔𝐍𝐄𝐀𝐒𝐄 𝐂𝐋𝐎𝐀𝐊𝐄𝐃 𝐓𝐇𝐄 𝐃𝐑𝐀𝐆𝐎𝐍𝐄𝐓, 𝐇𝐈𝐒 𝐒𝐌𝐀𝐋𝐋 𝐅𝐑𝐀𝐌𝐄 𝐒𝐇𝐈𝐅𝐓𝐈𝐍𝐆 𝐇𝐈𝐒 𝐖𝐄𝐈𝐆𝐇𝐓 𝐅𝐑𝐎𝐌 𝐎𝐍𝐄 𝐒𝐈𝐃𝐄 𝐓𝐎 𝐀𝐍𝐎𝐓𝐇𝐄𝐑. It was a sentiment the night dragon had not experienced, growing up under Kestrel's talons. Then the SANDWING WAR, then the volcano, there was never a moment for Starflight to sit and MOURN. To mourn the loss of innocence, mourn the dead, mourn the loss of sight.
A scroll, battered and worn, was held gently in his talons. He had planned on making a copy of it, an effort to PRESERVE the scroll for ages to come. Now, he wasn’t quite sure if he would ever be able to make that a reality. 〝 How did you do it? 〞 The dragonet asked, his voice laced with hesitancy, 〝 ADJUST i mean... 〞
A FEW VARIOUS SENTENCE STARTERS
❝ i wouldn't find the need to tell you 'i told you so' if you weren't so allergic to admitting i'm right. ❞
❝ there are better hills to die on but i find this one quite comfortable. ❞
❝ would you come with me please? i adore your company. ❞
❝ that's not the worst thing i've ever heard but it's certainly up there. ❞
❝ i would love to help you but i'm afraid i'm suffering from a terrible case of 'it's not my problem.' ❞
❝ could you just think about anyone other than yourself for once? ❞
❝ i'm not going to stand here and argue with you about how much you need to get some rest. if i find you passed out on the floor i'm leaving you there. ❞
❝ would you be a dear and shut the hell up. ❞
❝ i know i need help but i'm not quite ready to ask for it. ❞
❝ do you know where we're going or are we just trying to get lost now? ❞
❝ i have confided this in you, please do not betray that trust. ❞
❝ do you like it here? with me? ❞
❝ are you still happy? with me, i mean. with us. ❞
❝ i didn't lie, i simply presented a selective truth. ❞
❝ do you actually like spending time with me? because i feel like all you do is argue. ❞
❝ one of us will eventually have to have the strength to be honest with ourselves about each other. ❞
❝ i want to tell you something i just need a moment to figure out the right words. ❞
❝ if you were the religious type i would challenge god to win your devotion. ❞
❝ don't tell me to quit being melodramatic it's the only time i have any fun. ❞
❝ were you ever going to tell me or were you just going to make me guess what you're thinking and feeling. ❞
okay so i got like, three books delivered this week, and in anticipation i reread another book that i had, and lads, let me tell ye, it was like quicksand. so now i have a list, some from my head, many from my wonderful friends’ heads, of prompts that basically made us all very soft or very “pleasantly scandalized rich lady from the sixties who just found out a juicy bit of goss about the new neighbor”. i hope ye like them! (DO NOT ADD TO THE LIST. I WILL MAKE A PART TWO. AND THREE. AND FOUR. MANY MANY PARTS. EVENTUALLY. )
[ HAIR ]: sender slowly reaches out to catch a loose strand of the receiver’s hair and tuck it gently and securely back behind their ear, letting their touch linger afterwards. (if the receiver has short hair, then the sender reaches out and gently runs their fingers through their hair to smooth it back.)
[ CLOSE ]: while standing remarkably close to one another, the sender is unable to stop themselves from running their gaze across the receiver’s body, lingering for a moment on their lips, before returning to initiate prolonged, intense eye contact.
[ CHIN ]: as they stand close to one another, the sender hooks a finger and tenderly lifts the receiver’s chin, tilting it up so that they can look at one another, and running a thumb across their skin lightly.
[ THUMB ]: while cupping the receiver’s cheek in their hand, the sender slowly glides their thumb across their cheekbone in a tender, sweeping caress.
[ WOUND ]: upon noticing a recent injury on the receiver’s person, the sender carefully moves closer, running a thumb (or hand) across the wound in a gentle, troubled manner.
[ INHALE ]: while standing in very close quarters to the receiver, the sender shakily inhales with desire/anticipation as they realize how intimately close they are to one another.
[ DANCE ]: when alone together (e.g. the bedroom, the kitchen, literally anywhere once they’re alone) the sender takes the receiver’s hand, and pulls them into a graceful yet intimate dance as a spontaneous act.
[ BARE ]: as they get undressed, the sender gently places a soft, tender kiss against the receiver’s bare shoulder.
[ SCAR ]: noticing a scar on the receiver’s skin, the sender tentatively stops them from covering it up, and rests a gentle, soft kiss over it.
[ FOREHEAD ]: placing a hand on the back of the receiver’s neck, the sender guides them close and rests their foreheads together.
[ PALM ]: taking the receiver’s hand, the sender brings it to their mouth, and places a tender kiss against the receiver’s palm.
[ LINGER ]: taking the receiver’s hand, the sender lifts it to their lips, and gently kisses their knuckles, lingering for a moment before withdrawing.
[ BEHIND ]: upon entering the same room as the receiver, the sender steps behind them, and winds their arms around the receiver’s waist, drawing them close against them.
[ WAIT ]: realizing the receiver is about to leave the room, the sender hastily reaches out and catches their wrist, preventing them from continuing their departure.
[ ARM ]: after holding their hand, the sender releases the receiver, but slowly glides their hand up the full length of their arm, lingering on the upper arm, then the shoulder, then resting their touch against the side of their neck.
[ HOLD ]: while close to the receiver, the sender wordlessly takes a hold of their hand, for no other purpose than to be holding it.
[ PLAY ]: while sitting together, the sender absently lifts the receiver’s hand, idly running their fingertips across the lines of their palms, mapping out every inch of their hand with slow, lazy touches.
[ GUIDE ]: in the process of guiding the receiver through a crowded place, the sender’s hand protectively grazes against the small of their back
[ TOUCH ]: while touching the receiver’s waist, the sender’s hand briefly dips beneath the hem of their shirt, skimming briefly across the bare skin of their waist.
[ CUP ]: bringing both hands up to cup the receiver’s face, the sender draws them in closer to them in order to get a better look at their face.
[ TUG ]: the sender tugs the receiver close against them by resting a hand against the small of their back, pulling them flush against their body.
[ HUSH ]: while standing close to one another and hiding from pursuers, the sender reaches up and places a finger against the receiver’s lips to prevent them from speaking and revealing their location.
[ WRAP ]: when sitting astride a horse/motorcycle/etc. together, the sender reaches back, takes the receiver’s wrists, and gently pulls their arms around the sender’s waist in an embrace designed to keep the receiver safe, despite feeling remarkably intimate.