When Steve from Minecraft is about to top you
you telling me americans don’t have these tasty little morsels?
NOT gonna say this again!! A CYBORG is something PARTIALLY ROBOTIC. An ANDROID is something that is FULLY ROBOTIC, MADE TO LOOK HUMAN. A ROBOT is FULLY ROBOTIC and NOT DESIGNED TO LOOK HUMAN!!
The opposite of “manic pixie dream girl” is “depressed goblin nightmare man,” and, judging by this site, it’s just as attractive to some.
I don’t believe in astrology but one time when I was in college I was complaining about how dumb astrology was and after a while someone on the train went “Shut the hell up and let people have fun you Capricorn sun, Virgo moon bitch” and I was like what the fuck
Then I went home and looked it up and they were right so I don’t say anything anymore
Now first, I have to say, that the plot you’re able to come up with in one day is not going to be without its flaws, but coming up with it all at once, the entire story unfolds right in front of you and makes you want to keep going with it. So, where to begin?
What is your premise and basic plot? Pick your plot. I recommend just pulling one from this list. No plots are “original” so making yours interesting and complicated will easily distract from that fact, that and interesting characters. Characters will be something for you to work on another day, because this is plotting day. You’ll want the main plot to be fairly straight forward, because a confusing main plot will doom you if you want subplots.
Decide who the characters will be. They don’t have to have names at this point. You don’t even need to know who they are other than why they have to be in the story. The more characters there are the more complicated the plot will be. If you intend to have more than one subplot, then you’ll want more characters. Multiple interconnected subplots will give the illusion that the story is very complicated and will give the reader a lot of different things to look at at all times. It also gives you the chance to develop many side characters. The plot I worked out yesterday had 13 characters, all were necessary. Decide their “roles” don’t bother with much else. This seems shallow, but this is plot. Plot is shallow.
Now, decide what drives each character. Why specifically are they in this story? You can make this up. You don’t even know these characters yet. Just so long as everyone has their own motivations, you’re in the clear.
What aren’t these characters giving away right off the bat? Give them a secret! It doesn’t have to be something that they are actively lying about or trying to hide, just find something that perhaps ties them into the plot or subplot. This is a moment to dig into subplot. This does not need to be at all connected to their drive to be present in the story. Decide who is in love with who, what did this person do in the 70’s that’s coming back to bite them today, and what continues to haunt what-his-face to this very day. This is where you start to see the characters take shape. Don’t worry much about who they are or what they look like, just focus on what they’re doing to the story.
What is going to change these characters? Now this will take some thinking. Everyone wants at least a few of the characters to come out changed by the end of the story, so think, how will they be different as a result of the plot/subplot? It might not be plot that changes them, but if you have a lot of characters, a few changes that are worked into the bones of the plot might help you.
Now list out the major events of the novel with subplot in chronological order. This will be your timeline. Especially list the historical things that you want to exist in backstory. List everything you can think of. Think about where the story is going. At this point, you likely haven’t focused too much on the main plot, yeah, it’s there, but now really focus on the rising actions, how this main plot builds its conflict, then the climactic moment. Make sure you get all of that in there. This might take a few hours.
Decide where to start writing. This part will take a LOT of thinking. It’s hard! But now that you’ve got the timeline, pick an interesting point to begin at. Something with action. Something relevant. Preferably not at the beginning of your timeline - you want to have huge reveals later on where these important things that happened prior are exposed. This is the point where you think about what information should come out when. This will be a revision of your last list, except instead of being chronological, it exists to build tension.
Once you’ve gotten the second list done, you’ve got a plot. Does it need work? Probably. But with that said, at this point you probably have no idea who half your characters are. Save that for tomorrow, that too will be a lot of work.
After you’ve plotted the loose structure of your novel from this, see my next post to work on character!
Pairing: Benedict Bridgerton x fem!reader, WW2 AU.
Rating: General audiences, except chapters 10 (which can be skipped) and 15 both of which are 18+/minors DNI.
Status: COMPLETE (40k words)
Synopsis
It is late summer 1939, when you arrive in Paris from New York to begin a year of adventure. A deal struck with your parents to see a little of the world before settling down and marrying your ‘childhood sweetheart’ Stanley.
You soon find yourself with a spirited young English housemate Eloise, enjoying all that the cosmopolitan European city has to offer…. Until a few weeks later when war is declared. In this newly uncertain world, Eloise’s mother dispatches her brother to bring her home. Your plan is to board a ship back to America… but circumstances conspire to leave you possibly trapped in France with no way home. Eloise refuses to leave the country without you, even as you secretly grow attached to her beguiling brother, Benedict, who is everything Stanley is not.
There appears to be only one solution to your dilemma to ensure safe passage out of the country as invasion seems imminent… but it will mean your life is forever changed, even when the world is free again.
Built from a story outlined and requested by @amillcitygirl
Chapter Links
Chapter 1 : Sous le ciel de Paris
Chapter 2: La Valse de Paris
Chapter 3: C'est Un Gars
Chapter 4: Le Rideau Tombe Avant La Fin
Chapter 5: Sans Y Penser
Chapter 6: J'ai Dansé Avec L'Amour
Chapter 7: Mon Ami M'a Donné
Chapter 8: Je N'en Connais Pas La Fin
Chapter 9: Partance
Chapter 10: Hymne à L'amour (18+ rating, minors DNI)
Chapter 11: Non, Je Ne Regrette Rien
Chapter 12: Je T'ai Dans La Peau
Chapter 13: С'est Lui Que Mon Cœur A Choisi
Chapter 14: Un Coin Tout Bleu
Chapter 15: La Vie En Rose (18+ rating, minors DNI)
Epilogue: Peace Ever After
Titles: Fic title taken from the song ‘The White Cliffs of Dover’ By Vera Lynn (1942). Chapter titles will likely all be Edith Piaf songs.
Disclaimer: While I have tried my best to research the time period and the history of events, ultimately, this is a work of fiction and may have some factual inaccuracies. This may be due to the nature of the requested storyline and/or the author's unintended errors. Credits: dividers by @/saradika [x], gif by @/captainbucky-yt [x]
there’s an ariana stan on twitter who got her phone taken off her and is accessing it thru any device she can find lmaoooo
ZENDAYA COLEMAN by Zoey Grossman | The Zendaya Edit x Boohoo