A Concept

Yay, unsolicited advice time! Or, not really advice, more like miscellaneous tips and tricks, because if there's one thing eight years of martial arts has equipped me to write, it's fight scenes.

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Fun things to add to a fight scene (hand to hand edition)

It's not uncommon for two people to kick at the same time and smack their shins together, or for one person to block a kick with their shin. This is called a shin lock and it HURTS like a BITCH. You can be limping for the rest of the fight if you do it hard enough.

If your character is mean and short, they can block kicks with the tip of their elbow, which hurts the other guy a lot more and them a lot less

Headbutts are a quick way to give yourself a concussion

If a character has had many concussions, they will be easier to knock out. This is called glass jaw.

Bad places to get hit that aren't the groin: solar plexus, liver, back of the head, side of the thigh (a lot of leg kicks aim for this because if it connects, your opponent will be limping)

Give your character a fighting style. It helps establish their personality and physicality. Are they a grappler? Do they prefer kicks or fighting up close? How well trained are they?

Your scalp bleeds a lot and this can get in your eyes, blinding you

If you get hit in the nose, your eyes water

Adrenaline's a hell of a drug. Most of the time, you're not going to know how badly you've been hurt until after the fact

Even with good technique, it's really easy to break toes and fingers

Blocking hurts, dodging doesn't

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Just thought these might be useful! If you want a more comprehensive guide or a weapons edition, feel free to ask. If you want, write how your characters fight in the comments!

Have a bitchin day <3

no greek god is inherently and wholly “good” or “bad” because they were all flawed and imperfect in some way with different facets of personality and character to serve as a reflection of society and human nature itself  

Shuri, knowing damn well Antman is bout’ to shrink directly next to Peter: GIMME YOUR FUCKIN MONEY

Peter grabs Antman and yeets his little ol’ ass into a wall

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Thor, launches his battle axe into the ceiling

Loki, technically being ‘17’ (argument on that linked here): THIS IS WHY MOM DIDN’T FUCKING LOVE YOU

***

Peter puts on Only by Nicki Minaj

Steve, even though he still has no idea what a 'vine’ or a 'meme’ (pronounced Mehmeh) is, naturally reacting like: No. No! Turn that off! NO!

when the heart of the card responds to your trust just right

you telling me americans don’t have these tasty little morsels?

How to Plot A Complex Novel in One Day (It WILL take all day)

Now first, I have to say, that the plot you’re able to come up with in one day is not going to be without its flaws, but coming up with it all at once, the entire story unfolds right in front of you and makes you want to keep going with it. So, where to begin? 

What is your premise and basic plot? Pick your plot. I recommend just pulling one from this list. No plots are “original” so making yours interesting and complicated will easily distract from that fact, that and interesting characters. Characters will be something for you to work on another day, because this is plotting day. You’ll want the main plot to be fairly straight forward, because a confusing main plot will doom you if you want subplots. 

Decide who the characters will be. They don’t have to have names at this point. You don’t even need to know who they are other than why they have to be in the story. The more characters there are the more complicated the plot will be. If you intend to have more than one subplot, then you’ll want more characters. Multiple interconnected subplots will give the illusion that the story is very complicated and will give the reader a lot of different things to look at at all times. It also gives you the chance to develop many side characters. The plot I worked out yesterday had 13 characters, all were necessary. Decide their “roles” don’t bother with much else. This seems shallow, but this is plot. Plot is shallow. 

Now, decide what drives each character. Why specifically are they in this story? You can make this up. You don’t even know these characters yet. Just so long as everyone has their own motivations, you’re in the clear. 

What aren’t these characters giving away right off the bat? Give them a secret! It doesn’t have to be something that they are actively lying about or trying to hide, just find something that perhaps ties them into the plot or subplot. This is a moment to dig into subplot. This does not need to be at all connected to their drive to be present in the story.  Decide who is in love with who, what did this person do in the 70’s that’s coming back to bite them today, and what continues to haunt what-his-face to this very day. This is where you start to see the characters take shape. Don’t worry much about who they are or what they look like, just focus on what they’re doing to the story. 

What is going to change these characters? Now this will take some thinking. Everyone wants at least a few of the characters to come out changed by the end of the story, so think, how will they be different as a result of the plot/subplot? It might not be plot that changes them, but if you have a lot of characters, a few changes that are worked into the bones of the plot might help you.

Now list out the major events of the novel with subplot in chronological order. This will be your timeline. Especially list the historical things that you want to exist in backstory. List everything you can think of. Think about where the story is going. At this point, you likely haven’t focused too much on the main plot, yeah, it’s there, but now really focus on the rising actions, how this main plot builds its conflict, then the climactic moment. Make sure you get all of that in there. This might take a few hours. 

Decide where to start writing. This part will take a LOT of thinking. It’s hard! But now that you’ve got the timeline, pick an interesting point to begin at. Something with action. Something relevant. Preferably not at the beginning of your timeline - you want to have huge reveals later on where these important things that happened prior are exposed. This is the point where you think about what information should come out when. This will be a revision of your last list, except instead of being chronological, it exists to build tension. 

Once you’ve gotten the second list done, you’ve got a plot. Does it need work? Probably. But with that said, at this point you probably have no idea who half your characters are. Save that for tomorrow, that too will be a lot of work. 

After you’ve plotted the loose structure of your novel from this, see my next post to work on character! 

Something in Our Seas Masterlist

Benedict Bridgerton x Reader (Pirate AU)

18+ Always

Summary: When members of the Bridgerton family on a voyage run aground, they are forced to live amongst the pirates that find them. The Bridgertons are taken along the mystical, magical, and terrifying journey of The Crimson King.

Set in the early 18th century.

Series Warnings: probably not historically accurate; pirate typical violence - so like blood and murder and shit; eventual smut; most definitely not historically accurate (all of my pirate knowledge comes from film/tv); drinking; ooc characters probably

Background Relationships: Kate Sharma x Anthony Bridgerton; Penelope Featherington x Colin Bridgerton; Simon Basset x Daphne Bridgerton; Theo Sharpe x Eloise Bridgerton; Will Mondrich x Alice Mondrich

Tags specified before each chapter

Last Updated: 06/10/2024

*indicates smut

Chapter One - Horizons Change

Chapter Two - No Sign of Land

Chapter Three - Floating in Glass

Chapter Four - Mystic Creature, Come to Me

Chapter Five - Hang For Your Hollow Ways

Chapter Six - War With Ego