MASTERPOST (PT. 1)

something true and beautiful. please

Writing Indian characters, from an Indian person

India is a huge country! while most characters in mainstream media are from the 'big cities' i.e Mumbai, Delhi, Hyderabad, etc, there are many, many more places and areas to look at! since India is such a vast country, there is incredible diversity. 19,500 languages and dialects are present, with people of different skin, eye, and hair colors and types! there are, of course, a lot of inherent prejudices present, which I'll address a little later.

#1. Know their roots

There is no 'one' Indian experience. People from different places celebrate different festivals, worship different gods, and speak different languages!

A checklist of things you should know about your Indian character's background, in essence:

Which state and city/town/village are they from?

How many and which languages do they speak, and with what frequency? (Mostly, people can speak at least two languages!)

Are they religious? (more on religion later)

What are some of their favourite memories/moments linked to their culture? (festivals, family gatherings, etc)

#2. Naming your character

Some common names for boys: Aarav, Advik, Shlok, Farhan, Ritvik, Aarush, Krish, Ojas, Zain.

Some common names for girls: Arushi, Ishita, Trisha, Rhea, Riya, Zoya, Vedika, Khushi, Charvi.

Common last names: Shah, Singh, Agarwal, Banerjee, Dala, Bhat, Joshi, Iyer, Jain, Dhawan, Dixit.

Be careful while picking a last name: last names are very much indicators of the ethnicity/community you're from! most older folks can guess the ethnicity of people just by their last name - it's pretty cool.

Naming systems usually follow the name-surname format, and children usually take the last name of their father - but I believe some regions have a bit of a different system, so look that up!

#3. Stereotypes to avoid

This goes without saying, but I'm gonna say it anyway. Being 'Indian' shouldn't be your character's entire personality. Give them traits, feelings, and a purpose other than being a token diverse character. Some stereotypes that are really a no-no when it comes to Indian characters:

Making them good at math and academics in general (my Cs in math beg to differ that all Indians are good at math. often, the reason Indians are stereotyped to be so smart stems from an incredibly toxic and harmful environment at home which forces children to get good grades. unless you've experienced that, its not your story to write)

Making your Indian character 'hate' being Indian (not everyone?? hates their culture?? like there are many, MANY faults with India as a country, and it's important to recognize and take action against that - which often makes us iffy about how we feel about our country, it's genuinely not your place to write about that UNLESS you are Indian. don't bring in 'hatred' of a place you've never visited, and don't know much about.)

Make them scaredy-cats, 'cowards', who are good at nothing but being the 'brain' (I will literally behead you if you do this/lh)

#4. Why India shouldn't be portrayed as 'perfect' either

It's likely that most of you won't be going in SO deep with your Indian character, but India isn't the perfect 'uNiTy iN diVerSitY' as it's depicted in media. There are incredible tensions between religions (especially Hindus and Muslims), and even remnants of the 'untouchable' way of thinking remain between castes. There's a lot of violence against women, and misogyny is definitely something Indians are not foreign to. People with paler skin are considered to be 'better' than those with darker skin (in the older generations especially)

#5. Some common customs

Removing your shoes before entering the house, since your house is considered to be 'godly' and shoes shouldn't be brought inside

Eating dal (lentils), chawal (rice), sabji (a mixture of vegetables/meat that's cooked in different ways) roti (Indian flatbread) is considered to be a full, well-balanced meal and at least aspects of it are eaten for lunch and dinner (if not all four elements)

The suffixes -bhai (for men) and -ben (for women) are added to first names and are commonly used by adults to refer to someone of importance or who they hold to esteem.

However, 'bhai' (which literally means 'brother) is often used as slang when referring to friends or family. Other slang includes 'arrey' which is used to show irritation or 'yaar' which has the same context.

It's custom to call adults who you refer to in a friendly way 'aunty' or 'uncle', like the parents of your friends.

Talking back to your elders is forbidden, especially your grandparents who you have to refer to with utmost respect.

#6. Religions

India is a very religiously diverse country. The most common religion is Hinduism, then Islam, Christianity, Sikhism, and Buddhism. All religions have their own complexities, and since I'm a Hindu, I can tell you a little bit about that!

It's common to have a mandir which is a small altar dedicated to the deities your family worships. (Fun fact - they're usually placed in the East direction because that's where the sun rises)

Most kids can say a few shloks by-heart, which are a few lines of prayer! (lmao I've forgotten most but I used to be able to rattle off at least ten when I was younger)

Most people know at least the general plot of the Ramayan and Mahabharat - two famous epic stories. (I'm not sure if they're inherently 'Hindu' or not)

Many people wear necklaces with a small pendant of the deity they worship!

Common Hindu deities: Saraswati, Ganesha, Shiva, Krishna, Vishnu.

It's important to note that religious violence is a thing. Muslims especially, are oppressed and discriminated against. It's a very, very complex issue, and one that's been going on for thousands of years.

#7. Myth & Facts

India is a very poor country

Yep! Lakhs of people live in villages with no electricity, clean water, or amenities nearby. There's no point sugar-coating it. There are HUGE gaps between the poor and the rich (have you heard of Ambani and Adani :D) and while our millionaires rejoice in their thirty-story mansions, people die of famine, disease, and hunger every day. I am personally lucky enough to be EXTREMELY privileged and attend an international school and live in one of the most developed cities. Most people aren't as lucky as me, and it's a really true, horrifying reality.

Everyone in India is vegetarian

No lmao - while many people ARE, there's a greater and equal amount of non-vegetarian people.

We burn our dead in parking lots

This circulated back when the second wave was going on in India, and the media blew it out of proportion. First of all, what the actual f!ck. Cremation is a Hindu ritual, and by saying that aLL Indians burn their dead you are erasing the other religions here. Secondly, cremation is a sacred ritual only attended by close family of the deceased member. It does not happed in PARKING LOTS. It's a time of grief and loss, not a way to humiliate a religion for the way they treat their dead.

Drop any other questions about India in the comments/DM me!

Say Something that is both True and Beautiful.

how could someone get started writing poetry? what are the skills to build and how can i build them? i’m scared i don’t have anything to say…… how can i find my voice?

An excellent and very common question! I can’t lay any claim to being a big poetry maven at this point—it’s been quite a while since I’ve written any, or even seriously READ any—but I can tell you some things I learned and some things I think, and I hope that will be at least a little helpful.

The first thing to note is that finding my voice and something to say was, in my experience, inseparable from living my actual life and thinking for myself. I was writing poetry from the age of 12 or 13, and only now, 18 or so years later, do I feel like I have anything of importance to say. And that only sometimes. It may work differently for other people, but that’s how it worked for me. I would advise you not to worry about your voice for now. The thing I was doing early on is PLAYING with language, trying things out, imitating writers I admired. Take the pressure off yourself!

As for the skills you need to build, the most important one by far is perseverance. Any artist will tell you this. You won’t write masterpieces straight out of the gate; no one does. You have to learn not to be discouraged too much if you look down and your writing and feel nothing but horror. That is a universal experience, and you won’t be able to write well if you can’t push through it somehow and keep going. The rest of the skills you need you can learn by imitation, constraint, trial and error, etc.

If you want specific instructions, see below. These roughly correspond to the way I learned to write poetry.

The first thing to do is to read a lot of poetry. Find an anthology with broad coverage and generous aesthetic guidelines, one that brings together a lot of different kinds of poetry. Flip through it. Read at random. As you do, some things will enchant you, some things will baffle you, some things will make you wonder why people think they’re good, and so on. Zero in on poems that really affect you, and note the poets. These will be your foundation.

Then, read more deeply in these poets that interest you. You’ll find as you read that each poet has patterns, tricks and maneuvers they do over and over again. Note them. And note the conventions of poetry in general—how line breaks are used, what rhythms keep emerging.

Once you have a good idea of at least how your favored poets work, try out their tricks for yourself. Write about anything at all, but try to follow your poet’s motions. As you do this, you’ll discover the interactions and tensions between form and content, and you’ll start to learn why certain topics in poetry take certain forms.

A helpful thing to do when writing anything is to set yourself a rule or two. Write against challenges—write in established forms, or confine your vocabulary, or whatever you like. This will focus your work and allow for creative leaps that would never have occurred to you if you were just trying to summon something out of nothing. Free writing can also help with this—if you’re forcing yourself to write nonstop for a period of minutes, something about the stream of consciousness can unlock unusual and striking connections.

Once you’re doing all that, the next step is just to live your life. But live it observantly, with an eye toward everything—your own feelings, physical objects, images, sounds, patterns. Absorb things. And while you’re at it, tackle some nonpoetic task or project that forces you to really think. As much as poetry is associated with feeling, what a great poem really is is the track of the poet’s thought laid down in as appropriate a form as possible, so that you think along with the poet as you read. Without thought, there is no poetry.

The synthesis and end of all these steps is not only writing poetry, but appreciating, understanding, and loving it. All of these things feed and fuel one another. It’s an engine you have to build within yourself. And if you’re successful, you’ll have enriched your life as well as your art.

I wish you the best of luck.

P.S. It’s fine to discover kinds of poetry or poets that you don’t care for, or dislike, or hate with a burning passion, so long as you understand what it is they’re trying to do.

do you all see my vision here

A lot of fiction these days reads as if—as I saw Peter Raleigh put it the other day, and as I’ve discussed it before—the author is trying to describe a video playing in their mind. Often there is little or no interiority. Scenes play out in “real time” without summary. First-person POV stories describe things the character can’t see, but a distant camera could. There’s an overemphasis on characters’ outfits and facial expressions, including my personal pet peeve: the “reaction shot round-up” in which we get a description of every character’s reaction to something as if a camera was cutting between sitcom actors.

When I talk with other creative writing professors, we all seem to agree that interiority is disappearing. Even in first-person POV stories, younger writers often skip describing their character’s hopes, dreams, fears, thoughts, memories, or reactions. This trend is hardly limited to young writers though. I was speaking to an editor yesterday who agreed interiority has largely vanished from commercial fiction, and I think you increasingly notice its absence even in works shelved as “literary fiction.” When interiority does appear on the page, it is often brief and redundant with the dialogue and action. All of this is a great shame. Interiority is perhaps the prime example of an advantage prose as a medium holds over other artforms.

fascinated by this article, "Turning Off the TV in Your Mind," about the influences of visual narratives on writing prose narratives. i def notice the two things i excerpted above in fanfic, which i guess makes even more sense as most of the fic i read is for tv and film. i will also be thinking about its discussion of time in prose - i think that's something i often struggle with and i will try to be more conscious of the differences between screen and page next time i'm writing.

as a mexican i can’t help but laugh at how wrong some americans writing mexican characters get the way our name system works so lemme explain so you can get it right!

so most mexicans (remarking MOST because i do mean 99% of us) have TWO last names that come from our parents. it’s basically like this:

name / paternal last name (dad’s first last name) / maternal last name (mum’s first last name).

the first last name is ALWAYS the paternal last name, it always comes from the dad side of the family. there are some exceptions though. in 3 states of the country it’s already legal to put the maternal last name first but it’s very rare and usually only in special cases, like when the father is absent for example.

there are also cases where the person has only one last name but this is not only extremely rare but it can cause a lot of hardships with legal documentation like school, banks, etc. this can happen for some reasons:

1- they’re the child of a single parent (however, to avoid the difficulties that come with having one single last name some end up being registered with the same last names as the parent, but inverted)

2- they were registered in another country where they only have one last name (for example USA, a friend of mine was registered there and for that reason they only have one last name in their documents)

it’s important to mention that unlike american last names, the two last names are not separated by “-” they’re only separated by a space.

the last names are not necessarily one word, some have two or three. for example last names like “de la rosa” or “del olmo”

also, there’s no such thing as married name here. women don’t change their last names nor mix them with their husbands last names.

as i am aware, last names tend to work like this in all latin america but many specific details may be different depending on the country and i am not that well informed.

either way, i hope this helps anyone who’s developing a mexican character!

7 fool-proof ways to connect with your characters

Finding it a bit hard to connect to a certain character in your story? Here are 7 ways to get over that hump →

Start with the little things Every person has their own quirks, and so should your characters. A character might fall flat in your vision because of an absence of these small unique traits. Lean into this, think of habits they fall to when they get emotional, or weird little obsessions they linger on.

Give them a small trait of your own Don’t misinterpret this advice as writing yourself into the story! What I mean by this is to pick a small trait or a habit of your own to add a bit of yourself into a character you’re finding it difficult to connect with. This is a great trick to use if you’re writing a type of personality that differs from your own, and helps layer out character too!

Figure out what they want most Knowing a character's motivation - or what it is that actually drives them forward in the story, is one of the key things you should know about any character. If you’re finding it hard to connect to one of them, think about whether you’ve given them clear and tangible motivation within your story world.

And then figure out why they can’t get that Once you know what your character wants, what their goal might be, think of a reason why they can’t get it, or what that process of achieving the goal might be difficult for them. Usually, this works great if it comes from within - meaning that your character carries a flaw that stops them from acting on their goal.

Don’t underestimate kindness Flawed and morally gray characters are great. But don’t underestimate the power of a kind, positive trait. It’s what makes readers fall in love, and what will ultimately help you fall in love with the character, too. We don’t fall in love with a character’s  snark, but with the emotions they hide behind the snark.

Give yourself time to get to know them Sometimes you don’t immediately click with all your characters, and that’s okay. That happens. It takes time to get to know what makes them tick, sometimes it takes writing them in a scene, then rewriting them in a different way in the same scene to feel out what’s most natural to them. If a character feels distant to you, let yourself explore a different approach to how you write them.

Don’t rush into who they are It can be really fun to keep a mystery about someone. And sometimes that’s all it takes for readers to be intrigued and feel connected to a character. This can work really well for you as the author, too. Don’t rush into writing down everything about your character in the first few chapters, keep a few details for later and work up to them.