- Journal from their perspective. It can be hard to write compelling, realistic motivation for characters if you don’t understand them yourself. By journalling from their perspective, even if the content of the journal isn’t included in your story, you’ll essentially be thinking as the character. This should help you understand who they are and how they make choices and react to things, like a real person would.
- Answer “character questions”, but be careful when using lists found online. The internet is full of lists of questions for writers to answer when building characters, but not all of them are actually that important or useful. The fact is, it really doesn’t matter what a character’s favourite colour, animal or day of the week is (unless it’s relevant to your story… but it usually isn’t). When looking for question lists online, or making your own, focus on questions that have to do with your character’s personality, such as how they’d react to a situation or which values matter more to them.
- Make character charts! I can’t stress this enough — character charts are incredibly useful tools for writers and I don’t know what I’d do without them. They’re a great way to keep track of important information about your characters in an organized way that’s easy to access when you need to quickly check a detail. I’d also strongly recommend making your own charts, not using templates online (I find it a lot easier to stay organized when I’m using my own organizational system). If you need a place to start, though, I normally create charts with 4 categories: role (protagonist, antagonist, etc.), name, identities (gender, ethnicity, sexual orientation, etc.), and description (just a brief few sentences about them). You can also make personality charts with things like their greatest flaw, greatest strength, story goals, etc.
- Come up with a few detailed memories/anecdotes from their past. Think of them as mini-stories you can drop into your main story to build a more realistic life around the character. These don’t have to be crucial to the plot, and should be brought up in a natural way, such as in conversation with another character or in the main character’s thoughts. For example, your MC’s best friend might compliment her necklace, and she tells them how her sister gave it to her as a birthday present before moving away. You can also use these anecdotes to drop in important information in a non-obvious way. Continuing the example above, the MC could mention that her sister has the same design necklace, but in green. Later, this becomes a clue, when she finds the green necklace outside the villain’s lair.
- Keep a record of their backstory. This one doesn’t really need much explaining… Just keep notes of your character’s backstory as you come up with it so you don’t risk inconsistencies, which tend to break down realism.
- Remember that the reader can’t see what’s in your head. Your characters may be fully developed, realistic people in your head, but that makes it easy to forget that your readers don’t automatically understand them the way you do — they only know what’s on the page. Asking other people to read your work can help you understand how your characters come through to an audience, but if you don’t want to do that, just re-reading it yourself is also helpful. If you do the latter, though, go through an entire chapter at a time, the way a reader would, not small sections.
Okay, real post time (but keep those boops booping) - You want to do NaNoWriMo tomorrow, but you don't want to go anywhere near the main organization and their website. Here's a list of alternatives you can try:
Rogue Writers - International group launched to provide an alternative for writers. Their website has challenges, free tools, and more.
myWriteClub - Word tracking tool.
Novlr - A writing app designed to help you meet your writing goals.
WriteTrack - Word tracking tool.
Shut Up and Write - Find in-person or online groups to write together with!
NoQuWriCo - A November writing challenge with tools, tips, and encouragement to make it through the month! (Thanks to someone letting me know - this is a Christian alternative. Try another if that does not appeal to you!)
Writing Month - Write. A Month. Do It.
Your local library - If you did NaNo events through your library, chances are they're still doing it this year. Make sure you check in with all the resources you've used in the past, as they're likely still around.
Whatever you decide to do tomorrow, good luck! And remember, if you want to still use the NaNo website but don't like their AI policies and the rest of it, just don't give them money! Laugh to yourself, evilly, as you update your word count. It's very validating.
(Now back to booping.)
A list of blogs that I've seen here on Tumblr that are out there creating prompts, helping out with advice and overall encouraging and inspiring everyone who wants to write. If you'd like to be added or to be taken off, please send me a message!
Writing Prompts
@a-u-prompts
@creativepromptsforwriting
@deepwaterwritingprompts
@dialogue4urocs
@gingerly-writing
@givethispromptatry
@just-plenty-of-prompts
@livi-the-writer
@love-me-a-good-prompt
@lyralit
@mangocherri
@myeekyoban
@notyouraveragepromptpage
@pianowritesstuff
@pettyprompts
@promptsforthestrugglingauthor
@prompts-in-a-barrel
@screnwriter
@seaside-writings
@theworldofprompts
@wordsforyourwip
@writer-aspirantus
@writing-challenges-and-prompts
@writing-prompt-s
@writing-prompts-re
@writingprompts
@writingprompts365
@writingraven
@writintheprompts
@writingpromptsandjunk
Writing Advice and Resources
@asparklerwhowrites
@bluebxlle-writer
@coffeebeanwriting
@coffeewritesfiction
@creativepromptsforwriting
@deardragonbook
@heywriters
@howtofightwrite
@inky-duchess
@just-plenty-of-prompts
@livi-the-writer
@lyralit
@myeekyoban
@pianowritesstuff
@skylerchase29
@wordsnstuff
@writer-aspirantus
@writingraven
@writerthreads
@writingquestionsanswered
@writingwithcolor
The Script Family in general
Writing Encouragement
@coffeewritesfiction
@creativepromptsforwriting
@dailywritingpositivity
@screnwriter
@sourpatch-encouragement
OC Prompts
@characterbabble
@develop-your-oc
@ocmagazine
@ocresourcecenter
@some-ocs
@some-oc-ask-blog
@some-oc-questions
Give all of these blogs your love and get inspired!
Chirped - their voice is high, cheerful, energetic, sweet, you likely want to pinch their cheeks
With feeling - that feeling isn’t named, but given the context of the conversation, you don’t need specifics, this person is feeling multiple things and you can hear the multitude in their voice
Blinked - people blink all the time, but you just know this one was caused by being taken aback and those eyelids are heavy with words all by themselves
Indignant - not just annoyed, not just upset, not just “with feeling”, the person is offended and retaliating on behalf of their own pride or another’s and it is likely adorable
Fondly - affectionately, but with nostalgia and a little bit of an ache present, this is exactly what you’d expect from them and you can’t help loving them for it
Blandly - there’s inflection here, but it’s so slight and almost calculated in how slight it is that the only intention can be that they’re trying to make oatmeal but with words
Far too cheerfully - because they have no business being so, not when you’re suffering, and even if they aren’t grinning hard enough to split their face open, that’s okay, you’ll do it for them, the bastard
Deadpanned - a classic, a novelty, too spicy to be bland but with somehow less inflection, it’s weird but you know exactly what they mean
Stopped - you know, in the middle of a thought, sometimes because they’re figuring out what they want to say, but often just because they’re a little bit incredulous over whatever the heck you’ve just done and maybe there are no words to be said
Mildly - like, they definitely could be responding in a more fervent way, but they’re just kinda chill and it does nothing to defuse your temper
Groused - like grumbled, but instead of “grumpy mumbled” it’s the whole demeanor and not just indecipherable curses under their breath
Breathed - because you didn’t want to write gasped, because that sounds stupid, but the character is suddenly short of breath for any number of reasons and the words are coming out like mist on a summer morning, there but hard to see
Interrupted - because it’s dumb, like, if one character was talking and then another one starts talking, clearly they’re interrupting - a more appropriate use is when character A wasn’t saying anything and character B is interrupting the moment or activity, making this word choice possible
Faltered - you can’t hear that a character’s voice is becoming unsteady or trailing off unless you’re told and any of the previous three examples are preferable to ellipses (see post)
Desperately - when their shoulders are hunched over and their eyes are too wide, there are tears clinging to the back of their throat just waiting to make an appearance
Steadily - like, this is a time to panic, or panicking would make sense, but we’re not going to panic because we need to stay focused, and our voice is not going to waver or give anything away, nope
Whispered - because “said softly” is not the same, “breathed out” is not the same, “mumbled” is not the same, a whisper is a whisper, that’s what it is, okay?
Firmly - not sternly, just also not budging on its stance
Protested - maybe you conveyed the protesting in the words you just said, but when you also say the word it edges them properly, and you really know that sentence started with a “but” even if it didn’t
Flatly - not the same as blandly, which is without inflection to a neutral extent, but flatly, which is without inflection but in an arrow-shaped way, like, we’re not rolling down a hill, just over to your feet and staring at you
Moving from one scene to another in your short story or novel can be challenging. If your plot spans more than a day or a week, you've got plenty of time to cover.
How do you transition your scenes without jumping over crucial plot points or making the pacing feel rushed?
There are a few tips you can try when you're facing this problem.
Let's say you've started a chapter with your protagonist encountering people they don't like while shopping at the grocery store with their exhausted two-year-old. The experience is frustrating, so your protagonist is simmering while sitting at a red light on the way home.
The main action of the chapter happens when the babysitter arrives that night, but it's only 12 o'clock in your scene. You needed your protagonist to encounter the people that annoy them to establish motivation for the action later on.
You could jump time by teasing the action itself. Your protagonist could thrum their fingers on the steering wheel and glare at the red light.
They opened their arms to the resentment churning under their skin. It sank into their bones, morphing into electricity that kept [Protagonist] plodding through their day. The red light mocked their need to take action, but they could wait.
Because when the babysitter showed up that night, they would take their revenge out on the city.
That could be a great place for a scene break or even the end of your chapter, depending on how much you've written. The reader won't mind a time jump because their interest gets piqued. They'll want to know what revenge means for that character and what will spin out from the choices they make.
If you're writing a 3rd person POV story with perspectives from at least two characters, you can also transition scenes by switching narrators.
While one character completes a plot-relevant action, the other could move the plot along by being a bit further in the future.
Consider something like this as an example:
Sarah's heart beat wildly in her chest as the heavy words finally fell from her lips. It was just the two of them in that park, but it had felt like the whole world had watched her admit her love for Melanie in the molten gold rays of the setting sun. All she needed now was an answer.
[Scene break symbol or the start of a new chapter]
Melanie heard Sarah's heartfelt words echo in her ears long after she had mumbled something about needing time. Time to think, to process. Sarah had been so understanding, even when she dropped Melanie off at home right afterward and skipped their usual Facetime call that night.
It wasn't until Melanie woke up the next morning in a sweat that she realized she finally had to unearth her biggest secret—she had only started the friendship with Sarah because she'd been in love with Sarah's older sister since the second grade.
You could make that time jump into however long you needed. Play with the scene set up in particular and then give the page or two to whoever loves to read your writing. They could talk about if it felt like a rushed scene or if the time jump felt right for that moment.
Most of the time, I find myself struggling with a scene transition because the moment that I'm writing isn't finished.
Recently I was writing a scene with two friends in a wagon on their way to a new city. They have a great conversation that sparks some character development in-between plot points, but I could feel that conversation coming to a lull.
It felt like the right moment to insert a transition, but something didn't feel right.
I had to walk away from my work and come back to it to realize that I needed to wrap up the moment to move anything forward.
The solution I found was ending the conversation by making them appreciate their friendship more than before, based on what had been said, and then the protagonist ended the scene by reflecting on how they knew they could face anything in the new city with their friend by their side.
The next scene started with their wagon approaching the city walls after a night of sleeping under the stars. The reader will still understand that it took more time to reach their destination, but they don't have to read excessive details about the cold night air or hard ground under the protagonist's back to get to what they're most looking forward to—the arrival at the new city.
Nothing about that night would add anything to the plot, so dropping the overnight experience at the beginning of the sentence makes for a great transition to the next scene.
Whether you end a scene with a cliffhanger, a heartfelt moment, or by switching between points of view, your transitions should always help the plot.
You can always edit them while reworking the finished draft later or ask for beta reader opinions from the people who always love reading what you write.
sick of using "very _____" ? : https://www.losethevery.com/
want to simplify your writing ? : https://hemingwayapp.com/
writing buddies / motivation ? : https://nanowrimo.org
word you're looking for but don't know ? : https://www.onelook.com/thesaurus/
need a fantasy name ? : https://www.fantasynamegenerators.com/
need a fantasy name ? : https://nameberry.com/
want a name with meaning ? : https://www.behindthename.com/
who wants a map maker! : https://inkarnate.com/
story building / dnd ? : https://www.worldanvil.com/
need some minimalistic writing time ? : https://zenpen.io/
running out of ideas ? : https://blog.reedsy.com/creative-writing-prompts/
setting a goal ? how about 3 pages / day ? : https://new.750words.com/
what food did they eat ? : https://www.foodtimeline.org/
questions on diversity within writing ? : https://writingwithcolor.tumblr.com/
now what was that colour called ? : https://ingridsundberg.com/2014/02/04/the-color-thesaurus/
want more? : https://www.tumblr.com/blog/lyralit :]