Mostly Familiar Stuff, But I'm Doing My Best To Keep It Interesting ! Dorothy Was Surprisingly Hard To

behold. my collection of arthur morgan doodles i kept telling myself i would post (some of these are almost a month old now)

John and Arthur’s Established Dynamics With Dutch And How This Impacts Redemption: An Analysis

What makes Dutch Van Der Linde such a compelling antagonist is his extreme narcissism, both covert and apparent. Red Dead Redemption 2 is particularly keen on showcasing this, as players get to experience Dutch’s charisma and mental decline through the eyes of Arthur Morgan, who loves Dutch dearly. On the contrary, Red Dead Redemption 1 displays John Marston grappling with the order to eradicate his former gang members, including Dutch. Through John’s perspective, players get to understand the complexities that come with having to confront a path that has both benefited and destroyed you. Yet, both protagonists serve the same purpose: the complex relationship one may have with a narcissistic “parent” figure. While both John and Arthur appear to have conflicting personalities with one another, they find a common understanding with one another through their sibling-like bond that has arisen from both being raised by Dutch.

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Arthur was only fourteen when he was taken in by Dutch. After a childhood filled with death, brutality, abuse, and homelessness, Dutch was able to swoop in, take Arthur off the streets, and give him a sense of security. This meant everything to Arthur, and with Dutch, Arthur was able to finally have a stable, present, and attentive father figure in his life. However, what Arthur consistently struggled to pick up on was Dutch’s true intentions, which were not as loving and fatherly as Dutch wanted them to seem. By recognizing Arthur’s underlying anger and need for validation, Dutch was able to condition Arthur into being the perfect bodyguard: violent, strong, and eager to do the job right.

Arthur is heavily reliant on Dutch to the point that he sacrifices self-autonomy for Dutch’s sake. The storyline with Mary Linton is a prime example of this. In actuality, Arthur could have chosen to protect himself and run away with his former lover, but Arthur’s entire life has been centered around Dutch’s gang. When Mary says that there is a good man inside of him wrestling with a “giant,” there is a reason why she does not claim that this “giant” is evil or inherently bad; it is only larger than Arthur is. This internal struggle centered around remaining loyal to himself or to the people he calls his family is central to Arthur’s redemption arc, especially through the use of the honor system. Both low and high honor result from a series of cations that allow Arthur to redeem himself, but high honor means that Arthur’s time concludes with the acceptance that he was able to fight for what felt true to himself, while low honor is Arthur getting killed fighting against the very thing that caused the gang’s destruction.

Either way, Arthur redeems himself by fully embracing the notion that Dutch is a flawed and selfish individual who has proven his own safety to appear more vital than protecting the gang as a whole. Yet, it takes the duration of Red Dead Redemption 2 for this truth to be fully embraced by Arthur, who continues to base his actions and existence around pleasing Dutch. Getting called “son” or “my boy” by the man Arthur has been conditioned to rely on is what pushes Arthur to continuously combat his own moral code. Additionally, Arthur cannot fathom the idea of being disappointing to Dutch in any sort of way, even if it causes him to abandon his own sense of right or wrong. By beating up Thomas Downes despite feeling wrong about it, Arthur contracts tuberculosis and is forced to run on dwindling time as a result of his vile actions. Yet, this extreme realization that self-betrayal is equally as harmful as rejecting the expectations of somebody you love is what ultimately catalyzes Arthur’s journey of change.

Arthur’s conflict with John also tells a lot about Arthur's life and for other people. When John turns his back on both Abigail and the gang as a whole, Arthur struggles to find the reason for this. Rather than recognizing the deep-rooted fear and self-doubt that John has been facing, especially when it comes to continuing to live for the gang, Arthur berates John because John is doing something Arthur himself has done and regretted: making the wrong choice when it comes to standing by a loved one. While Arthur chose to “love” the gang more than Mary and then had to endure the consequences for such a choice, John, who is both terrified of disappointing Abigail and conflicted about his changing perspective on the gang, is choosing to avoid both entirely and run away for an entire year. Upon John’s return, Arthur is furious that the gang, especially Dutch, is willing to welcome John back with open arms. This makes Arthur resent John for the choices John has made, but at the same time, have a deep-rooted jealousy over the fact that Dutch treated John well for being disloyal, while the expectation from Arthur is that he will never act in such a way, and thus, Arthur feels John is receiving blind loyalty from Dutch. However, Arthur is misunderstanding a much more complicated relationship dynamic.

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Like Arthur, John also has an underlying incapability of living apart from the gang. Despite his issues with Dutch, John will always have a complicated sense of reliance on Dutch whilst resenting the life John believes was given to him. However, while Arthur falls into the role of being Dutch’s “golden child,” being Dutch’s trusted right-hand man and gang enforcer, John gets a much more complicated role. John is Dutch’s scapegoat child who is heavily criticized and berated no matter how hard he may try to prove himself worthy; however, if John tries to reject Dutch following this treatment, Dutch knows how to masterfully reel John back in. For example, even though Dutch welcomed John back into the gang, it is something that gets used against John in his weaker moments for his guilt to corrupt him into obeying Dutch. Additionally, Dutch making John say “yes, Dutch” out loud is a way to force John into a position of submission and lower status in the instances where he dares to challenge Dutch. John tends to be much more direct when it comes to critiquing Dutch as opposed to Arthur’s display, which comes across as concerned rather than combative. Thus, John and Dutch kind of have this established dynamic where John acts as a defiant child whom Dutch must remind to be loyal and obedient, consistently forcing John to align with an outlaw lifestyle that he is contemplating the morality of.

John is more independent than Arthur in the sense that he is deciding who he wishes to be dependent on. Throughout both stories, it is evident that John resents authority figures, and this is where his childishness shines through. While Arthur will respect authority if Dutch tells him to or if Arthur feels that person is worthy of respect, while John is much more weary and combative from the start. This is simply part of his nature, and Dutch understands and fuels this so that John can serve him. However, Abigail offers a stark comparison to Dutch. While Dutch ultimately demands blind obedience, Abigail demands change in John because she wants John to be less afraid of himself. Abigail understands John’s internal struggle with power, loyalty, and abuse cycles, and she directly combats it. She is somebody who challenges John to do better, which is something he has lacked his entire life. In a world where he is expected to serve for the sake of others, Abigail pushes him to serve himself, which will ultimately allow John to serve her, too.

It could be argued that John’s sense of “redemption” is vastly different from Arthur’s. The very fact that John ran away for a year following Jack’s birth is very telling of the internal conflict eating him alive; John knows he cannot exist on his own, and he must now decide who to be loyal to. While in his heart, he wants to dedicate his life to Abigail and Jack, John does not know how to live a life independently from the world he was brought up in. John wants to be a good dad but never had a good father himself, and John wants to leave the gang, but this would isolate him from both Abigail and the only community he knows. This endless feeling of servitude is something John understands he cannot escape. In Red Dead Redemption 1, this sense of being used by others is crushing John, especially because the United States government has kidnapped John’s family and will only release them if John vows to kill former members of the now-disbanded gang. John wants to protect his family more than anything, but he still struggles with obliterating people from his past who once meant everything to him. As a result, John’s avoidance is displayed through his acceptance of impending death. Throughout both games, John acts in reckless, death-seeking manners, putting himself in high-risk situations where death is a possible reality, such as straight up walking to Bill Williamson, essentially setting himself up to be shot. Yet, to John, being rescued from death serves him as a sign that his purpose on this Earth has not yet been completed, and there is more work to be done for those he loves before death can finally greet him. Ultimately, this shapes John’s redemption arc; John has to keep pushing forward so that he does not die at the hands of the gang and, instead, can conclude his life protecting the people at the core of his heart, which is why his death at the hands of the government following John’s completion of taking down his former gang members is both tragic and beautiful.

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One other major element of Dutch’s manipulation is how he treats John and Arthur like they are too dumb to understand nuanced topics. Yet, this is far from the truth. While John and Arthur are not the most well-read or academically savvy, the two display a deep level of thoughtfulness and insight about the world around them. John is hyper-aware of both himself and the world around him, and he is even one of the first people who recognized something deeply troubling about Dutch’s increasingly erratic behavior. This allows John to read people and situations based on intention rather than bias or false judgment. Even in Mexico, when John is being manipulated by multiple people, he understands that the people he is involving himself with are untrustworthy, but since he has no other options, he must wearily follow through with the situations he gets put into. While John often appears highly pessimistic, this is just a portrayal of his awareness of the harsh realities of the world he exists in, and there are just menial means for him to express this. Even if he did, Dutch would likely berate him until John regretted speaking up in the first place. On the contrary, Arthur appears to be more sheltered than John is, likely because Arthur grew up knowing fewer people and crimes. Yet, Arthur has a much more artistic soul than he lets others see, taking a lot of time to analyze and sketch what he encounters in this world that he finds interesting. His journal displays introspective writing that highlights the faults of both himself and the world around him that he prefers to pretend do not exist, and Arthur gets along very well with people who are atypical thinkers or live alternative, authentic lifestyles. Yet, because neither John nor Arthur read philosophy or desire “high-society,” Dutch demeans the two into believing they are unintelligent and incapable of complexity. Thus, if either one questions what Dutch is doing, he knows that he has the power to make John and Arthur believe that they are too stupid to do so. Yet, John is much more combative to this perspective than Arthur is, and John frequently makes comments to Dutch that question his decisions. In these moments, Dutch feels the most challenged and resorts to harsh insults that directly call out a personal struggle either John or Arthur have, reestablishing that they must remain loyal to Dutch because otherwise they are “worthless.”

Red Dead Redemption is beautiful in many ways. The intricate world design, multitude of storylines, and raw portrayal of complex realities make for a story that is compelling, relatable, and thought-provoking. Yet, one aspect that I think sets the Red Dead Redemption franchise apart from other stories is its hopeful and honest representation of the struggle to find a meaningful conclusion for a life filled with violence, abuse, and uncertainty. Neither John nor Arthur displays a sense of dreading their mortality. Instead, death in Red Dead Redemption serves as a reminder that the future is never promised, so it is important to make the most of the present because what is happening now is the only inherent truth of life. For a multitude of years, Dutch prevented the acceptance of such a reality for John and Arthur, and Dutch sold the false truth that he is the only truth in either man’s life, and as their “God” and “father,” both must worship him above all else. Yet, as fate closes in more and more on both John and Arthur, the realization that Dutch is dangerous not only gets embraced, but it allows for the opportunity to spend the time both have left doing what feels right rather than remaining with what is familiar. While the past can never be altered and the reality of death cannot be evaded, there is a sense of power in the realization that life cannot be foreseen or controlled, and thus, one must live each day remaining loyal to oneself. You are the only thing guaranteed to be both born and ended with you, so why betray the very being that allows you to exist at all?

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My Wicked Pony part 2 (Oz, Nessa & Morrible)

Probably disappointing, because none of y'all favourites are here (give Nessa some love!!). Next time y'all get Glinda the Good and Wicked Witch of the West ✨

Previous part ~> My Wicked Pony ── .✦

Designs are a mix of movie and stageplay designs with some additions (storm theme for Morrible)

dark side

Darling, struggling to keep upright in 1 inch heels: Uh, yeah, no, I don't think heels are for me.

Daring, drinking a Frappuchino and strutting flawlessly in sparkly 8 inch heels: WEAK

Concept:

Honestly if they were gonna de-power Jason they should’ve just given him the Frank treatment.

Have it so that the Olympians saw a demigod defeat a titan by himself and deem him too powerful to be kept alive. Especially in the wake of the last great prophecy.

And have him de-powered because of that.

I mean when you think about every Roman demigod is cursed in some way so I think they should’ve just carried that on.

Hazels powers are cursed. Franks life force is tied to a stick. Reyna was told love could never heal her.

Octavian had Gaia messing with his head. And Dakota has to drink kool-aid to curb the alcoholism he inherited from Bacchus.

…which could honestly be its own post but anyway.

So carrying on with that have Jason keep his life but losing his memories and no matter how much he tries he can never recover his sense of self.

Because Jason’s at his most powerful when he has all his memories of training and knowing who he is.

Or you go the other way and instead of Jason being nerfed like Frank, just have it be that the usage of his powers has consequences.

Jason just gets the Beast Atsushi treatment where using his powers gives him intense pain. A physical barrier to stop him from ever being able to go all out.

So that he could never use his powers against them. Because if this boy by himself was able to defeat a titan. Who’s to say he wouldn’t ever turn on them?

Just like Zeus did his own father, and his father before him.

Man imagine that reveal to everyone else, not from Jason himself obviously because it’s Jason he’d carry all that in silence.

He’s arguing with his father and he’s that mad that electricity is crackling around him. It unconsciously flares near Zeus and Jason suddenly drops to his knees like he’s been struck.

And screams.

His friends rushing over while Zeus is just like I’m sorry what was that? I’m afraid you’ll have to speak up.

Hera hating every second of it and gently but firmly telling Jason to let go of his anger and ask for forgiveness.

Jason biting his lip so hard it bleeds as he knees before his father’s Greek equivalent and apologises.

Zeus purposefully waiting a little longer till Percy’s yelling at him, barely being held back by Annabeth.

And then the pain stops and Jason falls limp in their arms.

Horrifying.

Even more so that everyone else is suddenly aware that very much could’ve been any of them. It’s just that Jason was the one they picked.

Everyone suddenly stops joking about Jason passing out during fights.

Like you could’ve made it part of the story and used to add to Jason’s character but instead it’s just lazy and shows Rick really didn’t know what to do with him.

An in depth study of Fiyero and Elphaba's first meeting in the Wicked movie

So I've wanted to do an analysis of this scene from the moment I saw it. It's such a great addition to canon and gives such a fascinating insight into both of their personalities and the facades they put on to others. It also gives hints of the fact that both of them are pretty good at breaking down each other's walls.

From the top:

“Woah, Woah there, woah.”

“I did not see her.”

“Yeah, neither did I.”

“You might want to, um”

“Ok.”

“You know,”

“Yeah. I’m so sorry miss, I didn’t see you there, you must have...”

The first impression we get of Fiyero is that he’s kind. Obviously careless enough to hit a girl in the dark, but he immediately slows down and, even before Feldspar has told him to apologise, he’s got down and is about to make his way over.

It’s also important to note we that seeing him talk to a Horse as a friend, when just the scene prior we have seen that a large amount of the population don’t want Animals to talk at all. In fact, this is the only other human we see friends with an Animal in the entire movie, and it sets up immediately the fact that he will agree with Elphaba on her cause.

“...blended with the foliage.”

Here is his first reaction to Elphaba’s greenness. It is the rudest thing that Fiyero says to her all scene, and something that immediately puts Elphaba on the defensive, having heard shit like this all her life, but it’s also very on par with Fiyero and his constant habit of saying dumb shit whenever Elphaba is around (“yeah, or maybe it scratched me or something,” and “well, actually it was, but it wasn’t” come to mind), he’s surprised and he reacts with humour (something we see he does a lot).

It’s interesting to contrast this to his musical comment, “Well maybe the driver saw green and thought it meant go,” which is a lot more pointed and insulting, blaming the situation on her (though to be fair she does wake him up and attack him for what his carriage driver did), Fiyero in the movie reacts dumbly but not maliciously.

“Is this how you go through life? Just running amuck and trampling anyone in your path?”

Elphaba is immediately on the defensive. She’s already stressed about Doctor Dillamond, pissed off about being knocked over and now, as usual, she has met a new person who is insulting her skin tone. So she does what she does best, she puts her walls up and hides behind them.

“No.”

*Feldspar laughs*

Fiyero is shocked by this attack. He’s naturally charming, to the point where he relies on his charm to get him out of situations. So the fact it doesn’t work stuns him a little. This is why Feldspar laughs, because he knows Fiyero and how he normally acts, and it is funny to see him not immediately manage the situation.

“No, sometimes I’m asleep.” *looks at her flirtily*

Fiyero recovers, his walls are back up. He’s over the shock of seeing someone green and how she’s reacted to him, so he goes back to charm by flirting with her. Notice how he is using self derogatory humour, it’s easy charm that he knows how to use – he’s trying to ease the situation by insulting himself and making her laugh. It’s also another way of cultivating his image, Fiyero very deliberately portrays himself as stupid, flirty and lazy (he sings an entire song about it!) and here he is playing it up.

Also, I’m pretty sure this is a reference to their meeting in the musical (where he is actually asleep), which is cute.

*Awkward pause*, “Yeah, alright, alright, here we go. No, I’m not seasick.”

Elphaba, who is not at all used to people flirting with her, but is used to people asking questions and insulting her skin tone – has picked up none of the playful implications and only that he is stupid and lazy, and therefore starts the rant that she’s said 100 times before.

“Neither am I.”

“No. I did not eat grass as a child.”

“Oh you didn’t? I did!”

But Fiyero starts replying! Again, it’s all charm and self derogatory humour, but he’s sensed the unease, he did not come to insult or attack her, and he’s trying to lighten the situation with his usual techniques he uses on everyone – but they are not working.

“And yes, I have always been green.”

“And the defensiveness? Is that a recent development?”

And here we see Fiyero let down his shield a little, and let on that he’s less dumb than he’s acting. Fiyero is remarkably good at understanding people, it’s how he manages to maintain his facade in the first place – and it’s how he ends up being an effective double agent through most of act 2. Fiyero immediately realises that Elphaba is putting on an act too, that she’s not just attacking him because she’s annoyed at him but that there’s something more going on there.

I love it. I love it so much. It’s such a good addition to the musical canon, because all the traits for Fiyero to be like this are already there, and it adds an extra bit of depth to our understanding of why he’s fascinated with Elphaba – because he knows that she’s another person hiding her true self from the world. It’s such a good link to the Lion Cub scene later where Elphaba pretty much calls him out on the same thing.

*Elphaba stares*

*Fiyero tries a smoulder*

“Hm.”

There is a second here where Elphaba realises that she’s been called out. That she’s attacked him when he wasn’t being malicious and it does cause her to retreat slightly.

Fiyero, now in safer territory, puts his walls back up and goes back to flirting. Elphaba, again not used to this at all, doesn’t really understand this and is still in a bad mood about the Animals, so breaks the moment.

*Feldspar laughs, Fiyero tries to shh him but laughs too.*

*Elphaba notices and stalks off.*

So this is interesting. From context clues, what Feldspar is laughing at earlier and Fiyero’s comment later, it appears he’s laughing at Fiyero, that his easy charm hasn’t worked and he’s found himself on the back foot. Fiyero, bewildered, but still playing up his persona, laughs too. Elphaba sees this and, obviously, immediately takes this as them laughing at her greenness, and therefore any goodwill from what he’s said is gone, and she stalks off.

“I’m off for some more trampling, may we offer you a ride?”

Fiyero, bless him, tries again. He’s seen he’s offended her, though probably hasn’t quite connected exactly why, and tries to make right. So he goes in with more self derogatory humour as well as a genuinely kind offer – it probably isn’t safe for her to walk back in the dark – but the moment has been lost.

“No thanks. Get stuffed.”

Elphaba’s walls are back up again. She might regret the “stuffed” comment by the end of act 2 though...

“Wow, Feldspar, we have just been spurned by a girl.”

“Indeed.”

“Guess there’s a first time for everything.”

Fiyero ends the scene baffled, unsettled, but interested. He plays it off as if he’s normal and also reassembles his walls and defensiveness, again playing into the lazy playboy persona he puts on, ready for his next scene with Galinda.

Analysis of Fiyeraba interactions in the Dancing Through Life/Ozdust Scene

Analysis of Fiyeraba interactions in the Lion Cub Scene in the movie

An In Depth Study of Elphaba and Fiyero in the Train Station Scene

Y’know the truth is I don’t think Tony Stark would bother me nearly as much if his fans were just even slightly normal about him. Like antis get this reputation for being crazy obsessive hateful people, but in my experience they’re just frustrated fans that want a place to vent about an otherwise very popular character. It’s the stans who will cross tag and send death threats to blogs that dare disparage their precious baby. It’s the stans that clamor for unfair amounts of screen time and encourage the co-opting of other characters to surround Tony Stark. I don’t see antis writing a thousand 10k fanfics about Team Iron Man getting tortured and groveling to Steve. Idk maybe this is an unfortunately common fandom behavior?? It just seems so unnecessary to me

I SIMPLY HAD TO DRAW THIS OH MY GOODNESS GREASY!!!

THE ORIGINAL POST THAT LIVES RENT FREE IN MY BRAIN

Just noticed how very wide I drew Arthur lmao