Please Take This Actually Incomprehensible Image Based Off The Convo Me And @thegoldenduckie Had Last

I made the sides into doors from Encanto

This took a literal week but it was fun doing them!

Thank you @ros_poz2 for helping me with some of the designs :)

Also, Happy New Year!!! :D

a long list of things that are confirmed as canon in sanders sides:

Virgil hates flying

Logan is afraid of what's at the bottom of the ocean

Roman is absolutely terrified of the dark (and screams like a final girl in a horror movie when he's scared)

The sides can change how the others look

Virgil can in fact control shadows/darkness

Patton made up a game called "patton cake" and it is very messy and confusing to play

Janus is cold-blooded and sheds his scales

Remus and Roman both have sustained long-lasting injuries

Logan can't "duck out" like Virgil did

Logan has a literal "thinking cap" that he wears

Roman and Remus can conjure living things

Virgil has kept/stolen items from both Logan and Janus

Logan and Virgil are great at giving each other gifts

Logan's gifts that he gives are usually some form of money

Virgil hates being babied

Patton has no idea where babies come from

Logan called puns his "forbidden fruit spread" and has actually made several dad jokes on purpose

Both Logan and Roman have fainted over crofters

Virgil cannot skateboard to save his life (but still pretends he can to seem cool)

Roman insults things as his way of showing love, and has in fact made fun of nearly every side

Patton is allergic to cats and Remus is allergic to soap

Remus deliberately attempts to smell bad

Logan said crofters are the only thing that understands him

by the way ☝️ the other thropple thing i dont see people talking about enough is the inherent hysterical comedy of elphaba (magical powerhouse and radical), glinda (social linchpin and queen manipulator), and fiyero (guy with a gun)

Something I think about a lot is how Dutch managed to turn Arthur into this perfect and dependable killer/enforcer.. Like, I know Dutch basically saved him and therefore could use Arthur's gratefulness as a manipulative tool, but still - how did he manage to shape a teenage Arthur so precisely into what he needed him to be? (I never really questioned this before, but I've been working with/teaching teenagers lately and it's so fucking hard to get them to do basically ANYTHING??)

(part 2) I guess what I’m trying to get at is: Teenagers are so different from children, and I think teaching/influencing them is a LOT harder? (let alone shaping them into violent right-hand thugs, looking at you Dutch) Or maybe teenage Arthur was already like that so Dutch just had to use that rather than change or manipulate him? I just find it so hard to believe this whole thing worked out as well as it did…(I meant to ask for your thoughts on this but instead I just rambled, I’m so sorry)~~~~~~~~~~No need to apologize, Nonny.  <3  If I remember the phrase right, Arthur is described in his official bio at the point Dutch and Hosea took him in as “the life of a criminal is all he’s ever known”, “living on the streets ever since losing his parents at an early age”, and “particularly angry and damaged”/”seemingly a lost cause who responded well to some structure and mentoring”.We also know he barely remembers his mother, he watched his father die, his dad was a criminal, and he remembers his father with absolutely no fondness.  We see he’s overly anxious to please Dutch, to the point all Dutch has to do is issue a casual challenge implying Arthur’s doubting him or not measuring up, and Arthur scrambles frantically to fix that.  So what I’m thinking we have here is a kid who grew up suffering both psychological and physical abuse from his father, who was probably forced into learning criminal talents early (pickpocketing, in my headcanon).  He learned very young that he had no worth as a person, and the only value he had was to produce results.  He seems to have loathed his father so I doubt he worried about winning Lyle’s love, but he recognized that succeeding meant approval, at least insofar as probably being abused less.His father dies.  Arthur’s left living on the streets for several years, probably in a big city that he could so utterly disappear.  The message that he has no worth is further reinforced.  He’s alone, scared, fighting to survive, and there’s no Sister Calderon or anyone else to save him or tell him he’s worth saving.  Given the need to fight for food, sleeping space, safety, etc. against other street kids, he certainly lived in an environment of heightened aggression and anger and violence here.  He’s living the life of Dutch’s social Darwinism: the (violently) strong survive, the weak perish.So you’ve got a kid with shitty self-image, a history of abuse, and a lot of capacity for anger and violence.  Then Dutch and Hosea take him in at fourteen and things change.  He’s given a place to belong.  Clothes that fit and aren’t ragged.  A safe place to sleep.  Enough food to eat.  He learns to read and write.And Dutch isn’t hitting him, so Arthur assumes this new father figure is how it’s supposed to be.  But he’s missing the other facet: the psychological abuse.  The same produce results or you’re worthless to me mentality he likely got from his father, but Dutch is far cleverer than Lyle Morgan in it.  He gaslights.  He manipulates. He alternately flatters and praises, and then insults and questions, so that Arthur’s left always hungry for earning that love and approval again.You’ve got a pissed off teenager, and given Arthur’s got plenty of sarcasm I imagine he was, as I have Hosea put it fondly, “a smart mouthed little shit”.  But he’s also a scared boy who’s been repeatedly taught he’s dispensable trash.  He’s started to like this life he has and its comforts and security compared to the bleak hell he had before, started to become comfortable in it.  He’s terrified that if he screws up, if he gives Dutch reason to not value him anymore, he’ll be thrown away again.  So yeah, he’s going to jump through every hoop Dutch presents him eagerly, and even be trying to anticipate the man’s needs and wants if possible.  Because in his mind his place in this family, his continued survival, absolutely depends on this man still finding value in him.  The question of having worth as an intrinsic right as a human being doesn’t even register with him.  All he can see is constantly proving his having external value.  So he doesn’t have the luxury of typical teenage defiance and sometimes telling his self-proclaimed dad to go get fucked as part of the pursuit of discovering and asserting his own identity.  Because honestly, Arthur doesn’t have much in the way of his own identity.Given the emotional damage he’d already suffered, and the fact he’s being further abused and taken advantage of, that’s the status quo for the next 22 years.  Arthur doesn’t ever really get the chance to grow beyond that blind loyalty and eagerness to please and be regarded as valuable, and really form his own identity and principles, until the 1899 crisis forces him to do so.So if Dutch wants to teach Arthur to shoot, wants him to learn to rob a stagecoach, wants him to go teach someone a “lesson” with his fists?  It’s absolutely “Yes, Dad, I’ve got this.”  Anything at all to make Dutch happy and make himself more valuable to the man.  He’ll work until he drops to become the best man for the job, the one Dutch absolutely can’t do without.  If he protests at all, it’s a token grumble, but he’ll give in readily and go do it, because he prides himself on being able to get the job done.  Dutch clearly only values his brutal and violent skills–it’s Hosea who encourages other things in Arthur.I also think this is part of why Dutch openly favored and identified more with John as his clear “golden boy” while relegating Arthur to being the gang workhorse.  Arthur’s snarky defiance largely died down and transformed into awkward gratitude and absolute loyalty when he realized he could stay.  John stayed something of a cocky brat.  Arthur is far more versatile and useful, but Dutch enjoys John’s “unbroken spirit”–so long as he doesn’t question too much.

Werewolf Janus: *in wolf form utterly soaked by river water, locks eyes with the others* Witch Logan: Janus, please don't- Fey Roman: What? Oh NO! Vampire Virgil *grabs Patton and pulls him behind his umbrella*: DON'T! Fey Remus *full on T-posing*: Take me! Werewolf Janus: *full on body shake sending the water flying, drenching everyone but Virgil and Patton* Fey Roman: MY HAIR! AAAAAAAAAAAAH! Witch Logan: Good job... you've now soaked us all. Werewolf Janus: *satisfied huff*

Jason who is super empathic to his friends and not ever to himself.

Leo could have a cut and he'd be like oh no! I need to get you help! And is super anxious about it.

Meanwhile, Jason is actively bleeding out in every direction and doesn't feel any of it. Leo is a person who deserves good things, and Jason is a soldier who has to endure pain to help people.

darling n daring moment :] i’m sad her and her brothers didn’t get many scenes together, they’re such a cute family

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