Themcore

ever after high themed adoptables - the wizard of oz batch!

reblogs super appreciated! <3

each is €45! payment by paypal, dm me if you’re interested!

available: 2, 3, 5, 6

Brothers

I was asked this and I chuckled because in the scheme of things the only thing that looks the same is that they are in my style. XD 

I don't suppose you have any more Tincrow art, or even just some doodles of the tin man or scarecrow. (I love how you draw them)

I do indeed :] they're all I draw I love their rekindled relationship thing sm 😭😭 Here's them walking Dorothy (little edition) down the yellow brick road + cuddles

hes attack

I was talking to my mutual about Cole when I had a surge of Thoughts so per usual you all have to hear them now. I was considering a couple things, namely his development and place as the "strong guy" on the team and his masculinity (and how it presents in the show vs in fanon).

Cole's pretty often typecast as the gruff strong guy in a lot of fan-media (from fanfics to fanart etc) which isn't wrong because he was like that, especially within the early seasons. The way he spoke, the way he acted, his place as a sort of leading force. In season three you even see him in that stupid lumberjack fit (said affectionately), it's all very traditionally masculine. Which fits his whole Strong and Big guy of the team role (the five man band archetypes etc etc). However, it's interesting to say because at his core, he's very emotional and very driven by a strong sense of internal compassion (with a canonical affinity to children). Which obviously none of that is opposed to masculinity but these traits begin to show more as the gruffness pulls back. The first real example of that I think is in ToE with his fight with Jay. I don't read him as being invested in their fighting the same way Jay was. Jay was fueled by insecurity and a very strong sense of jealousy and possessiveness. Cole? I think he was just reacting to Jay's aggression, which didn't put Nya in a better position but it is a difference. 

So when their match rolls around, he's the first one to realize what they're doing is stupid and give in. He reaches out emotionally to Jay. However, Jays still is a friend so that is easy to write off as a symptom of friendship. And then following ToE we have possession and DOTD which I think are where he really begins to develop, and have the strongest examples of what I'm getting at. I'm going out on a limb and saying that I really see his prior gruffness as a sort of armor, to be good enough for the team (insert that one Wu note of him staying up late before missions) and also there his whole rebellious streak against his father trying to force him to be someone he's not. (Note: I wouldn't be surprised if how Lou raised him really had a impact on all this) Then, we get to Possession and both his self worth and self image are shook badly by literally dying. He outright says he's not a ninja anymore, which I think he based a lot of who he was on (<- which is why struggling with it hit so hard).

Finally DOTD comes up and I think we see the strongest example of where his compassion really become a core trait. It's his fight with Yang. He had no reason to reach out to him, to be honest he had the right not to, but he did and it worked! He didn't get out of DOTD in the end with brute force, he got out of it with emotional support (his team showing up), a stubborn adherence to his moral code, and reaching out to Yang with empathy. From that point on, I think he's softer and more prone to being emotional, it's like there was a very real shift. To circle back to Jay, because I think he makes for a good comparison, he does not develop like that post ToE. Actually, the issues carying from s3 (though, they do exist prior just not as starkly) all the way to Skybound where it gets violently (literally) addressed. Jay fans can probably say it better than me but the season is about his insecurity and treatment of Nya and there's a reason both Nadakhan and Cliff are like that (read: they're parallels). It's just interesting because both Cole and Jay have issues with self worth and image but they present and develop very differently. 

There's also the fanon aspect with those two that's really funny. I think everyone's aware of the infamous fanon-bruise, the 2010s-yaoification. Uwu Jay, Big Strong Man Cole, and how weirdly racist it is. It's just funny to note because the issues projected onto Cole in fanon are ones Jay has, like, in the show. Cole's the more emotional and compassionate one of the two, but because of the strong guy role, it gets flipped around in fanon. Going by the 'traditional' (read: toxic) masculine standards, in terms of personality and character, I think Jay more closely aligns. It reminds me of this post I saw once, it was of Hunted where Jay was making the plane (?) and Cole was with baby Wu. It called Jay the 'mom' and Cole the 'dad' which I find kind of funny because if you look at it through that hetero-normative lense, it really should be the other way around. Cole's the one caring for the baby pretty consistently, Jay's the one making a machine and Working. Did Jay just get called the 'mom' there because people think of him as smaller and weaker and therefore more feminine? Did Cole get called the dad just because he's strong and considered bigger? It's interesting. Fanon does Cole really dirty sometimes.

To get back on topic of Cole's narrative development, then we get to MOTM (like a bajillion years later which no I'm not complaining except I am). Cole's characterization in MOTM is so fucking good. MOTM does a fantastic job at tying together several of his strings. It ties in Lilly, his self esteem, his staunch morality, affinity towards leadership, and compassion into one, pretty bow. MOTM puts Cole back into a leading role, and it gives him several groups to reach out to (Vania, the munce and geckle, the uppily). It draws back the insecurity present in him, letting it show again to be addressed. It even ties in his relationship to Wu in a really lovely way to me. MOTM is the season where Cole finds who he is, his identity and his place as his mothers son.

Speaking of that, I have a very strong love for male characters who exemplify who their mothers were and what they taught them. The scenes with Lilly really put his entire character into a different perspective. At the start he was this tough kid fresh off grief and pressurized so strongly by his dad and himself and he goes through loops and hurdles of strength and identity and by the end he finds himself exactly where he needs to be. Where he's the strongest and it's in his mothers footsteps, as someone both emotional and strong. It's a really lovely character arc to take him on, and though I haven't watched DR, I've heard they continue that on. 

Anyways, consider it positive masculinity, consider it anything else. I just had a lot of thoughts to share and hope I don't sound too 'reading-too-deep' about it. Bye bye Kar ramble over.

Breakdown has been gone for no less than a week when Ratchet receives a heavily encrypted message.

At first he thinks it’s nothing and it’s only years of combat through his technology and being a medic that he even spots that something is different about it.

The one difference in the file is a punctuation at the end, a single full stop that is something humans do instead of the cybertronian symbol.

He opens the file, works his way through it for over two earth hours, and when he’s finally done everyone has gone to have their shutdown and the humans are at home safe and sound.

Part of him thinks it could be a trap sent my Soundwave but there’s something in his spark that’s telling him to trust it. He’s been a doctor for years, he’s learnt that trusting your instinct is the most important part of the job. It’s a combination of prior knowledge, subconscious awareness and thinking and the thing humans call a ‘gut feeling’.

Ratchet opens the last link and finds a message that reads,

“Hello Doctor.

I am aware that we are not friends and work for opposing forces, but I am desperate. I am not sending this because I have had a change of spark or something dramatic like that, though I can’t say I have never thought of that.

No, this is far more important than any sides of a war or Megatrons foolish little game.

I am with sparkling.”

Ratchet stalls for a moment at that sentence before stealing his nerves and continuing.

“I found out around two deca-cycles ago and was afraid to tell the Sire, and now he is gone.

If Megatron finds out about this, both that I am with sparkling and that I can conceive, I will never be safe. He hasn’t been too focused on it, but we all know he has put plans in place should he have the chance to have an heir.

I’m not stupid enough to think he won’t find out, and I’m not too prideful to put my ego and desire to been correct over the life of my sparkling.

So I am asking you as both a medical professional and a close friend of Optimus for help.

I don’t need you to let me join you or live among you, but please help me get out.

I am begging you to help me make sure my sparkling doesn’t end up like Shockwave or Megatron or, Primus forbid, Starscream. I want my to have the chance to choice who it wants to be, and I know that it’s Sire would have wanted for us all to be with you Autobots.

But I have accepted this too late.

Turn me away if you wish, but please help my sparkling.

I don’t have much time and I do not want to terminate it, it’s all I have left of Breakdown.

Yours truely,

Knock-Out.”

Ratchet actually had to sit down once he’s finished reading, serve pressed to his chaises in both shock and heavy understanding. He helped many with their sparklings during the war and knew well the grief of it, even if it was never something he went through.

He sits there for a long time, considering every thing he knows, before he stands again and sends a message back with identical encryption.

“Knock-Out.

I am sorry for what you are going through, both your loss and your situation.

Whether my team wants you here or not I will find a safe place for you, this I promise you on the All Spark. I am sure Optimus will understand but we must act quickly, so listen to my instructions and I will be able to keep your family safe.”

Ratchet lays out the plan quickly and with no room for miscommunication, even going so far as to send a ground bridge for the Mech at a certain point during the next cycle.

He can deal with the teams reactions once’s he’s got Knock-Out safely out of his enemies hands.

soft idea: Arthur learns to braid and practices on the boys at camp (´∇ﾉ｀*)ノ

also bonus micah at the end

As the world emerges into the 21st century, newspaper articles are printed about the downfall of the legendary Van der Linde gang, one of a dwindling number of outlaw gangs remaining in America. The articles tell how Dutch's Boys were pursued from West Elizabeth all the way out to New Hanover and Lemoyne, the chase finally ending in a place called Beaver Hollow. They list the men who were taken down in the gang's last months, as well as the ones left unaccounted for, warning law-abiding citizens to be vigilant for signs of these dangerous men.

Most of the populace reading these articles either don't pay much mind to the news, or regard it merely as something new to gossip about with their peers. But there are others who find it means far more, as they read one name among the rest: Arthur Morgan.

A man reading the paper in a hotel room before he meets with a gallery owner about his latest showing remembers a wry man who chased coyotes, lured alligators, and herded horses to fuel his dream.

A widow in the safety of her mountain cabin remembers a man who saw her at her lowest and offered a hand, who taught her to hunt and kept her company over a meal.

A young couple far away in Boston remember a man who carried their letters, and faced down their families to give them a chance at freedom.

They're not alone, others sprinkled across the country who recognize the name as being attached to a man who changed their lives despite how briefly he was in it. A man with a past he was never entirely proud of, but one who managed to leave behind a legacy that others could be nonetheless.

Jonathan Bailey as Fiyero: a deleted scene in Wicked of the news and anticipated exciting arrival of the Winkie Prince himself to Shiz University💙😍