Your Brain Is So Big, I Love This

Imma keep this for... Science

Since I get unreasonably annoyed about how popular the boring ass 4e/5e tiefling design is, here’s the table from Planescape for rolling really varied and weird tieflings.

Are Centhomas and the Misnake friends? I think they should be :)

Also, get cursed, mutual's and followers alike

I’m alive! I’m still going to post stuff! I promise! It's just one thing after another right now, so once I’m back on my feet I’ll be using it to stand and watch my blorbos as they rotate at maximum velocity :)

Now someone needs to make a story about a non-binary mermaid.

We are all FOOLS.

All this nonsense with mermaid and merman and what to call them when

MERSON.

MERSON was staring us in the face the WHOLE. DAMN. TIME.

I did another :)

(I think we know why ‘Hero’ has a question mark after it)

The Pixar Youtube theory, Part 1: Escape with Markiplier

Hello! The first two I would like to tackle are the With Markiplier series and Escape the Night, and hopefully, next, I can tackle Iris and Sander's sides, talk about Dad Feels and Genloss, try and cross the talking points between them, and at the end I’ll make a post on how they’re all connected and what I think the timeline would be.

Note: I don’t know everything, this is just a theory, tell me if I’m wrong or if you like it!

Let's start with something big;

The houses. In Escape the Night season One, Two, and (arguably) Four are set in houses. In the first season, they contained the evil, trapped in the 1920s, but it sunk its way into Joey. In the second season, they broke a seal to allow them to leave the house, stuck in the Victorian era, and Joey dies and is revived by the crown of oblivion. And the fourth season is the afterlife. Or, I guess, an afterlife, set in a museum, where Joey decides to open Pandora’s box and gets trapped inside.

Now let's look at Markiplier Manor. It is Mark’s estate that he grew up in that has spirits and evil living in the house. Every time he dies, he comes back and gets closer to the entity. The entity then helps him come up with a plan to kill all his friends because the entity wants to leave the house.

Right off the bat, just looking at these two series, we see some obvious similarities. House is evil, has weird spirits roaming inside of it, and makes the people who own it murder their friends. And nobody leaves the house the same. They are still affected by this magic when they leave whether they’d like to admit it or not. Remember this, I’ll come back to it.

Every single time someone new is invited to the chaos, it always comes in a little invitation. Whether written by him or by someone pretending to be him, it always comes in a letter. And what do we get before ‘Who Killed Markiplier’ came out?

Exactly.

Evil house, invitation, good people turning into bad people, and death. In Joey's, there is a lot more beating around the bush, but it gives us a lot of information on how the world works. This leads me to my next point.

The idea of time not being linear, hoping through universes, and getting stuck in loops over and over again. Their dimension-hopping and teleporting back and forth between time all comes... from stones. In Mark’s Space series, you, as the player, replay events, restart over and over again, teleport to different times, and teleport to different universes. And it's all thanks to the warp crystal, this little, blue, glowing crystal tower. It was also used to power the warp core, which caused time loops and paradoxes, and the warp device, which allowed teleportation to different universes.

And now let's look at Escape the Night. Specifically, at the very end of season four, where Bretman and Colleen used ‘The cosmic sphere’ to open a portal and escape purgatory. And what is in the center of this device?

A little blue crystal tower.

This. This one little detail is huge! They look the exact same, they do the exact same things, and they both need to be attached to something to be used properly. And, when attached to something different, it does something different. When attached to the box in Heist, it gives you whatever item you want or need, assuming it takes it from a different time or universe. When attached to the warp core, it's supposed to cause the ship to warp to where it needs to go but caused a time loop in the process. When attached to the warp device, it teleports you to random points across the multiverse. All of the devices work, but it acts erratically and unreliably. But when attached to the cosmic sphere, it projects a portal that you can then walk through. No weirdness, no unpredictability, just exactly where they needed to go.

(My working theory is that the warp crystal needs to be in the cosmic sphere to work properly. If it isn’t, it will be unpredictable.)

The crystal was taken from the afterlife, purgatory. A place completely identical to this one, but slightly different. Darker, scarier, a place filled with spirits and evil, Dark entities.

Kinda sounds like Mark’s upside-down, don’t you think?

But the real question is which one comes first? Well, let's look at what time period each ETN season came from. The events of what happened in the show are linear to how they come out, but the dates of what happens change the timeline completely. Season 2 was the Victorian era, which was between 1837 to 1901. Season 1 was in the 1920s, very cut and dry. And season four was mainly set in the 1940s, but can go completely across time. We know this from the things collected from the different time periods. (Irrelevant for this post, but season three is set in the 1970s.)

And Who Killed Markiplier, according to Google, is set somewhere between the 1920s and the 1950s, meaning the order of events would’ve been S2, S1, WKM, S4, S3. God damn time fuckery, making my job hard.

In season one, the original manor, they ‘contained’ the evil, meaning it couldn’t leave the house. Or we thought it couldn’t leave the house until we see Joey leave the house being corrupted by this evil. Meaning that the evil needs to inhabit someone so it can bring others in. The longer in the house, the worse the effects get. The same thing with Mark’s manor. Two, unnamed, evil entities leave the house through both Celine’s body and your body.

What I’m trying to imply is that, maybe, Mark’s manor is the same house in ETN season 1. “But Devon,” I hear you asking, “How does that make sense? Mark would have to have owned the house at the same time as Joey for that to make sense, considering Mark grew up in the house and Joey ‘inherits’ it at the very beginning.” And to that, I say, “Consider the pockets of time.”

If Joey exists in this pocket of time and then leaves to go back to the modern world, that means the person that owns the house no longer exists. At least, not at that time. Mark was 28 when he made ‘Who Killed Markiplier,’ Meaning he lived in his own place for a while. Since Mark grew up in that time and that house, and since Joey abandoned that house in the 1920s, that means the exact events that happened in that house happened around 1948 at least, which puts us squarely in our timeline.

If Mark’s Manor and Joey’s estate are the same, then that means that the evil and the entities are the same beings. Just like how the warp crystal and the cosmic sphere are the same stone. However, I would like to add one last thing.

Cc! Mark has said that the entities not only trick C! Mark into doing their bidding but also convince Mark that it was his idea the whole time. That idea was to have Wilford kill him in a game of Russian Roulette, have everyone turn on him and kill him as well, and then him and the entity could take his body and get out of there. And I’ve noticed that death description fits two deaths in escape the night season one.

The death of Timmothy DeLaGetto, also known as ‘The Mobster.’

And the death of Arthur.

For those who don’t know, Arthur’s entire role was to manipulate the evil to do what he wants. He was ‘The butler’ of the house, convincing all of the other past owners to feed into the evil so he can do what he wants. It feels like he’s not just working as a butler for the owner, but a butler for the evil. He gets found out, the remaining guests free his brother, the brother then shoots the other two residents of the house along with Arthur.

If I were to guess, Arthur doesn’t like being dead. So after Joey leaves, the bodies get cleaned up, Mark and his family move in, and Arthur is forced to watch Mark, Damien, and William grow up in front of him. Arthur gets replaced with Benjamin, Mark falls in love with Celine, Celine after realizing the house is evil (Because she’s a seer) leaves the house and runs away with William, Damien becomes Mayor, Mark feels worthless and alone and kills himself.

Arthur talks to Mark, Arthur convinces the evil to bring him back, Mark comes back, Mark kills himself, so on and so forth. The entity that works with Mark being Arthur makes sense. He would know that killing Wilford like that would work because he’s seen it work. Once with the mobster and once with him. All he did was combine the two and convince Mark he came up with it.

When Celine comes into the picture, he’s ecstatic because he gets the chance to not just get his own body, but a more powerful body. A body that could do what his and Wilford’s couldn’t. Talk to the beyond and commune with other entities. So he changed the plan and had Mark kick out Celine and Damien from their bodies, forcing them to take yours when they die. But not without taking some evil on their way out.

But, of course, this is just the beginning. This isn’t the last time we see the evil. The evil spreads, and my god does it spread.

(Author’s Note: Joey needs better friends both in and out of canon.)

@heavy-metal-papillon I love this so much, I had to extrapolate

So, I said this in a post a little while ago, but Actor manipulates the shit out of Roman, constantly planting ideas of how similar they are and talking about how everyone else is going to abandon them so he should stay vigilant. And Roman, who wants to believe the best in his friends but is self-conscious (very notably in the series), trusts fully in Actor, loving his natural creative genius and his ability to create in general. And Actor loves how much Roman feeds his ego, so of course he keeps him around.

However, Janus sees right through Actor’s bullshit. (My characterization of Janus is a bit sympathetic, so hang with me.) He doesn’t necessarily like Roman, but he’s not stupid. He knows Actor is only using Roman. And, in turn, using Thomas. He isn’t quite sure what Actor is capable of, but he is not going to let Roman or Actor push him or anyone away.

So while Actor is trying to convince Roman to be his right-hand man and leave the others behind because ‘they’re just going to leave him anyways,’ Janus is working around the clock to A) Find out Actor’s true intentions and past (spoilers: it ain't great) and B) Make sure Roman is always hanging out with the other sides. In his mind, even Remus bothering him is better than Roman hanging out with Actor.

And Roman is confused, conflicted with everything he feels between everyone, but is none the wiser.

OH MY GOD!

Me, after watching like 90 out of 100-something iswm parts: Celci F. Kelvina like Celsius Fahrenheit Kelvin

The AI is like one of those girls that can’t stop talking about their boyfriend whenever they’re mentioned 😂

“Hi”

“My boyfriend says hi sometimes-”

I talked to Virgil on one of those AI things and oh my god that dude has it bad for princey 😂

Holy shit, The mind electric by Chonny Jash makes my Sander Sides hyperfixation hit DIFFERENT-

Especially if you look at the heart segment as Patton and Janus, The mind section as Logan and Virgil, and the soul segment as Roman and Remus.

To further my point, here are some actual lyrics from the song ((with notes by me)):

The Heart segment:

But as complacency settles, anxieties will rise

And part this Soul as Jekyll parted Hyde

Now I’m but half of a hollow man’s lies:

The love, the hate, the еmotional side

((LIKE BROO???? Janus and Patton talking about doing nothing will just make Virgil be anxious and talking about how Thomas has them seperated))

“I know I’m weak. I know that I’m vile

But sometimes that is needed to survive.”

That’s what I’ll say to rationalize

“I’m needed if we’re to stay alive.”

((Janus trying to convince himself he is needed))

And yet, here I lie with black, sunken eyes

My Mind’s consigned our sighs to a leaden void

The Soul remains tempered. I remain plied

Condemned ‘til we are both all but destroyed

((Patton sad that Logan and Virgil are convinced that emotion is not needed, convinced that this will do more bad than good.))

But I know that one plus one can’t equal two

If happiness is both our truths

Our total sum must equal one if we’re to find that golden hue

((Basically like ‘Hey, guys! We need to be apart of this whether you like it or not!’ Also trying to convince the others that happiness is the ultimate goal.))

See how The Mind tricks The Soul

Into being something sickly, dead and cold

As you feel it start to tire and fester so, so slowly

Up until the point where it will finally die

Just in time to see what could have been

((Talking about Virgil and Logan trying to convince Roman and Remus to be on their side?? Also talking about how this is a bad idea because they could pass opportunities. God, I need an animatic and I need it now-))

Do what you want, you automaton freak

No, I can no longer bring myself to care

This hollowed out vessel’s beginning to creak

So take control, let’s see how you fare

((Janus being sassy before the Parts change? Iconic.))

The mind segment:

Resident Heart is feeble and frail

A scourge to purge; due diligence is all

Silent, sad outbursts, inaudible wails

Dictate he never does as he’s told

((Logan and Virgil talking about Patton? Mad he’s doing his job and has emotion, talk about projection.)

Fathers of fathers, brothers of sons

Deterred from being what they know they can

All because Heart refuses to run

This creature hardly resembles a man

((Once again, these boys trash-talking Patton, but now also bringing the ‘sons’ into this (R&R)))

My logic is the absolute

His pity parties simply harm these chances at an apt repute:

Esteemed regard in place of mockery

((Logan talking about the others and how he needs to be listened to more))

I’m sure it seems from his point of view

That I’m a simple, cynical machine

But is it so hard to see the whole truth?

I merely seek a Soul that’s pristine

((Virgil talking about Janus and how he only wants the best for Thomas))

See how The Heart plays profound

(See how he lies.)

But the depth is insincere

A pathetic, thin veneer

All the pain, regret and fear still resound

((Just more L and V talking shit, but more specifically critiquing on how Patton and Janus both think they know best when they don’t))

Though I seem harsh in all my assessments

We each seek a life lived in the light

Yet, there lies our Heart, engulfed in resentment

Stubborn, pale akaryocyte

((Logan being like ‘yeah, I was a little harsh, but I’m not gonna fucking apologize because something needs to be done.’ Also equated ‘having emotions’ as having a ‘virus’ because that's what akaryocyte means))

The soul segment:

Call me The Soul or call me my name

Oh, label me whatever you would like

Call me your host or call me insane

If that will help you stay in line

((Basically an introduction, but also why I put Remus as the soul because he would be like ‘Yeah, I’m insane, sure, but it works, doesn’t it?’))

Fathers of fathers, I know that I’m vile

Let’s see how long it takes to murder me

Neither is wrong, yet neither is right

Condemn him to the infirmary

((Remus basically knowing his job is to be terrible and telling Patton “hey, I’m the exact opposite of you. And if you hate it so much, kill me.” While Roman is like “both sides have points, but I don’t know who to choose”))

I. Am. Me.

((You can’t tell me this isn’t all of them shouting this at the same time. They a frustrated bunch.))

See how the brain plays around

And it splits what once was whole down into three

And you fall inside a hole, inside a

Someone help me

Understand what’s going on behind my eyes

Doctor, I can’t tell if I’m not me

((The creativity twins both mad at Logan and Virgil for digging deeper into the psyche, trying to make sense of things.))

See how they fight all day

The other half won’t hear what’s had to say

It’s just the game they play here in this labyrinth maze

((Do I... Do I need to over-analyze this line? I feel like this one does the job for me))

Tridential regicide

I won’t hesitate to kill my Heart and Mind

I will abdicate these deviants sat inside

I’ll take you down in tandem when this rope is tied

((Basically both of them saying ‘this fighting is gonna kill me and, in turn, us.))

And this was a lot longer than I intended. And there are parts I didn’t even get to! Please listen! God, it's so good.