ok but the orv epilogue grabbing you by the face and going "HEY YOU. YEAH YOU. READING THIS. YOU READING THIS STORY IS CANON TO THIS UNIVERSE. BY READING THIS STORY YOU ARE SAVING THE MAIN CHARACTER. BY LOVING THE MAIN CHARACTER YOU ARE LOVING YOURSELF. BY SAVING HIM YOU ARE SAVING YOURSELF."
Truly the fifth wall break of all time. I'm not sure anything can top that experience. We've peaked as a species.
top L this bottom L that why would L even HAVE a bunk bed
L goes up to Light and asks "do u wanna top or bottom," to which Light replies "top" so they both squeeze into the twin-sized mattress on the top bunk. L pushes Light off in the middle of the night.
Guardian + Reductress headlines, Weilan Edition - 3/?
[ID: 6 gifs from the cdrama Guardian with Reductress headlines laid overtop: Shen Wei looking in Zhao Yunlan’s fridge and flinching away from the smell, looking like he’s questioning his life choices while the headline reads, “Boyfriend ‘Extremely Sure’ Expired Milk Still Good”; Zhao Yunlan asking Shen Wei if he’s married or has a girlfriend with the headline reading “QUIZ: Are They Flirting or is it Just Tax Software Asking if You’re Single?”; Shen Wei, embarassed, letting go of Zhao Yunlan’s hand, who narrows his eyes in confusion, with text that reads “QUIZ: Did Your Souls Meet in a Past Life or Did You Match on Hinge 5 Years Ago?”; Shen Wei and Zhao Yunlan in a cab, Shen Wei looks at Zhao Yunlan, then adjusts his position to be more comfortable for Zhao Yunlan to rest against, the headline reads “QUIZ: Should You Pause Your New Relationship or Accelerate It Way Past a Healthy Pace?”; Shen Wei putting a bowl of rice in front of Zhao Yunlan, the counter they’re sitting at full with dishes he’s cooked, the headline reads “How to Cook a Beautiful Meal For Your Partner Without Appearing Domestic”; Zhao Yunlan tearfully agreeing to the bet Shen Wei suggested and Shen Wei grinning back, on the verge of crying, while the headline reads “How to Comfort Your Partner Even Though Crying is Kinda Your Thing” /END ID]
Since I posted Extremely Sad art of Jiang Cheng and Jin Ling last week, I am now legally required to post this Significantly Happier art of them this week.
See? Look! Jin Ling gets to meet some puppies! Jiang Cheng ALSO gets to meet some puppies! Little Fairy and her little paws get to meet Jin Ling and Jiang Cheng! (Can you tell which one she is?) This is NO HURT ALL COMFORT material
Little rant :
I don't hate Scott, I just prefer Stiles's character over his because of the movie , the movie felt like really horribly written fanfiction by a misunderstood Scott fan.
1. In the movie, Scott's character development is thrown in the drain thanks to I'm guessing the bad writing ? It feels like he's just trying too hard to live out his high school glories.
2. Scott didn't lose anyone significant in his life aside from Allison and it made no sense to say Scott is still in love with Allison and to make them get together after like 15 years.
3. Scott knows damn well the trauma that Kate inflicted on Derek by bringing his whole family down. Then why would he just let Derek sacrifice himself knowing that he finally found a family and that Eli will lose his family, it makes no sense for his character
Rather than blaming Scott for being a shitty friend/ Alpha, it's time we blame the terrible writing .
Scott's character had a lot more depth in the TV show than in the movie and the movie managed to undo all his growth within that time frame.
Let's we all give Han Sooyoung standing applause for this masterpiece, everyone!! 👏
a short collection of thoughts concocted by someone who is very used to defending a character that is shitted on and misunderstood by half the fandom and victimized by poor writing choices.
"she abandoned barb and that's why she died"
principally... a shitty thing to do, but i'd ARGUE it was a lapse of judgement that literally triggers her entire character arc. HEAR ME..
and a weaker, but still valid argument that does not excuse her decision, but is fair nonetheless.. how was she supposed to know barb was going to get swallowed up by an inter dimensional monster in the pool???… just saying. JUST SAYING.
Like I mentioned, it triggered a huge character arc for Nancy. Nancy felt awful that Barb went missing, and she recognized her faults. This guilt and confusion toward the tragedy led her to other realizations, like the state of her relationship, who Steve is as a person, and her own identity. My girl had a lot on her plate and she paid her debts in FULL solving Hawkins mysteries to not only compensate for what happened to Barb, but protect her friends and family!!!!!!
Don’t even get me started on how she felt not being able to tell Barb’s parents once she found out what really happened. Must’ve been awful.
everyone who hates her because of the love triangle she's subjected to are (and i’m sorry to say it but not really,) stupid. her character is obviously trying to break out of being central to a love triangle, but the writers can not for the life of them figure out what to do with steve and jonathan past s3 developmentally, which keeps her stuck in that place.
Nancy is so badass and has so much potential.
Someone also pointed out the underlying misogynistic issue of keeping women’s development “at bay,”— whether it be intentional or not!!— by having their entire importance dependent on male characters. That’s a post for another day, though.
and i'd like to point out she's not in a place like el, who is also in a canon love triangle, but also completely able to realize and explore her independence after catalysts (being friends with max, breaking up with mike).
THIS IS BECAUSE SHE HASNT HAD THE CHANCE TO BE AUTHENTICALLY ALONE AND REALIZE THE IMPACT OF HER OWN CATALYSTS (barb incident, solving hawkins mysteries)!
nancy’s character— to me and many others feels like she is given the illusion of choice by the writers. nancy in her love triangle is more like mike in his. she is not given the same opportunity to branch out, and is instead stuck choosing between two people, like mike. el's only choice is mike or herself. despite both being female characters that discover their independence, nancy isn't far enough on the receiving end to have her own arc.
Now logically, Nancy could branch out and be alone, and so could Mike. However, just like Mike is set up to be in love with Will, Nancy is set up to be in love with her male interests. Whereas this is sets a tone of freedom and accomplishment for Mike’s character, this.. to me, sets a tone of imprisonment and stillness for Nancy’s.
i would really like to see more parallels between these two friendships in season 5. like el and max, robin and nancy didn't start off being best friends!!
nancy was standoffish toward robin like el was with max, and they both reacted that way because of a boy, but then slowly realized they valued their female friendship more than romance.
this friendship helped el escape vecna and the idea that she needs approval from the males in her life.
i think it would be cool if they didsomething like that with robin and nancy instead of keeping her at such a stand still with steve and jonathan in the final season.
FIN🤌🏾
I just saw a guy declaring that Sasuke was abusive towards Sakura and that he doesn't deserve her... and now I want to implode because. What the hell.
First of all, Sasuke never wanted Sakura and that's something he made VERY clear to her.
The fact that she continued to pursue him shows the lack of respect she has for herself. Because she's not even trying to understand him as a person, she just loves (the idea of) him and wants to be with him, and after Sasuke makes it clear multiple times that that's not going to happen Sakura just starts to look stupid.
The fact that people call their relationship abusive has to be some kind of stupid joke. You're telling me that Sasuke trying to kill her after she tried to stab him in the back is abusive? That him not reciprocating her feelings and not being patient or kind after the tenth time is abusive? That him not treating her like his friend when they're enemies at war is abusive?
And I mean the relationship does seem abusive but from another perspective.
Who ignores the other's feelings and tries to make it about her all the time? Who ignores the other's decisions and goes on with her own actions? Who crosses the boundaries set by the other person multiple times? Who ignores the fact that the other is a independent person with a history and only tries to have him under her possession and tries to kill him when that option is no longer plausible? Mhhh.
Sasuke: I don't like you. I don't want you. What I want is for you to get away from me.
Sakura: I'm gonna try to chase you and declare my feelings over and over again hoping that my tears will convince you to stay with me.
Sasuke: Are you at least going to try to understand me as a person and my motives?
Sakura: Why would I do that? I just want to have you
Sasuke: ... Well that's not going to happen, and you're starting to irritate me.
Sakura: *tries to kill him*
Sasuke: *tries to kill her back*
Sakura: How is it possible that you care more about Naruto than me?!
Naruto: *Is worried that Sasuke is going to put himself in danger and ruin his life. Does his best to understand Sasuke's history and his motives. Cares immensely for him and tries to protect him at all costs. Understands that they both have a special connection and if the only way for them to be free from suffering is to die together then that's what they'll do.*
Sasuke: *The reason he wants to kill Naruto is because he is his greatest weakness. He loves him too much and he knows it. He knows that Naruto has the chance to stop him in his attempt to avenge his family. He does everything he can to protect Naruto from dying unless it is by his own hand and trying to kill him brings him great pain.*
Sakura: but I want youuu >:(
Also remake from old sketch. This one is for the Classic Anime Sport zine my friend arranged :> I choose Big Windup….just because *snickers*
(^ ^)/ Thanks for 1500++ followers!
I really love how @aemiron-main brought to light the idea that Will is a representation of LGBTQ people who are actively targeted because of their sexuality, and hated by their parents—parents who clearly perceive them and hate them for it (or at least one of them does, like in the case of Lonnie).
Meanwhile, Mike is a representation of LGBTQ people who slip through the cracks, the invisible ones, the ones their parents can’t see even though they desperately want to be seen and understood by them.
And I think it’s such a brilliant idea to have written them this way, to portray these different realities within the LGBTQ community—because yes, the 80s setting fits, but it’s not just about that. It breaks down stereotypes by showing us the overlooked representations, the so-called invisible community, the one Mike represents—so invisible that even the general audience of Stranger Things (aside from film students who know how to read cinematic language, and LGBTQ people who understand because we’re way less affected by the lens of heteronormativity) can miss it.
The fact that Mike and Will are both gay but in completely different situations is so fascinating. Whether it’s Lonnie or the bullies, or the people in town filled with judgment and prejudice, or even the ones who mean well—like his mom, his brother, and his friends—everyone sees Will.
Lonnie and the bullies take his sensitivity as an insult and attack him for it. Joyce and Jonathan cherish it and accept him for who he is. But either way, he’s seen.
And that’s the double-edged sword: being visible means he’s an easy target for hatred and violence. That’s why no one—not even Hopper or Ted Wheeler—was surprised at the idea that Will might be a victim of a hate crime.
But on the other hand, the people who love him and accept him can see him. They notice immediately when something’s wrong. They know when he’s not okay. They realize right away when he goes missing.
Who ever noticed that Mike was suffering? How long would it have taken for the Wheeler parents to realize Mike hadn’t come home if El hadn’t saved him from falling off that cliff?
Like the post said so perfectly—people don’t recognize Mike’s difference.
Sure, he’s spared from the bullying—kind of. He still gets bullied for his frog face, for being a nerd. But before Will disappeared, he didn’t seem to be targeted by the homophobic slurs that were directed at Will.
It’s not that they hate him. It’s that they don’t see him.
And that would explain his obsession with superheroes and people with powers, but also his desire to be normal. Deep down, Mike wants to be different. He wants to be seen. He wants to be himself—but he also knows how dangerous that is. He’s seen what happened to Will. And to El.
And one really important thing that aemiron-main said (which I think would explain the cliff scene so well, and which I really hope Season 5 will explore):
Will represents gay men who die from hate crimes. Mike represents gay men who die by suicide.
Will represents gay men who are too visible (through no fault of their own), whose families and the people around them sensed their queerness from a very young age. Mike represents gay men who are invisible—not hated, but never supported either.
Will represents gay men who are tormented, or taken away by force. Mike represents gay men who run away from home—or disappear by taking their own lives.
Will is a gay boy who gets picked on and called “queer” because of how he dresses. Mike is a gay boy whose clothes go unnoticed.
Will is good at hiding because he’s visible. He has to hide because people seem to see right through him.
Mike isn’t good at hiding. He’s not good at pretending to be “normal” because he never had to. He’s invisible. No one ever saw him before.
He never had to hide the way Will did.
Will had to learn how to hide and how to act “normal.” That’s exactly why he hates when people treat him differently, like he’s a “freak.” Will doesn’t want to be treated differently—because he’s always been treated differently.
Because he’s too visible. So he had to learn how to act “normal.”
Meanwhile, Mike wants to be treated differently—because he’s been invisible his entire life.
He never had to learn how to hide, or how to behave “normally,” not really. Even though now he tries, he doesn’t know how, because he never had to before.
Where Lonnie noticed every trace of queerness in Will, Ted just… ignored everything. Too busy being passive and watching TV.
Will was so visible that he couldn’t even breathe without Lonnie noticing and forcing him to play baseball, because “that’s what boys do.” Mike is so invisible he could’ve screamed “I have a girl with magical powers in my basement who’s wanted by the government” and Ted wouldn’t have noticed a thing.
Mike and Will are two sides of the same coin.
And now that I think about it… poor Mike is just lost. He doesn’t know where he fits.
Because he’s an invisible gay kid, he doesn’t feel normal—so he thinks he has to protect himself by hiding his difference and pretending to be normal. He performs heteronormativity for the whole world to see (aka the cis-het “normals”).
But at the same time, he’s not seen or accepted by the “different” ones either—because they don’t perceive his difference.
(Like when El says “no you don’t” after Mike tells her he knows what it’s like to be bullied—because she meant being different, and she didn’t see that in him.)
Mike doesn’t feel at home with the “normal” people, because deep down he knows he’s different. But he doesn’t feel different enough to be embraced by those who are different.
So he’s stuck. He’s floating in between. He doesn’t know where his place is.
Which also explains why it’s so hard for him to develop a sense of self-worth outside of being needed. Outside of being useful.
He suppresses and denies his own trauma because he thinks it doesn’t “count.” Because he didn’t go through what Will went through. Or what El went through. So he tells himself it’s nothing.
His curse is invisibility.
Even we, the audience, don’t get access to his point of view. He’s ignored, overlooked, minimized—and especially misunderstood.
And all of this gives him that aching feeling of belonging nowhere. Not normal enough, not different enough. Not this, not that.
Mike Wheeler is Vecna’s playground, honestly. If he isn’t one of his targets in Season 5, then what was the point of writing such a painfully complex character?
Here is the post who inspired me this post.