Scott Treleaven ‘I Would Like The World Not To Change So That I Can Be Against The World’, 2015 Pastel,

Scott Treleaven ‘Timemachine’ (2016), gouache, acrylic, collage - diptych, each panel 41 x 41 inches

Scott Treleaven, Untitled (Mercury in profile), 2017 analog 35mm in-camera double exposure C-print, 34 x 25 in

Untitled (studio maquette / Mercury statuette), 2021 – torn prints from analog 35mm negatives, 7 x 4”, unique

Scott Treleaven

Goatherder Blues, 2014

Pastel, crayon, pencil, house paint, gouache and collage on paper

69.29 x 45.86 inches | 176 x 116.5 cm

Untitled (2020) Scott Treleaven

watercolour, collage, gouache on paper

41 x 31 cm

Scott Treleaven, The Seeding Ship (2017) Gouache and acrylic on paper, Diptych 41.5" X 81" each [105.41cm X 205.74cm]

Scott Treleaven

Furthur, 2014

Pastel, crayon, pencil, house paint, gouache and collage on paper

48.75 x 37 inches

Scott Treleaven The Key of Joy, 2017 Gouache, acrylic and panel collage on paper Diptych, 105.5 x 105.5 cm ea. panel

Scott Treleaven, Scott Burton’s Garden Court, print from 35mm analog negative, 2021

A new series of photographs of Garden Court –sculptor Scott Burton's little known last and posthumously realized work of public art– accompanies a text by Paul P. for Maharam Stories. The text and photographs are excerpted from a book P. co-authored with Rui Amaral about the history of Garden Court, Scott Burton, and curator Peter Day. Forthcoming in September and supported by ArtworxTO during Toronto's Year of Public Art

Scott Treleaven Animal Chapel, 2015 Triptych: pastel, gouache, gesso, house paint and collage on paper three panels; each panel 75 x 50.5″