Scott Treleaven Do You Have To Have A Body?, 2010 Quadtych: Pastel, Crayon, Pencil, House Paint, And

'Last 7 Words' (2009), Scott Treleaven

LAST 7 WORDS

(2009) by Scott Treleaven https://vimeo.com/25734245

A portrait of the artist Genesis Breyer P-Orridge, shot in a Paris hotel room. During the filming the camera broke down, causing the film emulsion to be flooded with light.

Actor: Genesis Breyer P-Orridge Music: Locrian (Terence Hannum & Andre Foisy) Super8 film transferred to digital video, 11:00 loop

Untitled (studio maquette / Mercury statuette), 2021 – torn prints from analog 35mm negatives, 7 x 4”, unique

Language of the Birds: Occult and Art

80WSE Gallery, New York University January 12 – February 13, 2016

Curated by Pam Grossman

Opening reception: Wednesday, January 13, 6 – 8pm

With: Kenneth Anger * Anohni * Laura Battle * Jordan Belson * Alison Blickle * Carol Bove * Jesse Bransford * BREYER P-ORRIDGE * John Brill * Robert Buratti * Elijah Burgher * Cameron * Leonora Carrington * Francesco Clemente * Ira Cohen * Brian Cotnoir * Aleister Crowley * Enrico Donati * El Gato Chimney * Leonor Fini * JFC Fuller * Helen Rebekah Garber * Rik Garrett * Delia Gonzalez * Jonah Groeneboer * Juanita Guccione * Brion Gysin * Frank Haines * Barry William Hale * Valerie Hammond * Ken Henson * Bernard Hoffman * Nino Japaridze * Gerome Kamrowski * Leo Kenney * Paul Laffoley * Adela Leibowitz * Darcilio Lima * Angus MacLise * Ann McCoy * Rithika Merchant * William Mortensen * Rosaleen Norton * Micki Pellerano * Ryan M Pfeiffer & Rebecca Walz * Max Razdow * Ron Regé, Jr. * Rebecca Salmon * Kurt Seligmann * Harry Smith * Kiki Smith * Xul Solar * Austin Osman Spare * Charles Stein * Shannon Taggart * Gordon Terry * Scott Treleaven * Panos Tsagaris * Charmion von Wiegand * Robert Wang * Peter Lamborn Wilson * Lionel Ziprin

image: Scott Treleaven, New Desirable States (2015) pastel, crayon, gouache, house paint on paper, 41.25 x 31.5 inches

SCOTT TRELEAVEN ANIMAL CHAPEL

May 1 - June 7, 2015

OPENING RECEPTION Friday, May 1, 6 - 8 pm

INVISIBLE-EXPORTS 89 ELDRIDGE STREET I NEW YORK NY 10002

Scott Treleaven, Untitled (geranium) 2023, oil on canvas, 9 x 6”

New Pagan Paintings at Cooper Cole open thru May 13

Scott Treleaven, untitled photocollage, 2017 from 35mm negative prints 5 x 4” unique

Scott Treleaven, Scott Burton’s Garden Court, print from 35mm analog negative, 2021

A new series of photographs of Garden Court –sculptor Scott Burton's little known last and posthumously realized work of public art– accompanies a text by Paul P. for Maharam Stories. The text and photographs are excerpted from a book P. co-authored with Rui Amaral about the history of Garden Court, Scott Burton, and curator Peter Day. Forthcoming in September and supported by ArtworxTO during Toronto's Year of Public Art

'Derek Jarman's Advice To A Young Queer Artist' by Scott Treleaven - from THE QUIETUS

http://thequietus.com/articles/14738-derek-jarman-scott-treleaven-bfi-season

Scott Treleaven

Untitled (studio floor/Mercury sandal), 2018

Unique photo collage from original 35mm negative prints, archival tape, in hand-painted artist frame, 12 x 10″

Scott Treleaven Black drawing (hand) 2007 Acquerello cm 32,5 x 26

La ricerca intrapresa da Scott Treleaven è indirizzata a scoprire e forzare il confine tra identità e alterità. Il lavoro di Treleaven vuole scoprire i limiti del corpo come simbolo unanimemente riconosciuto, liberandolo dai vincoli rappresentati dalla definizione del genere. Su questi presupposti si innesta una ricerca sui segni che contraddistinguono l’era della cosiddetta fine dell’ideologia. Treleaven non prova nessun rimpianto per la dissoluzione delle classi sociali e dei relativi codici simbolici, ma cerca piuttosto nuove combinazioni possibili tra le macerie della contemporaneità. In questo senso il collage si dimostra complementare alle sue esigenze investigative, non solo come medium, bensì come vero e proprio metodo. L’artista lavora inoltre sul film in super8 e la fotografia, seguendo come filo conduttore le modalità comportamentali ed espressive delle subculture giovanili. L’artista esplora i limiti dell’oggettività della rappresentazione del paesaggio urbano attraverso il medium del collage. Nel suo lavoro a Milano l’artista è partito da una ricognizione fotografica della città, sui quali è interve- nuto con tecniche diverse quali inchiostro, gouache o acquerello.