Scott Treleaven, installation view - One Bird, Two Stones – Unit 17, Vancouver
on view until May 1, 2022
Untitled (ceramic bowl/Parc Monceau) (2020 ) photographic prints from analog 35mm negatives, archival tape – unique, in artist's frame
Untitled (yellow purple sunlight/books) (2017) photographic prints from analog 35mm negatives, archival tape – unique, in artist's frame
Untitled (confetti in Venice Biennale gutter/oak leaves) (2017) photographic prints from analog 35mm negatives, archival tape – unique, in artist's frame
"Expressionist gestures being as dead a motif as the interred bodies...are their own luxurious reward. Treleaven's drawings offer a High Romantic rumination. Mortality and memory are essential engines for the meaningful satisfactions of sensual play." -- Christopher Knight, LA Times (July 9, 2010)
Scott Treleaven Cimitero Drawing 9 (2010) Wax pastel, flashe and collage on paper 29 X 21.3"
"Curated by Francesca Gavin, the group exhibition ‘The Dark Cube’ seeks to exploit the effect of phosphorescent and black lighting. We caught up with Scott Treleaven to uncover what lurks in the shadows at the Palais de Tokyo this month…"
Scott Treleaven Remote Viewer, 2013 Pastel, crayon, pencil, house paint, gouache, and collage on paper 49 x 37.5 inches | 125.5 x 95.25 cm
Scott Treleaven, untitled (Affection Is Incompatible with Capital) (2014)
pastel, gouache and collage on paper
124.5 x 94.5 cm
Scott Treleaven, Circum Radiant Dawn (2004) paper, screen print and paint on canvas, 10 x 8"
Scott Treleaven Communication with Haight-Ashbury Flautist Seen in Book from 1968 (with Implied Ectoplasm), 2016 Gouache, pastel and collage on paper 73 x 49 inches
Scott Treleaven The Key of Joy, 2017 Gouache, acrylic and panel collage on paper Diptych, 105.5 x 105.5 cm ea. panel
Scott Treleaven, photocollage, 2017 Torn prints from 35mm analog negatives, 5 ½ x 4”, unique
Hello Faun Elisabeth Kley & Scott Treleaven
July 18 - September 7, 2024 COOPER COLE, Toronto, Canada
"Friends for many years, Kley and Treleaven share a fascination for epochs and historical communities that have regarded beauty and decoration as vital components of human flourishing and social reform. The exhibition features five of Kley’s signature black and white ceramic vessels, alongside a new body of works on paper by Treleaven, created in tandem with his ongoing ‘new pagan paintings’ series..."
https://coopercolegallery.com/exhibition/2024-elisabeth-kley-scott-treleaven-hello-faun/