Publication date: 10 October 2024
A Garden Manifesto Edited by Olivia Laing and Richard Porter
❀What do gardens mean and how can they change the world? A Garden Manifesto gathers radical visions rooted in the earth from artists, writers, gardeners and activists, among them Lubaina Himid, Derek Jarman, Jamaica Kincaid, Ana Mendieta, Dan Pearson and Wolfgang Tillmans. It’s a seed box for an uncertain future, packed with anarchic dreams of Eden-making and humming with resistance to the colonial project of homogenisation and destruction. ❀ Featuring
William Blake, Joe Brainard, Jonny Bruce, John Clare, Gerry Dalton, Ellen Dillon, Baha Ebdeir, Alys Fowler, Magdalena Suarez Frimkess, Gaylene Gould, Green Guerillas, Joy Gregory, Fritz Haeg, Lubaina Himid, Philip Hoare, Rosie Hudson, Derek Jarman, Chantal Joffe, Laura Joy, Jamaica Kincaid, Elisabeth Kley, Olivia Laing, Jeremy Lee, Siobhan Liddell, Alison Lloyd, Hilary Lloyd, Jo McKerr, Lee Mary Manning, Ana Mendieta, Bernadette Mayer, Rosemary Mayer, Huw Morgan, Eileen Myles, Hussein Omar, Palestinian, Heirloom Seed Library, Ian Patterson, Dan Pearson, Jean Perréal, Charlie Porter, Pat Porter, J. H. Prynne, Claire Ratinon, Jamie Reid, Lisa Robertson, Kuba Ryniewicz, Saadi, Sui Searle, Sei Shōnagon, Colin Stewart, Tabboo!, Edward Thomasson, Wolfgang Tillmans, Scott Treleaven, John Wieners, David Wojnarowicz, Matt Wolf and Sarah Wood ❀ Design and typesetting by Richard Porter Cover artwork: David Wojnarowicz, What is this little guy's job in the world, 1990 © Estate of David Wojnarowicz
Paperback
148x190mm
ISBN: 9781068758607
Scott Treleaven ‘Fogo I’ (2016) cardboard, foamcore, paper, gouache, PVA adhesive
Scott Treleaven, Glad Tidings (Prospect Cottage), 2021
Gouache, acrylic, fluorescent pigment and water-soluble pastel on raw canvas, 60" X 48"
Scott Treleaven, ‘Untitled’, 2016 – ed. of 9 Diptych, soft ground etching with chine-collé 45.5 x 37 cm
http://poligrafa.net/artist.php?id=191
"Curated by Francesca Gavin, the group exhibition ‘The Dark Cube’ seeks to exploit the effect of phosphorescent and black lighting. We caught up with Scott Treleaven to uncover what lurks in the shadows at the Palais de Tokyo this month…"
Scott Treleaven, Floodland (2012)
pastel, pencil, house paint, gouache and collage on paper
48.82 x 37 inches | 124 x 94 cm
Scott Treleaven, untitled (Mercury, in profile), 2017, c-print from 35mm double-exposure, 34 x 25" in silver painted frame
Keith Haring, Untitled for Lick Fat Boys, August 1979.
Andrew Blackley, Johanna Burton and Scott Treleaven discuss Haring, feminism, activism, early work, etc. for Bomb. "This conversation between Andrew Blackley, Johanna Burton, and Scott Treleaven is the third and final component of Keith Haring: Languages. It supplements an exhibition at the Fales Library and Special Collections (NYU) of 130 never-before-exhibited, understudied artworks and documents held by the Keith Haring Foundation. A conference featuring nine speakers coincided with the exhibition's opening, bringing together figures from across academic and professional disciplines in order to publicly address the lineages available in these text-based materials as adjacent and precedent to the more well-known visual art of Haring’s later career. The text below threads together the major themes from Keith Haring: Languages—historicity, methodology, and the readership of artists’ writings and papers as substantive material and theoretical categories."
http://bombmagazine.org/article/1000216/keith-haring-languages
Scott Treleaven
Mkiyif (2014)
Pastel, crayon, pencil, house paint, gouache on cardboard
quadtych: 34 x 40.5 cm each
Scott Treleaven, Settling Suns, 2017 Gouache, acrylic and collage on paper 10 panels each panel 20.5 x 17.75"
[at The Suburban, Milwaukee]
Scott Treleaven, 'Ganglord' (2014) pastel, gouache and collage on paper 124.5 x 94.5 cm