Hello To All Long-Haired People Of Tumblr! (But Especially Anyone Who Was Raised As A Guy In A Household

Omg I didn’t realise this but OHMYGOD THIS MAKES SO MUCH SENSE

you know what i love about this 3 idiots?

that no matter what u ship one of them is always the adopted son.

you ship kubosai? kaido is the shy-weird but with overprotective parents kid

ship saikai? aren is the problematic kid that got the killer instinct for saiki but the sweetness for kaido

ship kubokai? saiki is the quiet and "shy" boy that is obligated to be wherever his parents are

Evbo can shape shift. Now that he’s god he can change atoms to be whatever he wants. He started out small, changing his height to whatever was convenient, hiding his wings (albeit, not often, he liked them), hair length, stuff like that. Shortly after he branched out, messing with his form until he felt right and good and himself

He landed on something only vaguely human, monstrous, and definitely way too tall, but it made him happy.

Unfortunately;

His friends couldn’t recognize him, in fact, they were scared of him.

He changed back, and tried to ignore the feeling of being too much for his skin. At some point he even started wearing his headband like a blindfold. Why bother opening your eyes if you can’t open all of them?

-🐀

Raw broccoli is owie.

@tsippi

A punk stops during a gay pride parade to allow a mesmerized child to touch his jacket spikes.

Here’s a story about changelings: 

Mary was a beautiful baby, sweet and affectionate, but by the time she’s three she’s turned difficult and strange, with fey moods and a stubborn mouth that screams and bites but never says mama. But her mother’s well-used to hard work with little thanks, and when the village gossips wag their tongues she just shrugs, and pulls her difficult child away from their precious, perfect blossoms, before the bites draw blood. Mary’s mother doesn’t drown her in a bucket of saltwater, and she doesn’t take up the silver knife the wife of the village priest leaves out for her one Sunday brunch. 

She gives her daughter yarn, instead, and instead of a rowan stake through her inhuman heart she gives her a child’s first loom, oak and ash. She lets her vicious, uncooperative fairy daughter entertain herself with games of her own devising, in as much peace and comfort as either of them can manage.

Mary grows up strangely, as a strange child would, learning everything in all the wrong order, and biting a great deal more than she should. But she also learns to weave, and takes to it with a grand passion. Soon enough she knows more than her mother–which isn’t all that much–and is striking out into unknown territory, turning out odd new knots and weaves, patterns as complex as spiderwebs and spellrings. 

“Aren’t you clever,” her mother says, of her work, and leaves her to her wool and flax and whatnot. Mary’s not biting anymore, and she smiles more than she frowns, and that’s about as much, her mother figures, as anyone should hope for from their child. 

Mary still cries sometimes, when the other girls reject her for her strange graces, her odd slow way of talking, her restless reaching fluttering hands that have learned to spin but never to settle. The other girls call her freak, witchblood, hobgoblin.

“I don’t remember girls being quite so stupid when I was that age,” her mother says, brushing Mary’s hair smooth and steady like they’ve both learned to enjoy, smooth as a skein of silk. “Time was, you knew not to insult anyone you might need to flatter later. ‘Specially when you don’t know if they’re going to grow wings or horns or whatnot. Serve ‘em all right if you ever figure out curses.”

“I want to go back,” Mary says. “I want to go home, to where I came from, where there’s people like me. If I’m a fairy’s child I should be in fairyland, and no one would call me a freak.”

“Aye, well, I’d miss you though,” her mother says. “And I expect there’s stupid folk everywhere, even in fairyland. Cruel folk, too. You just have to make the best of things where you are, being my child instead.”

Mary learns to read well enough, in between the weaving, especially when her mother tracks down the traveling booktraders and comes home with slim, precious manuals on dyes and stains and mordants, on pigments and patterns, diagrams too arcane for her own eyes but which make her daughter’s eyes shine.

“We need an herb garden,” her daughter says, hands busy, flipping from page to page, pulling on her hair, twisting in her skirt, itching for a project. “Yarrow, and madder, and woad and weld…”

“Well, start digging,” her mother says. “Won’t do you a harm to get out of the house now’n then.”

Mary doesn’t like dirt but she’s learned determination well enough from her mother. She digs and digs, and plants what she’s given, and the first year doesn’t turn out so well but the second’s better, and by the third a cauldron’s always simmering something over the fire, and Mary’s taking in orders from girls five years older or more, turning out vivid bolts and spools and skeins of red and gold and blue, restless fingers dancing like they’ve summoned down the rainbow. Her mother figures she probably has.

“Just as well you never got the hang of curses,” she says, admiring her bright new skirts. “I like this sort of trick a lot better.”

Mary smiles, rocking back and forth on her heels, fingers already fluttering to find the next project.

She finally grows up tall and fair, if a bit stooped and squinty, and time and age seem to calm her unhappy mouth about as well as it does for human children. Word gets around she never lies or breaks a bargain, and if the first seems odd for a fairy’s child then the second one seems fit enough. The undyed stacks of taken orders grow taller, the dyed lots of filled orders grow brighter, the loom in the corner for Mary’s own creations grows stranger and more complex. Mary’s hands callus just like her mother’s, become as strong and tough and smooth as the oak and ash of her needles and frames, though they never fall still.

“Do you ever wonder what your real daughter would be like?” the priest’s wife asks, once.

Mary’s mother snorts. “She wouldn’t be worth a damn at weaving,” she says. “Lord knows I never was. No, I’ll keep what I’ve been given and thank the givers kindly. It was a fair enough trade for me. Good day, ma’am.”

Mary brings her mother sweet chamomile tea, that night, and a warm shawl in all the colors of a garden, and a hairbrush. In the morning, the priest’s son comes round, with payment for his mother’s pretty new dress and a shy smile just for Mary. He thinks her hair is nice, and her hands are even nicer, vibrant in their strength and skill and endless motion.  

They all live happily ever after.

*

Here’s another story: 

Keep reading

Oop more old art

Mean gills

Illustrations for my fic, Oh, brother!, in which Gem visits her brother Etho for the first time in a while. Oh, and she's also meeting his new partner, and doesn't quite know how to feel about that.

Or, a look at Gem and Etho through the years.

scott smajor they could never make me hate you

I've seen a few people now say that people won't be able to make dramatic winner art/animations out of Joel, and that couldn't be further from the truth

Yes, Joel doesn't take anything seriously. That what makes him terrifying.

Think about it. He's stuck in a death game and he is having fun. When everyone is chasing him down in the finale, he easily uses the teleport power to evade them while barely trying. He can taunt and laugh at them, confident he can't be caught, and he's RIGHT.

Joel feels no fear. He plays the game. He revels in the chaos with a smile on his face. If that is not an epic setup for a villain I don't know what is. It also creates a fun dynamic between him and the other winners. He doesn't care, he can taunt them with memories he's now regained ("Weren't you and Scar friends Grian? How's your soulmate Pearl?") and it throws them off because never has a winner been untouchable like this before. He has no guilt to grapple with, but everyone else does. That gives him innate power over the others

Joel himself is a wildcard. He enjoys the game as much as the watchers. He can adapt to anything, as proven by the series he won in. He has loyalties, sure, but in the end he didn't really care about killing Grian. He thrives when others struggle to survive, and he LOVES chaos.

In conclusion, Joel is the life series equivalent of Bill Cypher. In this essay I will-

so I got into grad school today with my shitty 2.8 gpa and the moral of the story is reblog those good luck posts for the love of god