[DAZED FROM BLOOD LOSS] Hey Not To Kill The Vibe Completely But I Think I Am In Love With You

Warm bouquet commish

Y'all I know that when so-called AI generates ridiculous results it's hilarious and I find it as funny as the next guy but I NEED y'all to remember that every single time an AI answer is generated it uses 5x as much energy as a conventional websearch and burns through 10 ml of water. FOR EVERY ANSWER. Each big llm is equal to 300,000 kiligrams of carbon dioxide emissions.

LLMs are killing the environment, and when we generate answers for the lolz we're still contributing to it.

Stop using it. Stop using it for a.n.y.t.h.i.n.g. We need to kill it.

Sources:

The Conversation

AI’s excessive water consumption threatens to drown out its environmental contributions

Artificial intelligence promises revolutionary solutions to global challenges, but the water costs to produce and power AI hardware and infr

Nature

The carbon impact of artificial intelligence - Nature Machine Intelligence

The part that artificial intelligence plays in climate change has come under scrutiny, including from tech workers themselves who joined the

nature.com

Generative AI’s environmental costs are soaring — and mostly secret

First-of-its-kind US bill would address the environmental costs of the technology, but there’s a long way to go.

If Shoko and Gojo had noticed Geto spiralling.

Sort of a rough continuation of the previous set of drawings on what would have happened had Geto called them.

Neil Gaiman: Crowley sits alone in the dark listening to Pale Blue Eyes by the Velvet Underground Me: ok, so, within the context of the story, that means

(1/7)

i love this metaphor and it's been driving me nuts

I've survived my first day on Tumblr

Achievements:

Don't shoot! I'm friendly!: Prove you're not a bot

AI dismemberment: Disable algorithm settings

Friends?: Gained a mutual

I recognize you: Follow someone you know from r/Tumblr

MY EYES!: Change the site palette

Great Idea: Reblog a post

They love me: Have a post reblogged

my comfort ship

OK since the person I was replying to isn't somebody I want to get into a discussion with ill make my own post about it. Little rant on the aesthetics of arcane vs writer intention ahead based on the use of child labour in the show.

Child labour in Zaun is normalised. Although it's less recognisable to the viewer as such because we're more used to child labour being as being depicted in factories or mines, all of the zaunite kids in act one s1 are child workers. Ekko works in Benzos shop, repairing and selling things. Vanders kids work as thief's, Oliver twist anyone?

Child labour is a feature of industrial boom historically, as well as the result of wealth inequality. Silco and the other chembarons further wealth inequality in Zaun and make use of child labour, but they invented neither. Zaun is Piltovers industry, the majority of factories and mines down there will be owned by Piltovans because that's a major source of wealth.

We never see the piltover owned factories even though logistically they must exist. Narratively there's no place for them to have shown this, however it does seem like the show goes out of its way to show the poor treatment of children and workers by the other Zaunites but leaves Piltovers hand in it unspoken. The most I have here is Silco speaking on the poor working conditions they had and Jayces lack of surprise in seeing children working, both in the factory and when ekko sold him goods. However, realistically Piltover would absolutely be hiring child workers in zaun and would have been the main contributer to the need for child workers to begin with.

I'm mostly making this point for two reasons. One because I've seen Silco criticised as the source of child labour in zaun which I think dumbs down what actually leads to child labour existing. The fact is, with wealth inequality at a severe level, children are forced to work to sustain their family, if not Silcos factories there would be work elsewhere or they would go hungry. This isn't me justifying his use of child labour, I'm only saying the issue would still exist without him because the root cause goes further back than him.

Two, because I've seen people arguing about the strike team and whether or not children would have been caught up in the factory raids. I don't think the writers intended for the strike team to have gassed child workers, I think it's an oversight on their behalf, but yes, even with the most strategic raids children would have been caught in the gray.

I've then seen people claim the children and the workers deserved that and I'm not even going to bother getting into that, babies first exposure to exploitation much?

Anyway, all of that is to say these arguments can go on forever because there's a discrepancy between the aesthetics of zaun and what the writers want us to believe about Piltover. The aesthetics tell us that Zaun is impoverished and exploited, that it's reminiscent of victorian England, it has casual police Brutality hidden in montages. When you think about the implications it gets messy and you realise that some of our good guys are complicit in some nasty things. I personally think that's good story telling.

But then you get to the writing itself and what they're telling is another story. That zauns issues are more caused by zaunites, that the piltover council has very little to do with their problems, that the strike team cannot possibly have hurt civilians because that would make Vi and Cait TOO morally gray. I see this as pretty lame writing, frankly.

This allows for people to be arguing on the show based on completely different perspectives. I completely get why people argue the strike teams efforts were necessary and caused very minor harm, because the writers intend us to take that away, to the extent of only showing a child harmed by the gray when Jinx reverses it. But logistically tons of Zaunite children would have been caught up in the gray too, its just glossed over because the writers don't want us to consider it.

I had this crossover for a long time in my head now (it’s a readraw)