I Saw A Post About How Modern Tv Suffers From The Death Of Filler And It Got Me Thinking About How It's

i saw a post about how modern tv suffers from the death of filler and it got me thinking about how it's exactly one of the problems i have with jjk: we didn't spend enough time with the characters.

and don't get me wrong, i love them all, but i would have just liked to see more of them interacting besides when they're fighting for their lives, because there ARE tidbits of it and they're so good and they also enhance the story because you get more attached to the characters and the emotional stakes are higher.

the flashback to where yuuji, nobara and megumi mess up gojo's shirt? hilarious, and it makes the scene of nobara's death even more heartbreaking. the part after yuuji is presumed dead, and the room goes dead silent when megumi mentions yuuji taught him how to cook the food they were eating? imagine how much harder that would have hit if we actually saw it.

i want more! i want to see megumi being forced to give nobara and yuuji a tour of tokyo, i want to see them making a mess in the kitchen while attempting to cook something, i want to see hakari and kirara being bad influences on their underclassmen, i want to see choso and yuuji bonding via usual siblings shanenigans, i want to see gojo convincing inumaki to use his cursed technique to pull a stupid prank on nanami, i! want! more!

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jujutsu kaisen jujutsu kaisen spoilers but man urgh i know the story doesnt lend itself neatly to things like this because it’s just one thing after another i really want more character interactions i want to see more tsumiki taking care of megumi so that people understand his motivation for her happiness (for reasons that will become obvious in the latter half of the story) i want to see gojo and tsumiki bully megumi for being a teenage edgelord™ i want to see second-years annoy the shit out of megumi when they first met him i want to see the second-years go out and do missions together i want to see the second-years laze around on missions if and only if yuuta is there because ‘aren’t you special-grade yuuta’ thus the birth of the ‘get lost or yuuta-san will beat you up’ shtick and then it ​became a running joke that the first- and third-years get unreasonably excited to join in i want to see the pranks panda and toge and gojo pulled that make megumi lose respect for them i want to see hakari being an asshole (affectionate) big brother and kirara being a good big sister i want to see nobara maki and kirara being girls going out on girls date doing girls stuff i want to see megumi and maki (and mai) trauma-bonding after they leave the zenins i want to see yuuji and nobara sharing one brain cells while megumi gets annoyed at himself for being so unbelievably fond of it i want to see more yuuji and megumi bickering (yuuji and megumi are a lot more like gojo and geto than they let on - they WILL fight each other) i want to see nanami training yuuji and gojo training literally anybody i want to see gojo stalking the shit out of nanami until he goes out to drink with him i want to see nanami gets so annoyed at gojo but can’t escape the man so he brings shoko with him to make it more sufferable and also drag ijichi along while they’re at it i want to see choso and todo bond over their siblings love (obsession) for yuuji and creep everybody the fuck out while doing it I. WANT. TO. SEE. TODO. LORE-DUMPING. TAKADA-CHAN’S. WHOLE. CAREER. TO. ANYONE. AND. EVERYONE. even to gakuganji. I HAVE MORE BUT TUMBLR ONLY ALLOWS FOR THIS MUCH I WANT MOREEEE

More Posts from Tsuyushuu and Others

7 years ago

REBLOG: go to your blog and click the egg to see what hatches

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1 year ago

Everyone complains about how annoying film students are to know but you don’t really understand the depths of film student hell until you’ve been in film classes

-The kid who tried to convince the professor that men’s rights activists were good and like feminists because he thought the class was too focused on feminism and it wasn’t fair

-The girl who was inspired by an ISIS attack to write a romantic drama about a woman who falls in love with a terrorist

-The guy who didn’t know “beat” in a script meant that you paused the length of a musical beat and would hit the table every time he saw it

-“My character is a kind, likable, smart, funny, talented jock that everyone loves. His weakness? He’s too perfect and popular.” “What’s his character arc?” “A girl who doesn’t like him learns to like him.” “But how does he grow and get better?” “Oh he doesn’t.” “What’s his flaw?” “He doesn’t have one.”

-The professor who asked us to argue one side of an argument or another for our papers but only let us use references that agreed with her opinion

-The guy reading aloud my script and didn’t understand that “he runs his hand through his hair anxiously” meant his own hair so he started anxiously running his fingers through the other guy’s hair

-“My character is based on me. He’s a nice guy who doesn’t have a lot of friends, he’s smart, girls don’t really pay attention to him and he’s never dated or had sex. … He’s not entirely based on me actually I shouldn’t have said that.”

-The professor who had us watch porn for homework then again in class while high schoolers were visiting

-The guy who was a super atheist who only wrote movies making fun of religion and took zero criticism because no one “got” his ideas

-“It’s about a society where robots have taken over all manual jobs so society is in upheaval as half the population is out of work. My main character is a super hero.” “Is he fighting against the rich people like Robin Hood?” “No he’s fighting the unemployed rioters.” “… That’s a bad idea.”

-The guy who wanted to be a voice actor so found every excuse to do his horrible voices in class with his favorites being a cartoon Asian accent and jive talk

-The time we had to be in groups and write a kids story and the group that unironically wrote about a scared bunny who learned to be brave and that playing in traffic is fun

-The film writing professor who didn’t know what the word climax meant in relation to plot points in a script and said she didn’t think films had a concept of having a story climax and it only happened in books

-“That reminds me of this time I was in the Louvre on shrooms…”


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4 months ago

op, i hope that your pillows are always cold on both sides, that you always have an umbrella when it’s raining and that you always catch yourself before you stub your toes because you deserve all of it.

i actually hated A LOT of choices the writers made in season 2 and you basically listed almost all of it. thank you. this deserves so much more notes.

arcane s2 didn't stick the landing

i feel like the second season didn't build on top of what was established in the first season

i actually hate the "cycle of hate" narrative at this point in my life, especially with how it relates to real world conflicts.

there is no both sides in most cases. there's the oppressed and the oppressors. racism and related is the privileged oppressing the less privileged. and the oppressed who are fighting back are doing it in a situation where there is no other option. and a lot of the time, the burden and criticism of finding the moral way to go about freeing themselves is put on them. oh the black panthers are dangerous and they were forced to end their activities yet the KKK are still around? oh the palestinians attacked israel and took hostages to bargain with while they've lived generations of israel keeping them in an open air prison, having control of what goes in and out of their borders, taking over their homes, kidnapping their children to put in jail, killing them without repercussions, the activists that come from other countries are killed. you can't criticize a people who are trying to survive, who have already tried peaceful methods, who have been pushed to a corner of biting back.

back to this silly media analysis after unloading actual real world issues

in arcane we have piltover: the privileged and zaun the less privileged.

zaun has less of everything, they're literally the lowest class of this uppercity/undercity situation.

i hated how Jayce laid down his weapon in that one scene where he killed a child worker in the factory. and Vi rightly criticizes him by saying,

"You've always been a part of this. You just never had to look it in the eye. One dead kid? There's hundreds more where he came from, thanks to Silco and thanks to people like you who stuck their heads in the dirt."

"This is over," Jayce says.

"Not for me."

he has the privilege of keeping his hands clean, of turning away. Vi accuses him of "sticking his head in the dirt" ignoring what's happening in the undercity and even now he has the privilege of doing it again, meanwhile it's never over for Vi. because these are her people who are suffering, and because she doesn't have the privilege of looking away.

there's a shot where it pans over the group of children who were working at the shimmer factory with their hands behind their heads. the reason they're working there is because of the abysmal conditions the undercity are in, that the upper classes turned a blind eye to. Jayce gets to wash his hands clean of it by walking away.

I'm not saying he should be prepared to kill children if it comes down to it. it's just the fact that he can walk away. he's a councilmember with all the power in his hands, he's part of the reason why these kids are here, and he can't bear putting up with a silver of the pain the undercity goes through everyday.

we see Vi establishing her identity as one of them when they say,

"I can't let you leave with them," Jayce says, referring to the gauntlets.

"Then I guess you're going to have to kill another trencher," Vi retorts. (is that the right word?)

either way, she's one of them.

I was looking forward to Caitlyn becoming prejudiced against the people of the undercity, because it meant conflict, it meant Vi would have to fight her. whether or not it would result in Caitlyn realizing that she was wrong or not. it's a clashing, and during a clashing characters and their ideologies shine.

we didn't really get that.

we got the buildup for it where Cait's dad says "what is she still doing here?" in loathing (though this may be more due to her blood relation to jinx)

and Cait says "You can (help). As one of us." while handing over the police badge

which directly contrasts Vi's standoff with Jayce where she claims her side as a person of Zaun. Here Cait is giving her a symbol of everything she's stood against, her oppressors. (and i heard that the piltover soldiers weren't supposed to be representative of police brutality by the writers and i mean c'mon are you serious??? especially with the scene where they set up barricades between the upper and undercity and where ambessa's right hand man beats up the jinx supporter in line??? where they have them torturing that same jinx supporter in the prison??? where they arrest all of the people at Sevika's rally???)

and sure Vi joins the police force eventually and even at this point I'm still thinking okay she's going to realize she's on the wrong side and leave them, which she eventually does by stopping Cait from shooting isha. but that was more of a "that's a child" moment rather than a "i'm on the side that's oppressing my people" moment.

and jinx rightly calls her out on it later.

In terms of Cait, again, I think they did a good job setting up her falling into prejudice:

"I just understand now, how easy it is to hate them. One vicious act." and i thought this was a moment of introspection where Cait is essentially seeing how easy it is to villainize a whole group of people but she is aware of it enough that she won't do it herself.

"A memorial," Cait says as they both watch a soldier pick up a crying child, "what kind of animals!"

this is where she's falling into it.

again as many other people pointed out, the privilege of living one day in the same terror that the undercity lives in daily and it's enough for piltover to be scared. not to mention, it was by ambessa's hand that this attack happened, and the undercity will have to pay for the political moves people in privilege are playing.

again if we were to compare this to real world issues, it's insurance companies putting people in debt to save a loved one, its banks evicting people from their homes, its the homeless who are put into prisons and used for labor without proper pay or rights. and the "one vicious act" being the bullet that the healthcare ceo assassin shot.

and then we see her weaponize polluted air to terrorize the people of the undercity. went against everything her mother believed in and worked for.

it's crazy that Vi agreed to this. stood beside cait for this.

it reminds me of what silco said,

"Have you forgotten where we came from? The mines they had us in? We came from a world where there was never enough to go around."

"You're too young to remember what the undercity was before it became... an enterprise."

The fact that Silco could still be that composed while he breathed in the toxic air. unless he was scientifically enhanced, i like to think it's because he's the oldest, he's been in the mines longer than the chem-barons, longer than Vi. I don't think Vi ever had to deal with the toxic air.

Vi has forgotten where she came from and here she is weaponizing that same pollution, the Grey, against her own people.

but again I had hope that Vi would see that this is wrong

Vi puts herself next to the undercity man, Heenot?, they were interrogating once Cait threatened him with her gun, giving her a look. these are her people.

"I thought you were on our side," Cait had said after staunchly defending the people of the undercity to her parents in the first season. creating sides, putting Vi on hers.

Vi stops her from shooting Isha and Cait says

"I keep telling myself that you're different." saying essentially "you're one of the good ones" a common thing the privileged/oppressors say about the oppressed.

and that's where the conflict ends???

and then when they reunite??? nothing happens??? they never go over what Cait did??? never confront her about it??? just forgot about all that buildup??? oh no we're too busy now with the end of the world i guess

as I said in the beginning, they set it up for the piltover characters to clash with the zaun characters, between Cait and Vi, between Jayce and Victor.

"You didn't say they were from the undercity!"

"What difference does that make?"

"What—they're dangerous!"

"I'm from the undercity."

but that got washed away once victor got taken over by the hextech and became a "oh both sides are bad" guy and actually free will is overrated.

I was excited for Ekko to show Hemierdinger the conditions they were living in and working together to fix it, for Hemerdinger to fix what he's done to the people because he didn't pay them any attention.

Ambessa and the hextech possession over victor really derailed all the buildup between the undercity and the uppercity that's been set up and then did nothing with it.

oh we have to come together to stop the end of their nation.

fuck that, where's the revolution??? Jinx is the face of the resistance and they do nothing with that??? sure it's the reason why the undercity go fight against ambessa and victor because jinx was their hope, but that hope was building up against piltover, with the border patrols, with the police brutality, with how they tortured their people in the jails, with how they all got arrested at a rally.

where's the face off between cait and vi??? not even that, where was Vi's arc??? like everybody's been saying she did nothing this season. Vi should've been Vander's successor, she should've joined hands with jinx, ending the cycle.

victor should've had his own conflict with jayce, should've been a leader to his people.

the writers really didn't deliver this seaons, the art and animation was so cool though

the only time "both sides are bad" actually works is between the elves and dwarves in lord of the rings because as far as I know one hasn't oppressed/enslaved/taken rights away from the other and it's just petty squabbles and cultural differences and more serious squabbles. (it may be different in the books, but this is what I got from my time in the hobbit fandom).

anyway, i'm sure someone else has already said all this. thanks for reading.


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8 years ago

Are You There, God? It's Me, Draco

read it on the AO3 at http://ift.tt/2olt32I

by floweringjudas (manipulant)

Harry Potter and Draco Malfoy are straight Aurors. Then they’re gay teachers. It makes sense, in context.

Words: 23425, Chapters: 1/1, Language: English

Fandoms: Harry Potter - J. K. Rowling

Rating: Mature

Warnings: No Archive Warnings Apply

Categories: M/M

Characters: Draco Malfoy, Harry Potter, Various Hogwarts Teachers, Percy Weasley, Kingsley Shacklebolt

Relationships: Draco Malfoy/Harry Potter

Additional Tags: Banshees, disparaging references to religions, Aurors, wizarding government

read it on the AO3 at http://ift.tt/2olt32I

1 year ago
While We Dance
While We Dance
While We Dance

While we dance

3 months ago
Diary Comics - Cake
Diary Comics - Cake
Diary Comics - Cake
Diary Comics - Cake
Diary Comics - Cake
Diary Comics - Cake
Diary Comics - Cake
Diary Comics - Cake
Diary Comics - Cake
Diary Comics - Cake

diary comics - cake

instagram / twitter / my webtoon comics


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8 years ago
Helloo @aphunitedstates Im So Sorry If This Is Late;; College Is Crazy!  But Surprise Mon!! I Got You

Helloo @aphunitedstates Im so sorry if this is late;; college is crazy!  but surprise mon!! i got you as my recipient for the summer exchange! heres the mermaid au you have requested!! ;D

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tsuyushuu - t s u y u
t s u y u

on this site i go by shuu. she/her. if you don't agree with me, blocking me is always an option. ship and let ship.

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