It Is Super Hot Today, And It’s Days Like This One That I Can’t Wait For Fall! So Here Is A Little

Interview: Finding Hope and Healing in Tranquil Forests with David Anthony Hall

Zemo: Pop

Bucky: ???

Zemo: Six

Bucky: ...no.

Zemo: Squish

Bucky: No.

Zemo: Uh-uh

Bucky: NO.

Zemo: Cicero

Bucky: NO!!!

Zemo: Lipschitz

Bucky [voiceover]: Well, I was in such a state of shock, I completely blacked out. I can't remember a thing. It wasn't until later, when I was washing the blood off my hands, I even knew they were dead.

HEY WRITER FRIENDS

there’s this amazing site called realtimeboardwhich is like a whiteboard where you can plan and draw webs and family trees and timelines and all that sort of stuff. you can also insert videos, documents, photos, and lots of other things. you can put notes and post-its and, best of all, you can invite other people to be on the board with you and edit together!! 

this is really really awesome and a great tool for novel planning, so if you’re doing nanowrimo…. this could be good for you!!

Thread on alternative views of iconic landmarks you (probably) haven’t seen before 🧵

1. Mount Fuji from a plane window.

2. Arc de Triomphe, Paris

3. Aerial view of Kaaba, Mecca

4. A view of the Taj Mahal that you do not usually see, highlighting the stark contrast between opulence and poverty divided by a single wall.

5. Top down view of the Statue of Liberty

6. The backside of Tutankhamun's burial mask

7. The dome of St. Peter’s Basilica seen through Rome's most famous keyhole.

8. The worn steps of the Tower of Pisa

9. Photographer Alexander Ladanivskyy, in collaboration with the Egyptian Ministry of Tourism, captured an extraordinary drone shot of the Great Pyramid of Giza from an unusual perspective.

10. The Shanhai Pass, where the Great Wall of China meets the ocean.

for images 11 - 25, please see the source, here

when welcome to night vale said: “Sleep heavily and know that I am here with you. The past is gone, and cannot harm you anymore. And while the future is fast coming for you, it always flinches first, and settles in as the gentle present. This now, this us, we can cope with that. We can do this together you and I.”

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Interacting with Medieval Iceland

Just made a new Instagram account for the Hall (@Fjorn_the_Skald over there). I know it’s not the best digital map of Iceland around, but here’s the first post, which promotes my interactive map of medieval Iceland for a general audience.

It needs a lot of work, so if anyone has suggestions for improvements, please do let me know! I haven’t had much time to work on it, with the chaos of my Master’s program and all, but I hope to improve it soon!

Gender and Harry Potter is such a hydra that just keeps revealing more heads the more you try and chop through it. Case in point: Today I just realized Harry Potter might've been originally intended as a book for boys, which if it was *wow*, way to miss the mark Joanne. Do you think it was actually intended for a male audience? To me it kinda makes sense if it was because of the way most women and girls are portrayed in it.

Bloomsbury Publishing definitely requested that JK Rowling publish with her (gender neutral) initials instead of 'Joanne Rowling' because they were concerned boys would not buy a book with a woman's name on the cover.

My guess is that her British publishers slotted it more firmly under 'boy' than her American publishers did. Harry Potter is 100% a school story, a super established British children's book genre. Historically, there are boy school stories (set in all-male posh public schools) and girl school stories (set in all-female posh public schools.) Hogwarts is of course co-ed, but that fact that it comes out of a literary tradition in which all the characters are the same gender... might help explain why in-universe gender politics seem remarkably absent from the wizarding world.

It actually kind of bugs me, when a canon-compliant fic makes a big deal about male-only inheritance or something, because that's just not something we see. There's one line about "Black family tradition" saying that the house goes to the next oldest guy, but since Dumbledore is worried that *Bellatrix* is about to inherit, it clearly isn't that important.

JKR has made a fantasy society where gender doesn't really matter - Augusta Longbottom and Walburga Black are clearly the powerful matriarchs of their respective families, Maxime and McGonagall are headmistresses, no problem. There isn't the boys quidditch team vs girl's quidditch team, the locker rooms and the prefects bathroom seem to be co-ed, "robes" are gender neutral, there isn't a sense that a specific discipline or type of magic is gendered (we see both male and female Transfiguration, Care of Magical creatures, and Defense Against the Dark arts professors...) There is kind of a sense that the boys are supposed to ask the girls to the yule ball... but multiple girls still ask out Harry. Gender comes up a lot in these books yes, but not so much in the actual worldbuilding. We have gendered bathrooms and dorms, and the rule that the girls can go into the boy's dormitory, but not vice-versa. Ron considers lace a girly fabric. Of the top of my head, that's all of the "gendered" rules I can think of.

But, since the main character is a boy, it makes sense that her British publishers would slot it more into the category of "school story (boy)" and market accordingly. I think it's extremely likely that she was asked to lean more heavily into quidditch, an aspect of the world building that JKR is clearly not interested in. She's said multiple times that she dislikes writing quidditch games - which is why she throws in comedy with the commentary, or makes some magical thing go down, or finds ways to cancel quidditch entirely. The mechanics and tension of the game *itself* are not interesting to her. I think it's also possible this is a reason for Hermione's relatively late intro into the friend group during Book 1? Harry can be friends with a girl, but first we need to establish that Ron is his *best* friend.

But then the books hit America, and the whole "school story" thing didn't read as "boy" as much as it just read "British." There was a sense in American advertising, especially in the 90s, that girl's products were for girls, but boy's products were for everyone. Scholastic Publishing seemed less interested in gendering the book, and more interested in making sure it didn't come off as too high-brow to American children - so we get the name change from "Philosopher's Stone" to "Sorcerer's Stone," things like that.

But then right before the publication of Book 4 the series exploded, and JKR could have just self-published the thing if her publishers didn't behave. So I think that you can see the fingerprints of that marketing push on Book 1, which grandfathered in a number of worldbuilding choices that JKR maybe wouldn't have made later. But pretty quickly it just became JKR doing her thing.