He’s Already Great Because He Was Born Into This World.

There are some things that caught my attention more than others at the SnK final manga exhibition, and I want to write down my thoughts about them, in the hopes of making sense of it all. I’ll begin with what I dubbed as the “Paths Room” and probably write something about the others, too, in the near future.

The Paths Room is the last room before the Final Sounds Room, which should chronologically (in the manga’s story) be the last one. See, the exhibit is structured in a sort of chronological order, starting from the beginning of Eren/Reiner’s life, leading to the main events of the manga, the characters, this Paths Room and the Final sounds.

At the entrance of this room, there’s one of Kruger’s lines written in white on a black wall (top, left corner):

“Anyone can become a God or a Devil. All it takes is for someone to claim it for it to be true.”

After that, the room is organized this way: the wall on the opposite side has the “paths world” spread out. The one on the visitors’ immediate right has some lines and moments lined up in a very specific way, as if they want to tell us something important.

It’s like a sort of journey through some pivotal points of Eren’s story. It feels like an omniscient being is guiding Eren - and the visitor - to a final dilemma, which is also what the story is at, at this point, imo (it’s been there for some time, to be honest). I had the feeling that the “omniscient being” could be the girl in the Paths, but enough of my speculations. Let’s get into the room!

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because i was born into this world

Mikasa au Interview

Translated by plain-dude and fuku-shuu

______________________________

She sits upright in a chair as I visit her at the barracks of the Scouting Legion. She gives a small nod when she notices me, but our eyes never meet. She is Mikasa Ackerman, an unprecedented talent in humanity’s history.

“Nice to meet you”, I say. She answers “Ok,” and the interview begins.

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Part 2 of Attack on Titan: The Final Season will premiere on January 9, 2022.

TG:re Volume 5 Extra Translation

※

Like mortar in a mixer Three heads, melted thickly

Miracles have been used up long ago and lie cold on the concrete

Killed I killed Have I killed?

I was losing my grasp on reality, when the eyes of the heads opened wetly like genitals, to say hello

The heads whispered in Mother’s voice

“you” “you” “you”

“you” “how did you fool yourself into thinking you would be loved” “when you’re so ugly”

“uoh……..”

Gentle abuse, repeated over and over in “that box” The sky flickers, like traffic lights

Before I knew it, nine thorns sprang out from the chest cavity The diaphragm shivered, as if about to cry

(my body!)

I finally lost my grasp on reality, and I started climbing the steel tower The handrails I touched all turned black and rusted.

(I knew I was made of poison!) (No, it was that woman who was poison itself)

(climb, climb)

(not enough to die) (to a higher place, higher place, climb!)

※

The intestines of the dead, reaches out to the heavens from the tip of the steel tower.

The intestines were knotted together like rope. I desperately pulled the rope in.

squelch, squelch, squelch

The knot had grown long enough to reach the sun.

Tower of beloved corpses. With each pull I reach the peak, and the height increases. I cannot see the ground anymore.

The tower starts to shake widely, whispering in Mother’s voice.

“automatic failure at happiness, shapeless spawn”

(ahh)

“My dear lost one”

“Your parents failed in raising you”

And I died.

Image Source: Baidu

Major thanks to @makyun for helping me translate!

Celestial Ceilings

What's the theme of Choujin X?

So I've been wondering for a while, what idea does this story revolve around? What's the main conflict of the story? What concept should we pay attention to when reading this story? I can't claim to be 100% right or sure, but now that the story seems to have officially started, I'm going to try to articulate my ideas on this topic. By the way my ideas concerning the topic are heavily inspired by Jung.

Most fundamental to understanding the theme of this story is what exactly a choujin is. We've been given two main definitions, a person who becomes the form they desire, and a person who overcomes the limits of their humanity to use their ability. But why do such a minority of people have the capacity to become them?

The answer lies in the possession of a complex. A complex is a pattern of emotions, behaviours, thoughts and ideas which recur around a particular concept or theme. It's an unconscious way of seeing the world that influences how we act. But the issue is precisely that it's unconscious. The conscious self who wills events isn't aware of the complex that has formed within them, and that's usually the result of repressing a part of you that you don't like, so this complex tends to dominate and negatively affect the psychological well being of people.

Without such a complex one cannot become a choujin. When we combine what we know, we have a choujin as a person with a particular unconscious(at first) way of seeing the world and who tends to act accordingly with such a complex, and is fixated enough on such a theme and desire that they sacrifice their humanity for it. They are people who are governed by and hyperfixate on an idea so much that it is manifested through their capacities and harms their wholeness as a human being. In fact, I think that's what's expressed in the opening words of the story.

So there doesn't seem to be a moral status to being a choujin, but there's definitely something negative enough about it to warrant it being compared to a disease. And I think that's the status of it being a manifestation of a complex. A complex exists in the personal unconscious and exerts influence usually unwanted upon our actions. When one is brought into contact with what Jung calls the autonomous complex(the Shadow) it can possess us. When a complex possesses us we lose sight of who we are and unconscious impulses are brought to light. We lose control. The danger inherent in becoming a choujin is becoming consumed by our complex. When we are consumed by the shadow of this complex our humanity is shed for the continuous growth of the thing within us, and we become monsters. That's the affliction, the constant need to maintain control and humanity because of the tendency of the complex to take hold of us.(Note: Freud's name for the unconscious was the Id which is gotten from the German "It". There's something "other" about it and it fits quite well with the opening words in reference to becoming a choujin and it's relationship to complexes.)

Now I don't think Choujin are condemned or are essentially damned by their transformation, in a way, being a choujin can help one come in contact with their complex and start the journey Jung called individuation to integrate it. Through the dream at the heart of each person, the promptings of the ideal Jung referred to as the Self, people can be called back from despair to reconcile elements of themselves as we saw with Shiozaki. (Note: Chapter 1 of the series is called "Behold the Man" which could very well be a reference to Nietzsche's book of the same title with the subtitle: How one becomes what one is. This fits well with Jung's notion of the Circumbulation of the Self. We gradually become our true selves over time, as we strive to the ideal of the Self.)

So on a general level I believe the theme of the story will center around the integration of the shadow as it is manifested in our complexes. It's awakened, and it could be repressed or it could take over you, but the call of the story will be to overcome and integrate the shadow by finding your purpose in life.

“This traitor to our peace is called… Eren Yaeger.”

I guess Isayama remembered.

He referenced it in the final chapter.

Now I'm sad. I guess it means Eren's death ended the Titan Curse which let Historia and her child live their lives freely. So Eren was able to "change something" while preventing Historia's sacrifice.