Happy Birthday Best Mom

Happy Birthday Best Mom
Happy Birthday Best Mom

Happy birthday best mom

More Posts from Twilight-paradise88 and Others

3 years ago

This was great! It was really well written and it really makes me appreciate both relationships more, so thanks. One thing I'd like to add concerning your point on cause and effect is how in chapter 122, Eren eventually sees himself and probably Historia as wellin Ymir and uses that same dialectic to free her. It's really cool how it all comes full circle, Freckles Ymir is guven her name through the legacy of OG Ymir and through the overcoming of her weakness she frees Historia who frees Eren who eventually frees the OG.

Yumihisu and Erehisu - how do these ships compliment each other?

It’s been a hot minute since I’ve written a longer post. Recently, I’ve been feeling a bit more inspired, though - and, once again, my thoughts are occupied by my two favorite ships from SnK. Unfortunately, a lot of people seem to think that shipping both is impossible, or that shipping one of them authomatically means that you’re against the other. I think it’s ridiculous - even more, I think that shipping both is quite logical.

Today, I’m going to write about how Yumihisu and Erehisu are, in my opinion, tied to each other. (As always, a short disclaimer: there will be spoilers, and the pictures/gifs used in this post don’t belong to me. Have fun reading!)

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3 years ago

Eren and his Id: Some Further Observations

Since publishing my meta on the idea of the ‘id’ in SNK, I’ve noticed some more examples of it manifesting throughout the series.

Mikasa

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What Eren attributes to Ackerman mind control is really just the nature of Mikasa’s id. She acts without seeming to realise she does so, with vacant eyes in the first panel and confusion in the last. This is just like Eren’s experience in defending Ramzi: not being mentally present in the moment, his id takes over his body like an alien and controlling force.

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3 years ago
The Most Beautiful Scene… Their Smiles Made My Heart Skip A Beat
The Most Beautiful Scene… Their Smiles Made My Heart Skip A Beat

the most beautiful scene… their smiles made my heart skip a beat


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3 years ago

Thank you! That was an amazing articulation of the points I brought up. Personally, I think the ideas executed in this ending are good(except how the Titan Curse ended), but the execution and tone are terrible, add that to the fact that it's pacing is off and plotlines were abandoned, and it strikes us as bad, but I think there's still quite a bit of good to be detected behind the fan-service. About Eren wanting not to be seen as a monster by his best friend, I've been thinking about that quite a bit. He did push away Armin and Mikasa but deep down he's still lonely and wants to be accepted, I think the ending could have portrayed this better by diving into the complex emotions Armin and Eren must be feeling towards each other right then. There's a lot of tension, but there's also a desire to understand and reunite and the internal conflict caused by this should have been better presented.

Critique of the Ending

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After an unreasonably long wait, here are my thoughts on the ending in more detail. I’ve always tried my best to decipher the author’s reasons behind their narrative decisions instead of dismissing them off the bat if they rub me the wrong way. But, in the case of this final chapter, I can’t help but find it unworthy of all that came before it.

This critique is divided into four subsections: ‘An Irresponsible Plan’, ‘Underwhelming Heroes’, ‘Wasted Characters’, and ‘A Gimmicky Solution’. The ending launched so much new information at us that I can’t cover everything, but I have addressed those errors in plot, themes, tone, and characterisation that disappointed me most.

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3 years ago

[“One of the very hardest things about preventing and ending violence is that most of our work isn’t really about getting someone to stop being violent. Most of the time, that’s not the heart of the thing. The even-more-rigorous struggle is to cultivate all of the awareness and skills that would have been necessary for the violence not to have happened in the first place.

Which is why, when we talk about violence, we always end up talking about everything: slavery, binary gender, the original disconnection of humans from the rest of life on this planet, and so on. Solving violence is rarely as much about the moment at hand as it is about everything else that preceded it.

Which is where shame comes in.

As a therapist who has spent the last decade working with movement folks who are survivors of intimate violence—as well as with many people who have caused harm—I see shame as one of the most pervasive, painful, and insidious barriers to our efforts to fulfill the aspirations of transformative justice.

In order to develop real responses to the myriad harms in our lives—or even the capacity to develop real responses—we need to understand shame and develop tools for working with it, individually and collectively.

(…) Shame is different than guilt. While guilt focuses on our behavior (“I did something bad”), shame creates an identity: “I am bad.” Shame keeps us stuck, isolated, and hiding. With no way to escape from the totality of our belief (“I just am wrong”), we may do some of the following:

hide what we feel is bad about ourselves and try hard to pass as “good.”

overcompensate in other parts of life through overwork, caretaking, or perfectionism to make up for whatever is “wrong” about us.

defend ourselves from any insinuation that we might have done wrong, attempt to rationalize, or justify our actions.

blame someone else, try to divert responsibility, or shift the focus onto another.

attack anyone who draws attention toward the source of our shame, try to have power by dominating or shaming others.

numb through self-harming use of alcohol, substances, food, sex, technology, and so on.

Most of us use all of these strategies in different moments. Overaccountability and underaccountability are two sides of the same coin: “I can’t stand how bad I feel and can’t imagine making it right (overaccountability) so I’m going to hide that it (whatever it is) even happened, or lie about it or blame someone else (underaccountability).”]

Nathan Shara, Facing Shame: From Saying Sorry to Doing Sorry, from Beyond Survival: Strategies and Stories From The Transformative Justice Movement


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3 years ago

Ever Since I Was Born: Eren and his Id

Ironically, after writing a very long critique of the ending, I believe I have found a way to redeem it. Isayama’s comments on the manga ‘Himeanole’, as well as the analyses put forward by @twilight-paradise88 and @cosmicjoke​, led me down a very interesting path of interpretation that makes the ending - thematically, at least - justified.

In the 2017 Bessatsu Shonen interview, Isayama says this about ‘Himeanole’:

Ultimately, I don’t think the series [SNK] passes judgment on what is “right” or “wrong.” For example, when I read Furuya Minoru’s “Himeanole,” I knew society would consider the serial killer in the story unforgivable under social norms. But when I took into account his life and background I still wondered, “If this was his nature, then who is to blame…?” I even thought, “Is it merely coincidence that I wasn’t born as a murderer?”

Does this sound familiar?

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Eren, like the protagonist of that manga, is presented as being a certain way since birth. From the Attack Titan’s power to see the future, we know that Eren bringing about the Rumbling was an inevitability.

The kernel of this idea is preserved in the ending. Although Eren’s motivations become more complex, the core of his being still compels him towards that act of destruction. He cannot understand it, because it is not a logical demand. It is simply the nature of who he is.

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"The ancient dome of heaven sheer was pricked with distant light; A star came shining white and clear, Alone above the night."

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