He Left No Time To Regret

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👸🏻 girlbossladyjane Follow

It really makes me sick to see people giving money to penny weeklies when Franklin's expedition STILL has not been found 😭 There are good men out there trapped in unimaginable temperatures and literally all that's needed is a little more funding for another rescue mission yet all you guys seem to care about are your vulgar little stories...

🧔🏻‍♂️ queerqueg Follow

the franklin expedition is dead as hell

👸🏻 girlbossladyjane Follow

Disgraceful thing to say but I'd expect nothing more from a M*lville fan

10,558 notes

👨🏻‍❤️‍💋‍👨🏻 hartgrindisreal

Sorry for posting so much about Tom Gradgrind/James Harthouse from Hard Times lately. It turns out that I was getting arsenic poisoning from my wallpaper? Anyway I took a seaside stroll and I'm normal now. Check your walls y'all

#whyyy did i assume they were committing unlawful actions together like where did i even get that from lol #hard times isn't even that good by dickens standards tbh

659 notes

🎨 asherbrowndurand

Just painted this

2 notes

ss-arctic-girlie-deactivated18540927

RIP Napoleon... you may have been unable to conquer Alexander's Russia but you sure as hell conquered Alexander's bed

🖼️ preraphaelitebro Follow

HERITAGE POST

📝 shakespearesforehead Follow

How does this have less than 100k notes you could literally not avoid this post back in the 20s lol

82,170 notes

🌄 loyalromantic Follow

poets just aren't dying young in mysterious water-related incidents like they used to :/

#as useless and degenerative as i find 'the living poets' and i'm glad we're finally moving on from them #i have to agree with op in this respect

6,884 notes

🎀 thefopdiaries Follow

I finally got a daguerreotype of myself ^_^ Porcelain urn for scaling

📜 bartlebi-thescrivener

i think i hauve consumption

112 notes

🐋 whaler4life

They found oil in the ground??? WTF. THIS IS LITERALLY THE WORSTTTT. FUCK MY LIFE FOR REAL THIS TIME

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🌿 naturesnaturalist Follow

I swear this website has 0 reading comprehension skills. Darwin NEVER claimed we "evolved" from apes like if one of you guys actually bothered to open his new book you'll see all his arguments are backed up by evidence. He actually makes a lot of sense

#sure there's nuance like i don't fully agree with all of it #but his general theory of natural selection seems pretty sound imo

56 notes

🤵🏻‍♂️ byronicherotournament Follow

🙈 butchbronte Follow

Of course these are the finalists lmao this website is so predictable. Anyway vote Heathcliff if you dont i'm going to assume you're a phrenologist

📖 sapphichelenburns Follow

It's not problematic to acknowledge the fact that Heathcliff was a brute like he literally killed dogs in case you forgot. #rochestersweep

🙈 butchbronte Follow

I love the implication here that Rochester never did anything cruel either. He literally locked his wife in the attic and lied to Jane about it 😭 like that was a pretty significant thing that happened

📖 sapphichelenburns Follow

And? God forbid women do anything

#why'd you have to pit two bad bitches against each other #anyway i'm not attracted to men but still went with rochester #bc in terms of living quarters thornfield hall > wuthering heights easily

8,027 notes

👨🏻‍❤️‍💋‍👨🏻 hartgrindisreal

Not the Russian tsar dying immediately after hartgrind became canon

#i know dickens hasn't technically confirmed it yet but like. SOMETHING was strongly implied ok #see: my previous post #dickensposting

522 notes

👨🏻‍❤️‍💋‍👨🏻 hartgrindisreal

LORD HELP ME. THE BODY LANGUAGE. THE WAY THEY'RE LOOKING AT EACH OTHER. AHHHHHH

#this installment!!! im-- #dickensposting #i can't fucking cope #dickens wants to KILL us he wants us DEAD....

2,309 notes

⭐️ newamerican

Hi guys sorry I haven't been posting lately it's been so difficult getting to California 💀 I'm finally here now though just need to find a pickaxe and soon I'll be digging! :-) wish me luck lol

#gold #gold rush #gold rush grind #california #adventure

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To me, the craziest thing about this panel isn't the extremely charged handshake, nor the intense eye contact, but rather the perspective.

Furudate is really good at toying with perspective to convey the story's motifs and themes. Here, thanks to the perspective, it looks like the net is above Hinata and Kageyama, when in fact it isn't that tall. In fact, I know it's right between them. But with the way this panel was drawn, it looks like they're facing each other with an unobstructed view.

The imagery here is clear: it doesn't matter that they're on opposite sides of the net now, there's nothing keeping them apart anymore. They stand on even ground, on equal footing, face to face.

sakusa kiyoomi

SFX Magazine Issue 372 - Designing Good Omens ❤ 😊

PRODUCTION DESIGNER MICHAEL RALPH REVEALS HOW THE SHOW’S CENTREPIECE SET, WHICKBER STREET, WAS GIVEN A DEVILISHLY CLEVER UPGRADE FOR THE SECOND SEASON

WORDS: DAVE GOLDER

Invisible Columns And Thin Walls “The new studio is Pyramid Studios in Bathgate – it used to be a furniture warehouse. And unfortunately – or fortunately, because I accept these things as not challenges but gifts – right down the middle of that studio are a series of upright columns. But you’ll never spot them on screen. I had to build them in and integrate them into the walls and still get the streets between them. And it worked.

“There’s all sorts of cheeky design values to those sets. Normally a set like this is double-skin. In other words, you do an interior wall and an exterior wall, with an airspace in between. But really, the only time a viewer notices that there’s that width is at the doors and the windows. So I cheated all that. I ended up with single walls everywhere. So the exterior wall is the interior wall, just painted. All I did was make the sash windows and entrances wider to give it some depth as you walked in.”

GOOD OMENS HAD A CHANGE of location for its second season, but hopefully you didn’t notice. Because Whickber Street in Soho upped sticks from an airfield in Hertfordshire to a furniture warehouse in Bathgate, Edinburgh. It’s the kind of nonsensical geographical shenanigans that could only make sense in the crazy world of film and TV, and production designer Michael Ralph was the man in charge of rebuilding and expanding the show’s vast central set. “I wish we could have built more in season one than we did,” says Ralph, whose previous work has included Primeval and Dickensian. “We built the ground floor of everything and the facades of all the shops. But we didn’t build anything higher than that, because we were out on an airfield in a very, very difficult terrain and weather conditions, so we really couldn’t go much higher. Visual effects created the upper levels.”

But with season two the set has gone to a whole other level… literally. “What happened was that the rest of the street became integrated into the series’s storyline,” explains Ralph. “So we needed a record shop, we needed a coffee shop that actually had an inside, we needed a magic shop, we needed the pub. To introduce those meant we had to change the street with a layout that works from a storylines point of view. In other words, things like someone standing at the counter in the record shop had to be able to eyeball somebody standing at the counter in the coffee shop. They had to be able to eyeball Aziraphale sitting in his office in the window of the bookshop. But the rest of it was a pleasure to do inside, because we could expand it and I could go up two storeys.”

For most of the set, which is around 80 metres long and 60 metres wide, the two storeys only applied to the shop frontages, but in the case of Aziraphale’s bookshop, it allowed Ralph to build the mezzanine level for real this time. According to Ralph it became one of the cast and crews’ favourite places to hang out during down time.

But while AZ Fell & Co has grown in height, it actually has a slightly smaller footprint because of the logistics of adapting it to the new studio.

“Everybody swore to me that no one would notice,” says Ralph wryly. “I walked onto it and instinctively knew there was a difference immediately, and they hated me for that. I have this innate sense about spatial awareness and an eye like a spirit level.

“It’s not a lot, though – I think we’ve lost maybe two and a half feet on the front wall internally. I think that there’s a couple of other smaller areas, but only I’d notice. So I can be really annoying to my guys, but only on those levels. Not on any other. They actually quite like me…”

Populating The Bookshop “The props in the new bookshop set were a flawless reproduction from the set decorator Bronwyn Franklin [who is also Ralph’s wife]. It was really the worst-case scenario after season one. She works off the concept art that I produce, but what she does is she adds so much more to the character of the set. She doesn’t buy anything she doesn’t love, or doesn’t fit the character.

“But the things she put a lot of work into finding for season one, they were pretty much one-offs. When we burnt the set down in the sixth episode, we lost a lot of props, many of which had been spotted and appreciated by the fans. So Bronwyn had to discover a new set decorating technique: forensic buying.

“She found it all – duplicates and replicas. It took ages. In that respect, the Covid delay was very helpful for Bron. There’s 7,000 books in there and there’s not one fake book. That’s mainly because… it’s a weird thing to say, but we wanted it to smell and feel like a bookshop to everybody that was in it, all the time.

“It affects everybody subliminally; it affects everybody’s performance – actors and crew – it raises the bar 15 to 20%. And the detail, you know… We love a lot of detail.”

(look at the description under this, they called him 'Azi' hehehehe :D <3)

Aziraphale’s Inspirational Correspondence “There’s not one single scrap of paper on Aziraphale’s desk that isn’t written specifically for Aziraphale. Every single piece is not just fodder that’s been shoved there, it has a purpose; it’s a letter of thanks, or an enquiry about a book or something.

“Michael Sheen is so submerged in his character he would get lost sitting at his own desk, reading his own correspondence between takes. I believe wholeheartedly that if you put that much care into every single piece of detail, on that desk and in that room, that everybody feels it, including the crew, and then they give that set the same respect it deserves.

“They also lift their game because they believe that they’re doing something of so much care and value. Really, it’s a domino effect of passion and care for what you’re producing.”

Alternative Music “My daughter Mickey is lead graphic designer [two of Ralph’s sons worked on the series too, one as a concept artist, the other in props]. They’re the ones that produced all of that handwritten work on the desk. She’s the one that took on the record shop and made up 80 band names so that we didn’t have to get copyright clearance from real bands. Then she produced records and sleeves that spanned 50, 60 years of their recordings, and all of the graphics on the walls.

“I remember Michael and Neil [Gaiman] getting lost following one band’s history on the wall, looking at their posters and albums desperately trying to find out whether they survived that emo period.”

It’s A Kind Of Magic One of the new shops in Whickber Street for season two was Will Goldstone’s Magic Shop, which is full of as many Easter eggs as off-the-shelf conjuring tricks, including a Matt Smith Doctor Who-style fez and a toy orang-utan that’s a nod to Discworld’s The Librarian. Ralph says that while the series is full of references to Gaiman, Pratchett and Doctor Who, Michael Sheen never complained about a lack of Masters Of Sex in-jokes. “He’d be the last person to make that sort of comment!”

Ralph also reveals that the magic shop counter was another one of his wife’s purchases, bought at a Glasgow reclamation yard.

The Anansi Boys Connection Ralph reveals that Good Omens season two used the state-of-the-art special effects tech Volume (famous for its use in The Mandalorian to create virtual backdrops) for just one sequence, but he will be using it extensively elsewhere on another Gaiman TV series being made for Prime Video.

“We used Volume on the opening sequence to create the creation of the universe. I was designing Anansi Boys in duality with this project, which seems an outrageously suicidal thing to do. But it was fantastic and Anansi Boys was all on Volume. So I designed for Volume on one show and not Volume on the other. The complexities and the psychology of both is different.”

how i feel about fanservice when i’m the fan being serviced:

As the one time every four years that everyone watches figure skating is finally here, I’ve taken it as my God-given duty to educate you guys about the complete and utter CLOWNERY and the corruption that goes on daily in the Russian figure skating scene. I’m not joking when I say this shit is like bad reality TV. A famous coach has a cult following. Politicians get asked about coaches feuding. Putin, the president of Russia, got mad over unfair scoring and dissed a Canadian skater on live TV. It’s insane.

And there is a LOT of drama going on here, so I’ll try to explain it just in time for Olympics so you guys can understand why you are almost definitely not going to see a single ladies’ medallist over the age of 17 years old this Olympics (or possibly ever again).

If the only time that you tune in to figure skating is once every four years, here’s how things are going to go. You’re going to watch the 2022 Olympics. You’re going to casually watch the ladies’ figure skating segments. And if you’re a little bit observant, you’re going to think: ‘Why is every single medallist under the age of 18 years old? And why are they all Russian?’ And if you do your research, you’ll see that not a single girl over the age of 18 years old who is non-Russian has won gold in ladies’ figure skating for the past two winter Olympics. Why is this?

Well, it all started with Evgenia Medvedeva, one of the most famous figure skaters in the world. (If your last interaction with figure skating was with Yuri!!! On Ice in 2016, she’s that girl who wore a Victuuri shirt on the famously homophobic Russian national television, got illustrated into YOI official art, and did a routine to Sailor Moon. So. She’s really awesome and my favourite.)

Anyway, Evgenia won everything in the 2016 and 2017 seasons. She completed a Grand Slam twice, which is when a skater wins literally every major competition, at the ages of 16 and 17. Those two years were called the Evgenia dominance era, because she just kept winning. It was insane. She was Miss Stability because she literally never fell, she was reliable, she was unbeatable, she was the favourite to win the 2018 Olympics.

And then, just in time for the Olympics, at the old age of 18 years old, she started to fail.

The first time she fell in competition after two long years of straight clean programs, people thought it was a fluke. But then she fell again, and again, and again. And her younger, less injured teammate, 15yo Alina Zagitova, started to take the spotlight. Alina wasn’t struggling with back problems or a broken foot like Evgenia. Alina was born in the right year, at the right time, which made her 15 years old just in time to qualify for the Olympics, and she won the gold medal for ladies’ figure skating. Meanwhile, the favourite to win the Olympics won silver, being pushed aside for her younger and healthier teammate.

Now you might think, wow, that’s really sad. But it was just a one-time thing, right? Alina will surely go on to have the long and fruitful career that Evgenia, by some fluke of the universe, didn’t get to have. Right?

Wrong. Alina retires at the ripe age of 17 years old after peaking at 15 and the figure skating world. Goes. Crazy, because now people are beginning to notice a pattern. It started with Yulia Lipnitskaya, 15 years old at the Sochi Olympics, who skated the best programs of her entire life and retired soon after. It continued with Evgenia, who peaked at 16 and 17 and then developed chronic injuries that make her unable to turn her back to the left (a horrifying statement she revealed in a recent interview), and then with Alina, who skated her best at 15 and ‘took a break’ at 17, which fans have dubbed the ‘expiration date’.

Now, you might be remembering the figure skating greats like Yuna Kim, Michelle Kwan, Mao Asada. They didn’t retire at 17. This is not normal. This was not even close to the norm ten years ago, but now we’re heading into Beijing 2022 and a 15 year old is the favourite to win gold. So what is the the common factor that caused all these skaters to retire at 17, 18, 19?

The answer? Eteri Tutberidze, a famous Russian coach with a monopoly on ladies’ figure skating. Her students, which include Yulia, Evgenia, and Alina, have won literally every single competition under the sun for the past few years. And one by one, without fail, all her students have broken their bodies by the time they reach 17-18. She has never been able to successfully coach a student over 18 years old, but she doesn’t need to, because when one girl gets too old, three will come to replace her. If you’re talking solely about results, then sure, Eteri is a great coach. When her students shine, they shine bright. They’re one-season wonders, winning everything. But they’re one-season wonders, so after a few seasons, they’re replaced by the newest girl, the girl who’s 15 at the right time, younger and less injured. Why is this? Why don’t these skaters have longevity?

Well, it’s because of the body type you need to have to land jumps in figure skating. In skating, there are jumps called triples (where you rotate three times in the air) and quads (where you rotate four times). Quads were practically unheard of in ladies’ figure skating until 2018. That’s how recent they are. A quad in ladies’ fs has never even been landed at the Olympics before. This is because quads are insanely hard to do, and normally they require a lot of muscle, strength and grit to power through the four rotations in the air. Before 2018, the last quad jump had been landed by Miki Ando in 2002. 16 years before the next quad.

Before 2018, the highest technical jumps women did were the triples. Then Alexandra Trusova (aka Quad Queen Sasha Trusova aka the one to root for in the 2022 Olympics) came along and fucked shit up landed a quad toe loop at the age of 13. Sasha is the first female skater to land the quad Lutz, quad flip, and quad toe loop jumps, the second to land the quad Salchow (after Miki Ando), and the first to land two and three ratified quads in a free skate. She started the Quad Revolution and basically ensured that all the girls competing with her had to have quad jumps or a triple axel in order to win over her. And they did. Anna Shcherbakova, Kamila Valieva, Sofia Akatyeva, Adeliia Petrosian, all started landing quads too.

And that’s all well and good and all, yay for technical advancements or whatever, except that the reason quads started booming in the ladies’ was because a certain coach had figured out that you don’t need to be made of muscle, or have years of training, or experience to land a quad.

No. You just need very, very low body weight.

Yeah. Now you see where I’m going.

Girls have started landing quads like never before. At the junior levels (>15yos), it’s become commonplace to see Russian preteen girls train quads as if they’re jumping machines. Teenage girls have the perfect body type to quickly rotate four times in the air- a slender frame, narrow hips and short height. And once they hit puberty, it’s over. Quads rely in pulling in all your body weight as closely as possible to your centre, allowing you to maximise your speed of rotation- but you can’t pull in hips or a chest. That’s why most female figure skaters lose their jumps after puberty, and why so far only teenage girls have managed to land quads. And how do you delay puberty as long as possible so you can keep winning for as long as you possibly can? Well, it’s simple. You just don’t eat.

Even before the Quad Revolution, Tutberidze’s skaters relied on their low body weight to do triple jumps so much that during the 2014 Olympics, 15yo Yulia Lipnitskaya had to subsist on a diet of entirely powdered substances. The girl did not eat a single tangible meal the entire time. And by the time the 2018 Olympics rolled around, Tutberidze had forbidden 18yo Evgenia and 15yo Alina from drinking water for fear that a few grams of water weight might affect their aerodynamics. Alina mentioned in an interview that they could only rinse their mouths out with water and spit it back out.

The thing about quads is that no one really knows the long-term effects they can have on these teenage girls’ health, as the oldest girl to land regular quads turns 18 this year in 2022. However, Evgenia Medvedeva only did triple-triple jumps her entire career, and she ended up with a broken foot and can’t even turn her back to the left. So. Whatever the long-term effects are, they’re going to be bad. 15yo Daria Usacheva was supposed to be a strong contender this year, but a hip fracture during practice at the NHK Trophy made her unexpectedly withdraw. Alena Kanysheva lands a quad at 14 and retires at 16. And still, still even younger girls will come to replace them and drive older skaters who can’t land quads anymore out of the sport. Ladies’ figure skating has turned into a sport where 15 year olds dominate for one or two seasons, and get traded in for newer and less injured skaters.

And it’s not like the girls themselves aren’t painfully aware of this- Sofia Samodelkina barely missed the cutoff age for the Beijing 2022 Olympics at 14 years old, and she revealed in an interview that she prays every night for them to be postponed to 2023 because she knows that when she turns 18yos in 2026, she won’t be able to compete with the younger and stronger 15yos. Evgenia knew that she couldn’t stay with Eteri once she turned 18, because the technique no longer worked, so she left Eteri to be coached by Brian Orser (but forgot to send Eteri flowers for thanking her for being such a great coach so Eteri went on a smear campaign against her and showed Evgenia ghosting her texts on Russian national television). Then judges started underscoring Evgenia just for the crime of training under the ‘wrong’ coach, so she had to return to Eteri.

So if everyone knows that this is going on- if everyone is aware that figure skating is built on the broken bodies of young girls who sacrifice their long-term health for the sport only to be cast aside at 17 years old- is anyone doing anything about Tutberidze’s borderline abusive training methods?

Well. The ISU (international skating union) gave Eteri an award for Best Coach, if that’s what you mean by ‘doing something about it’. Because apparently they don’t give a fuck that these girls are being used like products and discarded just as quickly as they come. They just care that her girls win.

And win they do. Enter: the 3A, the trio of elite Russian figure skaters Anna Shcherbakova, Aliona Kostornaia and Alexandra Trusova (nicknamed the 3A because all their names start with an a but everyone calls Alexandra as Sasha).

The 3A won every. Major. Competition. During the 2020 season. They didn’t let anyone else on that damn podium. They were playing musical chairs with those three podium spots. The main surprise when you watched fs wasn’t ‘omg who will podium’ but ‘omg in which order will 3A podium’. And if you recall, 2020 is the year our reigning Olympic champion Alina Zagitova turned 17, so she was already on her way out. Anna was 15, Sasha was 15 and Aliona was 16- optimal ages in figure skating. Aliona didn’t have quads, but she had a beautiful triple axel and artistry, while Sasha had pure raw athleticism and Anna fell somewhere in the middle. But unfortunately, they weren’t born in the right year. By the time the qualifiers for the Beijing Olympics rolled around, Anna and Sasha were 17 and Aliona was 18, and a new face entered and broke nine world records in her debut season alone- Kamila Valieva.

Kamila is, supposedly, better than all the girls who came before her. (Even though I still like Aliona better.) She has the artistry and consistency that Sasha lacked and the quads that Aliona lacked. She’s the full package of everything a skater should be, and she’s 15 years old in an Olympic year. She has it all, and tbh doesn’t really have any other competition. Anna and Sasha are still leagues ahead of everyone else but if they’re as unreachable as kings, Kamila is as unbeatable as a god. Kamila, Sasha and Anna are the three skaters representing Russia at Beijing (Aliona withdrew from this season due to a hand fracture she’s ‘not allowed to talk about’.). Anna is almost definitely injured nine ways to hell, Sasha is probably injured too, so Kamila is probably the only one who’s like. Even moderately healthy out of the Russian girls, if you discount the fact that she’s like severely underweight. Idk if she’ll be the one to break the cycle, but hopefully this monopoly on ladies’ fs ends soon and new rules are put in place to stop girls giving themselves chronic injuries by the time they turn 16.

Anyway, that’s the summary on the figure skating drama. Please cheer for Sasha and Anna! I want Sasha to be the first person to land a quad at Olys because she was the one who started this whole quad revolution so it’s only right that she should finish it. Wow this took me a long time to write and we only covered the tip of the iceberg. Hope you guys enjoy the Beijing Olympics btw happy cny 祝大家新年快樂, 身體健康 (god knows they need it) 心想事成 etc etc

Edit: Hi, it’s op here! I regret my poor choice of words in calling this as ‘drama’, I meant to refer to the ‘drama’ as all the issues I mentioned in the first paragraph like Putin dissing a Canadian skater unfair judging scores home bias etc etc, but I guess it was misread as the fact that I was calling this institutionalised child abuse ‘drama’. I wrote this post to bring attention to the child abuse happening because I think it’s wrong and unfair that no one is doing anything about it and I do NOT mean to trivialise it as drama. Sorry this was such a poor choice of words cuz I was fr gonna talk about those whole other stories but then I got sidetracked with this whole thing and I forgot to change the words ‘drama’ 😭😭😭 Thank you so much for understanding 😭😭😭

Hey, bestie!

So, since I know you're always in the market for historical lams fics, I shall give you an author recommendation.

There is an author on both AO3 and Wattpad that writes FANTASTIC historical lams fics.

Her name on AO3 is Rogueangelll

and on Wattpad it's frogangelll

I suggest starting by reading her Lams Oneshot book (it's on Wattpad) though I will warn you, most of them are rated Explicit. and they are VERY well-written smut shots. trust me. But anyways, her writing is amazing and multiple of the one-shots are over 10k words-

Okay then, Imma just *poofs away*

WKEJWKEJAKEJ

THANK YOU SM BESTIE

Yes, I have read a couple of her fics on Wattpad and even a few oneshots. I wish my oneshots were that long-

I've seen a lot of discourse in recent weeks about how evan hansen is actually a monster, so here's my take:

regardless of their consequences, evan's actions were not malicious prior to the formation of the connor project.

his initial motivators are guilt (feeling responsible for tipping connor over the edge), embarrassment (over having to admit that he name-dropped his crush in his letter), and bad advice (from jared).

at first, he just wants to console the murphys in their grief, and lets them believe he was friends with connor to comfort them.

however, disappear acts as a turning point in the story, when evan's motives become murky. he decides he likes the attention he's been receiving as a result of his "friendship" with connor, and the song openly states that the project is founded on evan's unwillingness to fade back into obscurity.

upon closer analysis this song becomes rather sinister when you realise that when evan sings "no one deserves to be forgotten", he's not singing about connor, but about himself. (incidentally, I think that's largely the reason the song was cut for the movie, in a vain attempt to paint evan more positively.)

after that, the focus shifts much more to evan and his actions in the charity fraud fundraising campaign, and connor, ironically, fades into the background until evan eventually gets cold feet.

evan's actions were unquestionably reprehensible, and dubiously forgivable. but they were not initially malicious.

Connor Murphy = QUEER ICON

(bonus picture of Connor at prom, of course)

The Ackermans

Levi and Mikasa are without a doubt one of the strongest characters in Attack on titan. Not only physically but mentally and emotionally strong as well. Imagine having to send off the people you love.

Levi to Hange:

Mikasa to Eren:

Their eyes speak volume. They weren’t “slaves” by some “host” nor mere products of titan science, they were just individuals who wanted to be there for their love ones.

Also, instead of saying “good bye”, they say “see you later”. This gives then the hope of seeing each other again.

Again, Levi to Hange:

Mikasa to Eren:

I hope Isayama has great things in store for these two because they absolutely deserve the best.

There are also parallels between Hange and Eren when it comes to interacting with the Ackermans.

Like how they asked Levi and Mikasa to runaway with them.

Hange to Levi:

Eren to Mikasa:

And then equally asking them to let go of them: