Gregor still hungover from raging (idk if he actually does that but something similar just sounds like a cool headcanon to me), when a random kid comes up to him and asks him if he's the child of his dead bond:
Suddenly overcome with the need for a Gregor the overlander and Percy Jackson crossover that takes place post hero of olympus and post the underland chronicles yes I could be the change I want to see in the world but that would require me nailing down this nebulous cloud of "WHAT IF???" All I got so far is some demigod seeing Gregor in his rager mode and asking if he's a child of ares and then my brain starts screaming ahhhhhhhhhhhhh
There's something called a KOSA Bill in the US. It's a project planning to cut off internet access to ALL CHILDREN WORLDWIDE. This means they are banning Chai/C.AI, Wattpad, AO3, Discord, Tumblr, Tiktok, etc.
To make matters worse, parents will have access to their children's internet activity, meaning chats, websites visited, apps opened, etc. Giving them NO privacy whatsoever. Esp. children who are LGBTQIA+, because in the US, it is deemed "inappropriate".
There is a solution to this, however only to people who have Tiktok, there is a user named omarsbigsister, if you check their profile, you can see in their bio it says "STOP KOSA!! ⬇️⬇️"
Below the text, there's a link. Now before you click on the link, there's a video you need to see, giving you instructions on what to do.
Tags: @randomweebhub @blankdemslate @raymett @donkeybro @corvid-steven @pookie-pie-12 @ipostmyhyperfixationsnshit @ask-the-anonymous-army @fandomsandwriting1 @myclutteredmess-but-reblogs PLS BOOST!!
TUC but Gregor has a gun. And he gives his friends some guns. Including Ripred.
Please someone write a sequel to tuc, but it’s an ya style novel set 10+ years on.
The adventure involves Gregor being forced back down to help the Underland, but he’s an adult this time 21-25ish. And he has Boots with him. Somehow. And she’s a teenager.
She doesn’t remember the underland at all (at least to begin with) and is So Done with it all. Like, who are all these people and why does Gregor suddenly have anime level fighting skills?
And Gregor has to cart her around, again, while saving the world, again, and dealing with whatever mess Luxa is in.
Please feel free to add
AU where Mrs Cormaci more-or-less adopts the Bane and he lives in Ares's cave and visits regularly in order to feed him and take care of him and he grows up in a safe and loving environment and he doesn't become a villain and everyone else has a heart attack when they find out.
fuck why do some of these actually sound useful
i needed this
Here are a handful of quick tips to help you write believable characters!
1. A character’s arc doesn’t need to grow linearly. Your protagonist doesn’t have to go from being weak to strong, shy to confident, or novice to professional in one straight line. It’s more realistic if they mess up their progress on the way and even decline a bit before reaching their goal.
2. Their past affects their present. Make their backstory matter by having their past events shape them into who they are. Growing up with strict parents might lead to a sneaky character, and a bad car accident might leave them fearful of driving.
3. Give reoccurring side characters something that makes them easily recognizable. This could be a scar, a unique hairstyle, an accent, or a location they’re always found at, etc.
4. Make sure their dialogue matches their personality. To make your characters more believable in conversation, give them speech patterns. Does the shy character mumble too low for anyone to ever hear, does the nervous one pace around and make everyone else on edge?
5. Make your characters unpredictable. Real people do unexpected things all the time, and this can make life more exciting. The strict, straight-A student who decides to drink at a party. The pristine princess who likes to visit the muddy farm animals. When character’s decide to do things spontaneously or in the heat of the moment, it can create amazing twists and turns.
6. Give even your minor character’s a motive. This isn’t to say that all your characters need deep, intricate motives. However, every character should need or want something, and their actions should reflect that. What’s the motive behind a side character who follows your protagonist on their adventure? Perhaps they’ve always had dreams of leaving their small village or they want to protect your protagonist because of secret feelings.
Instagram: coffeebeanwriting
Part 5
Part 1
Gasp! Oh no. Dare come yet more writing advice burning adverbs at the stake? Vindictively, gleefully, manically dancing in the ashes?
No.
This is not about whether or not you should use them, but their frequency and obvious places to replace them. Most bad adverbs are the common ones that could be replaced by verbs we all know.
“She ran quickly” // “She sprinted”
“He said angrily” // “He snapped” “He chided” “He chastised”
vs.
“He ate voraciously”
“She swayed solemnly”
“She laughed sadly”
Bonus if you can add in some alliteration like ‘swayed solemnly’
If you can come up with an obvious verb to replace your verb + adverb combo, do so. If it would take more words or the closest applicable verb doesn’t hit the same vibe, then leave it. Adverbs should enhance the verb, not be redundant. Verbs shouldn’t be pretentious just to avoid them.
“She smiled happily” — most smiles are happy. Happily is redundant.
“He ran quickly” —a run is, by nature, quick
vs.
“She smiled sourly”
“He ran erratically”
Also!
The adverb need not always be after the verb.
“C accepted gladly” // “C gladly accepted”
But also
“Glad, C accepted”
“A shook their head resolutely” // “Resolute, A shook their head”
“The child skipped excitedly away.” // “Excited, the child skipped away.” // “The child skipped away, excited.”
English is flexible like that.
Which is what I mean with managing your adverb frequency. As most end in the -ly, too many in succession, on top of the repeat syntax of Subject - Verb - Adverb looks boring and dull (and so does beginning every sentence with the subject). It helps with your cadence and flow if you don’t have entire paragraphs at a time all starting with “He [verb]” or “She [verb]” or “They [verb].” We don't speak like this in natural conversation.
But at the end of the day, there are some juicy adverbs that have no equal without busting out the thesaurus for some obscure lexical nugget that no one would understand anyway.
The one kind of dragon no bard will fuck.
Use tax dollars to feed children/students who, by law, have to attend schools.
noted
I've had this little idea in my head for a while now, so I decided to sit down and plot it out.
Disclaimer: This isn't meant to be some sort of One-Worksheet-Fits-All situation. This is meant to be a visual representation of some type of story planning you could be doing in order to develop a plot!
Lay down groundwork! (Backstory integral to the beginning of your story.) Build hinges. (Events that hinge on other events and fall down like dominoes) Suspend structures. (Withhold just enough information to make the reader curious, and keep them guessing.)
And hey, is this helps... maybe sit down and write a story! :)
he cooked him like a caesar salad