Romantic Student Things
Locking eyes in the hallway like it’s a damn movie scene, except the only soundtrack is the sound of someone dropping their binder and cursing loudly in the background.
Scribbling little notes in the margins of textbooks, but instead of love letters, they’re inside jokes and sarcastic insults that somehow make them fall harder.
That moment when they both reach for the same book in the library and freeze... her fingers brushing his, the air between them suddenly too much and not enough all at once.
Staying up way too late to study together, but absolutely failing because they keep finding excuses to talk about literally anything else except what’s actually on the exam.
Leaving anonymous notes in each other’s lockers, but instead of sweet nothings, it’s absolute nonsense like “Your hair looked aggressively good today” and “You’re dangerously close to making me fall in love with you, stop it.”
Sitting next to each other in class, acting completely normal, while their knees are pressed together under the desk and their hearts are losing their minds over it.
Having full-on mental breakdowns over finals together, only for one of them to randomly say, “I think I might love you.” Because academic stress and emotional realizations go hand in hand, apparently.
Passing handwritten notes in class, except they’re not just notes, they’re confessions hidden inside random doodles and lyrics that will mean nothing to anyone else but them.
Accidentally falling asleep next to each other while studying, and waking up to realize their hands are still tangled together like some kind of cruel joke the universe is playing on them.
Finding the one place on campus where they can be alone, an empty classroom, a forgotten stairwell, a rooftop and making it theirs. Because stolen moments always feel more real than anything else.
That absolutely insane moment when they see each other outside of school for the first time, no uniforms, no backpacks, just them, and suddenly, they’re seeing each other differently.
Staying after school to “work on a project”, but the only thing getting worked on is their ability to pretend they’re not completely, recklessly, falling for each other.
Supporting each other during nerve-wracking presentations by holding eye contact across the room, because if one of them crashes and burns, at least they’ll have company in hell.
That heart-stopping moment during graduation when they realize this might be the last time they ever get to see each other like this, in this life, in this stage, before everything changes.
Finally saying screw it and kissing in the middle of campus, because the real test wasn’t their exams, it was this.
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George Orwell:
Probably it is better to put off using words as long as possible and get one’s meanings as clear as one can through pictures and sensations. Afterward one can choose – not simply accept – the phrases that will best cover the meaning, and then switch round and decide what impression one’s words are likely to make on another person. This last effort of the mind cuts out all stale or mixed images, all prefabricated phrases, needless repetitions, and humbug and vagueness generally. But one can often be in doubt about the effect of a word or a phrase, and one needs rules that one can rely on when instinct fails. I think the following rules will cover most cases:
Never use a metaphor, simile or other figure of speech which you are used to seeing in print.
Never use a long word where a short one will do.
If it is possible to cut a word out, always cut it out.
Never use the passive where you can use the active.
Never use a foreign phrase, a scientific word or a jargon word if you can think of an everyday English equivalent.
Break any of these rules sooner than say anything outright barbarous.
These rules sound elementary, and so they are, but they demand a deep change of attitude in anyone who has grown used to writing in the style now fashionable. One could keep all of them and still write bad English, but one could not write the kind of stuff that I quoted in those five specimens at the beginning of this article.
Source More: George Orwell
Enemies to Lovers (and vice versa)
How to write Enemies to Lovers + Dialogue Prompts
Oblivious Enemies to Lovers Prompts
Enemies to Lovers: Falling for the flirt
Enemies to Lovers: Co-worker Edition Part I
Enemies to Lovers: Co-worker Edition Part II
Enemies to Lovers: Meet Ugly College Edition
Enemies to Lovers: Drama Club Edition
Enemies to Lovers: Apocalypse AU
Enemies to Lovers: Band Edition
Enemies to Lovers: Assassins Edition
Enemies to Lovers: Martial Arts Edition
Enemies to Lovers: Given up on life
Lovers to enemies
Reasons for lovers turning to enemies
Exes to Lovers
Exes to lovers prompts
Exes to lovers dialogue
Friends to Lovers
Reluctant allies to friends to lovers dynamic
Friends to lovers Prompts
Flirty friends to lovers Prompts
Friends with benefits to lovers Prompts
Friends to Lovers Ideas
Best friends to lovers Prompts
Childhood friends to lovers Prompts
Childhood friends to enemies to lovers Prompts
More:
Enemies to friends with benefits Prompts
Enemies to friends Prompts
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Writing a Morally gray character
Think about their backstory, what shaped them into who they are? What do they believe in? And, most importantly, what pushes them to get out of bed every morning and keep going? These characters aren’t simple good or bad. They’re caught in the middle, in that murky, complicated space between black and white. That’s where they get interesting because they’re constantly wrestling with themselves, trying to figure out the right choice, or if the “right” choice even exists for them.
You need to show this internal battle. Imagine your character being torn between what they believe is morally right and what they actually want. This is where the real drama comes in, it’s like watching them juggle their principles with their desires in real-time. They’ll mess up, and they’ll make decisions that are sometimes questionable, but that’s what makes them human and relatable. One way to really highlight their complexity is by putting them in situations where there’s no clear answer. You know, those moments in life where everything’s kind of a mess, and you’re stuck trying to figure out what the hell you’re supposed to do? Your character should face situations like that. These gray areas create tension because readers won’t know which direction the character will go, and honestly, your character might not know either.
And don’t forget, growth is a huge part of writing a morally gray character. People aren’t static, they change based on what happens to them, and your character should too. Maybe they start off with a strong sense of morality but, over time, that starts to shift. Or maybe they start with shaky ethics and slowly become a better person as they learn from their mistakes. Growth can also go the other way, they could spiral downward, giving in to darker impulses. Either way, they need to evolve, just like people do in real life. That’s what keeps the story fresh and unpredictable. The last thing you want is a character that stays the same the whole way through.
Also, please, no stereotypes. A morally gray character doesn’t have to be a brooding anti-hero with a tragic past (unless that’s your vibe, but even then, switch it up). Give them quirks that make them unique. Maybe they have unexpected motivations, like they’re doing something shady for a cause they genuinely believe in, or they’ve got a weird sense of humor that throws people off. Whatever it is, make sure they feel like an individual, not just a copy-paste character we’ve all seen a million times.
Even when your character makes decisions that aren’t exactly clean-cut or heroic, the reader still needs to understand why. Show their vulnerabilities, why they doubt themselves, why they hesitate, and why they ultimately make the choices they do. It’s all about making them relatable, even when they’re walking that fine line between right and wrong. People might not always agree with them, but they should at least be able to see where they’re coming from.
And remember, every choice your character makes should have consequences. They don’t exist in a bubble. Their decisions should ripple out and affect not only them but the people around them. Maybe they make a selfish decision, and it ends up hurting someone they care about, or they try to do the right thing, and it blows up in their face. One last thing, just because your character lives in that gray area doesn’t mean they don’t have any sense of right or wrong. They might have their own personal code they follow, even if it doesn’t line up with society’s morals. Maybe they justify their actions in a way that makes sense to them, even if other people wouldn’t agree. It’s all about exploring that space where they’re not totally good, but not totally bad either. That’s where things get really interesting.
Think about where your character is going. Is their journey going to push them to become a better version of themselves? Will they fall back into old patterns and never really change? Or will they stay stuck in that moral gray zone, constantly torn between doing what’s right and doing what feels right for them?
Is there a compiled list of all your intimacy, love, relationships, and sex posts for easy access?
Synonyms for Love ⚜ Words Related to Love
Word List: Love ⚜ Archaic Words ⚜ Greek Words for Love
Psychological Concepts Related to Love
The Physiology of Love ⚜ The 4 Kinds of Love
Love (according to literature) ⚜ Triangular Theory of Love
Feeling Loved: Emotions & Expressions ⚜ Kissing Scenes
Types of Kissing ⚜ Polyamorous Relationships
Relationship Arcs ⚜ Stages of a Relationship & Love Styles
Friends-to-Lovers ⚜ Building Trust ⚜ Compromising
Romantic Characters ⚜ Staying in Love ⚜ Showing Affection
Soulmate ⚜ Twin Flame Connection ⚜ On Intimacy
Attachment Styles: ⚜ Avoidant ⚜ Anxious ⚜ Secure ⚜ Disorganized
In a Relationship...Competition ⚜ ...Insecurities ⚜ ...Red Flags
Codependency ⚜ Love Bombing ⚜ Parasocial Relationship
Fantasy Romance ⚜ Gothic Romance ⚜ Love-Based Abilities
Wedding...Theme ⚜ ...Timeline ⚜ ...Vow ⚜ ...Words
Hypersexuality ⚜ For Sex Scenes...Words ⚜ ..."Beautiful" Words
Writing Tips for Sex Scenes: Part 1 ⚜ Part 2
Writing Notes for Sex Scenes: Part 1 ⚜ Part 2 ⚜ Part 3 ⚜ Part 4
More: Writing Notes & References ⚜ Writing Resources PDFs
All the best with your writing!
Rainy day in Kyoto
will update this every few weeks/months. alternatively, here are all my tagged word lists.
Blood ⚜ Blush ⚜ Book ⚜ Eye ⚜ Flower ⚜ Fly ⚜ Girl / Boy
Glow ⚜ Gold ⚜ Heaven ⚜ Hell ⚜ Honey ⚜ Moon ⚜ Sun
Sick ⚜ Soul ⚜ Time ⚜ Ward ⚜ Water
"Beautiful" Words: Part 1 2 3 4 5 6 7 8
"Poetic" Words: Part 1 2 ⚜ "Ugly" Words
Animals ⚜ Dance ⚜ Emotions ⚜ Garden ⚜ Kill ⚜ Personality Traits
Food: Part 1 2 3 4 5 ⚜ Aphrodisiacs ⚜ Drinking
Love: Part 1 2 ⚜ Sex Scenes ⚜ Sensory Words ⚜ Saying No
Palindromes ⚜ Shapes ⚜ Voice ⚜ 1930s Slang ⚜ Habitats
Legendary Creatures ⚜ Parts of a Castle ⚜ Silent Letters
Lexical Universals ⚜ Magical Properties of Oils
Loan Words: French in Middle English ⚜ Nonsense Words
Months: August ⚜ September ⚜ October
Seasons: Autumn ⚜ Spring ⚜ Summer
Topics List: Part 1 2 ⚜ Terms of Endearment
Uncommon Words: Body ⚜ Emotions
Achilles ⚜ Patrolcus ⚜ Amy Dunne ⚜ Aphrodite
Aragorn ⚜ Arwen ⚜ Hannibal ⚜ Will Graham
Giorno ⚜ Josuke ⚜ Katniss ⚜ Morticia
Ancient Greek ⚜ Czech ⚜ Greek Words for Love
French Part 1 2 ⚜ Italian ⚜ Japanese ⚜ Latin
Portuguese ⚜ Romanian ⚜ Russian ⚜ Spanish
Sylvia Plath ⚜ The Secret History
all posts are queued. send questions/requests here.
Coniferous forest - Vast areas of Scandinavia, Russia, Alaska, and Canada are the site of coniferous forests—home to moose, beavers, and wolves.
Mountain - High mountain ranges have arctic climates near the peaks, where few plants grow. Animals must cope in dangerous terrain.
Savanna - These tropical grasslands with wet and dry seasons support huge herds of grazing animals and powerful predators.
Polar ice - The ice that forms on cold oceans is a refuge for animals that hunt in the water. The continental ice sheets are almost lifeless.
Tropical rainforest - The evergreen forests that grow near the equator are the richest of all biomes, with a huge diversity of plant and animal life.
Desert - Some deserts are barren rock and sand, but many support a range of plants and animals adapted to survive the dry conditions.
Tundra - These regions on the fringes of polar ice sheets thaw out in summer and attract animals such as reindeer and nesting birds.
Mediterranean - Dry scrub regions, such as around the Mediterranean, are home to a rich insect life and drought-resistant shrubs and plants.
Temperate grassland - The dry, grassy prairies with hot summers and cold winters, support grazing herds such as antelope and bison.
Deciduous forest - In cool, moist regions, many trees grow fast in summer but lose their leaves in winter. The wildlife here changes with the seasons.
Animals, plants, and all living things are adapted to life in their natural surroundings. These environments are called habitats.
Every living species on Earth has its own favored habitat, which it shares with others. These different species interact with each other and with their natural environment—be it hot or cold, wet or dry—to create a web of life called an ecosystem.
Some ecosystems are very small, but others such as rainforests or deserts cover huge areas. These are called biomes.
Different climates create different types of habitats for life on land. Warm, wet places grow lush forests, for example, while hot, dry regions develop deserts. Each biome consists of many smaller habitats and, in many areas, human activity such as farming has completely changed their character.
Source ⚜ More: Writing Notes & References ⚜ Worldbuilding