Yall Want Her Again

hi !!! i love your dividers and I use them all the time for roleplay sheets, would you be able to recolour this set in these colours?

e993bd

a74d76

f4aed0

ffdced

thank you if you do, and if you don't i hope you have a wonderful day regardless!!!! /g

hi! 💖 that is so cool (and thank you so much!), I can absolutely recolor this set for you! here you go, and I hope you have a great day as well!

[Free] Masterlist Headers & Dividers!

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no one said more truth

need him to bite my neck and put me into a mating press tbh

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🐍

༘⋆mon's 500 followers special.ᐟ.ᐟ 500-word prompt roulette⟢

🍓┆a taste of jealousy

choi san x gn! reader

│synopsis: the one with the confession

│genre: fluff, friends to lovers

│trigger warnings: mid jealousy

│ prompt 25 + san + strawberry

Another midweek game night with your friends to unwind from your hectic schedules. Tonight, you'd volunteered to prepare snacks for everyone. The soft melody of a lo-fi playlist hummed through the speakers as you moved around the kitchen.

"Need some help with those?" Wooyoung appeared beside you, eyeing the pile of ingredients on the counter with a mischievous grin.

"Thanks," you smiled, sliding a cutting board his way. "These finger foods won't make themselves."

As Wooyoung began chopping vegetables beside you, he leaned in closer than necessary, his shoulder brushing yours. "You know what they say about the way to a man's heart..." he teased, winking at you.

You couldn't help but burst into laughter. "Is that what I'm doing? And here I thought I was just making snacks."

Wooyoung reached across you for the salt, his hand settling briefly on your waist. "Kitchen's small," he explained, "Need to get around you somehow."

"Somehow indeed," you replied with a raised eyebrow, but didn't move away.

"Open up," he said suddenly, plucking a grape from the fruit bowl and holding it to your lips. "Quality control is essential." You laughed again, opening your mouth as he popped the grape in.

What neither of you noticed was San standing in the doorway, his eyes fixed on the intimate scene. The comfortable gray hoodie he wore looked soft against his skin as he shifted his weight, jaw tightening at the sight.

As Wooyoung fed you another grape, his hand still casually resting on your waist, San cleared his throat loudly.

"Sannie!" you called, brightening at his presence. "Perfect timing. We're almost done with the snacks."

But his usual playful smile was missing, "Looks like you two have it handled," he said, voice neutral. "Yunho's setting up the board game." Before you could respond, he turned and disappeared back into the living room.

"What's his problem?" Wooyoung whispered, raising an eyebrow but still not moving his hand from your waist.

"I don't know," you frowned, gently stepping away and wiping your hands on a towel. "He's been weird all week."

Wooyoung leaned closer, lowering his voice. "Well, I'm not sticking around for whatever that was. Take these chips out when you go—and good luck." As Wooyoung slipped away to join the others, you arranged the last snacks on a tray.

When you entered the living room, San was sitting cross-legged on the floor by the coffee table, shuffling a deck of UNO cards with more force than necessary. You set the tray on the coffee table and looked at him, noticing the tense set of his shoulders as he continued to shuffle the cards. The others were engaged in conversation, seemingly oblivious to the tension between you and San. His eyes briefly flickered up to meet yours, and in that fleeting moment, you caught a glimpse of hurt. He quickly looked away, focusing intensely on the cards in his hands as if they held the answers to questions he couldn't bring himself to ask.

"Can we talk?" you finally asked looking attentively at his expression, heart racing as your eyes met. Without answering, San got up and took your hand leading you down the hallway to his bedroom, closing the door behind you both.

"What's going on?" you asked softly, noticing how he couldn't quite meet your eyes.

San ran a hand through his hair, tension rippling across his shoulders. "Can we just be direct with each other?" You nodded in answer, waiting for him to continue. "What's going on with you and Wooyoung?"

"Nothing's going on," you replied honestly, your voice softening. "Wooyoung is just being... Wooyoung. You know how he is."

"He was touching you," San stated plainly, the words hanging heavy between you. A small, conflicted frown crossed your face. This side of San was something new.

"Yes, he was," you admitted, "But he was just being playful," you continued, stepping closer to him. "San, why aren’t you looking at me?" You reached for his hand, intertwining your fingers with his, feeling his reluctant grip tighten around yours.

He let out a heavy sigh, his eyes finally meeting yours. "I..." he started, then shook his head, his grip on your hand tightening. "I can't stand watching him touch you like that," he finally confessed, words tumbling out.

You blinked in surprise, "What are you saying?"

"I didn't mean to—" he started, then stopped, looking almost defeated. "I like you," he blurted out, then immediately backtracked. "No, that's not right. I really, really like you. Have for months now, actually."

Your heart fluttered in your chest as his words sank in. "San..." you whispered, moving closer to him.

"I know he's my best friend," he continued, words rushing out now that the dam had broken. "And I know I have no right to be jealous, but I can't help it. Every time he touches you, every time you laugh at his jokes..." His voice trailed off, eyes dropping to where your hands were still intertwined. "I-I know you probably don't feel the same way. I see how you and Wooyoung get along so well, and he's funnier than me anyway, and probably better looking, and—"

"San—" you tried to interrupt, but he was on a roll.

"—and I totally understand if you want him instead. He's my best friend, and he's great, so I get it. I just couldn't keep pretending that I don't feel anything when I'm around you, and I'm sorry if this makes things weird, but—"

"San!" you tried again, louder this time.

"—I promise I won't make it awkward if you reject me. We can just forget this ever happened and go back to—"

You'd had enough. In one swift movement, you grabbed him by his hoodie and pulled him down to your level. "Kiss me and shut up," you commanded. For a moment, San froze, his eyes wide with shock. Your lips pressed against his, but you felt no response—just the stiffness of surprise as he stood there, completely stunned. You pulled back slightly, his mouth hung slightly open, his breathing shallow as he tried to process what had just happened.

"Did you just...?" he whispered, his voice trailing off as his fingertips touched his own lips in disbelief.

"Yes," you replied softly, suddenly feeling vulnerable. "Maybe I should have waited for your permission first," you finished, heart pounding in your chest with uncertainty. For what felt like an eternity but was barely a second, San remained motionless. Then, slowly, his eyes softened as he leaned in. His hands gently found your waist, touch feather-light and hesitant. When his lips finally met yours, it was tentative at first—a whisper of a kiss that asked a question. The sweet taste of your strawberry lip gloss lingered between you as he pulled back slightly, searching your eyes before continuing. His second kiss was more certain but still gentle, a tender exploration filled with relief and longing. You sighed against his lips, your fingers lightly gripping his hoodie as warmth bloomed in your chest.

"You're being ridiculous," you murmured against his lips. "I've never wanted Wooyoung."

San pulled back just enough to look into your eyes, his breathing ragged. "You don't?"

You shook your head, smiling. "How could I want anyone else when you're all I think about?

"Really? You mean it?"

You nodded. "You're the only one I want. The only one." His face softened in a way you'd never seen before, dimples appearing as his smile widened. Gently, he cupped your face with both hands, thumbs brushing over your cheeks as if you were something precious. The tenderness in his eyes made your heart skip a beat as he leaned in to kiss you again, this time with all the certainty in the world.

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Writing Notes: Detective Story

References (Elements; Subgenres; Tips; Some Vocabulary)

Detective story - one whose plot hinges on a crime that the characters investigate and attempt to solve.

Also called “whodunnit” stories or crime stories.

Most detective stories are written from the point of view of a detective.

5 Basic Elements

A Detective

Usually featured as the protagonist.

Spend time thinking about your detective’s personality, their motivations, their background, their strengths, and their weaknesses. You’ll want your detective to be unique among the other detectives out there.

A Crime

Most detective stories revolve around a central crime or string of related crimes.

Since the crime will be the catalyst of your short story or novel, it should be interesting, memorable, and seemingly unsolvable—that way, readers will be so tantalized by the mystery of it that they’ll need to keep reading.

A dead body is a very common crime in detective fiction, but there are plenty of other options—from robberies to disappearances.

Suspects

Many detective stories include an array of suspects that could have committed the crime (either they have weak alibis or have a history of lying).

Your suspects are a vital part of your detective story; they serve as red herrings (or distractions) that will direct readers’ attention away from the true culprit.

Some mystery novels don’t have any suspects—this is a deliberate choice by crime writers that serves to heighten the tension in the story, but if your story doesn’t have any suspects, find creative ways to keep the case from going cold.

An Antagonist

The person whose goals are in direct conflict with the antagonist’s.

Traditionally, the antagonist is the true culprit for the story’s crime (or crimes), but that’s not who your antagonist has to be; the antagonist of your story could be a police officer who wants to solve the crime first or someone who knows the identity of the culprit and is trying to cover it up.

A Setting

The setting is a very important part of any detective story because the action in most detective stories takes place on the streets of its location.

Therefore the stories are inextricably linked to the time and place they are set in and are memorable because of those details.

5 Subgenres

Here are just a few subgenres that fall under detective stories

Police-department procedurals. Focus on police work and often feature homicide investigators and other departments of a local police force.

Cozy mysteries. These have a lighter tone than traditional detective fiction and avoid explicit depictions of the murder. They are often set in a small town and focus on puzzle-solving rather than suspense.

Hardboiled detective stories. These stories are usually dark and explicit, featuring a veteran detective who treats violent crimes matter-of-factly.

Thrillers. Emphasize suspenseful storytelling, often featuring chase scenes or murder sprees that the detective must stop before the time runs out.

Locked-room mysteries. Feature crimes that, at the outset, appear impossible—for instance, a murder taking place in a seemingly locked room with no other way in or out.

5 Tips for Writing a Good Detective Story

Interesting Motivation

The motivation of the culprit is one of the most crucial and prominent parts of detective work—what readers want to know even more than who committed the crime is why they committed it.

Nothing spoils a good detective story more than an uninteresting or unbelievable motivation (for instance, a serial killer who is just “pure evil” and has no discernable reasons for murdering) or an unmotivated confession.

In the same vein, your detective should also have a strong motivation for being in this line of work—it’s not easy, and many people wouldn’t be able to stomach it.

Learn about Detective Work

Readers want to feel immersed in the world of your detective story—whether it’s the world of the law or the seedy underbelly of a small town.

That’s why it’s so important to get the details right when crime writing—so you can keep the reader’s attention with believable plot points.

Do the research to make sure that you know who would be the first to make it to the scene of a crime, how detectives would go about tracking people down or questioning them, and what role forensics would play in your crime scene, so that your readers don’t spend any time wondering if what they’re reading is accurate to real life.

Too Easy

Readers pick up detective fiction because they want to be intrigued by a good mystery—so if your crime is too easy for them to solve, they’ll get bored and likely not finish the story.

Trust in your readers’ ability for logical deduction and don’t give too much away, leaving them guessing and really shocking them.

A Payoff

Try to avoid an outcome where readers will feel let down by the answer.

In the words of S. S. Van Dine, a famous mystery-novel-writing art critic, “A crime in a detective story must never turn out to be an accident or a suicide. To end an odyssey of sleuthing with such an anti-climax is to hoodwink the trusting and kind-hearted reader.”

By that same logic, try to avoid any “deus ex machina”— an impossible-to-solve situation is suddenly resolved with little or no effort from the characters.

Experiment & Innovate

Read lots of detective fiction and then subvert the tropes—

What if your main character is the person who committed the crime, and your bad guy is the detective or official investigator working to solve it?

Or what if your character’s love interest was the victim?

Common Terms in Detective Fiction

Establish a working vocabulary will help improve detective fiction writing

accusation - statement that places blame on a specific person or persons

alias - an alternate name used to conceal identity

alibi - an explanation that removes a person from the scene of a crime when it occurred

angle - specific strategy or way of looking at facts as employed by the detective during an investigation

autopsy - the medical examination of a corpse to determine cause(s) of death

booking - the process whereby a suspect is officially arrested and charged with a crime

case - the investigation of a crime from the time it is reported/ discovered until it is resolved (closed)

charges - specific crime(s) a person is accused of

circumstantial - indicative but not conclusive

clue - anything that sheds light on a particular case

collar - the actual arrest by a police officer

corpus dilecti - the actual body that proves a murder has been committed

crime of passion - a crime committed in a rage of anger, hatred, revenge, etc.

culprit - the “bad guy;” criminal

D.A. - district attorney; works for the government

deduction - conclusion reached through a logical progression of steps

defense - the argument made to show the innocence of the accused person

evidence - material that will prove innocence or guilt

eyewitness - someone who actually observes a crime and/or criminal

felony - major crime (i.e., armed robbery, murder, rape)

foil - the detective’s “right hand man;” he/she is usually quite different in nature. Ex: Holmes/Watson; Nero Wolfe/ Archie Goodwin

frame-up - deliberate trap set to lay blame on an innocent person

habeas corpus - accusor has to produce a body in order to hold a suspect

homicide - the act of murder

hunch - guess; instinct

informer - relays information to police/detective for money (usually)

inquest/inquiry - legal questioning concerning a particular event or action

lead - something/someone that may help move an investigation to a solution

malice aforethought - criminal was already considering a hostile act before the crime occurred

manslaughter - accidental killing

misdemeanor - minor offense

modus operandi - method of operation (m.o.) that a criminal employs during his crimes

morgue - city government building where dead bodies are kept during investigations

motive - reason for committing a crime

perpetrator - offender; criminal

post mortem - the report from an autopsy

premeditation - deliberate intent to perform a crime before it occurs

private eye - private detective

prosecutor - attorney working for the District Attorney; person trying to prove guilt in a courtroom

red herring - a false clue that usually misleads the reader (and often the detective)

set-up - a trap that is designed to catch a criminal or victim

sleuth - detective

statement - official document containing information supplied by witness, suspect, or any other person involved in an investigation

stool pigeon - informer

surveillance - constant visual or electronic monitoring of a person’s activities

suspect - someone who may have reason to have committed a specific crime

tank - jail cell

third degree - intensive questioning of a suspect

victim - person who is hurt or killed as a result of a criminal act

Sources: 1 2 Writing Notes: Autopsy ⚜ Word Lists: Forensics ⚜ Law-Related

Phrase List: Emotions

phrases and idioms to try to include in your poem/story

A crying shame - a situation that makes one feel sad or disappointed

Afraid to say - used as a way of expressing one's disappointment, regret, or sorrow

Agonies of guilt/remorse/regret - feelings of guilt, remorse, or regret

(As) happy as a clam - very happy

Beneath contempt - completely bad or worthless—used to describe someone or something that is too bad to deserve any respect

Calm, cool, and collected - not upset; not very bothered by things

Catch (someone or something) by surprise - to happen to (someone or something) unexpectedly; to attack, capture, or approach (someone or something) without warning

Debt of gratitude - appreciation or thanks that someone should give another person

Figure of contempt - a person who is regarded with contempt

Guilt trip - an instance of feeling guilty; a feeling of guilt or blame caused especially by another person's comment or accusation

Held in contempt - considered by the court to have broken the law by disobeying or disrespecting the judge

Jump for joy - to jump up and down because one is very happy

(Many) happy returns - used for wishing someone a happy birthday and to express the hope that he or she will live to celebrate many more birthdays in the future

More in sorrow than in anger - because of sadness or disappointment rather than anger

Poor/sad/sorry excuse for - a poor example of

Pride and joy - someone or something that makes someone very proud and happy

Put on a happy face - to appear happy even when one is not

Sad sack - a blundering, inept person

Scared stiff - very afraid—often + of

Scared to death - very afraid—often + of

Strike fear into the hearts of - to cause (someone) to be very afraid; to frighten

The calm/lull before the storm - a period of quiet that comes before a time of activity, excitement, violence, etc.

Tingle with excitement - to be very excited

To one's amusement - in a way that is amusing to someone; pleasing to someone

To someone's disappointment - causing someone to feel sad, unhappy, or displeased because something was not as good as expected or because something hoped for or expected did not happen

Source ⚜ More: Phrases ⚜ Word Lists ⚜ Writing Resources PDFs

Writing Notes: Anatomy of Letterforms

Aperture—the opening of a not entirely closed, somewhat rounded space within a character (such as in ‘c’).

Apex—the topmost intersection where two strokes terminate.

Arc—a curved portion of a stroke.

Arm—a horizontal or upward stroke that does not connect with a stem on at least one end.

Ascender—portion of the lowercase that rises above the x-height.

Axis—the imaginary line bisecting the upper- and lowermost points where a stroke becomes thinnest.

Baseline—the line on which the letters of a font seem to rest.

Beak—a serif-like terminal in some serif type designs.

Bowl—the curved part of a letter surrounding a counter.

Bracket—a curved or wedge-like connection between a serif and the main stroke.

Cap height—the distance from the baseline to the top of the uppercase letters.

Character—a symbol with a unique linguistic meaning, such as a letter, number, punctuation mark, etc.

Counter—the typically rounded negative space partially or fully enclosed by part of a letter.

Crossbar—a horizontal stroke bridging two other strokes.

Cross stroke—a typically horizontal stroke crossing the stem of the lowercase ‘t’ or ‘f’.

Crotch—the inner angle where two strokes connect.

Descender—portion of the lowercase which extends below the baseline.

Finial—the tapered terminal of a curved stroke.

Foot—the end of a stem or stroke resting on the baseline.

Gadzook—a decorative detail connecting the letters in a ligature but is not a stroke essential to either letter.

Glyph—a unique drawing of a character or characters as a single unit. (For instance, a single character may have more than one glyph, like the y’s below. Or there may be multiple characters in a single glyph, as in a ligature.)

Ink trap—additional space added where two strokes form an acute angle, done to avoid ink build-up in that spot when the character is printed. It’s a space designed to literally trap excess ink.

Joint—the place where a stroke joins a stem.

Leg—the short, often diagonal, downstroke of letters like ‘R’, ‘K’ and ‘k’, typically resting on the baseline.

Lobe—a curved or rounded projection from the stem or main portion of the letter.

Loop—the bowl below the baseline on a double story lowercase ‘g’.

Neck—also known as a collar or link, the stroke that connects the top and bottom portions of a lowercase ‘g’.

Overshoot—portion of a letter pushing just beyond a line of measurement to achieve the appearance of being the same height as comparable letters.

Sans serif—without serifs.

Serif—a small stroke added to the end of a main stroke.

Shoulder—the curve at the beginning of a downward stroke, such as in ‘m’, ‘n’, or ‘h’.

Spine—the primary curved stroke of the letter ‘S’ or ‘s’.

Spur—a small protrusion off a main stroke.

Stem—the main, typically vertical, stroke of a glyph.

Stroke—a line forming part of a written or printed character.

Swash—an addition at the end of a stroke intended to beautify or add other visual interest to a glyph beyond what is necessary to define a character.

Tail—the descending, often decorative, stroke of the ‘Q’, and sometimes ‘R’ or ‘K’.

Tittle—the dot on the ‘i’ or ‘j’.

Vertex—the bottommost intersection where two strokes terminate.

X-height—the height of the lowercase without ascenders or descenders, usually typified by the height of the letter ‘x’.

Terminal—the end of a stroke:

Abrupt—the stroke ends without taper or embellishment.

Ball—the stroke finishes with a circular shape.

Calligraphic—the stroke finish gives a strong indication of the shape of the writing instrument used to form the letter.

Foxtail—the end of the stoke widens before curving around and ending in a point, similar to the shape of a fox’s tail.

Lachrymal or Teardrop—the stroke finishes in a teardrop shape.

Wedge—the stroke has a serif-like wedge added to it.

Source ⚜ More: Writing Notes & References ⚜ Writing Resources PDFs

Enemies/Friends to Lovers & more Masterpost

Enemies to Lovers (and vice versa)

How to write Enemies to Lovers + Dialogue Prompts

Oblivious Enemies to Lovers Prompts

Enemies to Lovers: Falling for the flirt

Enemies to Lovers: Co-worker Edition Part I

Enemies to Lovers: Co-worker Edition Part II

Enemies to Lovers: Meet Ugly College Edition

Enemies to Lovers: Drama Club Edition

Enemies to Lovers: Apocalypse AU

Enemies to Lovers: Band Edition

Enemies to Lovers: Assassins Edition

Enemies to Lovers: Martial Arts Edition

Enemies to Lovers: Given up on life

Lovers to enemies

Reasons for lovers turning to enemies

Exes to Lovers

Exes to lovers prompts

Exes to lovers dialogue

Friends to Lovers

Reluctant allies to friends to lovers dynamic

Friends to lovers Prompts

Flirty friends to lovers Prompts

Friends with benefits to lovers Prompts

Friends to Lovers Ideas

Best friends to lovers Prompts

Childhood friends to lovers Prompts

Childhood friends to enemies to lovers Prompts

More:

Enemies to friends with benefits Prompts

Enemies to friends Prompts

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