“Lobbying Is About Foresight. About Anticipating Your Opponent’s Moves And Devising Counter Measures.

do you ever have imaginary/potential conversations with people in your head but then catch yourself accidentally mouthing the words out or making faces that would go along with your reactions in the conversation

Most common shots in filmmaking

Cinematography - Shot Types

Establishing Shot - a shot that establishes the setting of the scene. Usually a wide shot.

Titanic (1997)

Master Shot - A shot that includes all the actions of a scene. Usually a wide shot.

American Beauty (1999)

Two-Shot - A shot that has two subjects next to each other. Sometimes shows camaraderie.

Pulp Fiction (1994)

Over-the-Shoulder (OTS) - a shot of one subject that includes the shoulder of the character opposite the subject. Makes the scene feel more crowded or the characters closer.

The Dark Knight (2008)

Point-of-View (POV) - a shot from the perspective of a character, animal, or sometimes object. Can help convey what a certain character is feeling.

Reservoir Dogs (1992)

Tracking Shot - a shot that follows the action, usually on a dolly.

The Shining (1980)

Dutch Angle - a shot that is tilted to give the effect that something is not right. Also called: German angle; Dutch tilt; canted angle; oblique angle

Mission Impossible (1996)

High Angle - an angle that is shot from above the subject. Makes the subject appear small or powerless.

Matilda (1996)

Low Angle - an angle that is shot from below the subject. Makes the subject appear large and powerful.

Citizen Kane (1941)

“Let someone love you just the way you are - as flawed as you might be, as unattractive as you sometimes feel, and as unaccomplished as you think you are. To believe you must hide of all the parts of you that are broken, out of fear that someone else is incapable of loving what is less than perfect, is to believe that sunlight is incapable of entering a broken window and illuminating a dark room.”

— Marc Hack

Street Art: Before & After.

I love it when I click on a recipe link because it sounds yummy and instead of a recipe I get a several page dissertation on a food blogger’s boredom with her marriage and lies she was told in childhood

Even billionaires understand the struggle

“Kites rise highest against the wind - not with it.” - W. Churchill

The Most Majestic Libraries In The World

I’m not really sure how script-writing works. Do writers leave certain reactions from characters out of the script in order to maintain mystery? Like on the script we don’t get to see much of Bellamy’s feelings/thoughts while walking towards Clarke since it’s mostly in her POV, but from Bob’s acting we can tell he’s really emotional. For scenes like that, when certain feelings aren’t yet canon, do writers purposely leave out any potential hints to them and tell the actors how to act it out?

Well, I’m not a script writer either, but I’ve been around a lot of actors, and I’ve studied it a little bit. The thing about plays or tv or movies? They’re a collaborative art.

As a novelist, I write the whole thing and then the reader finishes the story in their brain.

With a screen play. The writer writes the  basic scaffolding, the dialogue and the stage directions, then the director figures out the direction to go, then the actor adds in their humanity and artistry, the costumers and set designers create the world the characters go through, the cinematographer captures the best images to tell the story, the editor cuts it and puts it together to sculpt the story, the composer adds the music to give emotion to it all,

So. what you see is all those people working together to tell the story. Each artist puts their touch to create this larger world, and ALL of them contribute to the thoughts and feelings you have when you watch.

We see the actors faces and hear the writer’s words, but it all goes into it. If there’s something that they want the actors to act towards, I’m sure the show runner or director will talk to them about it. But there’s been a lot of emotion that we’ve seen on screen already, and the actors are building on all those character choices they’ve already made. For all we know, Bob’s already gotten the direction that Bellamy’s in love with Clarke. It didn’t have to be in that scene. It could have been another, or not in the stage directions at all, but spoken to him by JR or another director. The scripts aren’t for us at all. They are behind the scenes.