LOOK AT THEM!!!!! OMGGG THEY ARE SO CREEPY AND CUTE AARRRGHHHH

I'm just putting this out there because I'm thinking about it and because I want people to know it's not just them.

I don't really read fic anymore. It's not because I stopped liking it, though. It's because I made a rule for myself that I'm not able to follow.

I told myself that if I read a fic, I should comment on it. And not just "I loved it!" but a detailed comment. A live reaction or at least quoting favourite lines. Maybe talk about symbolism or about references I caught or about characterization etc.

I did that because I loved the authors I was reading and because I'd received so many lovely comments like that and I wanted to be able to pass that joy onto others. But then I found it hard to actually comment like that.

I could manage it sometimes? Oneshots weren't too hard, for example, but multichaps? My rule was that I had to comment every chapter. And the kinds of comments I wanted to write, well that meant reading on my laptop because I hate typing on my phone.

Eventually, I felt so guilty when I read fic without commenting on it that I stopped reading fic altogether. Better to just not read if I wasn't able to hold up my end of the bargain.

I shifted out of my fandom not long after that, and I haven't found a new one that's sparked the same interest (ie obsession), so I don't know if I might be able to fix this habit if I ever get into a new fandom in the future. All I know is, don't be like me.

Comment as you can and when you can, but don't set up strict rules like I did. I can't speak for all authors of course, but I know that personally, I'd rather you enjoy my work without commenting at all rather than make yourself feel so guilty you stop reading it altogether.

For all you Messmer writers/artists fighting with his Shakespearean speech: this guide is straightforward and has multiple parts if you click around. Here’s a small chart with terms of address, examples of word order/basic questions, and some verbs.

Here’s a simple explanation of “-eth” and “-est” verb endings.

Ranni and several other characters also speak this way or in a similar fashion. Something to note is that “you” was used by lower-ranking people to address those of a higher rank/status, and “thou/thee” by higher-ranking people to address those of a lower rank/status. Alternatively, nobles used “you” amongst themselves, which adds some flavor to dialogue.

A lot of Shakespearean dialogue is meant to showcase how performative and ridiculous the nobility or upper-classes were during his time (and still is nothing changed lmao). There are tons of Shakespearean dictionaries as well; a lot of words we use today meant something entirely different then, or had different contextual interpretations. It’s meant to sound flowery and has a particular cadence that I recommend listening to as well. Find a good reading on YouTube and really listen to how the words fit against each other. No, you don’t have to write in metered verse (sweats in iambic pentameter) or rhymed prose, but it helps develop dialogue that flows and feels more natural when you can imagine how it sounds as you write.

Here’s a glossary. Have fun with it, don’t let it roll you. Weak foe ahead.

Two reasons for my mother to roll her eyes over me still not being over fnaf. I’m not sure if I’ll ever be over it tbh

i was inspired by this post created by @inky-puddle

me posting DCA content??? innit wild?

Just saw some weird discourse on Twitter and got curious

"Moon?"