Godwyn The Golden: Prince Of Death

that feeling when you want to draw fan art for your story but you have no way to draw 

"i am sorry. if you have been wronged, we will find the truth... but the rules of the court must be upheld."

i love characters with an innate ability to just fucking survive

bestie you should be dead but you arent fucking how

fnaf sb fanfics:

Chapters: 2/? Fandom: Five Nights at Freddy's, Five Nights at Freddy's: Security Breach - Fandom Rating: Mature Warnings: Graphic Depictions Of Violence Relationships: Moon/Sun (Five Nights at Freddy's)/Original Character(s), Moon/Sun (Five Nights at Freddy's)/Original Male Character(s), Moon & Sun (Five Nights at Freddy's) & Original Character(s) Characters: Moon (Five Nights at Freddy's), Sun (Five Nights at Freddy's), Original Characters, Montgomery Gator (Five Nights at Freddy's), Glamrock Freddy (Five Nights at Freddy's), Glamrock Chica (Five Nights at Freddy's), Glamrock Animatronics (Five Nights at Freddy's), Roxanne Wolf (Five Nights at Freddy's), DJ Music Man (Five Nights at Freddy's), Daycare Attendant (Five Nights at Freddy's), Original Male Character(s), Original Female Character(s), Vanessa A. | Ness, Original Child Character(s) Additional Tags: Violence, Blood and Violence, Eventual Romance, Slow Burn, Robot/Human Relationships, Implied Child Death, Other Additional Tags to Be Added, Not Beta Read Summary:

After getting fired from another job, Nathan feels as if his luck couldn't be lower. Trying to provide a life for him and his daughter, he's given an opportunity he can't refuse: a security job at Freddy Fazbear's Mega Pizzaplex. Soon he has to figure out a way to survive glitching animatronics, eerie coworkers, and find out why he's seeing the children who've been missing for months inside the Pizzaplex.

Hi, feel free to take my new uquiz to discover what kind of vampire you are!

For all you Messmer writers/artists fighting with his Shakespearean speech: this guide is straightforward and has multiple parts if you click around. Here’s a small chart with terms of address, examples of word order/basic questions, and some verbs.

Here’s a simple explanation of “-eth” and “-est” verb endings.

Ranni and several other characters also speak this way or in a similar fashion. Something to note is that “you” was used by lower-ranking people to address those of a higher rank/status, and “thou/thee” by higher-ranking people to address those of a lower rank/status. Alternatively, nobles used “you” amongst themselves, which adds some flavor to dialogue.

A lot of Shakespearean dialogue is meant to showcase how performative and ridiculous the nobility or upper-classes were during his time (and still is nothing changed lmao). There are tons of Shakespearean dictionaries as well; a lot of words we use today meant something entirely different then, or had different contextual interpretations. It’s meant to sound flowery and has a particular cadence that I recommend listening to as well. Find a good reading on YouTube and really listen to how the words fit against each other. No, you don’t have to write in metered verse (sweats in iambic pentameter) or rhymed prose, but it helps develop dialogue that flows and feels more natural when you can imagine how it sounds as you write.

Here’s a glossary. Have fun with it, don’t let it roll you. Weak foe ahead.

Colorado tornado.