Damn, I'm Missing Ace Like A Mf Today 😭

Brook’s Past, Military and Everything Between [ An Essay kinda ]

Brook’s past is not a thing many people seem to mention or think about, at least in full, however it’s something that's plagued me. Not only as a Brook fan, but simply out of the odd implications it has towards the future, if any. Oda’s planted too many seeds for it to utterly be nothing; there’s so much odd and seemingly out of place comments and facts stated by Brook and others towards this missing history. However, knowing that the show is beginning to near it’s end, due to time, I am unsure of what exactly will be done.

I believe however, for folks' interest and so we can have everything in one place, that compiling everything found so far can be beneficial, so, I have.

Starting with what we know for sure, Brook is from the West Blue, born 90 years ago to a certain kingdom, the same kingdom he was a military convoy leader from. We know this due to a few factors, however it’s still open to debate if it *is* the same kingdom, however seeing as he was shown as a child to already know what fencing is, practicing moves with his bow, I am just going to say he probably was. In any case, other things worth noting, on the topic of childhood, is that Brook seems to have had money. At least, stability.

Compared to a lot of the other strawhats, Brook is shown dressing very nice. No tatters, no tears, shined shoes and a full violin and bow. He also, as already stated, seemed to be exposed to fencing enough to mirror the moves. If this comes from his kingdom, it means he was exposed to it at a young age. Knowing that he was a military convoy leader, this could be taken that perhaps there were military demonstrations, perhaps the kid saw castle guard or other displays; it’s really up in the air.

We know Brook, again as stated before, became a military convoy leader. Now, the definition of what exactly that means can differ.

Wikipedia states; A convoy is a group of vehicles, typically motor vehicles or ships, traveling together for mutual support and protection. Often, a convoy is organized with armed defensive support and can help maintain cohesion within a unit. It may also be used in a non-military sense, for example when driving through remote areas.

This could mean Brook’s job could’ve been accompanying ships for protection, being a knight for his King, mediating information and goods that come in and out of the kingdom. This would make sense on why his speed was needed, a 9.2 ft man being a great choice for a leader.

His weapon also would make sense for this kind of mission, perhaps secrecy being important or at least the ability to be discreet. His cane sword, a ‘Shikomizue’, is not unique however to just him in the show, one other man using one that has been confirmed so far, that being Fujitora. The pair also share a sea, the west, and both utilize iaijutsu (quick draw techniques.) Fujitora blinded himself with said sword because of something apparently so cruel and inhumane that he rather not see anguish. This may be related to Brook’s departure from his kingdom, which is addressed later in this essay. (Fig 3-5.)

Another thing that’s worth mentioning here is Brook’s attack patterns, being unique even for his kingdom apparently. Once again, during the Ryuma fight, Brook states, and I quote;

“Ryuma: “Now tell me, what part of that wretched excuse for a body would you like me to severe with my special ‘Arrow Notch Slash?’ Brook: You don’t know a thing about that move, so do not use it’s name. I use to serve in my kingdom’s raider squad. The quick draw attack that I was most skilled at was ‘Requiem Lebanderole’. My comrades-in-arms renamed it in regards to my fighting technique.”

(Fig. 1, Brook explains his raider squad and move names. A banderole mind you is a long flag for BATTLE crusades. )

This sets up a few interesting facts. 1. Brook was in a raider squad, a kingdom’s group of marauders, as well as if not the same job as convoy leader. 

2. His techniques were unique to him, or at least specialized to a degree of having a nickname. 3. As expected, he seems to have been close to these men he commanded, adding another layer over Brook loosing the Rumbars. Being in both a raider squad and being a convoy leader at one point, if not the same point, implies either Brook was simply versatile, acting in both in separate years or periods. Or, the most likely, that he was higher ranking than expected, making him a CO, or commanding officer. (Lieutenant Colonel is another equal rank for scale, making Brook just below a Major.) This makes him quite the important figure, especially for a kingdom that seems to value its military so much, so much so that a child of Brook’s age would already know about their style of fencing, as expressed already. Brook’s devil fruit is worth mentioning here, the revive-revive fruit not likely to be found by a crew like the Rumbars. It is spoken about as if he has always had it amongst the crew, being a fact of life. However, when did he get that fruit and why? I propose where it would be useful; in combat. If your military convoy leader, your best swordsman could be shot and come right back to protect the king, would he not be utterly invaluable? You would never let him leave… But he DID leave. It’s not said why, however we have some extra tidbits of information that may tell us why, and that ALSO may tell us the answer to what kingdom he means.

( Fig. 2. Brook states his leaving of the military for unknown reasoning, the word certain being used in an odd way, establishing his bounty.) This bounty mind you all is in fact, using inflation method, 297,000,000 berries. That is a MASSIVE bounty for just a pirate. Perhaps a certain blond stole a treasure a kingdom could not replace; their convoy leader. Lets rewind for a moment and cover something that may be seen as off topic however I will come right back to the subject at hand; Calico Yorki. Yorki is an odd bird, pirate wise. He makes his crew read his bounties and information, is never shown to play an instrument/sing but makes his crew preform/they all do, and makes Brook make him dinner. (Steak, and Brook continues to be able to make it as confirmed by an SBS.) What is oddest yet, other than his large crew and shirtless habits, is his nature. A man that set to sea to play music for “orphans and crying children” as stated by himself; a crew made for “any men who love music.” Now, I could be reading into this too hard, however from his speech patterns, to this apparent need for a large family, it seems that singing to orphans may be a very personal goal. An orphan turned pirate perhaps, with lofty dreams and a heart of gold, it reads to me that Yorki may have been just that. Knowing this, orphan or not, we now can compare these facts to Brook’s life up until their meeting. A child who probably grew up being taught to fight, being around access to education, expenses and the kingdom’s training. Why would a man like Brook ever join a man like Yorki, and if it’s only music, would that not make Brook a deserter? I do not think that is the case. I will now bring forward some interesting evidence regarding Brook’s kingdom and WHY he would leave. Germa 66. During Zou to Whole Cake, a few mentions of Germa are made with Brook around, garnering interesting reactions indeed.

( Fig. 3. Brook listens but chooses not to add anything utter than silence, his music pausing as well.) This silence could be take as simple ignorance, however Brook later admits he knows of the kingdom, in fact, he knows a lot. A lot more than anyone else did, Reiju admitting interest in his knowledge and once again, Brook brushes it off.

(Fig 4, 5, Brook speaks about Germa 66.) He seems to underplay or simply not elaborate a LOT on his kingdom, as if something happened. Perhaps joining Yorki was not out of simple cowardice or need to be free, (which again if he did would both reflect poorly upon his entire character and not be in character for him what so ever,) but in fact, out of necessity. It could have been Germa 66, it could have been some other grouping, however I believe this will come to be something important. The kingdom possibilities are interesting as well, and I will list the following LIKELY possibilities. (Other options are known to not be military, like Ohara, or literally places like Thriller Bark itself.) - Toroa - God Valley - Illsia Kingdom - Soja Kingdom The most likely candidates, because again, it is labeled as certain kingdom (Fig 2.) is Toroa or Soja, however I will personally lean into Toroa. This is because of a man by the named of Byron.

(Fig 6. Byron and his information.) His nose and face shape vaguely resemble Brook, however honestly that is a stretch. What is NOT however is his familiar attire, family line and the placement of his kingdom. This could easily be Brook’s home, however again, this is just speculation. Brook very well could belong to God’s Valley, or the same kingdom as Issoh, fleeing because of something he did not agree with or literally could not stand any longer. But, that falls under possibility, not fact. This concludes the facts section, now comes the final question; What does it mean for the story? And, honestly, that can be debated. What Oda has done is plant odd seeds of information about the man, similar to Sanji and his ties to Vinsmoke, that have not been addressed nor talked about in full, or so I’ve found sufficiently. These seeds MAY bloom into what I hope will be a tie into some huge reveal, perhaps aid from a past member of his convoy or kingdom, or perhaps this will only spark conflict. Perhaps it will be minute, Brook being able to aid due to his knowledge, the man already in Thriller Bark showing his prowess by being able to command the strawhats into defeating zombies via salt and tactic. In any case, we can only hope these things mean anything, tied into some huge story that could explain why a man like him would quit for a redneck like Yorki, other than perhaps love, and what kingdom would let a man like him go willingly.

Motorcycle AU 🌷🐯

They both have motorcycles, Kid works as a mechanic and Law as a surgeon. They met in a bar where many motorcyclists go.

like man, I'm still not.... over it??

the arc is so important to middle easterners.

it's the reason the anime got a dub into arab. it's the reason why there are so many fans over there. why the turkish manga translation is so carefully handled.

this arc one of the very, very, VERY few times that they/we are shown in a really good light. as a strong princess. as a fair king. as kind and passionate people.

it is all for nothing if this ends up being the casting. if they end up removing most of the architecture and clothes and cast a doll-faced british-indian actress with pretty girl charisma as our fierce desert princess.

even more so bc it's oda making light of the intentions with which he originally wrote the arc while similar situations of western colonialism/influence are devastating the lives of millions of middle easterners right now.

what a cowardly path to pick. what a half-hearted statement to make.

what an utter shame.

Mihawk ( • ̀ω•́  )✧

Not to be the Usopp Defense Guy again, but whenever people complain about his more childlike or immature tendencies I'm like. Do you think the guy that was forced to grow up and raise himself when he was like seven or whatever, might have a reason to cling onto whimsy and childhood.

Do you think the the guy that was orphaned and forced to take care of himself and his survival and his house and his livelihood at an extremely young age, with barely any adults around, might have had a) trouble maturing properly and b) a desire to keep with him what was taken away by such an experience. Let him be whimsical. Let him laugh at immature jokes he's literally 17 pre-timeskip that's a kid. A kid that somehow self-taught himself the basics of engineering without a formal education, even. Don't let his playfulness distract you from how intelligent he is. Defending Usopp on the internet isn't enough I need a hammer. Potentially the inflatable fake type that can fool my enemies into thinking it's real.

☆キドロ☆

I need to draw more of this stuff.

Alabasta is my favorite arc because it's supposed to be so middle eastern! My grandpa is from Palestine and raised my mom there. I'd seen rumors that a Palestinian actress was in consideration to be cast as Vivi and I'm just a little let down. I've seen dozens of pictures and videos of the Straw Hat jolly roger being used as a symbol of liberation at Free Palestine events. I just...thought this really could've been something for the movement. Idk.

I am very disappointed in OPLA's casting for Vivi and King Cobra ngl. I am a South Indian Muslim woman and Alabasta is literally one of my favorite arcs. Casting South Indian descent actors makes no sense because Alabasta is very clearly inspired by Middle Eastern and North African culture, particularly Egypt.

The clothing and archeticture makes the Egyptian influence in particular very obvious. Specifically Crocodile's rainbase, the Jackal and Falcon as the cities dieties, and the heiroglyphic treatment in the tomb where Luffy and Crocodile's final showdown happens really proves the influence is inargueably Egyptian. Vivi and Cobra's family name is even Nefetari which is so similar to Nefertiti, the most obvious ancient Egyptian name.

AND!!!

At the time Alabasta was being published in the manga, beginning around 2000...

...Palestine was going through the Second Intifada.

Other MENA countries also had protests and uprisings in solidarity. In autumn of 2000, the Egyptian ppl in fact rose up against their president, Hosni Mubarak, against his support of Israel and in solidarity with the Palestinian Second Intifada.

A lot of the story beats in Alabasta clearly took inspiration from the political movements in support of the Intifada. Considering that Palestine is going through a genocide and ethnic cleansing and one of the producers is very Pro Israel, I can't help but think the producers deliberately wanted to hide the arca's influences to MENA uprisings in support of Palestine. But it's in the DNA of Alabasta itself.

Additionally, there is this terrible TERRIBLE habit of Western production companies conflating India and MENA as the same. India has centuries of cross cultural exchange with the MENA region but our socities, archeticture, and clothing are VERY different. I come from a family that has been Muslim in India for generations and even still our clothes, archeticture, and cultural traditions are very distinctly different from MENA muslims. This is because majority of the Islamic influence into India did not even come from the MENA region, it came from the Mughal Empire which originated in Central Asia.

Below is Jama Masjid in New Delhi, India:

and here's the Grand Mosque in Cairo, Egypt:

Now compare Jama Masjid above with Meidan Emam in Esfahan, Iran

Of the three shown here, which one looks most like the palace in Alabasta?

Its definitely not the masjid from India.

I'm very disappointed but unsurprised OPLA went in this direction. I would just like to encourage fans who aren't MENA or Indian to be more critical of these decisions as well. This casting is basically the same as the Disney Aladdin approach. Indians and MENA are not interchangeable.

I've been seeing a lot of posts celebrating that King Cobra and Vivi are not white and I would like to encourage those fans to reconsider giving Netflix and OPLA credit for representation when a critical look at the source material shows the casting decisions are incorrect and seem to be politically motivated. I know that Oda is deeply involved in OPLA but that still doesn't justify the swap.

I made Blackbeard so slayyyyy

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