Control Z: Shows You Should Watch Instead

tv shows i watched this march

ELITE S3

SPOILER WARNING

Okay, was this season the best or am I so addicted to this show that every time it comes back I love it even more?

First and foremost. Polo deserved to rot in jail for the rest of his life, not to escape his agony by dying and get forgiveness from Guzmán. Just because he‘s dead he’s not any less of a murderer. Polo apologists can F off. You can like him as a character but do not excuse his actions. Marina’s murder was not an accident. Polo made a choice, and we saw how he wanted to hurt Ander the same way in S2. He could kill again... Well, at least now he won’t.

Now on to my favorite characters.

Rebeka continues to be the best. I’m glad she got more of a storyline this season. She’s definitely a character who you’d want to be best friends with. The scenes of her supporting Ander and coming out to him were beautiful. A lot of people - me included - wanted Rebe to be non-straight. When she admitted her feelings for Carla, I couldn’t believe we actually got the possibility of Rebeka and Carla ditching Samuel to be together. Sadly, I was right not to believe it. These «feelings» sank into oblivion just after they were revealed. We got no interaction (besides Rebe giving Carla drugs and apologizing about it), no longing looks, no development (even one-sided). Instead Rebeka was stuck in a forced romance with no chemistry, showcasing only jealousy over Samu towards Carla. As for Samu, he seemed to love Rebe as a friend, much like Marina loved him in S1. After all, Rebeka truly deserves someone who will reciprocate her feelings and a better crimeless life, which I really hope she will get in S4.

Samuel has done the impossible in S2 by becoming my favorite character. He used to embody “the good guy” trope which I hate, but he developed from this perfect-innocent-annoying character to a protagonist you can actually cheer for. Some people may argue that he’s still irritating and doesn’t deserve Carla. Nonetheless, I believe he balances off La Marquesa very well and I totally supported him on his quest for justice over two seasons.

Guzmán didn’t really shine that much in this season, yet he managed to returne into my top favorite characters. He still struggles to control his anger and grief, but he’s already more mature than he ever was, which is mostly visible in his behavior towards Nadia and Lucrecia.

Guzmán’s friendship with Samuel was the best this season, alongside Lú and Nadia’s, and I hope to see more of it next season.

Carla. The character I didn’t care about in S1, didn’t trust in S2, and finally loved in S3. Her story this season was heartbreaking, and getting more of her family dynamic helped to understand how her mind works. She’s used to being a kid acting as an adult, manipulating, simulating feelings, taking care of business and people who threaten her family’s image, because that’s the only model of behavior she’s ever had. That’s why her obtaining freedom from drugs, parents, and social expectations at the end couldn’t be more satisfying.

Lú and Ander. The only characters that made me cry this season. Two characters I like a lot, each with one flaw that I can’t forgive. Lú’s one being incest which is a choice not a part of love-is-love formula, and I hate the show for romanticizing it. And Ander’s - being friends with Polo.

Lú has always been an interesting character for me (resembling Blair from Gossip Girl). She obviously hid all her insecurities under a bitchy exterior, and I wanted to see more of her emotional side, which was given in her beautiful friendship with Nadia. Lú and Nadia are two sides of the same coin, and them becoming frenemies was long-overdue. Them supporting, comforting each other, and going to study abroad together was a dream come true. (Their friendship reminds me of Santana&Rachel from Glee, let’s hope this one’ll work out).

Lú was expected to be a hbic when the show came out, but eventually that slot was taken by Carla. Lú wasn’t really involved in the main plot until this season. That’s why her killing Polo was unexpected to say the least. Towards the end of the last episode I thought that whoever killed Polo must be someone who you wouldn’t even think of. Sweeping aside the obvious Guzmán and Samuel, I determined Ander, Nadia and Lú as my suspects. Still when Lú went after Polo with the bottle until the very killing I thought it was a decoy. Lú becoming a murderer was in fact an accident even though she probably went in with an intention to hurt him. Her feeling remorse was truly heartbreaking, and I hope we’ll see more of the aftermath this all had on her.

In such a murderous show it‘s valuable to have a different perspective on life and death through Ander’s character. His journey this season made the concepts of justice and resentment shine in another light.

The part of Ander’s story that I didn’t like was his romantic relationship and it wasn’t even his fault. That’s why we’re moving on to the character who disappointed me the most.

THE DOWNFALL OF OMAR

By this point Omar has collected so many flaws that I hate his character.

Let’s start from S2 when him being friendly with Lú was cute and all but also meant betraying his sister, who shall I mention has never done any harm to him, only helped and supported him.

Then he certainly crossed the line this season by cheating on Ander with Nadia’s boyfriend. Continuously. Nadia was quick to forgive Omar which was so infuriating. Not only did he not prevent his sister from falling for a liar, but he also kept sleeping with him. Furthermore, when confronted about it instead of apologizing he turned the situation on Nadia.

Needless to say, Ander did not deserve to be cheated on AND being lied to. Omar still hasn’t told he cheated. When Ander pushed him away by lying that he cheated, Omar seemed more concerned with where would he live now rather than the break up itself.

At this point Omar and Ander didn’t seem like a good match, and I was begging for them to break up. How happy was I when they actually did. It felt necessary and realistic for this relationship to come to an end. Unfortunately, I was early to celebrate. They had to go and ruin this perfect ending. I am mad Omar went back to Ander. I can’t believe this relationship will be dragged on for another season. I hate the fact that Omar will go to Las Encinas now. May I ask how could Omar even get a scholarship with his low grades???

There’re a few relationships left to discuss.

There was a lot of everybody-sleeping-with-everybody going on, but not much deep connections.

Guznadia and Carmuel didn’t get a lot of screen time, even though the few scenes they got were sweet.

Carla’s enslavement of a relationship was truly toxic and appalling.

Malick and Nadia’s relationship was hard to get on board with since the beginning and of course disappointing by the end in both the ship and Malick’s character.

Malick and Yeray were not captivating nor charming. Overall, S3 failed to introduce new characters especially compared to S2.

It was cool to see that the show didn’t abandon polyamory representation. Valerio, Polo and Cayetana getting together was unpredictable. I expected Valerio to get with Rebeka, and even her mom, but those rendezvous blew over like they never happened, and left Valerio to the psychos.

Do you know what would be even cooler than this threesome? A thruple consisting of actually likable characters. When will we get Rebeka with Samu and Carla? That would be quality representation.

With all my impressions laid out I have to say that this show is amazing. It keeps the audience in suspense with an intriguing plot while also developing numerous multidimensional characters and tackling serious societal issues and philosophical questions.

the list of all of my favorite tv shows that got canceled after the first season

(i probably missed a couple, that i watched, feel free to add to the list)

10 things i hate about you (2009)

black cake

city on fire

crashing (2016)

dare me

daybreak

deadly class

everything now

everything sucks

freaks & geeks

freeridge

genera+ion

get even

grand army

grease: rise of the pink ladies

harlan coben’s shelter

heathers (2018)

hellcats

high fidelity (2020)

high school

i am not okay with this

i know what you did last summer

julie & the phantoms

my lady jane

now apocalypse

panic

queer as folk (2022)

red band society

selfie

the bastard son & the devil himself

the girl in the woods

the secret circle

the society

twisted

up here

vampire academy

wayne

wolf pack

TOP 10 TV SHOWS I WATCHED IN 2024

this year was so good on new amazing series, and i watched a couple older ones that were on my list. let’s get to it!

1. MY LADY JANE

this show is so lush. modern humor and language is so perfectly incorporated here. i live for historical shows like this, that sort of break the boundaries of what's okay. and the soundtracks are top tier as well. but of course the main driving force is the main romance which couldn't be more perfect. i'm absolutely obsessed with them and always will be. definitely, one of my fav ships ever. unfortunately, it's the forth year in a row, when my favorite show gets cancelled after the first season. it's never fair, and "my lady jane" deserved to live on.

2. Mr&Mrs SMITH

i thought it was so energetic and creative. maya and donald had perfect chemistry. i loved how the show took an existing story concept and turned it around, made it its own thing. a perfect action romcom imo.

3. NOW APOCALYPSE

when the show came out back in 2019, i watched the pilot and i KNEW, this was made for me. why did it take me 5 years to finally watch it? i don't know. but it's fantastic. it's just so unabashedly fun, bright and cooky, i'm obsessed. i get how it's not suited for a mainstream audience, and that's probably why it didn't take off. but it's very special to me.

4. FANTASMAS

quite campy, in the same vein as "now apocalypse", actually. it was certainly made for me, i'm an aquarius after all. the level of production and creativity is insane. this is a piece of art.

5. THE BEAR

finally got around to this "comedy" that gives people anxiety. undoubtedly, it's one of the best shows airing now. a must-watch.

6. ONE DAY

so this surely is a romance that will tear your heart apart. it reminded me of "normal people" and "lovesick" (which i whole-heartedly recommend). "one day" is so beautiful, the way it depicts time is genuine and real. the performances of leo and ambika are outstanding.

7. NI UNA MAS

this show surprised me by how it drew me in. i found the story riveting, and the characters very authentic. i especially enjoyed the styling of the characters, the main girls had such well thought out unique styles that fit their personalities.

8. TELL ME LIES

it's time for guilty pleasures. i mean, it's a really well-made show, nothing to be ashamed about. but it's just so messy and sinister in away, that at first i could't really say i loved it. but when season 2 premiered and i found myself clinging on to each episode, i knew i was in for it.

9. ABSOLUTE BEGINNERS

this has the aesthetics of "call me by your name" and the feeling of a perfect summer day. beautiful and vulnerable.

10. WE ARE LADY PARTS

they are a force. this is both hilarious, dramatic and extremely inspiring. i could listen to "voldemort under my headscarf" all day.

honorable mentions go to the shows that i continued to watch this year: good trouble S5 - so i finished my favorite show ever that’s been with me for 5 years, i’m so happy it exists and i’m gonna miss it forever, i think everyone should watch it, it’s worth it. shrinking s2 - obsessed with the vibes & extremely attached to this little friend-family. heartstopper s3 - still the most warm and kind series ever, only more mature now, and i love it. that 90s show s2&3 - so comforting to me, so sad it got cancelled. chucky s3 - camp itself has ended this year, i'm gonna miss this world. heartbreak high s2 - best teen show on tv rn, let’s be real, the energy is unmatched, i hope the final season will exceed my expectations. young royals s3 - i don’t think season 1 could ever be topped, but it was a satisfying conclusion to a beautiful show.

my favorite films i watched for the first time in 2024 💜🔮✨

Emily in Paris is tres terrible

If for some reason you decided to check out the new Netflix show Emily In Paris, DON’T. Go watch The Devil Wears Prada instead. It’s practically the same thing, only in the latter you actually get good performances and character depth.

Coming into this show I was expecting a cute heart-warming story. 10 minutes in I thought how great it would be to watch a show about a woman figuring out herself and her work life in a new country. And then all my hopes went down the steaming bidet once Gabriel opened his door.

Emily in Paris truly tested my gag reflex, and here’s why.

First of all, the premise of somebody going to Paris – “a perfect romantic city” – is so overused and unrealistic. Paris sure is pretty but it’s also dirty, polluted, and has more than 29 thousand people sleeping in the streets. But of course Emily lives in some parallel universe where Paris is apparently Paradise. Idolization of anything, even a city is harmful. So this “perfect” Paris is not apreciated.

The Instagram followers ridiculousness. There’re actual people whose job is to promote Instagram accounts, you don’t become an influencer overnight by posting a pic of you eating un pain au chocolat (which is just bread with chocolate, stop creaming your pants, Emily).

On top of that, the abundance of French stereotypes is exhausting. Too hard to write complex characters and present actual reasoning for their actions? Don’t bother, just put every French cliche you’ve ever heard of.

And that chambre de bonne is just ridiculous. Who knew that maids used to have such big apartments? (By the way, you can see a more realistic room that you could get in Paris in the movie Monte Carlo. Ah, such a good movie.) The creators were going for an aesthetic, thus missed an opportunity to show Emily struggling to adjust to her new life. It’s quite impossible to believe that Emily’s going through a rough time when her life is seemingly perfect, and any inconvenience doesn’t affect her at all.

The ex. It’s very typical to introduce a romantic partner of the protagonist at the start of your story and not give them enough depth, so that the audience doesn’t get attached to them and the inevitable break up brings relief. Now they can root for the protagonist to get together with the planned love interest. Yay. 

However, this structure might work for a movie, but when you have 10 episodes to flash out your story and therefore the protagonist, wouldn’t it be better to use this opportunity to develop the secondary characters? Not for their own sake but to develop the main character through them. 

Every character you spend some time on should play some important role, right? Otherwise why should we  bother watching their scenes. Shouldn’t the current boyfriend of the main lead tell us something about the protagonist? Like, why did the main character choose to be in this relationship, what do they see in their partner and therefore what qualities do they value in people? How do they act in personal relationships? What role does their partner play in their life?

The main character is dull and unrelatable with zero character development. A conventionally attractive privileged white woman whose biggest struggle to overcome is her coworkers not being nice to her straight away. We’re constantly told that it’s hard for Emily to adjust but it’s never shown. In fact everything solves itself rather smoothly, carrying no repercussions for her.

With such an unlikable selfish protagonist you find yourself more interested in secondary characters. It actually feels like we get to know Mindy and Camille more. Compared to them, we know nothing about Emily’s family relationships or literally any backstory on her. Who is Emily? Why are we following her? Why should we care? What is her inner conflict? Oh right, she has none. Because by the end of the show she stays the same exact character that we met in the beginning. If Emily’s experience does not influence her at all, why should it matter to the audience? And what is the point of telling this story?

Feminism: the lost potential [episode 3]. “Non, Antoine. Sexism isn’t sexy. Shut the f*ck up.” That’d be enough for me from such a bland show. But no, we’re left with an ambiguous conclusion, when Emily doesn’t disagree with Antoine’s perception that women enjoy men’s unsolicited attention. And then this topic is not discussed again. Thanks for that, Emily in Paris. How about next time (which will hopefully never happen) you either have the bravery to actually speak on the issue and educate people or at least do not cause more damage.

Finally, the most annoying plotline that decidedly ruined the show. Did you ever watch a movie, and there’s a couple that you love, but you feel like something’s missing? So, you just think “I wish some cheating was involved”. If you actually do think that sometimes, media content has tricked you into thinking that cheating is sexy and exciting, when it’s actually destructive and disgusting. THE CHEATING. Stop normalizing it!!! Enough. It always takes away from a relationship. And we’re tired of seeing it. Give us some healthy couples. And if you think they’re boring, you just don’t know how to write them. If you get rid of the cheating plotline, the show becomes slightly bearable. It’s still boring and irritating, but at least it’s not as problematic.

Anyway. Similarly, to how “Enola Holmes” should’ve been a series, this show should’ve been a movie. There was no point of dragging out this – I want to say – story. Because nothing happened. Was there a big revelation in the finale, that we were led up to? No. Did Emily learn anything thanks to her “journey”? Nope. Was it just 5 hours of her hooking up with unremarkable men who all look the same, while being a terribly arrogant person? You decide.

it just makes sense

1. eva = nora

both form a new friend group after they’re rejected by their former friends (+ get out of a relationship)

2. noora = fatou

the closest friend of the first season main character. both fall in love with a mean popular kid.

3. isak = ismail

a character outside of the main girl friend group.

4. sana = ava

the bold, outspoken friend of the group, who used to be bullied, and is badly perceived by (some) audience.

The Half of It (2020)

what I did like

This movie was very refreshing because it didn’t have the same cheesy glossy Netflix vibe. We all remember such “masterpieces” as Tall Girl and The Kissing Booth, and it’s nice to see that The Half of It was actually a genuine story.

I really liked the way Ellie’s culture and her family was represented in the movie. We don’t usually see families whose first language isn’t English having conversations in their native language on screen, even though it’s unrealistic. And here it wasn’t even a big deal, it just came naturally.

The meaning behind the title and the story was beautiful. In the last scene when Ellie observes other passengers on the train who are sitting alone, the realization hits that all people are a half of somebody’s story. In friendships, romantic and family relationships there’re always two halves, two people who make them up. People aren’t perfect, you can’t just meet someone who will fit you. Relationships blossom from the work that both people put in. [“Love, it’s not finding your perfect half. It’s the trying, and reaching, and falling.”]

Also having an Asian lead and lesbian representation in a mainstream movie was pretty great.

things that weren’t that great

The whole movie felt authentic but at the same time I was left with a lot of questions. Maybe the things I found problems with are nitpicks or they were meant to be that way. And honestly I might have not even noticed them, if only the movie hadn’t left me unfulfilled. You see, once I finished it, I understood that it was lacking something to make a long-lasting impression. That’s what made me go back and think about what didn’t work for me in the movie.

It was hard to understand the school dynamics. The world of the movie felt limited. And people who were on the outside of Ellie’s life — faceless. With such a tiny world, that revolved around three main characters, the football games and talent shows felt out of place because the school life wasn’t established well. I didn’t understand why those guys bullied Ellie and sabotaged her performance. Just to be mean and because they were racist I guess, but they were so absent from the story, that it felt like a plot device and nothing more. Who were those two blonde ladies Ellie kept looking at during the talent show and in church? Just some random judging women? Did I miss something? All these questions just put me out of the story and left me puzzled.

The characters were closed books as well. I didn’t feel connected to any of them.

Aster’s presented like a ‘dream girl’ type of character that we see through Ellie’s eyes. Her boredom and struggle to choose between what she should do and actually wants were mentioned but her emotions and thoughts were still an enigma. Besides, she was cheating on her boyfriend with Paul and everyone was okay with that? It’s not even addressed in the movie.

Ellie was not relatable for me because, again, we didn’t see much of her feelings. If the movie is already including a voice over, why not use it to help the audience understand the main character better? We only see what she’s going through, but we don’t see how.

While Ellie didn’t seem to play an active part in her own life, it was Paul who was moving the story forward. Usually, I enjoy a good-hearted dense jock, but not here. Trying to kiss Ellie even though he was still with Aster, and then not even caring that Aster saw them but instead saying that Ellie’s gonna end up in hell for being gay (and never apologizing for it). Where did the homophobia come from? The fact that he was religious wasn’t that focused on to expect this turn of events. Just as well, it was hard to figure out what was happening inside his head. His character just like everyone else’s felt flat.

Probably the worst scene of the movie happened in the said church. With twenty minutes left, the movie, that so cautiously avoided and reinvented romcom clichés up to this point, suddenly slips into an unrealistic and awkward speech in front of everybody (everybody being the characters that weren’t well developed nor established, so for us they’re just nobody). Can we please stop making the scenes, where characters finally have a revelation or admit their feelings, so damn public? How often is it actually considered cute? Why can’t characters just talk to each other and be open and genuine, without having an audience to clap for them at the end?

Anyway, the premise itself wasn’t groundbreaking (what is it about Netflix making movies about asian girls writing letters?). However, I enjoyed a calm tone this movie had. I wish they’d just made the plot more exciting? or not as confusing?

After watching the trailer I was under an impression that Paul was going to find out sooner that Ellie liked Aster, and the movie would be about him helping her instead, which I still think would make for a more interesting story. It’s a shame we spent so much time on a relationship between Paul and Aster, that was obviously not going to last.

In conclusion, The Half of It won’t become something I’d like to rewatch or contemplate about. With all its good parts the movie was unsatisfying for me. It felt like we weren’t following an arc but were rather seeing a chain of events in a character’s life. That sure is realistic but doesn’t make for a very entertaining story. Nonetheless, I think it was a nice refresher from all the quirky unrealistic romcoms that we’re flooded with.

6/10

it's not your fault, they're identical.. look at them.

TOP 10 TV SHOWS I WATCHED IN 2020

1. Dear White People

This show goes on the top tier of my favorite shows ever. It’s been around since 2017 (after the eponymous movie of 2014) but only this year I finally got the chance to watch it. Truly one of the best written shows I’ve ever seen, with such compelling characters and story. While I love to watch series with hard hitting social topics, it’s usually very emotionally exhausting for me. However, DWP manages to balance the gravity of its plot with a bright outlook. Besides, I always love to see different characters’ perspectives so the format of DWP is extremely engaging.

2. Grand Army

Grand Army is not your typical teen drama. It’s very raw and real. Five protagonists pull you into the story, and whether you hate them or love them, they don’t let you go. All characters feel like actual people you could know in real life. The show talks about racism, terrorism, sexual assault, white feminism, poverty, homophobia, bullying and more. I also love the way the show uses phones and social media, which you rarely get to see in teen shows. It doesn’t feel glossy or over dramatic. It does get graphic and dark, but it makes you care about the fate of its characters. Here, we also get to see five different perspectives. That and the rawness reminded me of SKAM, although GA is way less cheerful. It could also be compared to Euphoria with it’s portrayal of real issues, but I feel like GA hits the spot much better (and has more diversity).

Finding out that the creator is racist, upon finishing the binge, left me shocked and quite conflicted. I hope they will change the showrunner for season 2 (if it gets renewed). 

3. The Great 

I’m not much of a period drama fan but this one’s no typical historical shows. It plays around historical figures, but you shouldn’t take that too seriously, just like the show itself. It’s a great (haha get it) fun to watch. The combination of comedy with the actual life or death peril creates a unique experience. Each episode the tables turn, you feel both, betrayed and enticed. Not to mention, Elle Fanning and Nicholas Hoult’s chemistry and performances are phenomenal. Overall, it feels like a strawberry blew up in your mouth (take it however you want).

4. Dickinson

Dickinson is similar to The Great in a sense of historical accuracy. And I’m grateful for it, because seeing the 19th century nobility twerking at a party was something that brought me an immense amount of joy. Of course, you get to see Emily Dickinson’s poetic and original inner world, which is handled quite creatively.

5. The Queen’s Gambit

This is just a very well written, portrayed and produced story. Even if you feel like it wouldn’t be your cup of tea (I mean a period piece about chess? Come on), chances are once you put the show, you won’t be able to stop. It’s a limited series with a star struck cast which pretty much reads like a prolonged film. It’s also pretty suitable to watch with your family, if usually you struggle to find a common interest.

6. Julie and the Phantoms

This show certainly exceeded everyone’s expectations. It may seem like a typical kids show, but it’s smart, deep and entertaining. The music is incredible and it’s impossible not to fall in love with characters. Also, here’s the proof that your show doesn’t need to have graphic scenes and oversexualized underaged characters to be good. 

7. Saved By the Bell: the reboot

So I didn’t watch the original show, but the reboot caught my attention mostly because of Josie Totah, and because the vibe of the show just felt like something I would like. And I was absolutely right. Perhaps it’s not everyone’s cup of tea (and what is?) but to me it’s hilarious. A sort of heart-warming witty little show with gen z humor and interesting diverse characters. Definitely my new comfort show. And Lexi’s my queen.  

8. Outer Banks

Released during self-isolation it became a way for the viewers to live vicariously through the risky outdoor adventures. Perhaps, that’s why it’s such a hit and a bit overrated. Don’t get me wrong, I really liked (why do you think it’s on this list). It’s not an outstanding show, might be cheesy and raise some questions (like how can they all be teenagers looking like that?) but it’s entertaining and engaging, and sometimes that’s all you need.

9. I am not okay with this

Let’s take a moment of silence for this amazing show being cancelled. Do you like Teotfw or Stranger Things, or better yet both? This show’s for you! It’s unique, dynamic, feels like you’re reading a comic book. Has a certain mystery to it and its own distinct voice. It also feels retro and nostalgic, even though it’s set in modern day.

10. Love, Victor [SPOILERS]

There’s a lot of things I wish I could change about the show to make it better: For starters, more representation. I mean you’re making a show, not exclusively, but primarily for the lgbtq+ community and you only have two main gay characters? What’s that about? There are so many possibilities to make other characters not straight. E.g. Mia and Lake could be couple goals, Pilar being bi, Andrew – definite bi energy. Secondly, the cheating trope is so exhausting and overdone in gay storylines. It doesn’t add drama, it just makes the couple and the characters hard to root for. Also, making the love interest so obvious was so underwhelming after everything we went through in Love, Simon. I was kind of hoping for a surprise love interest until the end.

Regardless of all that, no matter how far from teenage reality this show is, it was cute. And even though I rooted for the secondary characters way more than the main one, I’m still excited to see what they come up with for S2.