My cat really likes watching Markiplier play Endoparasitic, I think he thinks Cynte is a bug.
Need urgent help to my family survive 🍉 🇵🇸
Hello Everyone,
I am Momen Al Madhoun, 35 years old, a graphic design from gaza, my wife Nour Al Madhoun 30 years old, a computer engineer, We are two self-made people united by a love of work, ambition, and self-development. We used to work remotely in programming and design. We had a cozy home that we built hand by hand, stone by stone.
Ezzdeen my big son was 7 when the war started now he is 8 years old and suffering from huge weight loss because he is very picky in his food, we try to buy him the food he accept but it is hard in our situations, Ameer my little son was 5 and now he is 6, he supposed to be at his first year at school now but what he forced to live is very diffirent!
Today after a whole year of displacement and the harsh suffering we are still living in this genocide in Gaza.
After our many attempts to survive, we actually survived, but it was only the survival of the body, the soul and the psychological health for me, my husband and my two children did not survive! Even the body survived apparently, but it is very weak due to the famine and the suffering in obtaining food and drink.
As the conflict escalates, our access to food, clean water, and basic necessities has dwindled. Everyday here is like a battle, not just with death surrounding us everywhere, but against huner and despair.
Today, after more than a year of living under the genocide, losing everything in our lives. More than a year of patience on famine and suffering and trying to overcome difficulties to survive, A whole year full of WHERE DO WE GO? what is our fault? what is our kids fault?
We are exhausted and need your help, I came to you today after all this patience with a heavy heart, asking for help! My family needs your help to survive
part 3 of the 2023 version of this post: adult books!
part 1: middle grade books | part 2: young adult books
this is a very incomplete list, as these are only books I've read and enjoyed. not all books are going to be for all readers, so I'd recommend looking up synopses and content warnings. feel free to message me with any questions about specific representation!
list of books under the cut ⬇️
yerba buena by nina lacour
if we were villains by m.l. rio
everyone in this room will someday be dead by emily r. austin
i want to be a wall by honami shirono
portrait of a thief by grace d. li
the thirty names of night by zeyn joukhadar
on earth we're briefly gorgeous by ocean vuong
love & other disasters by anita kelly
take a hint, dani brown by talia hibbert
boyfriend material by alexis hall
almost like being in love by steve kluger
the charm offensive by alison cochrun
something wild & wonderful by anita kelly
red, white & royal blue by casey mcquiston
something to talk about by meryl wilsner
honey girl by morgan rogers
one last stop by casey mcquiston
once ghosted, twice shy by alyssa cole
kiss her once for me by alison cochrun
a spindle splintered by alix e. harrow
finna by nino cipri
every heart a dooryway by seanan mcguire
the starless sea by erin morgenstern
under the whispering door by tj klune
space opera by catherynne m. valente
light from uncommon stars by ryka aoki
dead collections by isaac fellman
the city we became by n.k. jemisin
light carries on by ray nadine
an absolutely remarkable thing by hank green
feed them silence by lee mandelo
summer sons by lee mandelo
upright women wanted by sarah gailey
lavender house by lev a.c. rosen
fried green tomatoes at the whistle stop cafe by fannie flagg
the seven husbands of evelyn hugo by taylor jenkins reid
a master of djinn by p. djeli clark
witchmark by c.l. polk
a marvellous light by freya marske
a restless truth by freya marske
when women were dragons by kelly barnhill
plain bad heroines by emily m. danforth
a lady for a duke by alexis hall
infamous by lex croucher
passing strange by ellen klages
even though i knew the end by c.l. polk
the chosen and the beautiful by nghi vo
whiskey when we're dry by john larison
wake of vultures by lila bowen
silver in the wood by emily tesh
the once and future witches by alix e. harrow
the kingdoms by natasha pulley
a tip for the hangman by allison epstein
she who became the sun by shelley parker-chan
the song of achilles by madeline miller
spear by nicola griffith
this is how you lose the time war by amal el-mohtar and max gladstone
gideon the ninth by tamsyn muir
some desperate glory by emily tesh
all systems red by martha wells
a psalm for the wild built by becky chambers
the mimicking of known successes by malka older
winter's orbit by everina maxwell
fireheart tiger by aliette de bodard
empress of salt and fortune by nghi vo
legends and lattes by travis baldree
the house in the cerulean sea by tj klune
other ever afters by melanie gillman
the priory of the orange tree by samantha shannon
a day of fallen night by samantha shannon
a strange and stubborn endurance by foz meadows
the unbroken by c.l. clark
real queer america by samantha allen
fun home by alison bechdel
in the dream house by carmen maria machado
better living through birding by christian cooper
why fish don't exist by lulu miller
A customer contacted our team with questions, and then finished their email with: "I am daunted by the complexities and unknowns." I haven't been able to stop thinking about it since.
sexual activity
how you dress
stealing my foodÂ
stealing my lemons
my cat likes you more than me
I don't know if this was obvious to everyone else, but I just realised that one of the reasons why the Hobbit is so effective as a children's book is that while Bilbo is an adult, the skills that make him a hero are all those of a child.
By human standards he's child-sized, which makes him unobtrusive and light on his feet. He can slip by unnoticed where bigger people can't.
He's good at playing games, and even cheats (successfully!) in a way that - let's face it - is not so different to how children try to cheat at games. He's polite in a way that's fully comprehensible to children (rather than, say, being able to perform courtly manners). He's quick-witted, but the trick of keeping the trolls talking is also one that would be achievable for a child.
He doesn't have magic powers, he's not a great fighter, and he's not some kind of Chosen One. There's not much that he does that couldn't be done by a ten-year-old, but the story shows just how valuable all those skills and traits are. It's very empowering.
Hey yall I mentioned earlier that my dog needs dental surgery and I'm having trouble affording it so I set up a gofundme for help. Sharing is greatly appreciated. I am not good at this, so if you need more information please ask and I will answer as best I can
I've talked to the vet a few times over the years about how I'm concerned for his dental health, and they said just keep doing what I was doing. But last month we found two of his teeth on the ground and it turns out he has severe periodontal disease that I probably never would have gotten ahead of. They said he needs a deep clean and at least half his teeth extracted, but that he should feel better and have a normal and improved quality of life after.
Thank you for listening <3
I want my gay rights now! - Marsha P. Johnson (NYC Pride Parade, 1973)
some of the best writing advice I’ve ever received: always put the punch line at the end of the sentence.
it doesn’t have to be a “punch line” as in the end of a joke. It could be the part that punches you in the gut. The most exciting, juicy, shocking info goes at the end of the sentence. Two different examples that show the difference it makes:
doing it wrong:
She saw her brother’s dead body when she caught the smell of something rotting, thought it was coming from the fridge, and followed it into the kitchen.
doing it right:
Catching the smell of something rotten wafting from the kitchen—probably from the fridge, she thought—she followed the smell into the kitchen, and saw her brother’s dead body.
Periods are where you stop to process the sentence. Put the dead body at the start of the sentence and by the time you reach the end of the sentence, you’ve piled a whole kitchen and a weird fridge smell on top of it, and THEN you have to process the body, and it’s buried so much it barely has an impact. Put the dead body at the end, and it’s like an emotional exclamation point. Everything’s normal and then BAM, her brother’s dead.
This rule doesn’t just apply to sentences: structuring lists or paragraphs like this, by putting the important info at the end, increases their punch too. It’s why in tropes like Arson, Murder, and Jaywalking or Bread, Eggs, Milk, Squick, the odd item out comes at the end of the list.
Subverting this rule can also be used to manipulate reader’s emotional reactions or tell them how shocking they SHOULD find a piece of information in the context of a story. For example, a more conventional sentence that follows this rule:
She opened the pantry door, looking for a jar of grape jelly, but the view of the shelves was blocked by a ghost.
Oh! There’s a ghost! That’s shocking! Probably the character in our sentence doesn’t even care about the jelly anymore because the spirit of a dead person has suddenly appeared inside her pantry, and that’s obviously a much higher priority. But, subvert the rule:
She opened the pantry door, found a ghost blocking her view of the shelves, and couldn’t see past it to where the grape jelly was supposed to be.
Because the ghost is in the middle of the sentence, it’s presented like it’s a mere shelf-blocking pest, and thus less important than the REAL goal of this sentence: the grape jelly. The ghost is diminished, and now you get the impression that the character is probably not too surprised by ghosts in her pantry. Maybe it lives there. Maybe she sees a dozen ghosts a day. In any case, it’s not a big deal. Even though both sentences convey the exact same information, they set up the reader to regard the presence of ghosts very differently in this story.