connections between the humane, the monstrous, and the divine:
1. “Wanna make a monster? Take the parts of yourself that make you uncomfortable–your weaknesses, bad thoughts, vanities, and hungers–and pretend they’re across the room. It’s too ugly to be human. It’s too ugly to be you. Children are afraid of the dark because they have nothing real to work with. Adults are afraid of themselves.” (richard siken, from editor’s pages: black telephone)
2. “Who has not asked himself at some time or other: am I a monster or is this what it means to be a person?” (clarice lispector, the hour of the star)
3. “This beast, this angel is both you and I.” (adrienne rich, from the complete poems: this beast, this angel)
4. “Frankenstein not only gives form to the dialetic of monstrosity itself and raises questions about the pleasures and dangers of textual production, it also demands a rethinking of the entire Gothic genre in terms of who rather than what is the object of terror. By focusing upon the body as the locus of fear, Shelley’s novel suggests that it is people (or at least bodies) who terrify people, not ghosts or gods, devils or monks, windswept castles or labyrinthine monasteries.” (j. halberstam, skin shows: gothic horror and the technology of monsters)
5. “Monsters exist because they are part of the divine plan, and in the horrible features of those same monsters the power of the creator is revealed.” (umberto eco, the name of the rose)
6. “But girls contain multitudes. We are made up of so many odd parts. The reason that the monster in Frankenstein is so memorable is that, when it opens its mouth, out comes the voice of an alienated teenage girl.” (heather o’neill, portrait of the artist as a young corpse)
7. “God should have made girls lethal when he made monsters of men.” (elisabeth hewer, wishing for birds)
8. “I think the devil doesn’t exist, but man has created him, he has created him in his own image and likeness.” (fyodor dostoevsky, the brothers karamazov)
“I am too young and I’ve loved you too much.”
— Fyodor Dostoyevsky / The Brothers Karamazov
Brothers Karamazov: orthodox monasteries, deep woods, starry nights, the sound of paper being torn, dimly lit rooms, withered roses, an unfinished letter, piles of books, the sound of shattering glass, ticking of clocks in a silent house, heavy wooden furniture, the air before a storm, the smell of earth, a crowd of people dressed in black, distant murmurs, emptied streets, the fear of walking alone in dusk
Crime and Punishment: coldness of the skin against a blade, slender pale fingers and slightly shaking hands, a red stain blooming on white fabric, lonely steps in a corridor, the slow dripping of water, looking out of the window into the thickening darkness, a single dying candle on the table, listening to one’s breath and counting heartbeats, too many stairs, the desire to be invisible, a subtle memory of kind word
The Idiot: classical statues, wealth covered with dust, a dark house tainted with inherited madness, an unsettling feeling, long walks in a park, useless chatter, a silken ribbon forgotten on a bench, a melancholic face, an unexpected spring rain, the joy of reading one’s favorite book, the clarity of mind after fully perceiving the world around, looking at cloudless sky
Anna Karenina: fields of crops, flowers brought from an early morning walk, the wind caressing a girl’s hair, a bowl of fruit, the smell of ripe pears, the clatter of a spoon against porcelain when stirring tea, children’s laughter coming from the garden, soft sunlight and white curtains, the sensation of velvet against skin, pearls from a ripped necklace spilling on marble floor, a sudden silence in a room full of people
War and Peace: a glass of wine, the brightness of a crystal chandelier, white lace, a raging snow storm, the sound of a door being gently closed, the moment of holding one’s breath before walking in a ball room, indulging in looking at a beautiful earring against light, the sound of a saber being drawn, closing one’s eyes for a moment while dancing, the sweet smell of strawberries, a pair of gloves left on an armchair, light scent of powder
The Master and Margarita: the chaos of a lively city, ambient jazz in expensive restaurants, jumping on a moving tram, the sight of Moscow from the roof of a house, yellow flowers in a vase, leaning out of the window, shelves stacked with books, a small tin box with old photographs, strange shapes in the night sky, laughing in the middle of the night on a balcony, colorful posters for a surreptitious magician’s show floating in the wind
Eugene Onegin: a lonely mansion, reading a book in the parlor, faint piano melody lingering in falling silence, long evenings, passing seasons, discussing french novels of the moment, unspoken thoughts, leaning against the door frame, quickly averted glance, eating a peach absent-minded, bright mornings, footprints in snow, a loud gun-shot terrifying a flock of birds nearby
A Hero of Our Time: byronic boredom, getting up late in the afternoon, the hidden unspeakable sadness of existence, shakespeare’s tragedy opened next to untouched breakfast, cigarette smoke, polished boots, walking with one’s coat wide open letting the night chill break through to the bone, carved wooden chair, fading warmth of the ashes late in the evening, the thought of farewell
Fathers and Sons: birch groves, morning mist, moss covered stones near a moor, scientific books, white roses, cheap champagne, shabby pocket-watch, light-hearted irony, a maladroit cello sonata, freshly mowed grass, leaving thoughts come and go, a slow yawn, picturesque plates and bowls filled with traditional dishes, drinking tea on the porch, longing for the future
Doctor Zhivago: a strange feeling of loss, writing poems in a diary, traveling by train, the hesitation before touching someone’s hand, the gaze of one lost in thought, the warmth of cinnamon, a scarf brightly embellished with flowers, a glass of water, two people listening each on the other side of the door, a threadbare jacket, the tempting void, the evanescent serenity of yesterday
Dead Souls: horses in a merry gallop, delicious smells mingled, grotesque and bizarre tragedy, luxurious attire cheap soul, masks, a perfumed love letter, the triumph of sarcasm, an unattached wheel rolling down a dusty road, the atmosphere of commedia dell’ arte, puzzling speeches, a baffling caricature drawn on a handkerchief
Cherry Orchard: a lone chair in an empty room, falling blossoms, old samovar, the unsettling need for change, a mirror reflecting full moon, the disappointment of a glossy object turning worthless after second glance, a piano out of tune
Ψιχάρπαξ- crumbsnatcher
Τρωξάρτης- breadnibbler
Πτερνοτρώκτος- hamnibbler
Λειχοπίναξ- platelicker
᾿Εμβασίχυτρος- bowl-visitor
Τυρογλύφος- cheesecarver
Τρωγλοδύτης- hider-in-the-hole
Τυροφάγος- cheese-eater
Μεριδάρπαξ- sliversnatch
“You, yourself, as much as anybody in the entire universe, deserve your love and affection.”
— Buddha
asparagus is in season: character playlist for francis abernathy from the secret history
dark academia but it’s girls: imagine the secret history, dead poets society, and if we were villains but all the male characters are replaced with female counterparts
donna tartt’s walkman: some music donna tartt probably listened to from her bennington days into her secret history days; also evokative of a sexually ambiguous classics student from a homoerotic dark academia novel
the holy trinity: florence, mitski, and hozier
prep school nostalgia: best of my effy stonem phase
scary girl fall: inspired by the gory girls from suspiria, midsommar, the vvitch, the moth diaries, and ginger snaps
turtleneck season: 'tis the season to become the pretentious protagonist of a modern greek tragedy (dark academia but it’s girls pt. 2)
slavic androgynous bette davis and the incongruous meathead: playlist for the goldfinch starring russian vampire and erudite sad boy
ode to the 2010s: music that shaped me in my formative years
Me every day*
why do there have to be beauty standards