“Aurélie Dupont, like I said, I love her, she is one of my favorite dancers in the world. I watched the video of her and when I see her dance, I see the expression of Ghislaine. Everything Ghislaine asked, Aurélie does. It’s interesting, because I could see Ghislaine’s expression in Aurélie’s Sylph. If you look at her Sylph, you see a real woman who talks to James, who is not just kind and good, but at times can be strict, angry, constantly changing attitude. This is very important as this is what makes it a very interesting role.”
- Evgenia Obraztsova on Aurélie Dupont’s La Sylphide (x)
ANNIE MURPHY as Ruth Brenner in RUSSIAN DOLL - 2.02 “Coney Island Baby”
“Hair all tangled this morning - Shall I smooth it With spring rain Dripping form the jet-black Wings of swallows?”
—
Yosano Akiko, “Tangled Hair: Selected Tanka from Midaregami”
Anaïs Nin, Fire: From “A Journal of Love”: The Unexpurgated Diary of Anaïs Nin, 1934–1937
Alain de Botton, Essays in Love [transcript in ALT]
[1] Summer clouds are racing across the sky on Monet's pond, [2] Current in a summer sky,(Monet's pond) | Reiji Hiramatsu
Edna St. Vincent Millay, from Collected Lyrics of Edna St. Vincent Millay; "Interim"
[Text ID: “part of your heart / Aches in my breast; part of my heart lies chilled / In the damp earth with you. I have been torn / In two, and suffer for the rest of me.”]
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Chandelier.
— Penelope’s Song, Louise Glück
[text ID: Who wouldn't want you? Whose most demonic appetite could you possibly fail to answer?]
“Whatever it was I lost, whatever I wept for Was a wild, gentle thing, the small dark eyes Loving me in secret.”
— James Wright, “Milkweed,” from The Branch Will Not Break (Wesleyan University Press, 1972)