Waltztrvck - Just A Dump Lol

i think waiting together is a love language. wait for the train with me, so we can talk a little longer. wait for dinner with me, we can slow dance in the kitchen. wait for me until i can talk after crying my eyes out, hold me, we will figure it out. wait for me when it gets rough, i know i can get through this (with you). wait for me in the car, this song is too good to not finish listening to it. wait for the first snow with me, cold red noses and bright eyes. lets wait for each other, i love you.

seafoam 🌊

wallpaper set  //  prints

Frances Cha, If I Had Your Face // Carmen Maria Machado, In the Dream House

why do all the words sound heavier in my native language?

—  @metamorphesque, Yoojin Grace Wuertz (Mother Tongue), Still Dancing: An Interview With Ilya Kaminsky (by Garth Greenwell), Jhumpa Lahiri (Translating Myself and Others), @lifeinpoetry

˗ˏˋ☕ˎˊ˗        

Artists who know how to draw armors or very detailed clothing are powerful

“A nymph came pirouetting, under white Rotating petals, in a vernal rite To kneel before an altar in a wood Where various articles of toilette stood.”

— Vladimir Nabokov, Pale Fire (via starpleiades)

Egon Schiele (1890 - 1918) was an Austriac painter and an early exponent of Expressionism. I have selected two statements made by Magdalena Dabrowski and Rudolf Leopold about Schiele's art. The passages can be found in "Egon Schiele - The Leopold Collection, Viena" published by DuMont Buchverlag in association with The Museum of Modern Art, New York.

"Arguably, one of the greatest talents of his time, Schiele, who died at the early age of twenty-eight, created an absolutely prodigious output: his total oeuvre is said to include more than 3,000 works on paper and some 300 paintings. Schiele was, first and foremost, an exceptional draftsman; in fact, even his paintings rely on drawing as their principal structural component. Color is used to enhance the expressiveness and the mood of the pictures and, occasionally, to structure space. Schiele's principal subjects include portraits (among them, numerous self-portraits), figural/allegorical works, and landscapes. These works often make use of symbolic representation and metaphor to convey the malaise of modern man in all its raw and painful truth. " (Magdalena Dabrowski)

"The Expressionists Kokoschka and Schiele were the first to incorporate the tragic and ugly into their work as a way of evoking stronger emotions; one might even say that they invented the use of ugliness as an element of pictorial composition and introduced its potential to the art of our century. The images they created in their determination to express the depths of experience are as compelling and valid today as they were then. The current widespread interest in the two artists and frequently lavish praise accorded them are proof that our present-day tastes in art are in agreement with those of the Expressionist avant-garde of the early part of the century." (Rudolf Leopold)

-Nicole Krauss, The History of Love

she said yes :)

cherry pngs ! credit not necessary for pngs! like or reblog to use, don't repost as your own please.