I Saw This In The Paint Area At Home Depot The Other Day.
I saw this in the paint area at Home Depot the other day.
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A throwback to the very first comic, where Swordfish threw up a bucket of water and a live fish :) He’s finding new uses for his unique ability now! 🌧
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NASA Photographers Share Their Favorite Photos of the SLS Moon Rocket
NASA’s Space Launch System (SLS) rocket is on the launch pad at NASA’s Kennedy Space Center in Florida and in final preparations for the Artemis I mission to the Moon. Now that our Moon rocket is almost ready for its debut flight, we wanted to take a look back at some of the most liked photographs of our SLS rocket coming together over the years.
We asked NASA photographers to share their favorite photos of the SLS rocket for Artemis I at different phases of testing, manufacturing, and assembly. Here are their stories behind the photos:
“On this day in March 2018, crews at NASA’s Marshall Space Flight Center in Huntsville, Alabama, transported the intertank structural test article off NASA’s Pegasus barge to the Load Test Annex test facility for qualification testing.” —Emmett Given, photographer, NASA’s Marshall Space Flight Center
“This is the liquid oxygen tank structural test article as it was moved from the Pegasus barge to the West Test Area at our Marshall Space Flight Center on July 9, 2019. The tank, which is structurally identical to its flight version, was subsequently placed in the test stand for structural testing several days later. I remember it being a blazing hot day!” —Fred Deaton, photographer, NASA’s Marshall Space Flight Center
“The large components of the SLS rocket’s core stage can make you forget that there are many hands-on tasks required to assemble a rocket, too. During the mating of the liquid hydrogen tank to the forward section of the rocket’s 212-foot-tall core stage in May 2019, technicians fastened 360 bolts to the circumference of the rocket. Images like this remind me of all the small parts that have to be installed with care, expertise, and precision to create one huge Moon rocket. Getting in close to capture the teammates that work tirelessly to make Artemis a success is one of the best parts of my job.” —Eric Bordelon, photographer, NASA’s Michoud Assembly Facility
“An incredible amount of precision goes into building a rocket, including making sure that each of our SLS rocket’s four RS-25 engines is aligned and integrated into the core stage correctly. In this image from October 2019, I attempted to illustrate the teamwork and communication happening as technicians at NASA’s Michoud Assembly Facility in New Orleans do their part to help land the first woman and the first person of color on the Moon through the Artemis missions. It’s rare to see the inside of a rocket – not as much for the NASA and Boeing engineers who manufacture and assemble a rocket stage!” —Jared Lyons, photographer, NASA’s Michoud Assembly Facility
“When the fully assembled and completed core stage left the Michoud factory in January 2020, employees took a “family photo” to mark the moment. Crews transported the flight hardware to NASA’s Pegasus barge on Jan. 8 in preparation for the core stage Green Run test series at NASA’s Stennis Space Center near Bay St. Louis, Mississippi. When I look at this photo, I am reminded of all of the hard work and countless hours the Michoud team put forth to build this next-generation Moon rocket. I am honored to be part of this family and to photograph historic moments like this for the Artemis program.” —Steven Seipel, MAF multimedia team lead, NASA’s Michoud Assembly Facility
“This photo shows workers at Stennis prepare to lift the SLS core stage into the B-2 Test Stand for the SLS Green Run test series in the early morning hours of Jan. 22, 2020. I started shooting the lift operation around midnight. During a break in the action at about 5:30 a.m., I was driving my government vehicle to the SSC gas station to fuel up, when I saw the first light breaking in the East and knew it was going to be a nice sunrise. I turned around and hurried back to the test stand, sweating that I might run out of gas. Luckily, I didn’t run out and was lucky enough to catch a beautiful Mississippi sunrise in the background, too.” —Danny Nowlin, photographer, NASA’s Stennis Space Center
“I like the symmetry in the video as it pushes toward the launch vehicle stage adapter. Teams at NASA’s Marshall Space Flight Center in Huntsville, Alabama, loaded the cone-shaped piece of flight hardware onto our Pegasus barge in July 2020 for delivery to NASA’s Kennedy Space Center in Florida. The one-point perspective puts the launch vehicle stage adapter at the center of attention, but, if you pay attention to the edges, you can see people working. It gives a sense of scale. This was the first time I got to walk around Pegasus and meet the crew that transport the deep space rocket hardware, too.” —Sam Lott, videographer, SLS Program at Marshall Space Flight Center
“This was my first time photographing a test at our Stennis Space Center, and I wasn't sure what to expect. I have photographed big events like professional football games, but I wasn't prepared for the awesome power unleashed by the Space Launch System’s core stage and four RS-25 engines during the Green Run hot fire test. Watching the sound wave ripple across the tall grass toward us, feeling the shock wave of ignition throughout my whole body, seeing the smoke curling up into the blue sky with rainbows hanging from the plume; all of it was as unforgettable as watching a football player hoist a trophy into the air.” —Michael DeMocker, photographer, NASA’s Michoud Assembly Facility
“When our SLS Moon rocket launches the agency’s Artemis I mission to the Moon, 10 CubeSats, or small satellites, are hitching a ride inside the rocket’s Orion stage adapter (OSA). BioSentinel is one of those CubeSats. BioSentinel’s microfluidics card, designed at NASA’s Ames Research Center in California’s Silicon Valley, will be used to study the impact of interplanetary space radiation on yeast. To me, this photo is a great combination of the scientific importance of Artemis I and the human touch of more than 100 engineers and scientists who have dedicated themselves to the mission over the years.” —Dominic Hart, photographer, NASA’s Ames Research Center
“I was in the employee viewing area at Kennedy when the integrated SLS rocket and Orion spacecraft was rolled out to the launchpad for its wet dress rehearsal in March 2022. I really like this photo because the sun is shining on Artemis I like a spotlight. The giant doors of the Vehicle Assembly Building are the red curtain that opened up the stage -- and the spotlight is striking the SLS because it’s the star of the show making its way to the launchpad. I remember thinking how cool that NASA Worm logo looked as well, so I wanted to capture that. It was so big that I had to turn my camera sideways because the lens I had wasn’t big enough to capture the whole thing.” —Brandon Hancock, videographer, SLS Program at NASA’s Marshall Space Flight Center
“I made this image while SLS and Orion atop the mobile launcher were nearing the end of their four-mile trek to the pad on crawler-transporter 2 ahead of launch. Small groups of employees were filtering in and out of the parking lot by the pad gate to take in the sight of the rocket’s arrival. The “We Are Going!” banner affixed to the gate in the foreground bears the handwritten names of agency employees and contractors who have worked to get the rocket and spacecraft ready for the Artemis I flight test. As we enter the final days before launch, I am proud to have made my small contribution to documenting the historic rollout for this launch to the Moon.” —Joel Kowsky, photographer, NASA Headquarters
More Photo-worthy Moments to Come!
NASA photographers will be on the ground covering the Artemis I launch. As they do, we’ll continue to share their photos on our official NASA channels.
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PSA for Food Allergies in the US
If you have a friend or family member with food allergies, or if you’re newly diagnosed and you live in the US, here are some things you need to be aware of, as of 2018 (and I suspect the law won’t change for decades):
-”may contain” or “made in the same facility as” labels are all 100% voluntary in the US.
-the phrase “gluten free” is regulated to be Celiac safe, but is completely voluntary
-the phrase “nondairy” doesn’t mean what people think it means. It refers to a lower milkfat content than traditional dairy items. Do not use these for people with milk allergy, lactose intolerance, or are vegan. They can get very sick from nondairy items.
-the phrase “dairy free” is not regulated. Things that are labeled “dairy free” can contain milk or be cross contaminated with milk if manufacturers want.
-the phrase “vegan” is not regulated. Things that are labeled “vegan” can legally contain anything manufacturers want them to. More importantly, “vegan” products can be cross contaminated with dairy allergens.
-something can be “peanut allergy friendly” or “gluten free” but still contain every other allergen -You can find allergens in the weirdest of places. For example, there are candies and taffies that use egg whites. Or a marinade can contain gluten or dairy.
-Examples (from my own life incidentally): Purchased plain tortilla chips, which are gluten free, peanut free, and vegan. The label makes no mention of dairy. But, the chips are cross contaminated with milk because the facility makes flavored chips that use milk. Purchased frozen vegetables, whose ingredients list “broccoli”. But because the manufacturer also makes broccoli with cheese sauce or butter sauce, the plain broccoli is cross contaminated with milk from the machine.
The bottom line: Just because a label doesn’t mention a certain allergen doesn’t mean it’s free of that allergen in the US. Be careful.
NASA Photographers Share Their #NASAMoonSnap
We’re getting ready to launch Artemis I, the first test flight of the rocket and spacecraft that will take future astronauts to the Moon! As we prepare for the lunar voyage of the Space Launch System (SLS) rocket and Orion spacecraft launching as early as Aug. 29, 2022, we would like you to share your excitement with us. Share all types of Moon-inspired content with us with the hashtag #NASAMoonSnap, and we will choose some entries to share on our social media platforms and during the launch broadcast. Get creative! We’re looking for Moon paintings, Moon poetry, Moon pottery, Moon latte foam art — the sky is not the limit.
Since we have the full Moon coming up on Aug. 11, we wanted to share our handy dandy Moon photography guide and inspire you with some of our NASA imagery experts’ stories on capturing the Moon.
"The first rollout of the SLS rocket with the Orion spacecraft aboard was a really exciting moment to capture. I was photographing at Kennedy Space Center in an area where many of the employees that had worked on different parts of the SLS were watching. It was so great to hear some of their stories and see their pride in helping to build this amazing rocket and spacecraft. Once the mobile launcher with SLS passed the crowds to head toward the launchpad, people began to line up in their cars to leave. I decided to stick around and try to get a closer image of the Moon with SLS. It was fairly dark by the time I made this image, so there isn’t any detail in the moon, but it’s still moving to see them next to one another and know that SLS will be closer to the Moon than Earth very soon, and will one day enable humans to land on the lunar surface again!" — Aubrey Gemignani, NASA contract Photo Archivist/Photographer, NASA Headquarters
“I set up this shot when I saw the Moon was lined up perfectly with the X-1E in front of the main entrance to Armstrong Flight Research Center one morning last year. What captured my eye about this scene was that it showcased the past and the future of NASA in one image. The X-1 was a key piece of early NACA/NASA history, and it is pointing to the Moon showing us where we are going next with Artemis. I still remember walking around on my first day at NASA and seeing all the places where history was made. I was in awe as I walked these hallowed grounds. I know that there is still a great deal of history to be written here as we strive to go higher, further and faster and I’m glad that I get to be here to document it.” — Joshua Fisher, Photographer, NASA’s Armstrong Flight Research Center
“While out capturing images of the Moon, the memories of my first day as a photographer for NASA came flooding back. One of my first memories is going to the exhibits department and getting to hold an actual Moon rock sample. That day changed my perception of the Moon forever. That moment made the Moon more than just something in the sky. It became tangible and real, and my part in all of this became clear. The honor and privilege I feel everyday is overwhelming.” — Jef Janis, Still Imaging Specialist, NASA’s Glenn Research Center
“When I can, I like my Moon photos to have a sense of place. The trick is finding a shooting position and a landmark that will fit in with the Moon’s very stringent plans for rising. I went out to shoot the Sturgeon Moon, which was also a rare blue moon, last August. As I was shooting the moonrise from the riverbank in downtown New Orleans, I was lucky to have one of the city’s iconic riverboats turn a bend and head upriver to pass beneath the Moon. Happily the river was low and I was able to scramble down the high bank to reduce the vertical distance between the quickly rising moon and the slowly passing riverboat.” — Michael DeMocker, Photographer, NASA’s Michoud Assembly Facility
“I was excited to try to capture a waning crescent Moon at dawn, even though it was late February, 20 degrees Fahrenheit and 6:30 in the morning…Nonetheless, I decided to photograph on-site at Lewis Field, and ended up using my telephoto lens to really zoom in on the Moon. In a race against the sunrise and the Moon disappearing, I was able to capture a cool shot of the Moon with a couple planes making an appearance as well (The Cleveland Hopkins Airport is right next door). Although is it me, or does one of the planes look like a rocket taking off…?” — Jordan Salkin, Scientific Imaging Specialist, NASA’s Glenn Research Center
“I have worked at NASA’s Glenn Research Center since 1990 and have enjoyed every second doing what I do to support NASA’s mission. On my first day back to work onsite after 22 months of telework I saw this beautiful sunrise with the snow, the Moon, and the hangar. It felt good to be at work seeing the landscape I was so used to seeing. I had to take these pictures to share with my colleagues. ” — Jeffrey F. Abbott, Media Support Specialist, NASA’s Glenn Research Center
“In creating this Moon image, I almost felt pressured to find the ‘perfect location.’ The more that I thought about that prospect, the more I was drawn to using only natural elements, in my own environment. I wanted to find an image in my own backyard. This image was captured just as the Sun dropped below the horizon. I had a very short window of time when these colors would be possible. Two minutes earlier or later would have produced a totally different image. The almost abstract lines of a Maple tree in the earliest stages of budding seemed to be in concert with the waxing crescent Moon, both preparing for full bloom. Nature on display in its simplicity.” — Marvin Smith, Still Imaging Specialist Lead, NASA’s Glenn Research Center
“The lighthouse in Lorain, Ohio, has been photographed by amateur and professional photographers for decades, but I have never photographed it before. When I calculated that the path of the Moon was going to go over and past the lighthouse with a reflection over the water, I decided to give it a try. I encountered four other photographers on the same pier with me that early morning. They were huddled in the middle of the pier and I was at the end. I think I got the best photo.” — Quentin Schwinn, Scientific Photographer, NASA’s Glenn Research Center
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Information security professional for a major firm. Overall geek and gamer. Lover of all things Sighthounds. My immune system hates me, along with the occasional attempted suffocation done thanks to my lungs. On top of that, working through severe depression and anxiety plus a side of ADHD. I'm a broken human being.
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