No Place Does Fall Quite Like New England! 🍁🍂🎃 | Kjp

The Defender🔮

The Adamant🔥

The Cunning⚡

IF 👏 A 👏 LARGE 👏 DOG 👏 THINKS 👏 IT’S 👏 A 👏 LAP 👏 DOG 👏 IT’S 👏 A 👏 LAP 👏 DOG 👏

YES!!!

Ok I get where everyone is coming from when they see the design of Pavitr ‘Pav’ Prabhakar aka Indian SpiderMan as an expression of gender queerness, but let me be frank this is very typical Indian male costuming.

Even the toxic masculine patriarchal men have similar stylistic expressions or to be be more precise this is a traditional/historical/ye olde male aesthetic.

Having said that I love what design elements are being used here. So…

Let's take it from the top.

The FACE MASK

The Three Colors surrounding the eyes are typical spider man colours but they are done to evoke the image the traditional makeup done for the ancient dance art Kathakali. In which the whole face is painted and bold lines are drawn to emphasise/exaggerate the eyes. These eye mask lines are usually thin - bold-thin.

Same with the white lines on the cheek bones which are indicative of tusks or pincers of demons or Animorphs in folklore/myths.

The white dot in the centre of the forehead is the most common Hindu motif, expressed in myriad of ways all over the country .

The ARM/LEG BANDS/CUFFS

The bicep cuff is a part of Indian historic armour - made of malleable metal, its bejewelled ornate counterparts were then worn in day to day life. Here in the north Royals still wear it during big ceremonies. These metal bands are generally worn by warriors.

bangles (metal circles worn at wrists) are an important male accessory and are more daily wear even in present modern times, some religions (Sikh,Jain etc.) require the males to always wear one at all times. The ones on the suit were more in the shape of wrist guards which again were an armour accessory. In Indian male clothing the cuffs are usually emphasised.

Due to traditional male footwear being sandals metal ankle cuffs were employed to guard the shins and were worn during wars while thinner bands - ornamental accessories - were worn in daily wear.

There are so many other things I want to elaborate on like: The PATTERNS/LOGO,The LEG GARMENT (??!)(what’s the collective term for clothes for legs?), The Cat’s Cradle swinging/body animation ; but my ADHD is already acting up so imma leave this here.

SIDE NOTE:

I love how the heel and toes are bare in this design. It makes sense from the spider powers perspective - no barrier in contact allows for better manoeuvring and jump control as is seen in gymnastics. But also because in Hindu culture important tasks including some traditional sports require the removal of footwear and getting feet dirty is not discouraged (of course with an adherence to washing of the feet multiple times in a day)

I also loved how incorporated his wrist guard is in his spider style using it as a toy and a tool. This aspect of making use of something in a completely different way was so desi ‘Jugaad’ I was stunned.

It really sucks being out of work. I know that it's been a month and half since I lost job, but it feels like an eternity. I hate having no income coming in. I'm glad that I saved up a lot of money while working, but still....

My mental health took a hit because of it and I'm trying to build a new routine. It's hard because the holidays are coming up and new levels of stress.

NASA Photographers Share Their #NASAMoonSnap

We’re getting ready to launch Artemis I, the first test flight of the rocket and spacecraft that will take future astronauts to the Moon! As we prepare for the lunar voyage of the Space Launch System (SLS) rocket and Orion spacecraft launching as early as Aug. 29, 2022, we would like you to share your excitement with us. Share all types of Moon-inspired content with us with the hashtag #NASAMoonSnap, and we will choose some entries to share on our social media platforms and during the launch broadcast. Get creative! We’re looking for Moon paintings, Moon poetry, Moon pottery, Moon latte foam art — the sky is not the limit.

Since we have the full Moon coming up on Aug. 11, we wanted to share our handy dandy Moon photography guide and inspire you with some of our NASA imagery experts’ stories on capturing the Moon.

"The first rollout of the SLS rocket with the Orion spacecraft aboard was a really exciting moment to capture. I was photographing at Kennedy Space Center in an area where many of the employees that had worked on different parts of the SLS were watching. It was so great to hear some of their stories and see their pride in helping to build this amazing rocket and spacecraft. Once the mobile launcher with SLS passed the crowds to head toward the launchpad, people began to line up in their cars to leave. I decided to stick around and try to get a closer image of the Moon with SLS. It was fairly dark by the time I made this image, so there isn’t any detail in the moon, but it’s still moving to see them next to one another and know that SLS will be closer to the Moon than Earth very soon, and will one day enable humans to land on the lunar surface again!" — Aubrey Gemignani, NASA contract Photo Archivist/Photographer, NASA Headquarters

“I set up this shot when I saw the Moon was lined up perfectly with the X-1E in front of the main entrance to Armstrong Flight Research Center one morning last year. What captured my eye about this scene was that it showcased the past and the future of NASA in one image. The X-1 was a key piece of early NACA/NASA history, and it is pointing to the Moon showing us where we are going next with Artemis. I still remember walking around on my first day at NASA and seeing all the places where history was made. I was in awe as I walked these hallowed grounds. I know that there is still a great deal of history to be written here as we strive to go higher, further and faster and I’m glad that I get to be here to document it.” — Joshua Fisher, Photographer, NASA’s Armstrong Flight Research Center

“While out capturing images of the Moon, the memories of my first day as a photographer for NASA came flooding back. One of my first memories is going to the exhibits department and getting to hold an actual Moon rock sample. That day changed my perception of the Moon forever. That moment made the Moon more than just something in the sky. It became tangible and real, and my part in all of this became clear. The honor and privilege I feel everyday is overwhelming.” — Jef Janis, Still Imaging Specialist, NASA’s Glenn Research Center

“When I can, I like my Moon photos to have a sense of place. The trick is finding a shooting position and a landmark that will fit in with the Moon’s very stringent plans for rising. I went out to shoot the Sturgeon Moon, which was also a rare blue moon, last August. As I was shooting the moonrise from the riverbank in downtown New Orleans, I was lucky to have one of the city’s iconic riverboats turn a bend and head upriver to pass beneath the Moon. Happily the river was low and I was able to scramble down the high bank to reduce the vertical distance between the quickly rising moon and the slowly passing riverboat.” — Michael DeMocker, Photographer, NASA’s Michoud Assembly Facility

“I was excited to try to capture a waning crescent Moon at dawn, even though it was late February, 20 degrees Fahrenheit and 6:30 in the morning…Nonetheless, I decided to photograph on-site at Lewis Field, and ended up using my telephoto lens to really zoom in on the Moon. In a race against the sunrise and the Moon disappearing, I was able to capture a cool shot of the Moon with a couple planes making an appearance as well (The Cleveland Hopkins Airport is right next door). Although is it me, or does one of the planes look like a rocket taking off…?” — Jordan Salkin, Scientific Imaging Specialist, NASA’s Glenn Research Center

“I have worked at NASA’s Glenn Research Center since 1990 and have enjoyed every second doing what I do to support NASA’s mission. On my first day back to work onsite after 22 months of telework I saw this beautiful sunrise with the snow, the Moon, and the hangar. It felt good to be at work seeing the landscape I was so used to seeing. I had to take these pictures to share with my colleagues. ” — Jeffrey F. Abbott, Media Support Specialist, NASA’s Glenn Research Center 

“In creating this Moon image, I almost felt pressured to find the ‘perfect location.’ The more that I thought about that prospect, the more I was drawn to using only natural elements, in my own environment. I wanted to find an image in my own backyard. This image was captured just as the Sun dropped below the horizon. I had a very short window of time when these colors would be possible. Two minutes earlier or later would have produced a totally different image. The almost abstract lines of a Maple tree in the earliest stages of budding seemed to be in concert with the waxing crescent Moon, both preparing for full bloom. Nature on display in its simplicity.” — Marvin Smith, Still Imaging Specialist Lead, NASA’s Glenn Research Center

“The lighthouse in Lorain, Ohio, has been photographed by amateur and professional photographers for decades, but I have never photographed it before. When I calculated that the path of the Moon was going to go over and past the lighthouse with a reflection over the water, I decided to give it a try. I encountered four other photographers on the same pier with me that early morning. They were huddled in the middle of the pier and I was at the end. I think I got the best photo.” — Quentin Schwinn, Scientific Photographer, NASA’s Glenn Research Center

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See the Universe in a New Way with the Webb Space Telescope's First Images

Are you ready to see unprecedented, detailed views of the universe from the James Webb Space Telescope, the largest and most powerful space observatory ever made? Scroll down to see the first full-color images and data from Webb. Unfold the universe with us. ✨

Carina Nebula

This landscape of “mountains” and “valleys” speckled with glittering stars, called the Cosmic Cliffs, is the edge of the star-birthing Carina Nebula. Usually, the early phases of star formation are difficult to capture, but Webb can peer through cosmic dust—thanks to its extreme sensitivity, spatial resolution, and imaging capability. Protostellar jets clearly shoot out from some of these young stars in this new image.

Southern Ring Nebula

The Southern Ring Nebula is a planetary nebula: it’s an expanding cloud of gas and dust surrounding a dying star. In this new image, the nebula’s second, dimmer star is brought into full view, as well as the gas and dust it’s throwing out around it. (The brighter star is in its own stage of stellar evolution and will probably eject its own planetary nebula in the future.) These kinds of details will help us better understand how stars evolve and transform their environments. Finally, you might notice points of light in the background. Those aren’t stars—they’re distant galaxies.

Stephan’s Quintet

Stephan’s Quintet, a visual grouping of five galaxies near each other, was discovered in 1877 and is best known for being prominently featured in the holiday classic, “It’s a Wonderful Life.” This new image brings the galaxy group from the silver screen to your screen in an enormous mosaic that is Webb’s largest image to date. The mosaic covers about one-fifth of the Moon’s diameter; it contains over 150 million pixels and is constructed from almost 1,000 separate image files. Never-before-seen details are on display: sparkling clusters of millions of young stars, fresh star births, sweeping tails of gas, dust and stars, and huge shock waves paint a dramatic picture of galactic interactions.

WASP-96 b

WASP-96 b is a giant, mostly gas planet outside our solar system, discovered in 2014. Webb’s Near-Infrared Imager and Slitless Spectrograph (NIRISS) measured light from the WASP-96 system as the planet moved across the star. The light curve confirmed previous observations, but the transmission spectrum revealed new properties of the planet: an unambiguous signature of water, indications of haze, and evidence of clouds in the atmosphere. This discovery marks a giant leap forward in the quest to find potentially habitable planets beyond Earth.

Webb's First Deep Field

This image of galaxy cluster SMACS 0723, known as Webb’s First Deep Field, looks 4.6 billion years into the past. Looking at infrared wavelengths beyond Hubble’s deepest fields, Webb’s sharp near-infrared view reveals thousands of galaxies—including the faintest objects ever observed in the infrared—in the most detailed view of the early universe to date. We can now see tiny, faint structures we’ve never seen before, like star clusters and diffuse features and soon, we’ll begin to learn more about the galaxies’ masses, ages, histories, and compositions.

These images and data are just the beginning of what the observatory will find. It will study every phase in the history of our Universe, ranging from the first luminous glows after the Big Bang, to the formation of solar systems capable of supporting life on planets like Earth, to the evolution of our own Solar System.

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Credits: NASA, ESA, CSA, and STScI

Sakura to Supernova

This rare sight is a super-bright, massive Wolf-Rayet star. Calling forth the ephemeral nature of cherry blossoms, the Wolf-Rayet phase is a fleeting stage that only some stars go through soon before they explode.

The star, WR 124, is 15,000 light-years away in the constellation Sagittarius. It is 30 times the mass of the Sun and has shed 10 Suns worth of material – so far. As the ejected gas moves away from the star and cools, cosmic dust forms and glows in the infrared light detectable by NASA's James Webb Space Telescope.

The origin of cosmic dust that can survive a supernova blast is of great interest to astronomers for multiple reasons. Dust shelters forming stars, gathers together to help form planets, and serves as a platform for molecules to form and clump together, including the building blocks of life on Earth.

Stars like WR 124 also help astronomers understand the early history of the universe. Similar dying stars first seeded the young universe with heavy elements forged in their cores – elements that are now common in the current era, including on Earth.

The James Webb Space Telescope opens up new possibilities for studying details in cosmic dust, which is best observed in infrared wavelengths of light. Webb’s Near-Infrared Camera balances the brightness of WR 124’s stellar core and the knotty details in the fainter surrounding gas. The telescope’s Mid-Infrared Instrument reveals the clumpy structure of the gas and dust nebula of the ejected material now surrounding the star.

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Lost my job last week. Been depressed ever since then. I rarely sleep because I'm constantly worrying about money and health insurance. I hate this so much....

If you're wondering where they're looking, it's at prospective candidates for important petting duties

THEY GAVE MY BOY A RIBBON