T. S. Eliot's The Waste Land Was A Gloomy Prophecy About Gaza?!

GLOBAL STRIKE FOR GAZA BEGINS TODAY!!!

To participate:

During the 21st - 28th of January...

Do not shop/online shop

Skip school/work if you are able to

Be present & active on social media and uplift Palestinian voices

Draw, write, sing, create art for Palestine

Repost & boost Palestine related content on social media

Educate yourself about the issue

We have been asked to strike during these days by the lovely & hardworking journalist Bisan from Gaza. Let's all try our best for a people being tested with the harshest conditions imaginable. The occupation must be held accountable.

We're in this together!!

gonna post my entire stickman reaction pic collection

If this doesnt make you angry then you are a heartless demon

I am fucking done with israhell and their stupid excuses. I will never forgive or forget what israel has done. Fuck "oct 7", israel has been attacking RELENTLESSLY after oct 7 and news flash, it has been attacking BEFORE OCT 7, just not on this scale! So fuck israel, fuck usa and fuck all yall zionists.

Don't stop talking about them. We need to be their voice.

Inspired by the amazing poem by dana

another thing fantasy writers should keep track of is how much of their worldbuilding is aesthetic-based. it's not unlike the sci-fi hardness scale, which measures how closely a story holds to known, real principles of science. The Martian is extremely hard sci-fi, with nearly every detail being grounded in realistic fact as we know it; Star Trek is extremely soft sci-fi, with a vaguely plausible "space travel and no resource scarcity" premise used as a foundation for the wildest ideas the writers' room could come up with. and much as Star Trek fuckin rules, there's nothing wrong with aesthetic-based fantasy worldbuilding!

(sidenote we're not calling this 'soft fantasy' bc there's already a hard/soft divide in fantasy: hard magic follows consistent rules, like "earthbenders can always and only bend earth", and soft magic follows vague rules that often just ~feel right~, like the Force. this frankly kinda maps, but I'm not talking about just the magic, I'm talking about the worldbuilding as a whole.

actually for the purposes of this post we're calling it grounded vs airy fantasy, bc that's succinct and sounds cool.)

a great example of grounded fantasy is Dungeon Meshi: the dungeon ecosystem is meticulously thought out, the plot is driven by the very realistic need to eat well while adventuring, the story touches on both social and psychological effects of the whole 'no one dies forever down here' situation, the list goes on. the worldbuilding wants to be engaged with on a mechanical level and it rewards that engagement.

deliberately airy fantasy is less common, because in a funny way it's much harder to do. people tend to like explanations. it takes skill to pull off "the world is this way because I said so." Narnia manages: these kids fall into a magic world through the back of a wardrobe, befriend talking beavers who drink tea, get weapons from Santa Claus, dance with Bacchus and his maenads, and sail to the edge of the world, without ever breaking suspension of disbelief. it works because every new thing that happens fits the vibes. it's all just vibes! engaging with the worldbuilding on a mechanical level wouldn't just be futile, it'd be missing the point entirely.

the reason I started off calling this aesthetic-based is that an airy story will usually lean hard on an existing aesthetic, ideally one that's widely known by the target audience. Lewis was drawing on fables, fairy tales, myths, children's stories, and the vague idea of ~medieval europe~ that is to this day our most generic fantasy setting. when a prince falls in love with a fallen star, when there are giants who welcome lost children warmly and fatten them up for the feast, it all fits because these are things we'd expect to find in this story. none of this jars against what we've already seen.

and the point of it is to be wondrous and whimsical, to set the tone for the story Lewis wants to tell. and it does a great job! the airy worldbuilding serves the purposes of the story, and it's no less elegant than Ryōko Kui's elaborately grounded dungeon. neither kind of worldbuilding is better than the other.

however.

you do have to know which one you're doing.

the whole reason I'm writing this is that I saw yet another long, entertaining post dragging GRRM for absolute filth. asoiaf is a fun one because on some axes it's pretty grounded (political fuck-around-and-find-out, rumors spread farther than fact, fastest way to lose a war is to let your people starve, etc), but on others it's entirely airy (some people have magic Just Cause, the various peoples are each based on an aesthetic/stereotype/cliché with no real thought to how they influence each other as neighbors, the super-long seasons have no effect on ecology, etc).

and again! none of this is actually bad! (well ok some of those stereotypes are quite bigoted. but other than that this isn't bad.) there's nothing wrong with the season thing being there to highlight how the nobles are focused on short-sighted wars for power instead of storing up resources for the extremely dangerous and inevitable winter, that's a nice allegory, and the looming threat of many harsh years set the narrative tone. and you can always mix and match airy and grounded worldbuilding – everyone does it, frankly it's a necessity, because sooner or later the answer to every worldbuilding question is "because the author wanted it to be that way." the only completely grounded writing is nonfiction.

the problem is when you pretend that your entirely airy worldbuilding is actually super duper grounded. like, for instance, claiming that your vibes-based depiction of Medieval Europe (Gritty Edition) is completely historical, and then never even showing anyone spinning. or sniffing dismissively at Tolkien for not detailing Aragorn's tax policy, and then never addressing how a pre-industrial grain-based agricultural society is going years without harvesting any crops. (stored grain goes bad! you can't even mouse-proof your silos, how are you going to deal with mold?) and the list goes on.

the man went up on national television and invited us to engage with his worldbuilding mechanically, and then if you actually do that, it shatters like spun sugar under the pressure. doesn't he realize that's not the part of the story that's load-bearing! he should've directed our focus to the political machinations and extensive trope deconstruction, not the handwavey bit.

point is, as a fantasy writer there will always be some amount of your worldbuilding that boils down to 'because I said so,' and there's nothing wrong with that. nor is there anything wrong with making that your whole thing – airy worldbuilding can be beautiful and inspiring. but you have to be aware of what you're doing, because if you ask your readers to engage with the worldbuilding in gritty mechanical detail, you had better have some actual mechanics to show them.

I am Jewish. I am an anti-Zionist. I am always and forever pro-Palestine.

My grandmother was born in Palestine before Israel existed. My grandmother, who died less than a decade ago (in her 70s) was already older than the settler colonial state of Israel. Judaism exists without Zionism. Zionism goes against the Jewish religion. Zionism is white supremacy.

From the river to the sea Palestine WILL BE FREE

This video I filmed for my children while they were playing in one of the amusement parks in Gaza. I was looking at them and I was happy because they were happy, as if I had everything when I saw my children playing and laughing. But when the war happened, I almost felt helpless because I was unable to provide them with safety That's when our house was bombed and we lost many of my family members. I, my children, and the rest of the family miraculously survived. Then I was struck by a feeling of fear and helplessness. where I go ? Where can I find a safe place for me and my children?

I run from one place to another and there is hardly any safe place So as not to be too long for you, words are too small to describe this feeling as you see your children living in a bitter reality where there are no necessities for a normal life.

Please share my story so I can reach my goal raising €30,000

@nabulsi @awetistic-things @blackpearlblast

gofundme.com

Donate to SAVE my family from the war in Gaza - Rafah, organized by Amjad Sido

I am Amjad, 29 years old, a Palestinian from Gaza. I currently reside in Gaza.… Amjad Sido needs your support for SAVE my family from the w

gentle reminder you can rise up from everything. you can recreate yourself. nothing is permanent. you are not stuck. you have choices. you can think new thoughts. you can learn something new. you can create new habits. all that matters is that you decide today and never look back.

btw now is the best time to keep boycotting. the israeli economy has never been weaker. don't stop the protests or the demands for divestment. keep supporting organisations like the Hind Rajab Foundation and the Accountability Archive. ofc don't stop boosting and donating to Palestinians as Gaza is still uninhabitable.

enjoy this moment but the work has not ended