a thing im kinda proud of (that I passed to my teacher) and yes it is based on that cg of ashe; one of my favorite moments in the game ever!!
I wanted to name the artwork after the soundtrack that plays during this scene but I forgot the name so I just settled w what was happening in the scene
HEAR ME OUT on past kako duuuudddeeee
he's giving father🤞🤞🙏🙏🙏
Is this you core
GUYS THIS IS LITERALLY ME THIS IS ME PUT INTO WORDS
mitsukou nightlife is my love, mitsukou nightlife is my life, i thank aidairo everywhere that this arc exists as a mitsukou society we are so lucky that nightlife is real thank you for your time ◝(ᵔᗜᵔ)◜ !!
god if ace attorney don't stop showing up in my feed i might continue it and never stop and I can't deal with that rn....im weakening....
reading into irl ichiyo higuchi and dwelling on the statement that ichiyo was bound by the structure of acceptable writing for female writers at the time — having to recreate a performance of feminity which contradicted and moved around the actual way women spoke, & which notably did not come naturally to her — but managed to make it her own + express assertiveness within it nonetheless.
anyway this is all just to say that i'm so fond of the bsd higuchi-centric chapter which says she's not naturally suited the port mafia, but that she stays and tries anyway. the way she gains respect via throwing herself into a fight she expects to lose from the motivation of her love/loyalty for akutagawa. thinking primarily of ch.77 where tachihara's suitability to the mafia is defined in his recklessness, passion, and bravery— there is something to me there about how she makes those traits her own.
Every month I am reminded that underneath all the goofy hijinks and funny character interactions, TBHK is ultimately a story about loss, regret and most of all, love. It’s obvious when a major plot point revolves around romance but overall, it dissects all forms of love: platonic, familial, romantic and the self. It’s an examination on unhealthy relationships and the interpersonal issues that drive people to foster them in the first place. It’s a recital about grief and the struggle of knowing when to hold on and when to let go. It’s a timeless tale about the delicate balance of life and death, fate and choice, love and hate, etc. It’s a story about people trying their best to navigate their relationships. Each and every one of them. And I love TBHK so much for it
Doodle dump
1. Gumshoe and some hugs, Gumshoe squeezing Edgeworth and Phoenix and Maya
2. Kristoph
3. More hugs, disbarrment Phoenix with Edgeworth and Trucy
4. Bratfeen
5. Bratfeen on a date
That's It, I'm making a "Till is alive" folder or smth
Bc this is THE THIRD (that I know of) time that he get's grouped with Mizi and Luka
NEVER get into anything thats heavy on color symbolism bro . for months you will not be able to look at the color blue without instantly thinking of Squingle Dinglus